The Amazing Spider-Man II

Posted on May 1, 2014 by Tennyson

Vampire Owl: How can they release the movie on a Thursday? That too a Spider-Man movie which releases in the United States on Friday?

Vampire Bat: Because it is International Worker’s Day and Spider-Man is part of the working class, not the rich bourgeois class like Batman or Iron Man and neither is he an alien like He-Man, Superman or Thor. You remember he used to deliver pizza on an awesome moped when he was Tobey Maguire with Kirsten Dunst as Mary Jane Watson. And he is amazing as you can guess from the title.

Vampire Owl: So he thinks that he is amazing. I wonder how much? Does that make the movie automatically amazing? And that former trilogy of Spider-Man, it was not amazing enough?

Vampire Bat: He should think that he is more amazing than most of the other amazing superheroes, just like my dead cat, until it chose to go Neo and play Matrix in front of a Tata Safari. Let’s check for that “amazing” thingy right now, and make sure that he is not just a vain hybrid like many others. So we are having onion uthappam today?

Vampire Owl: That would call for lunch before or after movie?

Vampire Bat: Now, that is a clearly amazing question, as far as there is no spider in the lunch.

[Wing-rides to the multiplex].

What is it about? :: Peter Parker (Andrew Garfield) is trying to balance his life as both himself and Spider-Man as he tries to save the world, spend time with his girlfriend Gwen Stacy (Emma Stone) along with searching for the secret behind the death of his parents. As our hero keeps reminding himself of the promise he made to Gwen’s father, he keeps breaking up with her, sometimes she herself breaking up with him as he keeps talking about what her father said. Peter’s childhood friend Harry Osborn (Dane DeHaan) returns to the city to see his dying father Norman Osborn (Chris Cooper) who tells him that the disease is hereditary and he has been struggling to extend his life. As Harry takes over as the new CEO of his father’s business, OsCorp, he keeps trying to find a way to cure his disease. He finds that Spider-Man’s blood may give him a chance as he can heal himself pretty fast. He asks Peter to help him finding Spider-Man to which he says that he will try, but later shows up as Spider-Man to say no as he was unsure of what the results would be. Meanwhile Max Dillon (Jamie Foxx), an employee of OsCorp falls into a tank of genetically modified electric eels making him a walking electric generator, but is captured by Spider-Man as he creates chaos in the city. It seems that both Harry and Max now has one spider enemy – and the battle begins.

The defence of The Amazing Spider-Man II :: The movie has Spider-Man on a mission to save the city as well as his love life. He does that in style here. The shots of Spider-Man swinging around the city and then his battle with Electro are breath-taking not just for the sequences, but also for the environment. The camera work is stunning and everything looks so awesome in 3D or truly amazing to fit the title. There is that scene when Electro uses his special power of electricity on everything around him, and Spider-Man goes on to make sure that everyone around remains safe by flying through the air and shooting webs all around him. There is also that battle against the fully powered Electro who uses his power in such a destructive manner that Spider-Man’s moves looks so impressive as the world of electricity around him which seems to recreate its own beauty beyond destruction on the screen in 3D. How often do you see such beautiful devastation and a battle which is so much electrifying not just in the sequence, but also visually? Where else can you get a superhero so selfless and gives so much hope unlike some of the others who seems to get the viewers further into darkness and the absence of hope?

Claws of flaw :: Despite being the best Spider-Man ever, the movie also deals with the usual stereotypes, as the villain falls into genetically mutated trouble yet again, and transforms into something special from the nobody that he used to be. He often reminds one of Megamind‘s Tighten with his desire to be noticed. He is too much of a Mr. Nobody in the beginning, a lot more than what can be taken. His powers are rather too much, and his evil side is a little half-baked. The Green Goblin gets very less screen time too, an Harry Osborn doesn’t shine and only leaves us with potential to be awesome in the sequel. OsCorp becomes more of the opposite of the Stark Industries here. The final scene also seems to have been forced for the inception of Mary Jane Watson into the franchise. The plot’s other side which involves Peter’s dead parents are also a little over-used. I won’t say that this affects the movie much, and the negative reviews only reflect the critics’ horrible inability to enjoy this movie, and one can never attribute it as the flaw of this movie. How can someone see the special effects and 3D of this movie and give a positive review with them only? The negative reviews are rather a case of shame.

Performers of the soul :: Andrew Garfield as Spider-Man and Peter Parker does a fantastic role in the multiple personalities, and let nobody fool you about this superhero’s two-sided coin of a world. I would say that no other superhero’s alter ego is that powerful as Spider-Man can claim. Nobody has this much conflicts in the real life, which should be why heroes like Iron Man can live without a secret identity, and money makes it easy for him and Batman. This is where someone like Andrew Garfield does so well to suit, and forms a nice pair with Emma Stone who is there stronger than in the first movie. She becomes Spidey’s first true love like nobody can deny it. She has quite much to do, and powerfully contributes in saving the day as well as the movie. I would have preferred her with black or brown hair, but Gwen was supposed to have the golden one. Jamie Foxx comes up in different avatars, as he transforms from a Spidey fan to an attention seeking villain who wishes to get rid of his competition on television. Dane DeHaan is no James Franco, but he has given us hope of coming up as the arch-nemesis of this Spidey, like Jim Moriarty is to Sherlock Holmes and Joker is to Batman. He might not get that many claps, but gives us enough hope to bring a lot in a possible sequel – for this one is evil, and evil mind has just began to work.

Soul exploration :: Among all the superheroes, Spider-Man has been the most human, despite Iron Man and Batman claiming to have no real superpowers except for the help of superior scientific equipment and remaining closer to humanity. But what does Spider-Man give us? He was that superhero who gave us the best line to quote from a superhero movie not bothering the situation – “With great power. comes great responsibility”. There is no denying that Batman as the Dark Knight took off with so much style, and even his villains, Ra’s al Ghul (Liam Neeson) and Joker (Heath Ledger) made that powerful impact that no other super-villains could make. But there is something about Spidey, and it is that his villains have always remained powerful than him, and even with his superpowers, he is at disadvantage, and being the younger of the group, he also has to deal with more troubles, as he struggles to make his living. There is no other superhero who has his alter ego in that much troubles as he would have as a superhero. Yet, his battles are more interesting to watch than that of any other superhero, and there is the success of Marvel. He is the common man’s superhero. Yes, the verdict is that The Amazing Spider-Man 2 is amazing, no matter how fan-boys will try to degrade it.

How it finishes :: As Peter Parker says “Everyday I wake up knowing that no matter how many lives I protect, no matter how many people call me a hero, someone even more powerful could change everything”. But there is always another side to it, and for that, there is the graduation speech of Gwen Stacy. But some critics are still caught in the web of The Dark Knight, and refuses to come out. No disrespect to The Dark Knight, but it is a shame to think that it is the only great superhero movie, and there comes the fan-boys with an extra-terrestrial ability to overrate that franchise. It is high time they step out of it, or stupid Bollywood superhero movies like Krrish 3 will copy from Hollywood and make some complete retarded stuff, pay for positive reviews and create new record at the box-office. It is worthless to ask, but one has to wonder how someone can like Iron Man 2, The Incredible Hulk and Iron Man 3 more than this one? That was proved again with the positive reviews for one of the dumbest movies of all time, Noah. Or may be they have a case of arachnophobia, but I would give them the advice to take this movie as something which can take that fear out of them, use this to bring some love for the creatures, at least the smaller ones with no venom. Now, if it will overtake Captain America 2: The Winter Soldier as the highest grossing movie of the year is a question worth asking.

Release date: 1st May 2014 (India); 2nd May 2014 (US)
Running time: 142 minutes
Directed by: Marc Webb
Starring: Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Colm Feore, Felicity Jones, Campbell Scott, Embeth Davidtz, Paul Giamatti, Sally Field, Marton Csokas, Louis Cancelmi, Max Charles, Chris Cooper, B. J. Novak, Denis Leary

@ Cemetery Watch
✠ The Vampire Bat.

Highway

Posted on February 22, 2014 by Tennyson

The eternal wait :: The one question that I had to ask myself is “On the second day of October, what did the movie Besharam give to me”? It did take away seventy rupees, but I am not talking about that. The answer is a lack of interest in Hindi movies since that Gandhi Jayanthi had come up with terror which had me watch no Hindi movie at all for almost five months (yes, not even on the television). So, it was a necessity that I wait for sometime so that such disaster won’t happen too soon. But there is no denying the fact that I almost watched Jai Ho, but the show was housefull. There are not many movies that have been as hyped as Highway despite having no big male star right in the middle of the story. I always knew that the best thing would be to watch my next Bollywood movie in the form of Highway rather than any other. There have been so much talks about this movie like “what is it going to be?”, “what story will it tell?”, “Alia Bhatt should be so awesome in it, so its a sure watch?”, “isn’t it about Stockholm syndrome?” and so on. The Vampire Bat had heard so much or rather too much about the movie, and he finally decided to fly to the theatre on a motor-bike.

What is it about? :: Veera Tripathi (Alia Bhatt) is kidnapped just before her wedding as she goes on a night ride with her fiancee trying to keep away the pressures and tension of the big function. She is kidnapped by a group of criminals as they stop at a petrol pump. But as the gang realizes that she is the daughter of a rich and powerful man with links to the government, police and the army, they decide to cancel their plans. But Mahabir Bhati (Randeep Hooda) is not ready to give up as he takes her on a road trip away from the place so that they won’t be tracked. Even as she is initially bound and gagged by them, Veera gets more and more comfortable with her captors, and a bond develops between Mahabir and her. She feels free even as she is a captive, and feels so happy. She even refuses to escape when there is chance and feels that she should be with him for so much longer. She herself says that she doesn’t want the journey to end, as she has no desire to go back or go where the journey ends. But how long till her people finds them and the travel diary is put to a quick end?

The defence of Highway :: Most of the Keralites should remember a pseudo-travel movie with the long name Neelakasham Pachakadal Chuvanna Bhoomi and a big drag which begins with about fifteen minutes into it and ends only when the story finishes. Highway is far ahead of that one in almost all aspects, the most important ones being the acting and the visuals. Highway is a visually superior movie with its awesome locations, especially as it has succeeded in capturing the beauty of the paradise which is Kashmir. The beauty of nature becomes more and more joyful to watch as the movie moves on to the latter part of the second half, and it gets stronger and stronger by the time it reaches the end. Its messages of finding oneself and reaching beyond one’s fear are also stronger than ever. It’s use of the two protagonists, a man and woman, both having traumatic childhood works so well to touch our hearts. There is so much honesty in the way these are portrayed too, as there is no addition of stupid masala which makes worthless movies super-hits.

The claws of flaw :: The movie drags a lot, and shows potential to keep dragging. From the beginning itself, the movie seems to make the viewers feel that there is not much to come, even as it is wrong. The character of the lady protagonist is rather too far-fetched to make one believe. She seems rather crazy at times (loosely reminding us of the semi-kidnapped lady protagonist of the Malayalam movie Kilukkam), and her attachment towards a criminal who keeps threatening her comes rather too soon. Except for one or two songs which are okay, the music fails to get the attention of the viewers, and there are times when they come when not needed. There is also the use of other languages or may be variations of Hindi which was rather difficult to follow. There was the need for subtitles at least in it comes rather South. The movie takes one away from any kind of usual entertainment which is usually looked for in such a flick. It won’t give anyone the exaggeration that they might look for in a love story as this keeps that side plain and simple.

Performers of the soul :: Well, most of us won’t identify the faces in the movie other than that of Randeep Hooda and Alia Bhatt. The former (he is the reason why I lament missing John Day which had only one late night show here – who cares for good thrillers with non-superstars who can act, right?) comes up with a powerful performance of brilliance, even as there are less dialogues for him; we can strongly believe that this portrayal by him will be appreciated. We can surely expect a lot more from him. Alia Bhatt is there as the centre of everything, right from the beginning to the end. Even as there is some struggle, she seems to be custom made for the role, seeming to be in so much ease with her character. There are occasions when one would wonder if she does rather too much or a lot more than needed, but that should have come with the character. It is hard to believe that this is only her second movie, and I had missed her first one, Student of the Year. She remains incredibly cute throughout the movie and makes it impossible for any other actress to come up with a better performance in such a role soon. She is so dynamic and full of energy that just her presence keeps the whole thing working so well.

Soul exploration :: The movie is the story of two people whose lives get connected by just one act of crime, a kidnap. It comes up with a lot of things to think about, and it remains so close to being a movie of the soul even if not there completely. Even as not all of them remain close to the truths about life, it is evident that there is a clear attempt to bring to the scene as much humanity as possible; not without its troubles, not in the absence of the good side, yet not abandoning the darker side which tries to get closer to the human soul with more power than ever before. Stockholm syndrome is explored from one side while it continues to be a travel diary as a whole. There are realizations being made about life, and it changes both the kidnapper and the kidnapped in a journey which goes on for kilometres. As Saint Augustine of Hippo says “The world is a book and those who do not travel read only one page”.

How it finishes :: As the movie for which we have been long waiting for, Highway mostly delivers, thanks to the performances of the leading actors, the visuals and the message that it delivers. Despite the drag and the occasional inability to connect, the movie thrives in simplicity and that humanity which are its own Kraken and Leviathan in the huge ocean of movies this weekend. It’s emptiness is not of the soul, but of the physical world, and that is one void that everyone can afford to avoid. As Robert Frost says, when two roads diverge, you have to choose the one less traveled, and here it is Highway, and even as it might not go as expected, this one makes the difference, and there is no doubt about. But let me tell you, happiness is highly subjective, just like the opinions on this movie seems to be – ask Alia Bhatt’s character in Highway and she reiterates money can’t buy you happiness, or even anything close to that. So, if you are making a choice, think about all these factors mentioned above.

Release date: 21st February 2014
Running time: 133 minutes
Directed by: Imtiaz Ali
Starring: Randeep Hooda, Alia Bhatt, Saharsh Kumar Shukla, Pradeep Nagar, Durgesh Kumar, Arjun Malhotra

@ Cemetery Watch
✠ The Vampire Bat.

Drishyam

Posted on December 23, 2013 by Tennyson

The vision right here :: Translated as “The Sight” or may be as “The Visual”, and produced by Antony Perumbavoor under Aashirvad Cinemas, Drishyam is that movie which gave me big trouble in writing the title in English; whether it was Dryshyam, Dhryshyam or Dhrysyam with a lot of variations replacing one “y” or the other with “i” or both with “i”. But about the decision to watch the movie, there was absolutely no doubt. This movie released on a Thursday, a day before the flow of the weekend movies started, and had already come up with good reviews from both the critics and the audience. There was absolutely no reason why I wouldn’t watch this movie, as there were so many people asking about why I haven’t watched this movie, and I decided to book a the tickets, and there was never a better decision in the recent times, as the tickets for the movie was sold out everywhere in a flash, and much faster than Dhoom 3 – its trailer had said that the year would end with a “dhoom”, and now we know that they were talking about Drishyam, and not on some weird movie with strange characters doing stupid things on motor-bikes.

What is it about? :: Georgekutty (Mohanlal) is an orphan who has studied only till standard four, and Rani (Meena) is his wife, a simple woman who failed in standard ten. They have two daughters, Anju (Ansiba) and Anu (Esther Anil) and are leading a happy life in a village background. Georgekutty is a simple farmer who runs the business of a cable television business named after his wife along with being a farmer; he is loved by most of the people of the village has the image of a nice, innocent man. Still, he doesn’t back away from having opinions about most of the things of the world, which makes him the enemy of Sahadevan (Kalabhavan Shajon), a local cop. But as a simple incident changes their life, they are forced to prepare for the worst, and save their family together, as the common man who lags in education decides to take on the law which comes after them. Will they succeed in their mission or will the family break apart due to the power of external force lead by the Inspector General herself? Anything more said about the movie is rather giving away too much, and the rest is to be seen.

The defence of Drishyam :: Here is another thriller on the cards, after having Mumbai Police and Memories this year gaining critical acclaim as well good box-office collections. The thriller genre is indeed gaining the support of the audience, and even Up and Down: Mukalil Oralundu and Silence had enough of the average stuff inside them. Memories might still be the best investigative thriller this year for every one, as long as this one categorizes under a family thriller. The movie’s first half is a full family drama with light shades until the one major incident that happens just before the end of the half, taking the tension into the space after interval. There is the simple life of ordinary people close to nature portrayed throughout, something which is of goodness and dedication. The second half brings the thrilling twist to the world as the darker shade creeps in under the disguise of law. There is so much brilliance and beauty in the way the story is told, especially in the second half. There is the mixing of the right features that make this one a movie for more than one kind of person.

Positives and negatives :: We are indeed caught in that world of uncertainty which no real assurance of what is to happen next, as an illiterate village guy takes on the educated smart people, but still there might be a little dragging in the first half, and it is just after the interval that the movie actually takes off as it is. The songs are just ordinary, but the performances are top class. The first half does have some ineffective jokes, and there is too much coming from a man who learns how to beat the police with the help of movies. You can actually come up with the need for disbelief, but considering the world that we love in, nothing is impossible, and as the demonic Overlord would say, evil always finds a way. Power and influence always got the upper-hand, and when the common man fights for his family and his world, it is always something that inspires millions. As George Orwell will give us through his Animal Farm, “All animals are equal, but some animals are more equal than others”. That should be another reference to the 2009 movie Ividam Swargamanu, which itself is mentioned in this movie as our hero goes to work on his land. Let’s add that this one is more emotionally touching and less complicated than that one.

Performers of the soul :: There are many directors who might have the best records for many, but for Jeethu Joseph, it is a perfect record when I look at it, with the most interesting thriller of a decade Detective, the best family drama of its age Mummy & Me, the funniest movie of last year My Boss and the best investigative thriller of this year, Memories – there is his perfect record, none of the movies deserves below 80/100 in my opinion. Even with the lesser number of movies, he is already among the best, no doubt about that. Mohanlal is back with a role where he perfectly fits in, reminding us of his performance in Ividam Swargamanu, or rather a role which is even more worthy of being loved – once again the farmer who fights for his small world. There is no longer a hero who transforms into a superhero who beats up the opponents, and he excels as the common man. It is good to see Meena back opposite Mohanlal after Chandrolsavam (2007) and the performance of Kalabhavan Shajon in a negative role is worth mentioning. Asha Sharath also remains strong throughout her presence. Meanwhile, the kids are just brilliant, and they are strong pillars of this movie – I hope that they will stay for long.

Soul exploration :: In its soul, Drishyam is more or less Ividam Swargamanu, even if not so in the presentation as well as the genre. The two characters instantly likable, and we are on their side right from the beginning to the end. Here Mohanlal plays Georgekutty who fights the law for his family in the place of Mathews who fights the law for his land. Both are quite innocent characters who are looking to save their respective worlds. Both movies have the protagonists who are not that educated common men who are on the back-foot most of the time. But this movie has the whole thing more under the control of the protagonist, and the external help he receives is much less. There is no law being used in the favour of him, but there is surely the appropriate use of media. Georgekutty is better planned, all by himself throughout the movie, and even as he suffers more, right from the beginning to the end, everything has been under his control. There is no real corruption in this movie, but there is just power and influence which troubles the common man. The end is indeed a very good, and not without the twist that was needed.

How it finishes :: Drishyam is indeed the winner of the weekend and the movie of Christmas. The movie is in many ways the triumph of goodness when placed against all kinds of problems. There is always evil and sin which often takes many forms and can sometimes rise above the law, and all that decisions belong to the fine thread that fate has woven for each man and woman unless Grimm Reaper decides to cut that thread with his scythe. But the movie ends up as the victory of the common man in his ability to do the right thing. The movie also asserts that there is nothing like family. The real immediate world is family, and without love and mutual co-operation, there is no such world in reality. We do not live for the moment or anything, as we live for the world, which is family – and most of us might have troubles with our blood, but none of them can stand the power of time, and problems and our struggles bring us together. It is never too late to find our little world as well as our role in it. Drishyam is the visualization of the struggle of a common man for the family, and there is brilliance in store.

Release date: 19th December 2013
Running time: 164 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Meena, Kalabhavan Shajon, Siddique, Asha Sharath, Ansiba, Esther Anil, Roshan Basheer, Koottickal Jayachandran, Neeraj Madhav, Irshad, Kunchan, Antony Perumbavoor

@ Cemetery Watch
✠ The Vampire Bat.

Frozen

Posted on December 1, 2013 by Tennyson

Ice and Snow :: Here is something from Robert Frost: “Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice” – I would remember those lines from the poet very often. It is only my second favourite from him after “Stopping by Woods on a Snowy Evening”. Lets leave the fire to any of the fire elementals and fire-breathing dragons as that would be another story. Let bring ice and snow; as the poet would love to watch the woods filling up with snow, and also talk about that destruction by ice, we were given those thoughts about snow and ice, not something people of this part of the world are too familiar with. Yes, the interest in snow was nicely built up to such an extent that I had winter wallpapers on my desktop for a very long time – that started when I was a kid, and we had the latter poem to study in the earlier classes, and the only thing which I liked slightly better was “Daffodils”.

What is Frozen? :: All that talk about ice and snow would take me back to the only one animated movie in the theatre right now. There is nothing repulsive about that feeling, as I am not talking about that 2010 movie when people get trapped in the snow and get eaten by wolves. Well, that was a good movie too, but that kind of atmosphere never comes to the picture this time. I have always felt something about snow, but I have never seen it with my eyes or felt it. I have felt the temperatures close enough to zero degree Celsius, but never snow. Then I decided to experience snow in 3D with a movie, and from the current situation, I am pretty sure that it is the closest to falling snow that I can get. To add to it, this one is also the next brilliant animated movie from Walt Disney after Tangled. Brave was not bad, it was of inferior standard compared to the other Disney movies. The rest didn’t interest me either. But, after a three year gap, Frozen has made me fall in love with Disney yet again. It came in 3D and with the AC in the theatre, it was a world of snow, and it was alive with all the emotions.

The Setting :: The movie is set in the kingdom of Arendelle, a world of magic. It is the story of two sisters, the princesses of the kingdom, Anna and Elsa, with the latter having the powers to manipulate and control the elements of frost. But as the latter’s powers accidently hits the former while playing in snow, her life is only saved by a group of trolls who erase the memory of Anna and warns Elsa of her powers becoming too powerful for her to control. As days pass, Elsa becomes more of a recluse, afraid of herself and unable to control her powers and thus transforming her room into a snow world and keeping away from Anna who doesn’t know what keeps them apart. The doors of the castle are kept closed so that nobody comes to know about the secret. Anna also keeps to herself and the world inside the castle. The king and the queen takes special care to the fact that the balance is not broken, and the world remains the same.

What is it about? :: The action takes place three years after the death of their parents. The children have grown up, and despite the reclusive nature of Elsa, she becomes the default heir to the kingdom and has to fight her inner demons of frost to take over the throne. The gates of the castle are finally opened and people come in. Anna takes this as an opportunity to fall in love, as there would be celebration and she can search for her true love. She meets Prince Hans of the Southern Isles and falls for him. Elsa somehow manages to keep her powers inside until Anna tells her that she wants to marry the prince whom she just met. Elsa refuses to grant her blessings for her sister to marry someone whom she doesn’t really know much about, and as a result, there an argument which leads to the powers of Elsa coming out in the form of ice, and even reaching that extent that the whole kingdom is covered in snow and even the ships get stuck in the ice as she flees to the top of the mountains in the forest. But Elsa is feels herself responsible and is determined to bring her back with the help of a mountain man, a reindeer and a snowman.

The defence of Frozen :: It is the best use of snow and ice in a movie after Rise of the Guardians, and the best animated movie since the release of that one in December 2012. Well, that one had an ordinary box-office performance, but that won’t be the case of Frozen, one can say that. The movie’s most adorable part is its snowman. The movie’s treatment of the story and characters are interesting, as there is no big villain out there, and the snow queen doesn’t go the evil way. There are lesser evil people for sure, but none extreme. The act of true love is no longer romantic, and that is the best part- there should be sacrifice. There is also the stupidity for frail romance and the vain “love at first sight” theory mocked. The songs are beautiful and its visual treat is even more stunning. Frozen makes Brave looks like a little creature who can only say “precious”. How did that creature win the Academy Award for Best Animated Film is still a mystery for me – it was so empty with a lead character who makes people wonder if their sons and daughters are better as reckless, shameless children who defy their parents who know what is better? Well, our heroine here knows the importance of family.

Plus and minus :: There might be too much music for the elder people, even as the humour can keep them attached to the movie. It is also very loosely based on Hans Christian Andersen’s The Snow Queen (similarities are to be created rather than found). The heroine reminds one of Rapunzel of Tangled, not used to going out of her world and being in love with a random person whom she meets on the way while pretending to be courageous and smart. Yes, there is that reindeer instead of the horse and our snowman is indeed better than that chameleon. You will love his ideas about summer, that is for sure. Its a little bit of doing the same thing under disguise, but the fact that it is enjoyable, and there are some good addition makes this fantastic. Elsa is more like X-Men‘s Rogue controlling her powers only with her gloves, and there are trolls who are more like dwarves – funny ones for sure. If Anna catches out attention, Elsa melts our heart! If you don’t like snow, then this movie will lose its awesomeness of 3D snowflakes and everything visual. Yes, it is better than Despicable Me 2, the overrated animated movie of the year which was also very good.

How it finishes :: Frozen comes up with so much goodness, and the message of sisterly love and affection, and it supports one’s right to be different (even as the variation in the character of the so called chivalrous prince was rather too much). Its assertion that love for beauty is so much flawed, and its call for the society to accept the people with differences and also asserts one’s right to choose to be alone. It is only family that can deny the same. It is a true musical fairy tale in the form of an animated movie. Even as there could have been more in store concerning the cold and darkness (as said by Boogeyman in Rise of the Guardians), and there could have been more concerning the frost powers. But for now, we can be satisfied with the power of true love and all that ends well, and as they all live happily ever after – not that much of a spoiler there, as you all know how these movies are to end; even our snowman gets his own snow cloud to follow him during summer. It is our movie of this weekend – The Hunger Games releases here next week!

Release date: 29h November 2013 (India); 27th November 2013 (US)
Running time: 108 minutes
Directed by: Chris Buck, Jennifer Lee
Starring (voice): Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, Alan Tudyk, Santino Fontana, Ciarán Hinds, Chris Williams, Jack Whitehall

@ Cemetery Watch
✠The Vampire Bat.

Warm Bodies

Posted on July 3, 2013 by Tennyson

Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”. This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich

@ Cemetery Watch
✠ The Vampire Bat.

Man of Steel

Posted on June 15, 2013 by Tennyson

Behold this moment, for this is that period of time when our childhood superhero, the most popular one of that time, would seem to be someone else when we look at the name of the movie which features him, but then we realize that he is still Superman. He is the Man of Steel, as Batman is the Dark Knight, both rises and without any doubt, both would end. Both have changed and evolved so much that one can no longer use the common joke about Superman and Batman, what differentiates them from the common man without superpowers is the way they make the underwear into outerwear; for The Dark Knight and the Man of Steel no longer comes with the same, may be they found it incredibly difficult to find one, or in more modern terms, it doesn’t suit the new generation of so called stylish people who despite their own traditions in every possible way. It is still good that they have learnt that what is to be worn inside should remain inside. Actually, they are both not the superheroes who continue the legacy, as they move out of it. Another thing is about this Steel Man and the Iron Man; considering the success of the Man of Iron, may be Man of Steel can make an impact close to enough to it, at least with the adults who still think Superman is a little childish, and with no doubts, too powerful for anyone to like. So, this is a new superhuman, as the alien takes a turn at the road not taken except for Christopher Nolan’s Batman.

This movie begins in another solar system, another galaxy, which might be strange for a superhero movie, as it is not usually expected unless the protagonist is He-Man of Eternia with all the focus on Castle Grayskull. But, this is a change which works quite well. We see that when the planet Krypton is facing total annihilation due to an unstable core, Jor-El and his wife Lara launch a small spaceship carrying their newborn son Kal-El and a genetic codex. Zod arrives in time, but fails to stop the launch; in rage, he murders Jor-El, but is captured, and he and his supporters are imprisoned in the Phantom Zone, a prison which holds its prisoners who suffer for almost eternity, thus serving as a device for damnation beyond the control of Satan. But they manage to escape when Krypton explodes and their control over the jail is gone. They travel around different planets looking for life as well as things to salvage. Meanwhile, Kal-El lands on Earth and is discovered by Jonathan and Martha Kent, who name him Clark and raise him as their son. So, the Earth’s location and its peculiarities provide the kid with superhuman abilities, which he manages to control with the help of his foster parents. This is where Superman begins his second phase, and the first known phase of this whole sequence of origins.

Living a wanderer’s life fearing for his own power and the possible reaction of the people of Earth about his strength and abilities, he finds a Kryptonian spaceship fron under the ice and meets the hologram of his own father which explains to him more about himself and his origins. The Daily Planet reporter Lois Lane comes to know about the same, but decides not to publish about him without his consent. Meanwhile, Zod finds his existence and comes to Earth with his followers and it is where the twist of fate takes place and the fun begins with the life or death situations, not just for Superman, but also for all Earthlings, all threatened by the superior technology and weapons of the Kryptonians as well as their superhuman strength on Earth. As he plans to terraform Earth and make it another Krypton, eradicating the whole population and replacing them with the Kryptonians with the help of the genetic codex, Superman chooses the side with which he is not supposed to get along despite his own evolution, that is humans. This is the choice which will define him in what is to come, as he is the alien, ghost as well as the guardian angel. With the help of the military and whatever is on his side, he has to prepare for the final battle, as the Kryptonians launch a world engine which terraforms the planet.

I guess Zack Snyder’s movies have never really disappointed me it, as Dawn of the Dead was good, Watchmen was even better, 300 was very impressive, Legend of the Guardians: The Owls of Ga’Hoole had my attention, Sucker Punch was much above the expectations, and here is Man of Steel which raises the expectations for the upcoming 300: Rise of an Empire for which it is incredibly difficult to wait. That should be a hundred percent record which is not seemingly inclined towards being broken. To add to it, the Greek hero of Immortals & the fairy tale princess-to-be from Enchanted make such a genuine combination on-screen even between such complexity and duality which surround an extraterrestrial heritage of thirty three years. Henry Cavill makes that super impact while Amy Adams as Lois Lane makes that character much more dearer to the viewers. Princess Giselle or Amelia Earheart from Night at the Museum: Battle of the Smithsonian will now be more of Lois Lane, and that less known Theseus surely has a more powerful real demi-god status this time. But this Superman is not just any other alien, as he is more human than any of the most wretched Earthling. He is more concerned about Earth and human life than the average common man who feeds on his own people and the mother nature. Superman is less involved with that title “super” which is a relief, as it is that word which one uses as a lie when many other words fail; welcome relief again.

As the movie is more inclined towards the Dark Knight series in its theme, but still resembles The Avengers in its alien invasion sequences, there is more to look forward to. Michael Shannon plays the impressive villain, General Zod – an iconic supervillain for sure. The villain is made for what he does, as the newborn babies are all created to be someone; to follow a path or duty – there is no moment when the person looks less focused on the one aim which is the return of Krypton’s life. It is more of a reflection of the current age, when the children are programmed into professional courses, rather than letting them make a choice. The result is just a profit-oriented world without morality and values, slowly moving towards total annihilation as in the case of Krypton. Antje Traue as Faora makes the villain’s sidekick, may be even as good as the General himself. Going back to her role in Pandorum, she is that person one might wish to watch in most of the action movies. Her fight sequence with Superman can be considered second only to the final battle. Laurence Fishburne as Perry White, the editor in chief of the Daily Planet, is that role which is surely going to be explored a lot in case of a sequel. Kevin Costner and Diane Lane plays the roles of Superman’s adoptive parents, and Russel Crowe and Ayelet Zurer his real parents from Krypton, providing some of the best emotional moments of the movie.

The movie is about choices, as Superman chooses to be human and not of his kind, and also chooses to hide between the people with whom he doesn’t belong. He also chooses to end his planet’s last hope of survival by helping the Earthlings. That might have brought the end of his culture and heritage, and all those which he could have achieved as the hero of his own race. In all these decisions, he makes him the most vulnerable, more mentally than physically. Superman is more of a man than the super being, something we could never associate with him during our childhood. Right now, it will be just right to say that he has made himself the most righteous superhero, many times better than Iron Man, and also above his nearest competitors who are Batman and Spider-Man. Well, this is set to break box-office records for sure, and it is already pulling in too much crowd at this part of the world even for those shows which are usually not even a quarter full. The lower critical ratings of this movie compared to the ones like The Avengers and Iron Man 3 forms another thing which is out of this world. The former has such ratings that even Superman might decide to choose any random Kryptonite prison for eternity rather than seeing these one-sided opinions which so many people are actually forced to believe. The movie also proves this dialogue from Kill Bill wrong: “Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he’s Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone. Superman didn’t become Superman. Superman was born Superman. When Superman wakes up in the morning, he’s Superman.” Superman became superman because Earth made him so; he was nothing at Krypton. Everybody has life molded by choices, whether it is Superman, Count Dracula, Batman or Skeletor, and it is faith, belief and hope that guides one side, and the exact opposites the other.

So, Man of Steel is a must watch for all action fans, as this genesis go back to the planet of Krypton with stunning visuals and powerful sound effects. There is still the emotional element which has not let go; not yet. The effect of The Dark Knight series is also something which seems to hide, but still stays there. The action sequences are breath-taking, and one can see how well one superhero does all that the whole team in The Avengers could barely manage to do – some might disagree, and they can have enough reasons for that. Here is the man who can smash and also get beaten up like the Hulk and Thor, be aggressive and agile as the Iron Man, be righteous and true to the cause like Captain America, be as accurate as the Hawkeye, and be a better fighter than the Black Widow. This one has won the battle of superheroes this year, as Iron Man 3 would surely have to take the backseat, not by a long distance though, for both would seem to belong to different genres as we consider the souls of them. Thor: The Dark World wouldn’t stand a chance as far as the things seem to be now. This is where you see the need for He-Man and The Phantom again, but this year has been booked by the alien from the other planet, and there is nothing to be done other than to watch this one and enjoy it.

Release date: 14th June 2013
Running time: 143 minutes
Directed by: Zack Snyder
Starring: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Russell Crowe, Laurence Fishburne, Antje Traue, Ayelet Zurer