Metamorphosis

Posted on April 25, 2020 by Tennyson

Vampire Owl: Do you know that some of the vampires in our group are having a great metamorphosis these days?

Vampire Bat: Vampires are having metamorphosis nowadays? I thought that it was more or less of a werewolf thing.

Vampire Owl: Yes, it used to be. Only the zombies and witches had a small share of the same in the recent past.

Vampire Bat: So, vampires are becoming more or less similar to those people.

Vampire Owl: Yes, but our metamorphosis is rather different in comparison. We metamorphose into something greater, or rather magnificent.

Vampire Bat: Aren’t we magnificent creatures already?

Vampire Owl: Magnificence is no longed counter in the same terms. We are using a new unit to measure it.

Vampire Bat: But, a metamorphosis now is not something that we can afford.

Vampire Owl: Yes, but Doctor Frankenstein has discovered a different method which is cheaper and of a better quality.

Vampire Bat: Mr. Frankenstein! I know that there was someone like him behind all these happenings in the castle.

[Gets an onion vada and three cups of mixed tea].

What is the movie about? :: The movie begins with an attempted exorcism on a young girl who is tied to the bed inside her room. In the beginning, things seem to go on without much of a trouble, and the demon seems to be a weak entity, listening to all the prayers in Korean and Latin, not taking over the girl’s actions or words. But all of a sudden, it turns violent, leading the girl’s mother to come in, making the priest lose his control over the incantations as well as the demon, which takes the girl to the window, making her suicide. But before commiting suicide, the girl and the mother of the girl, both mocks the priest, and tells him that they are as old as God, and the Supreme Power has forsaken him, all these being the will of the Almighty. The priest who is originally named Joong-Soo (Sung-Woo Bae) decides to leave priesthood after being blamed for the girl’s death, but the diocese and his superiors do not approve of it.

So, what happens with the events here? :: As Joong-Soo who has struggled to keep the memories of the demons away, his brother and family moves into a new home in the countryside. Gang-goo (Dong-il Sung), his wife Myung-joo (Young-nam Jang) and the children, Sun-woo (Hye-Jun Kim), Hyun-joo (Yi-Hyun Cho) and Woo-jong (Kang-Hoon Kim) have a bigger home at the countryside with a lot of space both inside and outside, but things do not go as expected in the new place, as there is there is something strange going on there. The problem start with their neighbours itself, and there seems to be something weird going on with the person who is staying at the place too. There is undoubtedly a demon out there who is taking possessing people and taking the shape of humans. The family only has one person to turn to now, but if that person can do the exorcism or not is something that is to be seen.

The defence of Metamorphosis :: Being a movie about demons and exorcisms, it does have that, even though there is a certain shortage for sure. The power of exorcism is shown in the beginning as well as the end, and there is some fine display of creepiness with the neighbour’s house and the talk of the demons. It has blood nicely used, and having the evil entity more powerful than everything has more to be lost in this flick. Well, this time, the demons go personal, and it has more powers than one can imagine, making the idea of defeating it rather difficult and complex, especially with a failed exorcist trying to do the same. The scares are there, but there are limitations considering the fact that not many things scare people these days. The demons don’t have the belief in them coming from people in the modern world, but the movie does manage to rise above it, thanks to the visuals and the performances.

The claws of flaw :: It seems that the Korean film industry is trying a little too hard to find its perfect exorcist movie, just like the zombie movie was found in Train to Busan – the signs can be seen in this movie, where it struggles at times to keep it as what the flick was supposed to be. When you have a shape-shifting demon in your pocket, you are supposed to make more out of it, especially with the scares regarding who is who, and more like who is the demon and who is not. It was that demon who could have had its origin stories and had the strength to keep the whole thing creepy throughout its presence, but that is not done here. The movie also doesn’t use the protagonist’s guilt that much, and comes up that creepy scene in the shower, another one over the bed and another one in the dining room, all of them needing a boost to rise above the usual. Yes, cliches are going to be found here, and repetitions too.

Peformers of the soul :: Metamorphosis, as many other horror movies, has to depend on its demons and exorcists more than anything else. With the demons, it remains safe as usual, as they never stops doing what they were to do in a world of horror and demonic presence. Sung-Woo Bae plays the priest and the exorcist, and we see that he makes a fine priest in the movie, working through the terror very well. Dong-il Sung plays the father figure really well, with the concerns over his daughter worked nicely. Young-nam Jang plays the mother, and that is also done well enough. Among the children, Hye-Jun Kim stands out, as she plays the responsible elder sister, and she also gets to be part of more of the exorcism – she is the believer and the one with most faith than anyone else. Yi-Hyun Cho plays the younger sister who is not the kind of person who is happy with the family, and that also works out well. The rest of the cast adds on well too.

How it finishes :: Another interesting movie about demonic possession comes into the picture with Metamorphosis, and it is something which you can depend on, because it mostly follows the usual pattern, but is not without some divergence here and there. It can be considered as that kind of a movie which stays close to Hollywood flicks like The Conjuring, Annabelle, The Nun, Insidious and The Vatican Tapes, but still manages to bring something which the regular English movie won’t dare to bring, unless it is something like It Follows, Lights Out, Don’t Breathe or The Autopsy of Jane Doe – the movie which could show full divergence. Metamorphosis is the kind of movie which can at least give the usual horror movie with demonic possession horror, even if you don’t like the deviations brought about here, and so the movie makes a safe title to watch among the rest. But you are most probably going to find it to be something more, depending on your taste.

Release date: 21st August 2019
Running time: 113 minutes
Directed by: Hong-seon Kim
Starring: Sung-Woo Bae, Dong-il Sung, Young-nam Jang, Hye-Jun Kim, Yi-Hyun Cho, Kang-Hoon Kim, Se-hee Kim, Jeon Mi Do, Kwi-seon Kim, Dae-han Ji

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Divine Fury

Posted on April 21, 2020 by Tennyson

Vampire Owl: We are certainly not used to watching Korean movies.

Vampire Bat: Yes, but we make exceptions with some of those films

Vampire Owl: I think that the last two Korean movies reviewed around here were The Wailing and Train to Busan.

Vampire Bat: They were the only two movies of that particular language which were reviewed here. The other big movies were Chinese.

Vampire Owl: Yes, The Mermaid and The Monkey King 2. I remember them. There were two short-films too, I guess.

Vampire Bat: After that, the total number of movies watched itself was decreased, and there was no chance for Korean and Chinese films.

Vampire Owl: Well, we are back here watching them though.

Vampire Bat: Yes, there is always more movies to watch, except at the theatres during the time of Corona Virus.

Vampire Owl: That time too will pass, and we will be back to watching the latest movies at the theatres.

Vampire Bat: I shall display no doubt regarding that statement, so that I can hold on to some more optimism at the time of crisis.

[Gets a pineapple cake and three cups of masala tea].

What is the movie about? :: Yong-hoo (Park Seo-joon) is a martial-arts champion who keeps winning all his fights as if he is seeking revenge for the death of his father, who was murdered while doing his duty as a police officer in the city, and his mother who had died even earlier. He feels that God didn’t listen to his prayer when he was a child, and left him an orphan, and the wrath which he possessed from the same feeling helped him to become the fighting champion he ended up to be. But one day, he has an injury on his hands, which he shows at the hospital, but after a number of days, it only gets worse with the doctor confirming that it is not an infection, and he should show it at a bigger hospital in the city. Finally, he decides to meet a new shaman, a blind young girl who has a connection with the spirit world. The girl finds out that there is something evil about him, and refers him to the priest at a local church.

So, what happens with the events here? :: There he meets Father Ahn (Ahn Sung-ki) who is performing an exorcism, and with his wound, he is able to help him. The priest reveals that it is stigmata, the bodily wounds which were imposed on Jesus Christ while he was undergoing crucifixion. He also added that it would appear only on those people who have strong faith. It surprises him though, as he has never known faith after his father died. But, as time passes, he gets involved in what the priest has been doing, including getting rid of the demons, as there is nobody else who is willing to help him in the dangerous exorcisms. He slowly and steadily begins to regain his faith in God, but there is a bigger evil in existence in the city, and soon enough, they need to find it. When they exorcise a demon from a young girl Soo-jin (Park Ji-hyun), the priest comes to know about it. Can they do it early enough, or will darkness envelope the city? What would be the key to defeating the demons they don’t know much about?

The defence of The Divine Fury :: There is something about The Divine Fury that you will find different, or rather many things, as you approach it as a horror movie, but that is only one side of it, while having your journey through the film. The movie basically blends many things, including action sequences, mystery, thrilling moments and others of emotional bonding. The emotional side to the movie also remains strong between all these action and horror. The movie has a run-time just a few minutes more than two hours, and we get through that quickly, as there is no slowing down the action here, for the demonic presence is always there. The final action sequence somewhat reminds one of Constantine, even though not that much well done, and there are some nice punches and kicks being landed in the end. The final shot of moving hands from the well is really creepy, and so are the exorcisms which are well done, especially that of the young girl and the kid.

The claws of flaw :: The movie doesn’t really begin so well, and it gets interesting with the first exorcism which the protagonist partially witnesses. There are many other approaches which this movie could have taken too, but it often chooses the easy way, especially with some parts giving the impression that we have watched all of these before. People might think that there is a little bit of too much speech about God and faith going on right through it, but it is a necessary part of the movie. The final action scene could have been made somewhat like the John Wick fights between the lights, and the demon in the end could have also been scarier. We could have also used more exorcisms, and the philosophical dialogues could have been quickly done with. The villain could have actually had a better background and backstory too.

Performers of the soul :: Park Seo-joon plays the main character, and he has some interesting movie titles under his name. We can witness the changes that come across him clearly, as we see the journey shown nicely. Ahn Sung-ki as Father Ahn also makes a perfect priest, and his dialogues about almost everything catches our attention – there are words of wisdom from him which we might miss, if we are not careful enough. From the first moment he is seen in the exorcism scene, we know that he would be the right priest. The two also share some funny moments too, even though the seriousness of the situations stay as it is. Woo Do-hwan doesn’t really fall behind much either. It has to be noted that the movie has managed to have some fine performances from the supporting cast, especially those who plays the possessed, starting from the young girl played by Park Ji-hyun. You have to look out for them every time.

How it finishes :: The Divine Fury is the movie that deals with exorcism and the demons in a very different way compared to what we have seen in many different movies, from The Conjuring, The Nun and Annabelle series or the good old Insidious franchise. There is also the hope for a sequel known as The Green Exorcist. I will surely be looking forward to it, as this is the kind of movie which Hollywood will find difficult to make, and the Korean movie industry has nicely made one movie which could stand apart, even though not without its flaws. Do not get fooled by the comparatively smaller rating given to it when we consider some other popular Korean movies, because this one is not a pretender, and it goes through things directly. If you want to watch a good action horror movie with martial arts and exorcism running through it along with some philosophy, do watch this one.

Release date: 31st July 2019
Running time: 129 minutes
Directed by: Kim Joo-hwan
Starring: Park Seo-joon, Ahn Sung-ki, Woo Do-hwan, Park Ji-hyun, Jung Ji-hoon, Sim Hee-seop, Seo Jeong-yeon, Jo Eun-hyung, Kim Seon-min, Jung Eui-soon, Kim Bum-soo, Lee Chan-yoo

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Polaroid

Posted on April 19, 2020 by Tennyson

Vampire Owl: I have heard about this case of a vampiric camera.

Vampire Bat: There is no such thing as a camera for vampires. We don’t even appear on the mirror unless we take the necessary measures.

Vampire Owl: I have heard about this camera which kills people.

Vampire Bat: It could be a werewolf thing. They are the ones who are really interested in cameras, posing for photos all the time.

Vampire Owl: What about the zombies?

Vampire Bat: They haven’t really invented the camera yet. The zombie lands are just trying to come out of the stone age.

Vampire Owl: I am sure that they won’t be able to do that any time soon.

Vampire Bat: Stone age actually suits them, but surely the camera won’t.

Vampire Owl: So, what are your thoughts on a camera which kills the people whose photos are taken on it?

Vampire Bat: It is a good way to kill those people you don’t like, I would say.

[Gets a paneer dosa and three glasses of mixed fruit juice].

What is the movie about? :: Sarah Dawson (Madelaine Petsch) and her friend finds a polaroid camera among the items left her mother, the former takes a gorgeous photo of her friend to show to her boyfriend, but the friend finds a shadow standing at her back, and is hunted by a mysterious entity which keeps coming for her at night, and it finally twists her neck and kills her. Much later, the same camera is found by Tyler Drew (Davi Santos) who gives it to Bird Fitcher (Kathryn Prescott), a shy teenager whom he has a crush on, and also lets her take his photo to test it. Bird, who goes home, decides to go on a party with her best friend Kasey Walters (Samantha Logan) who gives her a Little Red Riding Hood costume to attend the programme which is hosted by Avery Bishop (Katie Stevens), one of the much adored girls of the school. On the way, Bird sees a shadow behind Tyler in the photo, which she considers to a problem with the print.

So, what happens with the events here? :: At the party, she takes the photo of Avery and Kasey, along with some other friends including Mina Rodriguez (Priscilla Quintana), Mina’s boyfriend Devin Lane (Keenan Tracey), and her own high school crush Connor Bell (Tyler Young), offering a better quality printed photo in an instant which they can keep instead of getting lost among the thousands of photographs on a random mobile phone. After the party, Bird is informed by Sheriff Thomas Pembroke (Mitch Pileggi) that Tyler was killed inside the antique shop where she was also working. During the same night, when everyone else had left, Avery is killed by the same entity which murdered Tyler, and Bird who finds the shadow no longer in his photo, but in the party pictures, gets tensed, and tries to destroy the camera, but fails. Nobody seems to feel the need to believe her. Now, she has to find a way to save them all, but will she have them in time before everyone gets killed one after the other?

The defence of Polaroid :: There is not much that Polaroid doesn’t try to do, as it is sure that the focus has to be on the camera, and it establishes the same in the beginning stages itself, starting the killing spree, just a few minutes into the movie. The idea here is really good, and there are moments when the movie seems to be struggling, and then it comes up with something more. It manages to put some twists and turns in there, related to the antagonist, and the incidents which had happened before this ghost came into the scene. The visuals are good, and the surroundings are nicely chosen – the darkness is used well, and so are the sound effects. The evil spirit is nicely established as the one thing which cannot be stopped, early itself, as trying to destroy the camera and the photos taken on it won’t work. With a short run-time less than one and half hours, the movie handles everything directly and without confusion.

The claws of flaw :: With a camera at the centre of everything, like the tape in The Ring movie franchise, this one could have achieved more. After all, those who get their photo taken by the camera dies, and there is a serial killer past behind it – such a case is certainly worth more. It does leave the feeling that we have seen all these before, on many different occasions. Also, even after getting a pretty good cast to work with, they are not used that well. If it was another movie which had such a young talent, a more dramatic tale might have came into existence. Even when there is a party, there is nothing much happening there, except for a photo being taken here. It has an antique shop, just to take a photo, and to kill a person. Some of the deaths also happen without much of an innovation, as a person gets chased, and just gets killed, failing to impress.

Performers of the soul :: Kathryn Prescott surely is a talented actress, as it is her who manages to lead well throughout this movie. She does looks younger than her age, and so she suits the role well – her expressions also make it work better. Madelaine Petsch is limited to a small role in the beginning, even though we were given the feeling that she was the one who was to play a major role here – she is limited to that introduction to the polaroid camera programme. Tyler Young and Samantha Logan who plays the next supporting role manage to come up with an okay job. The other friends played by Katie Stevens, Priscilla Quintana and Keenan Tracey are just there to fill up the list of people to be killed by the camera because of being a part of photographs. In a movie like this, it seems that it is death that defines these next line of friends.

How it finishes :: Polaroid could have had you scared about taking photos, but it doesn’t rise to that much of a scary level – still, it is worth watching for some fine moments which are there, and the innovation does come into picture at times. If you are looking for another movie to watch for lock-down, this one is there. It is not the kind of movie which will appeal to all horror lovers, as we have been bombarded with multiple sequels and spin-offs of The Conjuring with movies like Annabelle and The Nun coming up with some more demons and spirits. Polaroid can also provide you with a spirit with a past, and you can watch it to add another one to the list. You are sure to enjoy it in parts, and the last few moments are quite good – therefore, it is fine to wait for the same. It is not a movie watch by many, and so, you can’t go with the critical opinions with just very few reviews.

Release date: 17th September 2019
Running time: 88 minutes
Directed by: Lars Klevberg
Starring: Kathryn Prescott, Grace Zabriskie, Samantha Logan, Katie Stevens, Madelaine Petsch, Priscilla Quintana, Tyler Young, Javier Botet, Davi Santos, Keenan Tracey, Mitch Pileggi

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

In the Tall Grass

Posted on April 15, 2020 by Tennyson

Vampire Owl: How tall can the grass around the castle get?

Vampire Bat: They surely can’t be taller than us, because we have to use those fields for daily exercise, sports and other activities.

Vampire Owl: The grass in this movie surely looks scary even for vampires.

Vampire Bat: It is based on Stephen King and his son Joe Hill’s 2012 novella with the same name, and so it had to be scary.

Vampire Owl: I didn’t know that Stephen King’s son was also writing horror stories.

Vampire Bat: Yes, and there are film adaptations based on his works, like The Horns which had Daniel Radcliffe and Juno Temple in the lead.

Vampire Owl: That is something not well known, I am sure.

Vampire Bat: The television series NOS4A2 is also based on his novel of the same name, and is pronounced Nosferatu.

Vampire Owl: So, he is also a master of horror, only of a later and new generation.

Vampire Bat: Yes, his original name is Joseph Hillstrom King, and his brother Owen Philip King and mother Tabitha King are also authors.

[Gets a ghee roast and three glasses of grape juice].

What is the movie about? :: Becky DeMuth (Laysla De Oliveira) is a young lady, six months pregnant, who seemed to be becoming a mother before he was prepared for it, and due to the same reason, the child’s father Travis McKean (Harrison Gilbertson) is no longer with her, leading her to think about not having this baby or leaving the baby behind after giving birth. Her brother Cal DeMuth (Avery Whitted) is in charge of driving the car all the way to San Diego so that she can live with her aunt there, and with Travis gone, he considers himself to be the protector of his sister and her child. Traveling through an empty road, they stop at an empty space near what seemed to be an abandoned old church. Some other vehicles were also parked nearby, but there was nobody around. It is then that they hear the voice of a child from the field nearby, which has very tall grass, and they also hear the child’s mother calling.

So, what happens with the events here? :: The two gets concerned, and enters the grass field, and begins searching for the mother and child. The sound seems to close, but they are not able to get to the father and child, despite moving quickly towards them. In the process, Becky and Cal are also separated from each other. There is no network connection in the mobile phone, and they are not able to find each other despite being able to hear the voices. In the process, they meet the members of a family who are all trapped in here. The boy whose voice they had heard is Tobin Humboldt (Will Buie Jr) who had entered the grass field chasing his dog, and his father Ross Humboldt (Patrick Wilson) and mother Natalie Humboldt (Rachel Wilson) had also entered the space following him. Now, the family is separated just like the brother and sister. It seems that there is no way out, or is there at least a slight chance?

The defence of In the Tall Grass :: The movie scores the best with its visuals. With the tall grass, and a mysterious rock in the open area which seems to be the middle of the grass field. This open space with the rock is as grand a visual as the tall grass which seems to have no end. There are separate feelings provided during the day and night, and we look back to a past which modernity cannot understand – something which goes to time before American colonization and the earlier tribes settling down, as the modern world looks at its people in confusion. There are those minutes in the beginning which serves the best to bring the terror, as the two siblings jump once to see each other close, and then with the next jump, they are nowhere to be found. The movie is also of a short length, and with only tall grass all around, it is a good thing, bringing no elongation.

The claws of flaw :: The humanization of the grass is rather underused, and the movie doesn’t have even a monster to use when caught in such a strange, supernatural world with creepy grass, a strange rock and darkness – it has a loop, and so much of mystery, but never chooses to reveal them. The background of the characters are not explored much either, and we don’t know why one character is acting different from another. The characters go out of control, as we don’t know who is dead, and who will end up killing someone, and also about who all are real, and belonging to what kind of loop. It is the kind of confusion that comes in the middle, but thankfully, things get solved in the end. But the movie could have used a post-credits scene, because this is the kind of horror film that will make people ask the questions, and they need to answer them.

Performers of the soul :: The movie has a collection of unknown actors and actresses trying to escape the tall grass field. Patrick Wilson of The Conjuring, Annabelle and Insidious fame is the only person whom most of us know. The actor who was also there in A-Team, Aquaman and Watchmen continues to be the one who makes the most impact, even though his character is so less developed, even though it was the one which needed the most of such development. Laysla De Oliveira is another actress among all others whom we are seeing for the first time, and she comes with a good performance as the pregnant lady caught in between some tall grass with no hope for escape. Will Buie Jr, the kid shows the hopeless and creepiness of those caught in such a situation very well. Harrison Gilbertson was there in Need for Speed, but we would be noticing here for the first time, and he is fine, and so is Avery Whitted. Rachel Wilson’s role is too small.

How it finishes :: The movie has you in a situation from where there can be no escape. The rules of the world, its physics won’t matter inside this strange field of tall grass, and it is a scary place to explore, and the movie has used this setting well enough to create the needed horror impact. But it has to be noted that there is not much of work done beyond that, and there is also a certain amount of confusion here, as everything is not that clear as far as In the Tall Grass is concerned. There are many things which this premise could have had, but as it is now, the whole thing looks good, and catches your attention – there are some nice visual moments of glory too. In the Tall Grass is surely not the movie which would make horror feel great, but is enough to keep it going, staying strongly within the genre, and using the tall grass to its advantage.

Release date: 4th October 2019
Running time: 101 minutes
Directed by: Vincenzo Natali
Starring: Laysla De Oliveira, Harrison Gilbertson, Avery Whitted, Will Buie Jr, Rachel Wilson, Patrick Wilson, Tiffany Helm, William Frater

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

47 Meters Down: Uncaged

Posted on April 13, 2020 by Tennyson

Vampire Owl: There is no shortage of movies which have these people fighting the creatures and surviving.

Vampire Bat: Yes, they fought and survived a group of alligators in Crawl.

Vampire Owl: Two people survived in that movie, right? So, maybe two of them will survive this one too.

Vampire Bat: The movie had family bonding between a father and a daughter. It seems that this one has sisters.

Vampire Owl: The first movie had sisters, and it is just natural for the second movie to have sisters too.

Vampire Bat: The immediate setting seems to have some changes being made, but not the complete location.

Vampire Owl: I think that this one is a vampire shark.

Vampire Bat: I don’t think that there are vampire sharks because we, the vampires are not fond of water.

Vampire Owl: Maybe, it can walk on the land after becoming a vampire.

Vampire Bat: I don’t think that they can be included in our schemes.

[Gets a ghee cake and three cups of mixed tea].

What is the movie about? :: Mia (Sophie Nélisse) and Sasha (Corinne Foxx) are stepsisters who have just moved to a new school in Mexico, and they don’t really have much of an interest in each other’s matters, living like random acquaintances in their houses and going to school together without talking much. One day, Catherine (Brec Bassinger), one of the well-known bullies and proud girls of the school pushes Mia into a swimming pool in the campus while Sasha just looks, and moves on. Mia’s father Grant (John Corbett) and step-mother Jennifer (Nia Long) who understands the situation, plans a boat ride for the sisters in a glass-bottomed boat, during which they can see the great white sharks, and spend some sisters’ time together. Grant reminds Mia of the moments when they used to scuba dive together, and also leaves her with the tooth of a shark. Sasha is not really happy about this adventure, as she was planning to go out with her friends from school.

So, what happens with the events here? :: While waiting for the tour to open, Mia is depressed to see Catherine and her friends also there for the tour. It is then that Sasha’s friends Alexa (Brianne Tju) and Nicole (Sistine Stallone) arrive, and ask them to come with them to an unexplored place instead of going for this usual trip which everyone in the town are taking during weekends. They go a long way outside the town to what they called a secret lagoon, and spends their time at the place. It is then that Alexa tells them that the lagoon has a secret entrance to a Mayan city which was submerged in water, a long time ago. Grant and his two assistants, Carl (Khylin Rhambo), and Ben (Davi Santos) are working to make the place suitable for a group of archaeologists who are going to visit the place during the following week. Ben who is also Alexa’s boyfriend had taken her there during one of their secret adventures. The girls decide to see the place, but they don’t realize that there is something more than a city down there.

The defence of 47 Meters Down: Uncaged :: The movie seems to be directed towards one aim, that which is more or less about the sharks, and the environment also adds to it. It works even without the shark not given that much attention with the CGI. The Mayan city underwater with its walls and sculptures are all well designed to catch our attention – there is a certain underwater beauty here with the design. Even outside, with the girls enjoying the short amount of time, there is a beautiful world all around, and it is the kind of place where everyone would want to go with all the natural beauty around. There are some nice moments out here, which are related to not just danger, but also concerning people and the surroundings. The final moments show elements of real danger, as they seem to move towards death, and then towards escape, but then we know that they are not out of it yet – it goes on till the final moments.

The claws of flaw :: Just like many other movies which has a creature crisis at the core, 47 Meters Down: Uncaged remains predictable, and you can easily guess who all are going to survive the attack of the shark – at least that could have been arranged to be changed. In a movie which focuses on the shark, the humans and the story-line related to them suffer, because that goes just the usual way, with two sisters bonding – sometimes, it is the father and daughter, at other times, we have son and mother, or maybe two brothers, or one brother and one sister. These are times when we end up thinking that the shark came with such a beautiful motive of uniting them. In the case of this movie, it could have had the girls having more fun rather than taking them to the submerged city and the shark just after they get to the place.

Performers of the soul :: The movie, just like the previous film comes from Johannes Roberts who is going to direct the upcoming reboot of Resident Evil series, and we can be sure that the new version will bring more horror unlike the earlier versions which were more of action thriller flicks. Sophie Nelisse leads the way here, and the common audience hasn’t known her much except for playing the child in Mama. We can say that she is only beginning, and we need her in a full horror movie. Corinne Foxx, the daugher of Jamie Foxx manages to be okay. Sistine Stallone, the daugher of Sylvester Stallone also has her first movie here, and its a good work for a debutante. Brianne Tju plays the next friend, and she also does well, making the supporting cast do very well, almost the same as the main characters here. John Corbett’s short stay is good.

How it finishes :: Being someone who didn’t watch the first part, I would leave the comparisons behind, even though we do know what happens with the sequels as they struggle to bring more in the next title, and fails to do so. Sharks have always tried to bring more out of horror, and other than crocodiles, alligators and large snakes, nothing have inspired such huge survival flicks – we have seen how well The Shallows turned out to be even though there was one young lady and a shark in the sea for the most of the time. You cannot expect 47 Meters Down: Uncaged to be that good, but within the world of these man-eaters, being caught with one inside a space connected only through tunnels through which escape seems near impossible, the movie will keep you interested. After all, we are all facing crisis of survival more during these days.

Release date: 16th August 2019
Running time: 89 minutes
Directed by: Johannes Roberts
Starring: Sophie Nelisse, Corinne Foxx, Brianne Tju, Sistine Stallone, Davi Santos, Khylin Rhambo, Brec Bassinger, John Corbett

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Prodigy

Posted on April 9, 2020 by Tennyson

What is the movie about? :: In the countryside of Ohio, a serial killer with roots in Hungary, Edward Scarka (Paul Fauteux) has been murdering young girls after cutting off their hands which he kept as souvenir. Hands have always been his weakness, looking at them before selecting the victims. He has a wonderful time, as the number of victims increase every day, leaving no clue for the police to follow. But things take a turn when due to one small mistake, one of the girls, Margaret James (Brittany Allen) escapes from captivity after he takes away her right hand, and alerts the cops. The police conducts a raid at his farmhouse, and he gets shot to death. At the exact same time, a couple in Pennsylvania, Sarah Blume (Taylor Schilling) and John Blume (Peter Mooney) have their first child. Sarah is excited to finally have her first child, as the couple have been waiting for this moment for a long time after getting rid of their family problems.

So, what happens with the events here? :: Miles Blume (Jackson Robert Scott) grows up to be more intelligent than the usual kids of his age, making people feel that he is a certain kind of child prodigy. He has no trouble in solving mathematics problems and mastering language after learning to speak much earlier. He is someone who could start pre-school early, and even skip those earlier batches considering how good he was proving himself to be. Even those all these things point to one positive side, there are changes in the boy’s behaviour as he grows up. He almost kills his bab-sitter Zoe (Elisa Moolecherry) while playing hide-and-seek by setting sharp piece of glass on the steps to the basement, and also beats up other kids at the school because he didn’t get the space which he wanted using whatever he could manage to find from a hand tools kit.

And what else follows with the happenings? :: Miles seems to be a threat to everyone around, as violence follows him to places. Sarah brings Miles to a psychiatrist Dr Elaine Strasser (Paula Boudreau) who refers them to Arthur Jacobson (Colm Feore), an expert on rebirth and reincarnation. He tells Sarah about the possibility of rebirth in Miles’ case because the language which he was speaking in sleep, and was recorded and given to him by her, is a very rare dialect of Hungarian. There are not many people who know this language, and Sarah and her husband knew only one foreign language which they had mostly forgotten – Spanish. With Miles not being exposed to any other language, Arthur tells her that it could be another soul trying to be born again, replacing the soul of the boy, thus getting hold of the body to do something it had left unfinished in earlier birth. But this soul would need something more which Sarah won’t guess.

The defence of The Prodigy :: The movie maintains a good amount of creepy feeling, which only gets better with the serial killer soul taking further control, often making one think of Chucky of Child’s Play which nicely changes into the brutal murderer. There are some nice scary moments, most of them being creepier if you consider them with clarity. The creepy undercurrents drive this movie forward, as there are so many things that an evil genius can plot, even though not all of them are done. We are kept in the perpetual fear of some terrifying evil coming up, and the feeling of hope is rather bleak in this one. The movie has so much of nice foreshadowing which we can appreciate, as we do get some feeling regarding what is to come. There are not many things spookier than having an evil kid that acts like a vessel of pure evil. As we have heard on many occasions, evil comes in many forms, and always finds a way.

The claws of flaw :: Some years ago, in 2009, Orphan had a poster saying there is something wrong with Esther – Isabelle Fuhrman who later bagged a role in the dystopian thriller The Hunger Games made that movie one which everyone loved. Ten years later, in 2019, this movie comes with the tagline, what is wrong with Miles? Well, there is no difficulty in understanding where this is pointing to. There was the plan to make something like Orphan, and this time, they added rebirth to the plan. This could be even considered similar to a sequel, even though it is not. In comparison to Esther, The Prodigy struggles at times, and the effect of the twist is also not that much to be seen. The fear element is also not that real as Orphan which also had even better performances, and a past which was so mysterious and a twist which was heavy. The Prodigy could have had the evil manifestation doing more to people too, and the serial killer’s past could have been better shown too.

Performers of the soul :: As this is not the usual horror movie like The Conjuring, Annabelle, The Nun and Insidious, performance was always going to matter much. Taylor Schilling makes a perfect, confused mother here, as someone who thinks that one or the other action can save her child, but ends up being foolish in her motherly love. Peter Mooney who plays the father figure almost does the same, even though not that much. Jackson Robert Scott who plays the child comes with a fine performance – it won’t be that creepy as what we had seen in Orphan, but it is still something that we will remember in acceptance of another evil kid on screen. Colm Feore is solid as the man who tries to help, but knows that he has to be careful when standing on thin ice. Paul Fauteux who plays the serial killer needed to have more space, and his actions with the kidnapped girls are never really shown, except for those hands being hung there.

How it finishes :: If you have liked movies like Orphan, you are also going to like The Prodigy. The idea of a kid that acts strange and goes on a killing spree isn’t something new for us, but it will continue to catch our interest for a long time to come. After all, the idea of inherent evil being being present in children is something we haven’t been able to deny, and the works like William Golding’s Lord of the Flies had further strengthened the same. It had been working further in the movie world since The Omen. The idea of rebirth and reincarnation are used here instead of the usual haunting when the kids are shown to be evil. The idea here works in a more terrifying way because of what lies underneath, and by establishing that this is pure evil, and there is a master evil brain at work here, which is almost impossible to defeat.

Release date: 8th February 2019
Running time: 92 minutes
Directed by: Nicholas McCarthy
Starring: Taylor Schilling, Jackson Robert Scott, Colm Feore, Brittany Allen, Olunike Adeliyi, Elisa Moolecherry, Peter Mooney, Paula Boudreau, Olunike Adeliyi, Martin Roach, Ashley Back, Tristan Vasquez

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Girl on the 3rd Floor

Posted on April 7, 2020 by Tennyson

Vampire Owl: What shall we find on the third floor?

Vampire Bat: What if there is no third floor?

Vampire Owl: If there is someone on the third floor, there would be that floor, right?

Vampire Bat: The movie itself seems to depend on illusions and hallucinations, and so we cannot ignore that possibility.

Vampire Owl: Well, death can also be an illusion. Not everyone really dies.

Vampire Bat: And not everyone really lives. I have heard that.

Vampire Owl: I have read some highly polarized reviews on this movie, and so I will also be having some doubts before watching it.

Vampire Bat: Maybe it is a case of the movie being watched only by two entirely different levels of auidence?

Vampire Owl: Well, maybe we can serve as that missing level.

Vampire Bat: This one has CM Punk, and so with all those WWE memories, we need to.

[Gets a marble cake and three cups of masala tea].

What is the movie about? :: Don Koch (CM Punk / Phil Brooks) wants to have a new beginning in life, as things don’t go that well as expected and his wife Liz Koch (Trieste Kelly Dunn) is carrying. According to him, the mother and the child would enter a new house which he bought in the Chicago countryside, and he himself would be renovating it. Without any professional help, he stays at the new house, and prepares it. He meets their religious neighbour Ellie Mueller (Karen Woditsch) from whom he understands that the house has a terrible past, and he even hears some strange sounds inside, pointing to supernatural interventions. He also meets Sarah Yates (Sarah Brooks) who is supposed to be living just near the house, and almost starts a relationship with her, only to try and keep her away after one night in the name of his wife and unborn child.

So, what happens with the events here? :: Don meets Sarah again on the next few days, but decides to avoid her and keep her out of the house, even though she seems to try to visit him every day. He calls Liz’s friend Milo Stone (Travis Delgado) for helping with the work, as the house seems to have a lot more to be done every day, with more and more faults being exposed, and part of it actually falling down – even the piping and electrical lines don’t seem to work well enough. But, as Milo finds out about Sarah, he is not happy at all, as he knows much about Don’s earlier life and how he used to be a cheating husband and a hedonist with no control over his activities. Sarah takes Milo to the basement and murders him with the help of a girl with a distorted face, coming out of the walls of the house. She also manages to kill his dog which seems to be watching everything. Don doesn’t have any idea what is happening, and there is more to the house than what meets the eye.

The defence of Girl on the Third Floor :: There have been many similar movies resembling Girl on the Third Floor in the past, but this might easily be the simplest of them all. The movie does provide the feeling that the house is alive from the beginning itself, and there are those moments which keep us guessing, on the edge of the seats. There is always something within the walls of the house, and it includes a walking, mutilated corpse – but what we see more are those coming out through the holes on the wall and the plugpoints, none of them giving an idea that the terror will be over anytime soon. Danger is established as a part of living in this particular house, that too without showing the mutilated figure much, and there is no violent shaking or shadows telling tales – this haunting is realistic and there is not much of special effects used here either. There are some messages to go with it too.

The claws of flaw :: Girl on the Third Floor is quite slow with its proceedings from the beginning itself. At no point does it seem to try to speed up things, quite satisfied with the pace with which it is working. Even though it is okay to go that slow in the beginning stages, the same can’t be said about the later situation, when picking up pace was needed towards the end. There is no big scare jump in the last few minutes unlike what was expected with all these established much earlier. The movie also ends with scope for a sequel with the process seemingly going on to continue, but there is no real explanation for that. There is no big cast to support the movie, and there is zero humour here, providing nothing to support in between. Parts of this movie can also be confusing for some people, as not many things are that direct in comparison to the usual horror movies with a haunted house at its centre and a mysterious girl.

Performers of the soul :: CM Punk a.k.a. Phillip Jack Brooks is not the person you have known as part of movies, or even television series and short-films. He is a mixed martial artist, but he is best known for his time in WWE, where he had some of the biggest matches in the industry written by his name. In wrestling entertainment, his four hundred and thirty four day WWE Championship reign happens to be the longest of this century. He had retired from all professional wrestling in early 2014, continuing in mixed martial arts, but he still has that skill for cinema shown by WWE stars, particularly The Rock whose recent movie, Jumanji: The Next Level was a big entertainer. CM Punk doesn’t disappoint in this flick, as he plays the role really well, and so does Trieste Kelly Dunn who plays the pregnant wife with all the worries. Sarah Brooks is really good as the girl in the house, and she has the mysterious person here under control.

How it finishes :: Girl on the Third Floor, despite its simple appearance, has enough to keep it going forward within the horror genre. With its setting and led by a WWE superstar, there is enough fuel that is in store and is used well. There is only limited resource that gets burned, and still, the effect is more. The usual Insidious and The Conjuring more of scares are not to be expected, as there are more like The Nun and Annabelle to support such cases. This one is rather the old style movie with a haunted house which doesn’t spend time scaring its protagonist all the time, but instead gets through him in parts, slowly and steadily. It is the house which preys the on a hero’s flaws, and as that includes overconfidence and arrogance, things take a turn for the worse. That would be a reason for a ghost to act on it, and you can’t really blame the supernatural being in that case. Along with this, you can also watch other lesser known horror movies like In the Tall Grass.

Release date: 25th October 2019
Running time: 93 minutes
Directed by: Travis Stevens
Starring: CM Punk, Sarah Brooks, Trieste Kelly Dunn, Elissa Dowling, Karen Woditsch, Tonya Kay, Travis Delgado, Marshall Bean, Bishop Stevens, Anish Jethmalani

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Pet Sematary

Posted on April 5, 2020 by Tennyson

Vampire Owl: This is the cemetery where most the people we know shall go.

Vampire Bat: Most people don’t go to cemeteries. They are taken there.

Vampire Owl: We, the undead can just walk all the way there though.

Vampire Bat: The Stephen King’s novel might have other ideas about the cemetery.

Vampire Owl: Well, there is nothing like being buried in a grave far away from the town. It is so calm and peaceful.

Vampire Bat: It has always been calm and peaceful under the surface, except for some worms.

Vampire Owl: You can listen to those foot steps if you stay awake for long. It is not that peaceful in cemeteries of the city.

Vampire Bat: There is no hope in the cities anymore.

Vampire Owl: Does that mean hope among humans otherwise.

Vampire Bat: There is none. There is no goodness in them even during the time of a virus which has killed a good number of them, and sent them to lockdown.

[Gets some potato chips and three cups of ginger tea].

What is the movie about? :: Dr. Louis Creed (Jason Clarke) moves to the countryside with his wife Rachel Creed (Amy Seimetz) and his children Ellie Creed (Jete Laurence) and Gage Creed (Lucas Lavoie). The move from the busy city of Boston to the calm and quiet town of Ludlow seemed to be a much needed change for them to settle down and slow things down. Ellie’s cat, Church named after Winston Churchill is the only other person who is with them. They find out that there is a pet sematary as a part of their property, as they have bought a large section of land of which finding all the borders is a tough job. Children taking their dead pets to the cemetery had become a common sight there, seemingly having a ritual significance. Despite being asked not to venture through the woods and the deserted areas, a curious Ellie makes her way through the cemetry and meets Jud Crandall (John Lithgow), an old widower.

So, what happens with the events here? :: Ellie becomes friendly with Jud, and the family also invites him for food. One day, a student who struck by an automobile, Victor Pascow (Obssa Ahmed) is taken to the hospital, and Louis try to save him only in vain. After the incident, he has visions of the same person trying to warn him about certain danger which is to happen if he decides to go beyond the limits. One day, Church is killed by a truck, and Jud takes Louis past the pet cemetery to an ancient burial ground and asks him to bury the cat there, putting a stone over it. The next day, Church returns home alive. But it can be seen that he is different -the cat had become very aggressive and violent, brutally attacking a bird, and eating it alive, as well as attacking the kids. Jud tells Louis that it might be a spirit that came back from the dead, even though he had expected the cat to return in the same manner.

The defence of Pet Sematary :: There is no questioning the ability of this particular movie to use the terrifying atmosphere to its advantage, as the common “cabin the woods” setting serves as the perfect place, with one cemetery built around an ancient burial ground creates too perfect a world for a horror movie here. The feeling of mystery is always there, and we keep expecting something terrifying to be revealed at different steps. There is also that scary past and legend that goes a long way back beyond colonization to go with it, and there is some creepy music to add here. The movie also has a certain amount of blood and gore even though not too much, and a violent kid is always scarier than the rest, especially when returning from the dead – demon kids never stop being impactful with or without the presence of the demon spirit. You will also love the choice of cat being made here, and the speeding trucks also add to the effect.

The claws of flaw :: This version of Pet Sematary does have some differences with the Stephen King novel, and such a deviation might not be liked by everyone. After all, King is the god-figure for so many readers of horror, especially those who started reading much earlier. Changes from the 1989 film version can also be seen here. The movie also doesn’t explore all the spookiness that can be associated with the cemetery, especially with an area which has an even longer history to go with it. In these types of movies, elements of nature can play a better role, but this one decides not to touch the same much. There is a lot of scope for horror in each moment and each part of this movie’s visual and audible part, and those elements are not exploited enough. The movie is also slow paced, and it does take its own time to keep the horror moving.

Performers of the soul :: Jason Clarke is there as the protagonist, a name which we have known throughout popular movies including Terminator Genisys and Everest among many other flicks. He plays the loving father very well, and faces the troubles making some hard decisions nicely. Amy Seimetz was there in Alien Covenant, in one of those roles. She is really good here, as the character works on the memories, and there is the past that catches up to her. Jete Laurence as Ellie Creed is fantastic as the cute little kid as well as the undead child looking forward to violence. John Lithgow plays the good old guy in the neighborhood who knows that evil is eternally present, but can do nothing about it. Along with these, the masked kids having a procession to the pet sematary and the cat do seem to add to the performances just in some short period of time.

How it finishes :: Pet Sematary moves on like any other Stephen King book inspired movie with ease, and with the written material at the base, there is no difficulty here. With the mis-spelled cemetery in the name, the novel takes the idea to the visual level too, and it becomes another version of the much appreciated novel that needs a watch. In the world of The Conjuring, Annabelle, The Nun, Insidious, Child’s Play and other popular movies becoming part of a series of flicks in a franchise, there is always scope for the old style horror, as much as the new generation horror like It Follows, Lights Out and Don’t Breathe. After all, good horror is the need of the time, especially with one virus spreading all over the world, and bringing the terror without adding anything that is out of this world. Everyone stay safe, stay at home, and watch more movies.

Release date: 5th April 2019
Running time: 101 minutes
Directed by: Kevin Kolsch, Dennis Widmyer
Starring: Jason Clarke, Amy Seimetz, John Lithgow, Jete Laurence, Sonia Maria Chirila, Obssa Ahmed, Alyssa Brooke Levine, Suzy Stingl, Maria Herrera, Lucas Lavoie

@ Cemetery Watch
✠ The Vampire Bat.

Child’s Play

Posted on April 3, 2020 by Tennyson

Vampire Owl: Do you remember Chucky?

Vampire Bat: How can we not remember Chucky? He was the coolest scary doll until Annabelle came into the picture.

Vampire Owl: Annabelle could never be that creepy, as the spirit is not always creepy enough.

Vampire Bat: Well, he has been an inspiration for vampire dolls too.

Vampire Owl: They say that this time we have a reboot and not a sequel.

Vampire Bat: That is not natural. Usually, the come up with more and more sequels as if this is something eternal.

Vampire Owl: This one also got Artificial Intelligence.

Vampire Bat: Yes, what is a doll without AI during these days of science and technology?

Vampire Owl: That would make it a robot.

Vampire Bat: A robotic doll which would replace all, maybe.

[Gets some tapioca chips and three cups of masala tea].

What is the movie about? :: Kaslan Corporation has a new type of high tech dolls called Buddi, which are designed to be long time companions to kids, learning their interests and what happens around, and then acting accordingly. These dolls become huge hit among the children, as parents find them to be substitute for other children and pets – the dolls are also supposed to be flawless, passing a large number of tests, and not reporting a faulty piece anywhere. With factories for manufacturing and assembling all over the world, one of them in Vietnam, has its safety protocols manipulated and disabled, just before one of the fired workers finish his final Buddi doll. After doing the same as an act of vengeance, the worker commits suicide, but the doll is packed among the other dolls and sent to the United States of America to meet the rising need for the models.

So, what happens with the events here? :: In the city of Chicago, a retail clerk and single mother Karen Barclay (Aubrey Plaza) and her son, Andy Barclay (Gabriel Bateman), movies into a new apartment, where latter struggles to make friends. To help Andy move away from his continuous staring at mobile and television, and to take his attention away from her newfound boyfriend Shane (David Lewis) who is with her most of the time, Karen blackmails her boss to get a faulty Buddi doll which was returned to them, as a new version of the doll was ready to hit the markets. The doll which does seem to have some problems with its working procedure, calls itself Chucky (Mark Hamill) and is instantly attached to Andy, whom he considers to be his best friend, and a pal forever. Due to interest in Chucky, two kids in the building also becomes friends with him, Falyn (Beatrice Kitsos) and Pugg (Ty Consiglio).

And what else follows with the happenings? :: But Chucky doesn’t seem to be the usual Buddi doll, as it develops violent tendencies from the horror movie it watches with the kids, and almost stabs them mimicking what happens on the screen. It strangles Andy’s pet cat which had scratched Andy, and scares Shane for making him happy. Chucky is one possessive doll that doesn’t like anyone other than him to be too much attached to him. Andy and his newfound friends make the other neighbouring kids like Omar (Marlon Kazadi) unhappy. Meanwhile, Andy also becomes friends with other neighbours Detective Mike Norris (Brian Tyree Henry) and his mother Doreen Norris (Carlease Burke) to whom he gives advice on new technology. But this increase in the number of friends is not something that pleases Chucky, as he is the one who is supposed to be the best friend forever – for that to happen, he would do more.

The defence of Child’s Play :: There are some nice scary and even more creepy scenes in this movie, as the doll becomes more of a threat than it had ever been in the past, with Artificial Intelligence threatening to do more. There is also the presence of blood and gore, especially related to the killing, and the final fight scene has more of it, with a lot of dead bodies involved with chaos being unleashed by the doll. The new generation who has not watched the original will like it even better. In the age of Annabelle doll with a spiritual presence, Chucky does more with Artificial Intelligence and catches our attention in style. Aubrey Plaza as the mother leads the way here with the performance, followed by Gabriel Bateman and the other kids, mainly Beatrice Kitsos. In between, Brian Tyree Henry also has a fine role done well.

The claws of flaw :: The fans of original movie and its early sequels might not like to stick to this one with a different look and also a divergent tale about its origins. The violence brought forward here might not make some people feel happy either. There are garden tillers and chainsaws in action here with the soon-to-be dead people not getting any close to a deviant respect either. The movie also ends too soon, as there is less happenings after the doll goes rogue – we should have certainly had more of them. Child’s Play is a franchise which was always destined for more greatness than it ever had. We can hope for the same greatness to be achieved in the possible sequels. We know that there is always more ideas coming up as far as horror is concerned, and with the slasher elements added, it is yet to be seen how much this can accomplish.

How it finishes :: The original version of Child’s Play was about a serial killer performing a Haitian Vodou spell to transfer his soul into a Good Guy doll. This one changes the storyline to match the current situation, as Artificial Intelligence becomes the key. Curse of Chucky and Cult of Chucky have been some very interesting movies in the franchise, and so a reboot here was supposed to arrive at some point. The variation that this movie had brought might not feel good for people who wanted to keep the original idea alive, but one has to agree that this one also brings a lot of scary and creepy moments to remember. It can even stand as a stand-alone film without the help of the previous movies – a claim which not many movie reboots can claim. Well, horror here can have many more sequels, and they can strive to be even better with this particular premise.

Release date: 21st June 2019
Running time: 90 minutes
Directed by: Lars Klevberg
Starring: Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, Mark Hamill, Beatrice Kitsos, Ty Consiglio, Tim Matheson, David Lewis, Marlon Kazadi, Carlease Burke, Nicole Anthony, Trent Redekop

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@ Cemetery Watch
✠ The Vampire Bat.

Crawl

Posted on April 1, 2020 by Tennyson

What is the movie about? :: Haley Keller (Kaya Scodelario) who studies in the University of Florida hopes to gain new heights as a swimmer, and she had been trained for the sport by her father Dave Keller (Barry Pepper) since childhood, when she used to break all challenges underwater. It is during one of those swimming training sessions at the university that she comes to know about a Category 5 Hurricane Wendy which is on a collision course with Florida, as her elder sister Beth Keller (Morfydd Clark) who lives with her family in Boston calls her, and advises her to get out of the state as soon as possible. But it turns out that she can’t reach her father, and she decides to go to her family home, make a quick visit and leave the state with him. As she gets close to her hometown, Wayne Taylor (Ross Anderson), a police officer and Beth’s ex-boyfriend asks her to go back as the cops are trying to lockdown the place.

So, what happens with the events here? :: Even though most of the roads on the way are partially flooded with heavy rain still coming down, she quickly takes a deviation, and goes to her house much to the dismay of Wayne. She gets to the place where he was supposed to be staying, but finds only their dog, Sugar. Then she leaves for the family home where she grew up, hoping to find him there – she also takes the dog with her, and finds the water level on the roads to have risen further, and the rain not seeming to lessen at all. She finds his truck at Coral Lake house, but he doesn’t seem to be anywhere in the house, leading her to search in the basement. There, she finds her father wounded and without consciousness. But she is attacked and is cornered by a group of alligators seemingly arriving there due to flooding. Now, their exit is locked, and there is no option of calling anyone.

And what else follows with the happenings? :: The mobile phone is destroyed in the process, and everyone in the neighborhood seems to have left the place due to flooding, and the hurricane expected to pass through the middle of the town, with further flooding almost there. More water comes into the basement, and the place starts getting flooded, making their safe corner behind the pipes to be accessible for the alligators by swimming. Both are injured, and Haley being a swimming champion seems to have a better chance of swimming out of it, but not with the alligators around. Through the window, she gets the attention of three young thieves (Anson Boon, George Somner and Ami Metcalf) who are stealing things from the flooded petrol pump and shop on the opposite side of the road. But as they look to the other side, they are caught by another group of alligators and killed. Now, Haley and her father are left with just the option to swim – but isn’t that suicide?

The defence of Crawl :: The movie does provide thrills with some nail-biting moments, and we are with the protagonists from the beginning itself, as a natural disaster along with some alligators are coming to get her and her father. There is her skills in water being focused with all the action, and the father-daughter bonding is also there to be taken. The atmosphere of the movie is very well done, as the flooding, the dark clouds and the powerful wind creates the feeling of the impossible escape throughout the flick. The same can be said about the characters whom we can relate with, especially as we have had our lockdown, and an invisible enemy in the form of a virus instead of the alligators. There are some quick scares with the alligators around, and there is the blood and gore associated with alligator attacks. The alligators coming out of nowhere adds to the much needed scares and there is fear present through out the movie.

The claws of flaw :: Crawl might still pale in comparison to grand survival movies like The Shallows. But this one doesn’t have that much of a perfect realism to go with it, as our protagonist fights many alligators and ends up surviving while that movie was one true survival flick with the main character taking days to final get rid of one shark. So, there is a little bit of extra added here in Crawl as far as surviving is concerned, and there it goes in the path of movies like Jaws. It could have also had more deaths to add to its tally, or at least some dead bodies to add to the scary moments. If these moments of fear had also lasted longer regarding the in-movie time, that would have also been nice – the movie is also very short in total run-time, and this is the kind of alligator attack that we can go through if we have less than one and half hours to spare, thus never dragging or wasting time.

The performers of the soul :: Alexandre Aja, the director is known for violent French slasher cult movies like Haute Tension, and master horror movies in English like The Hills Have Eyes and Mirrors. There is horror staying on here, with his skills. Kaya Scodelario does a fantastic job here as the protagonist. She seems to be perfectly suited for this role in more than one way. I remember seeing her for the first time in The Maze Runner, and she was a special addition there. Pirates of the Caribbean: Dead Men Tell No Tales also had her presence, and she surely has one performance to remember. There are some fine dialogues and her moving through water evading the alligators as the apex predator – the moments that rise above all. Barry Pepper also has his moments as the father. The rest of the cast members don’t have much to do except for being food to the alligators, or being part of the world outside.

How it finishes :: During the time of Corona Virus, Crawl becomes another movie to watch with another natural disaster causing people to face the wrath of nature and its creatures. At these times, we have faced terror in one way and went to lockdown, and with this movie, lets see what awaits us in bigger size, as we become nothing facing mother nature. The movie has nicely captured the fury of nature, not just with the creatures, but also with the flooding and the coming hurricane. The special effects make sure that we are engaged to this atmosphere in more than one way – well, flooding is coming during these monsoons in different parts of India just like last years, and this movie is something that we can watch again during those time. With the climate changes, we always have to be ready for more.

Release date: 12th July 2019
Running time: 87 minutes
Directed by: Alexandre Aja
Starring: Kaya Scodelario, Barry Pepper, Morfydd Clark, Ross Anderson, Anson Boon, Jose Palma, George Somner, Ami Metcalf, Annamaria Serda, Savannah Steyn

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@ Cemetery Watch
✠ The Vampire Bat.

Anjaam Pathiraa

Posted on January 11, 2020 by Tennyson

What is the movie about? :: A policeman is murdered, with no clue being left behind for the cops to follow. The dead body is soon found, and it was supposed to be a case of revenge from one of the criminals whom he had locked up earlier, but it doesn’t end there. A second policeman is found dead, with the killer following the same pattern of murder, including the corpses of the men being left without their eyes and heart. This leads to a crisis in the police department, and a team being formed to investigate the case lead by Catherine Maria (Unnimaya Prasad) and Anil Madhavan (Jinu Joseph). The latter also includes in the team, Anwar Hussain (Kunchacko Boban), a psychologist who is serving as a consulting criminologist for the police department. He has been studying the psychology of criminals on the way to a doctorate. As the CCTV cameras are also hacked, a hacker and Anwar’s patient, Andew (Sreenath Bhasi) is also forced into the team.

So, what happens with the events here? :: The series of murders doesn’t seem to stop though, even though all the policemen of the city works twenty four hours, and are put on high alert. Anwar, with his wife Fathima (Ramya Nambeeshan) and children are also under the eyes of the serial killer who also seems to have a helper. The killers seem to be masters of disguise, and has everything planned from zero, with each step leaving nothing behind for the police. The clues that seem to lead to them only ends up being misleading. As death lurks around the corner, it is up to law and enforcement to take back control and make the civilians feel safe. But that would need taking more than the usual path, and this divergence might be a red herring left by the killers – can they rise above this at some point and stop the killing spree?

The defence of Anjaam Pathiraa :: The movie nicely brings the tale of serial killing together, and the elements of shock and twists are nicely brought into the tale, especially in the first half. There is a certain amount of suspense at work here right from the beginning. To bring the terror to the screen, the movie nicely uses the darkness, even the quick return of lighting is used to bring a startling effect. The creepy masks and their quick appearance out of nowhere could provide something new. By the interval, we have enough to know that this is a game in which the serial killers will be tough to beat, and it is here that movie has its full strength – nobody would want to leave during the interval as the need to know further is always there. It also has to be noted that the movie does have some funny moments in store in between the serious moments, and all the tension which has been ruling the big screen from the beginning to the end.

The claws of flaw :: The movie’s strength in the first half is not maintained in the second half, as the latter part of the second half is rather predictable, and by bringing the element of a planned revenge, it losses out in the psychotic side. Such a predictability which seems to be like finding unnecessary meaning for the lotos eaters is rather unnecessary. Having a smart psychopath without a clear motive for the rational human was always the better choice, as that would bring chaos to darkness, and keeps the lights away all the time. After all, Anjaam Pathiraa is no Memories either, as such a brutal strength is not there, not with the protagonist or with the antagonist. The movie could have also had a better background score, even though at some points, it is good – at that point, it could have been there for longer. The sequence involving the ripper could have also been there for more time.

The performers of the soul :: Kunchacko Boban leads the way well here. There is no heroic style entrance with heavy background music for him here, and it is the beauty of his work here – there is no pretending to be the superhero star anymore unlike what was shown in another movie’s trailer which was showed in the beginning in an absurd state. It is certainly not the usual kind of role for him, but there is no staying behind here. He doesn’t play the police role, but this role of the psychologist assisting police is no less investigator. There are some interesting dialogues in store for him too. His previous work, Virus was a different kind of a thriller in which he was only playing a part. Ramya Nambeeshan is someone whom we don’t see in Malayalam movies much these days, and it is nice to see her in the movie, playing the wife of the protagonist. She was one actress who could have been in more movies, and it is something I felt long ago.

Further performers of the soul :: Unnimaya Prasad who is best known for two short time high impact characters in Maheshinte Prathikaaram and Parava also comes up with some of the best of moments leading the investigation team. Jinu Joseph plays a rather calm police officer with a twist in store, and this avatar definitely feels different. Sreenath Bhasi has a good run here as the hacker always looking for something more. There is also a funny side to his character, which comes out at times. Indrans’ screen time felt rather less, as his ripper character steals the moments in the beginning with ease. Mathew Thomas, even though there only for a short period of time, leaves a mark, after Thannermathan Dinangal and Kumbalangi Nights. We also have a good number of supporting actors who has contributed to this movie, which needed a lot of it.

How it finishes :: The director Midhun Manuel Thomas has been known for light-hearted movies like Ann Maria Kalippilaanu, Aadu and Alamara, but it can be clearly seen that the feeling has changed now. Anjaam Pathiraa could find no difficulty in going on to become the first interesting Malayalam movie of the year, and it was clear from the dark shades of the trailer too. This is not just the first movie of the year 2020, but also the write-up about the first movie around here that deserves your attention. May the best of films be there in the theatres this year, and let us have some of the best of the decade as it comes to an end with 2020. As far as this movie is concerned, I would say that those movies which deal with horror and thriller elements have a lot of work to do, and it is to be noted that these have worked very well, and is worth the appreciation for the effort.

Release date: 10th January 2020
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Kunchacko Boban, Ramya Nambeeshan, Unnimaya Prasad, Jinu Joseph, Mathew Thomas, Harikrishnan, Indrans, Sreenath Bhasi, Sharafudheen, Divya Gopinath, Sharafudheen, Jaffer Idukki, Abhiram Pothuval, Sudheesh

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@ Cemetery Watch
✠ The Vampire Bat.

The First Purge

Posted on December 30, 2019 by Tennyson

Vampire Owl: Do you remember those moments when this was first implemented in the werewolf territory?

Vampire Bat: What are you talking about?

Vampire Owl: The day when werewolves brutally murdered each other.

Vampire Bat: How can I know? I am not spending my time looking at whatever happens in that territory.

Vampire Owl: Well, you should know that it was not that bloody as it would be if humans implemented it.

Vampire Bat: I know. Nobody I know is as blood-thirsty as an average human.

Vampire Owl: Because it is quite natural for them to be evil. They choose it with ease, while we are declared to be evil because we are undead.

Vampire Bat: I have never been that fond of their categorizations.

Vampire Owl: It is more or less, the divisions.

Vampire Bat: The divisions guide them towards eternal hate.

[Gets three cups of masala tea with Arrowroot Biscuits].

What is the movie about? :: We remember that the New Founding Fathers of America, a totalitarian political party, came into power after an economic collapse. There was the law that sanctioned an annual Purge for twelve hours each year, when all types of crime, including murder, would be legal, with emergency services being unavailable. It helped the United States to become nearly crime-free with the unemployment rate dropping to the lowest ever. Earlier movies had mentioned those families and people who struggled during these times to survive against the chaos which was unleashed. This movie goes a few years back from there, as there was the time when this was beginning to be attempted on a trial basis. This experiment would be taking place on Staten Island, which is the southernmost as well as the westernmost of the five boroughs of New York City.

So, what happens next? :: New Founding Fathers of America (NFFA) members Arlo Sabian (Patch Darragh) and Dr. May Updale (Marisa Tomei) announce a social experiment which is to take place in the island. It proclaims the twelve hours of purge, an activity during which the residents could be involved in anything illegal, including, robbery, rape and murder. There is also the offer for the residents of the Island to have $5000 to stay in their homes during the experiment and also a suitable compensation for those who would be participating in the brutality. There would be no ambulance or police, and the criminals would be on the streets with those who wish to go illegal. The participants would have tracking devices and contact lenses with cameras, so that whatever activity they do, can be tracked, and some of them can be even shown in the television channels. There are also those drones which would be monitoring everything from the sky.

And, what is to follow next in the adventure? :: Among those who leads the purge is a drug addict known as Skeletor (Rotimi Paul) who also manages to draw the first blood with a brutal murder, and tries to follow up the same with raping women and murdering anyone whom he finds on the street. Nya (Lex Scott Davis), an anti-purge activist who fails to stop the experiment, joins her friends Dolores (Mugga), Luisa (Lauren Velez), and Selina (Kristen Solis) in a church which they find to be the safest place on the island. Most of the people in the church had decided to stay because they are very poor and the amount of 5000 meant that they could have three meals a day after a long time. Meanwhile, the purge keeps getting stronger on the streets, and Skeletor leads the kill count by randomly attacking purge parties held all around the island. It is then that the drug lord and Nya’s former boyfriend Dmitri (Y’lan Noel) finds out that there is something strange about the purge – then, things change.

The defence of The First Purge :: The human impulse to go towards savagery against civilization, continues to be shown in this purge movie too. We are reminded of humanity’s inherent evil, and the never-ending desire to be free by punishing and murdering others and having extreme joy out of it. The First Purge also boasts about a lot of action in store, and we can see the experiment in the lines of The Belko Experiment taking place here, with some bringing death and the others trying to survive. There is some intense action in the final stages of the movie, and there is he reflection of what the politicians and the government has always tried to achieve, to divide and rule people, as well as make sure that the poor are among the dead, more than any other category, thus lessening poverty, hunger and unemployment to a level which can be managed. The First Purge has that idea which has a lot of truth, and it meets our soul once again as it did with other Purge flicks.

The claws of flaw :: One might feel that this version of purge might be the weakest of all similar movies. With the idea already established, and three interesting movies already made, we would expect the franchise to do better this time, but it doesn’t, as long as this particular movie is concerned. The cast is also not that strong, even Lex Scott Davis stands above the rest, and Y’lan Noel does have his moments. With the purge, there is always the chance for further innovations, but this one stands behind in that case. There no further venturing into that idea which could gather a lot of appreciation if used in the best manner. As we have watched all other purge movies, this one has more of repetition rather than anything else. The atrocities committed with this purge could have portrayed further, with humanity’s nature being questioned in a stronger and shocking manner.

How it finishes :: The Purge franchise has made all of us think, and with The Purge, The Purge: Anarchy and The Purge: Election Year, we have all been thinking about its basic idea, and relate it to humanity, society and the inherent evil in man which forces one to achieve catharsis in one way or the other. In our world, we have bandhs and harthals were political goons try to destroy property and people stay at home fearing this. Further north, there have been communal violence and riots in the name of dead cows, and all of these are options for those who need to take law into their hand and commit all kinds of atrocities. The Purge has one tale to tell in a part of the world, and another somewhere else. The whole humanity is driven towards that idea which William Golding showed in the 1954 novel, Lord of the Flies – The inherent evil becomes the truth, and committing all kinds of atrocities can be done naturally by humans.

Release date: 4th July 2018
Running time: 97 minutes
Directed by: Gerard McMurray
Starring: Y’lan Noel, Lex Scott Davis, Joivan Wade, Steve Harris, Mugga, Christian Robinson, Lauren Velez, Kristen Solis, Marisa Tomei, Cindy Robinson, Patch Darragh, Maria Rivera, Chyna Layne, Siya, Melonie Diaz, Mo McRae, Rotimi Paul, Kevin Carrigan

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@ Cemetery Watch
✠ The Vampire Bat.

Athiran

Posted on May 12, 2019 by Tennyson

What is the movie about? :: The year is 1967, and a worried Lakshmi (Shanthi Krishna) finds their family murdered while Nithya (Sai Pallavi) is seen playing with a thread. The situation seems to points to her as dangerously abnormal and a murderer. Five years later in 1972, Dr. MK Nair (Fahadh Faasil), a psychiatrist from Trivandrum Medical College is sent to check out the activities in a mental asylum situated far away from civilization, between the trees in the wilderness. This grand mansion which was built by the British has limited access to other places. Dr Benjamin Diaz (Atul Kulkarni) who served in the 1972 India-China War and a master hypnotist is the resident doctor as well as the owner of the asylum. He is very strict in his methods and doesn’t like anyone from outside making a visit. Renuka (Lena) is in control of things there, and Avarachan (Nandhu) provides further help from outside.

So, what happens with the events to follow? :: There are strange incidents happening in the asylum. The inmates include Anna Maria (Leona Lishoy), a religious person, P Subrahmanya Iyer (Vijay Menon), an English professor, Vadakkedath Kamala Lakshmi (Surabhi Lakshmi), a person of too much concern for everyone around her, Jeevan Thomas (Sudev Nair), and a happy and strange romantic person. But it turns out that there is one more patient, and she is hidden and locked away in a cell, considered to be extremely dangerous and uncontrollable – the person is none other than Nithya who lives a restrained life, hostile to those who very rarely come to visit her. The newly arrived doctor realizes that there is something strange about her as well as the working of the hospital – he even has some dream visions and hallucinations when he is there, but some of them might be close to reality.

The defence of Athiran :: We have had a good number of psychological thriller, but after the 1990s, not many movies could rise above a certain level, and Athiran comes as a breath of fresh air – we always needed our own Shutter Island, and this one becomes the same, but with its own different twists. A Cure for Wellness is another movie we are reminded of. There is a similar beautiful setting here just like that island in Shutter Island and the mountain ranges in A Cure for Wellness, as the camera nicely brings all of the same to perfection. There is a Gothic building out there, and has a similar setting as one would have seen in movies like Crimson Peak, even though in the absence of the ghostly presence, is not used to the maximum – we had already seen 9 using a similar setting. The songs and the picturization also prove to be really attractive, and the suspense is maintained until the end as we remain thrilled.

The claws of flaw :: The similarities to A Cure for Wellness and Shutter Island can’t be ignored. There is another movie called The Ward which deals with a similar situation. All these are set in places dealing with “wellness” of the patients, and has similar moments of horror related to treatment procedure, along with secrets there that should be revealed. There is clear influence in bringing a certain Hollywood style, also resembling the Victorian Gothic Model, but the success of the movie is that it has done the same really well, and local elements have been mixed with some skill behind the same. We still have the feeling that something missing in there, and the other patients’ characters could have been better developed. With a setting like this, there was hope for bringing some intensely terrifying moments, but it is not there. Nights in a mental asylum far away from civilization can always bring more, and so can a mentally unstable murderer of family members.

The performers of the soul :: Fahadh Faasil is one actor who has come up with minimum guarantee in the last few months, and we look at his previous movie to make sure about that. His last three ventures in Malayalam movie industry were Kumbalangi Nights, Njan Prakashan and Varathan, all three gaining both critical and commercial success. These movies also had less hype in comparison to the others, and Athiran actually came up with no real boost in marketing – I came to know about this movie very late, and even then I didn’t know that this was a Malayalam movie; the film survived with people’s opinions. It is to be noted that there is a certain change that comes across the character he plays in each of the four movies including this one. One can also note that Fahadh has done a fantastic job here as the main character in a psychological thriller – playing a character in a mental asylum wouldn’t come easy, whether the role is of a mental patient or not.

Further performers of the soul :: Sai Pallavi has returned to Malayalam movie industry once again, and it called for a change, a welcome one, as there is no dance performance around here. She is the kind of actress who can do this role so well, as she showed such signs in Kali itself, even though it was not needed then. Well, here she excels in portraying the character with autism and more. This one is her best performance in the industry so far, clearly better than Premam, and surely better than that which didn’t really matter in the miserable Kali. Atul Kulkarni who has come up with some memorable performances in Malayalam movies before, brings a strong antagonist. Leona Lishoy, Surabhi Lakshmi, Vijay Menon and Sudev Nair who have their moments as the patients never really get going though, with no real mention about their tales of the past. Lena and Nandhu gets limited in their roles, Shanthi Krishna is there for a few minutes. Renji Panicker is impressive when he is there.

How it finishes :: Athiran is one movie which has been running for so long despite releasing without making much of a noise. One month later, it can be seen that the movie is still going strong, despite Avengers: Endgame taking the most number of viewers, creating the collection record like never before, overtaking Titanic and closing in on Avatar, the effect being seen here too. Athiran, one month later, is challenging the bigger movies like the crowd puller Oru Yamandan Prema Katha and the critics favourite Uyare. It is nice to see a psychological thriller doing such a job, as it has been the genre, with a fee exceptions not bringing the major part of audience to the theatres, especially the family audience. But things have changed now, and Athiran has stood tall when the opportunity came, and it does so in Hollywood style, in a grand environment.

Release date: 12th April 2019
Running time: 136 minutes
Directed by: Vivek
Starring: Fahadh Faasil, Sai Pallavi, Lena, Sudev Nair, Leon Lishoy, Prakash Raj, Renji Panicker, Atul Kulkarni, Shanthi Krishna, Nandhu, Surabhi Lakshmi, Vijay Menon

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@ Cemetery Watch
✠ The Vampire Bat.

The Tattooist

Posted on March 30, 2019 by Tennyson

Vampire Owl: The title here is something that caught my attention early.

Vampire Bat: It rarely happens related to short-films, right?

Vampire Owl: I stopped differentiating between short-films and long films some time ago.

Vampire Bat: This is actually a micro short-film, much shorter.

Vampire Owl: That saves a lot of time then.

Vampire Bat: So, you are going for the shortest of them now.

Vampire Owl: Why not? It is best to show the most, within the shortest period of time.

Vampire Bat: Everyone is too busy these days.

Vampire Owl: I don’t see why they won’t be. The challenges are too many. Shorter movies are thus helpful in saving time.

Vampire Bat: It is a competitive world. Let us take that option of saving time then.

[Gets some vegetable puffs and three cups of cardamom tea].

What is the movie about? :: The Tattooist (Wang Yanhu) is a very popular man in the town who gets many customers, as his skill as well as the resulting work is something which has been widely appreciated. Most of his clients are young men and women who are enamoured by what he does. His reputation in his field is so high that it is near impossible for anyone else to work and gain such popularity. But there is something sinister behind his much acclaimed work. There are people drugged, imprisoned and tortured in a secret lair under his tattoo studio. Can at least one of these people survive and escape to tell the tale of brutality to others? Or will the tattooist continue to have more victims, and enjoy his run as the best of them all in the field – the grand villain? Is there hope in between the chaos, or will it be all about evil and extreme violence?

Similar Dark Legends from the Past :: The first thing that came to my mind while watching this was regarding Sweeney Todd. This tale which we literature graduates have studied as part of Victorian age literature had a barber who makes his customer victims fall down through a trap door by pulling a lever on the side of the chair on which they sit. The people who land in the basement usually dies which broken necks or skulls, and the rest are finished off. He also has a partner in crime, Mrs. Lovett, who assists him in getting rid of the bodies by making meat pies from the corpses and selling them to the u customers at her pie shop. The two shops are also connected through an underground passage. We had also heard about the same as a movie, Sweeney Todd: The Demon Barber of Fleet Street starring Johnny Depp and Helena Bonham Carter as the main characters. Such dark legends of villainy never ceases being amazing.

More about The Tattooist :: We are quickly taken through this vision of the director, which keeps us asking for more. We begin by seeing the tattooist at work, and it seems like some elegant work being done there – all of a sudden, the mood changes, and we are taken to the bloody, gory side. We also see how the music changes, and the sound effects are used to a fine effect. We see what the tattooist actually manages to do, and there is that transformation from a paradise-like atmosphere to inferno. There are people imprisoned inside cages and cells, people being dragged away, corpses, and a lot of blood and gore. Then we are back to what is happening in the world of beautiful tattoos – it has us expecting the terror which is to come for the customer who is having her tattoo done by the same person. This is exactly how our imaginations are made to run far, and how we are made to wish for a longer version.

The Beauty of The Tattooist :: The charm of the movie lies not in just one element, as this creates a perfect collection of things, something that would make a near perfect horror movie if the same tempo is maintained. There are movies like American Mary which talks about body modification and the horror that comes related to that. It had one of the queens of horror, Katharine Isabelle playing a medical student desperate for money ending up taking clients from the body modification community to solve her financial troubles. Well, tattoos can have the same effect as long as the right elements are added, and we can see that Michael Wong has succeeded in doing exactly the same. Well, as of now, tattoos have come to this part of the world very rarely in movies, like in some funny sequences like the fainting moments in the Malayalam movie Aanandam.

How it finishes :: Watching The Tattooist as a full-length movie will be a horror movie lover’s dream, as this one could serve as a fine trailer about what can come. Michael Wong’s directorial debut short film The Story of 90 Coins was a lovely flick which dealt with an entirely different topic, and extreme opposite if we look at it. It had picked up more than sixty accolades from different international film festivals including the Best Direction and Best Cinematography. The Tattooist hasn’t been far behind in creating some grand waves all around. As he has easily gone through two different genres, creating two interesting movies with ease, we can be sure that there is more to expect from him. Until then, enjoy watching this micro short-film, and the same can be found at the bottom of the review. Along with the same, enjoy the summer vacation going on at this part of the world!

[Returning after the movie and snacks].

Vampire Owl: You can see that my opinion about having a micro short-film remains the same.

Vampire Bat: I see that you have enjoyed watching this short-film, and at the same time, keeping your valuable time to make a good use of the same.

Vampire Owl: Yes, and still we have watched what we needed.

Vampire Bat: It is an idea which stays and expands further in our minds, after we finish watching the movie.

Vampire Owl: Yes, we can even contribute with our own version to add to the already existing idea through imagination.

Vampire Bat: It makes me wonder what the tale of each victim would be.

Vampire Owl: This is certainly worth a longer version too.

Vampire Bat: I would keep my hope high about that.

Vampire Owl: I am recommending this for the whole vampire community.

Vampire Bat: I would be doing the same thing too.

[Takes a long walk into the darkness].

Watch the film here:

Release date: 9th June 2018
Running time: 2 minutes
Directed by: Michael Wong
Starring: Yanhu Wang, Li Lu, Myra Mala, Mayela Magrou, Dan Litza, Simon Shiyamba, Chase Lichtenberg

<— Click here to go to the previous review

@ Cemetery Watch
✠ The Vampire Bat.

9

Posted on February 10, 2019 by Tennyson

What is the movie about? :: Dr Albert Lewis (Prithviraj Sukumaran) is a very successful astrophysicist who have had a love for science since his childhood. He didn’t have that family life that he wanted though, as his wife Annie (Mamta Mohandas) died with childbirth, and his son Adam (Master Alok) is a known menace in the neighbourhood as well as school, leading to multiple change of educational institutions. As Adam was involved in another incident which left his cousin on a wheel chair, even the relatives are hostile to the boy. With Adam being expelled from his school in the middle of the term for another fight with a student, he gets an assignment from his mentor, a world famous scientist, Dr Inayat Khan (Prakash Raj). The idea is to watch, analyze and record the scene of a huge comet from the Himalayas, where it would bring a different scene altogether. With his team mates and Adam, he reaches the place, and stays at a remote guest house owned by his mentor.

So, what happens with the events to follow? :: It turns out that this comet is not your usual one. It produces an Electro Magnetic Pulse which would disrupt the modern day life – there would be no electricity, internet or mobile phone; modern day vehicles wouldn’t be able to provide transportation. It would be more or less like going back to nature, without having those facilities which people hold dear. There is panic all around, and Albert who reaches the seemingly Victorian-styled huest house makes sure that there are enough candles and lanterns. He also makes some adjustments to an older vehicle and makes sure that it works even though the usual transportation shuts down. As the shut down occurs, the sky turns red. Albert who is watching the amazing sight comes up again a stranger, Ava (Wamiqa Gabbi) who is lost in the woods. He takes her to the guest house, but there seems to be something special about her. She seems to be holding on to some secrets – what would they be?

The defence of 9 :: There are so many things being dealt with, in this movie which is a combination of genres. The horror in this movie is nicely done, and we have the same with a seemingly Victorian Gothic setting which has everything for a horror thriller. The supernatural, death and decay, ancient beliefs, unsolved mysteries, nightmares, hallucinations, large old building with only a few people, darkness, loneliness, fear – they are all there, and at the same time we wonder if some alien terror is going to be unleashed or if the world is going to end. The mystery element is also nicely made up, and it goes right through the movie. The darkness is the most beautiful thing in the movie, and you fall in love with night here. There is quality in how the setting has been used, with the beautiful as well as creepy visuals; the sound effects are also lovely. There are many Hollywood movies that comes to your mind, and also that same quality.

The claws of flaw :: The story here is not that easy to digest for everyman. It just puts too many things in here and also has an ending which is left open as well as unclear. It is also too long and has too many scenes with the apparition of one dead wife appearing, a case of terrible repetition which could have been avoided. The ending could have also been more direct – even though having multiple interpretations is not that bad, the horror feeling that was established earlier should have been allowed to continue to make an impact and leave the theatre with the audience. After all, the audience have gone through all these, and one of those interpretations just nullify the same. It is the supernatural of the movie that rises above everything else here, and the same should have taken full control and came to a conclusion in the end – well, when there is a chance to go full Gothic in a setting like this, I would take it.

The performers of the soul :: Prithviraj takes another divergence and another risk with this movie, but this doesn’t trouble him that much because he has been to such a situation before. He has played the protagonist looking for answers, who would be wandering through mystery and horror in different films. We have seen him in the dark flicks like Memories, Adam Joan, 7th Day and Ezra, making nice impact. The Hollywoodish feeling that he maintained even in last year’s Ranam and Koode are also to be remembered. Prakash Raj is just there for some time, and there is just him going through the long talk and no action. Mamta Mohandas is just there for the song with very short flashbacks and to keep coming back as apparitions in stylish clothing – there could have been more. Mamta is not someone who is to be restricted to that, as we feel that the flashback is more relevant than ever in this movie.

Further performers of the soul :: At the same time, Master Alok brings a fine performance as the child in trouble, and we see something that makes him right for the genre. Back after the much appreciated Godha, Wamiqa Gabbi is fantastic as the mysterious girl who turns out to be more than just a damsel in distress troubled by a piece of comet. There are fine moments which reflects the creepy side is a beautiful way, as she walks through the huge building as lights are turned off, staring outside from a bath-tub and coming up with a mysterious, creepy smile on more than one occasion. She seems to blend into the Gothic horror so well, and I will be glad to see her in a full-horror movie. You look here, and feel that she could be in something like Crimson Peak. Rahul Madhav and Adil Ibrahim are there in smaller roles, and we also see some unknown actors who are there for a short period of time leaving something nice behind.

How it finishes :: It can be seen that 9 goes through different genres at the same time. There is science fiction and the supernatural, as the movie is a psychological horror thriller with a scientific background. It is the first big movie to combine all these well, and one of the first movies to deal with some science fiction of such grand scale. There are questions that go unanswered with the same, and there are moments when we feel that the grip is lost – it could have surely been better, but as it is now, makes an interesting watch. 9 is surely an effort in the right direction, and we can hope to have more movies of the same kind after this. If a combination like this can have everything in the right quantity and quality, there is no limit to how good it can be. Until such a movie is made, we can go to the theatres and enjoy 9 this week.

Release date: 7th February 2019
Running time: 149 minutes
Directed by: Jenuse Mohamed
Starring: Prithviraj Sukumaran, Prakash Raj, Wamiqa Gabbi, Mamta Mohandas, Master Alok, Tony Luke, Vishal Krishna, Rahul Madhav, Adil Ibrahim