The Guest

Posted on December 17, 2015 by Tennyson

Vampire Owl :: Do you mean to say that we have guests at the castle? Is it for the Christmas vacations?

Vampire Bat :: Not at all. I am just referring to the next movie which were going to watch.

Vampire Owl :: But I have never heard about it.

Vampire Bat :: It has Dan Stevens and Maika Monroe in the lead.

Vampire Owl :: I can recollect the latter name; count me in.

Vampire Bat :: I was pretty sure that you will remember Maika from that horror movie.

Vampire Owl :: Yes, this even reminds me of that headless guest that we had last year. It was one guest that we should have never had.

Vampire Bat :: I believe that this one will be even more mysterious.

Vampire Owl :: Well, there is no limit to the strength of mystery.

Vampire Bat :: And that is some truth clearly spoken.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: David Collins (Dan Stevens) has arrived at the home of his friend in the military, Caleb Peterson (Chris Harding) who had lost his life at the war in Afghanistan. His grieving mother Laura Peterson (Sheila Kelley) is soon attached to the newcomer and his stories about her son, as she asks him to stay with them for a few days in her son’s room because it will make her feel better after the loss her son. Despite some initial doubts, her husband Spencer Peterson (Leland Orser) also approves of his presence as they get along over some drinks. Their son Luke (Brendan Meyer) becomes good friends with the man as he helps the boy in dealing with the bullies who keep haunting him. The daughter Anna (Maika Monroe) also manages to have a positive opinion about him in spite of the early disapproval which she had.

So, what is this person all about? :: With him being the new best friend to Luke, David has all the members of his family in his pockets. But he is there for another reason. He is still the good guy there, even with Anna’s friend Kristen (Tabatha Shaun) who is attracted to the new friend and everyone seems to like him. He knows how to get along with all kinds of people. But as Anna wishes to know more about him after overhearing certain talk on phone, she calls the military base for more information – but curiosity makes things different, and the situation take a twist. More about David will be revealed, but this new knowledge won’t do that good for anyone around. Some things are better left unknown, but unfortunately for them, this one comes to light.

The defence of The Guest :: There is one thing absolutely clear about this movie, and it is that The Guest is a lot entertaining, and right from the beginning, you get the feeling about it. There is the shot of a person running with a backpack, and then suddenly there is the music indicating possible horror and you will see the title. The next forty minutes go smoothly, with some drama and only small signs of the big change coming up; and as we go through it, the last thirty minutes become deadly. The music used in the movie is really good, and its idea to reveal things in a slow and steady manner makes sure that we get more and more interested in the whole thing. There is another smart movie to use some Halloween stuff here, and it helps a lot in the final stages. Those scenes just feel so good, and this is how the movie ends well.

Positives and negatives :: There is one thing that will bother some viewers, and it is that the movie doesn’t really come up with a relevant flashback and leaves questions unanswered – as on one side, it keeps one guessing even after the movie with further conspiracy theories, and at the other, it makes one wish for it to be there. Most of us surely love a flashback, but we won’t find it here, and there won’t be that much explanation from the protagonist either except for some acceptance; and a little change in the ending would have been better. There is also a certain amount of interesting humour in the movie, as The Guest qualifies with a mixture with thrills, action, psychological elements, suspense factor and all that is needed in the right entertainer. The Guest knows the many ways and the different sides of making the viewers interested. The fact that it manages to be an entertainer with brain is even more satisfying for the audience not to go through just the masala.

Performers of the soul :: Dan Stevens is deadly as the protagonist, the man with his own collection of mysteries – and we are left with this memorable performance to ponder about. One can notice how well he adapts to each situation as the character demands. He is too good almost everywhere, and this character is to be remembered by the fans of the genre or rather the genres – the mystery stays as he performs great. His next big movies include Criminal Activities, Oppenheimer Strategies and Colossal, three thriller movies along with the romantic musical fantasy, Beauty and the Beast – these should be too good. I haven’t watched much of his performances, and so hoping to see more. Maika Monroe has the next big performance here, and you will find her lovable from the beginning itself. We loved her in It Follows and she is excellent here too – would love to see her in Independence Day: Resurgence.

How it finishes :: There will be so many things that you will love about this movie, and you don’t need to be the fan of a particular genre to like the flick. There will be variation only in the degree of interest here. You will surely want to see more works of Dan Stevens and Maika Monroe after watching this one. The Guest also comes from Adam Wingard who directed You’re Next and so you know that you can expect something interesting, and it is the same which is delivered here. If you think about what other movie this one reminds you about, that should be The Stepfather, and the 2009 remake had Amber Heard as the leading lady, but the similarity is minimum; The Guest is also ahead here. You will certainly find your needs for an entertaining thriller satisfied here.

Release date: 17th September 2014
Running time: 100 minutes
Directed by: Adam Wingard
Starring: Dan Stevens, Maika Monroe, Leland Orser, Sheila Kelley, Brendan Meyer, Lance Reddick, Tabatha Shaun, Chase Williamson, Ethan Embry, Joel David Moore, Steven John Brown, Brenden Wedner, Alex Knight, Frank Bond, Jesse Luken, Kelsey Montoya, Justin Yu, A. J. Bowen, Chris Ellis, Candice K. Patton, Chris Harding

@ Cemetery Watch
✠ The Vampire Bat.

The Shaman

Posted on December 10, 2015 by Tennyson

Premise of The Shaman :: For thousands of years, men have undergone vigorous training to become the Shamans. These well-trained people have traveled into the other world, finding and healing the souls of people. In the beginning of the twenty third century, they are no longer the healers, but mankind’s deadliest weapon, as there is more that they can do during a war. The year is 2204, after seventy three years of continuous war and destruction. There is a long battle going on between The Atlantic Alliance and The White Federation and the world is in chaos. According to the Shaman’s school of thought, every creature or object has a soul. As the Shamans go into the other world known as the Netherworld and convert or destroy the souls of their enemies’ huge battle machines, both sides come up with defensive strategies against the Shaman attacks.

What is it about? :: These intelligent machines are widely used for battles during the times, and they are the toughest opponents which are better to be dealt with indirectly, as direct confrontation is leads to too many casualities. As a Shaman called Joshua (Danny Shayler) tries to convert the soul of one enemy battle colossus which has destroyed about two thousand men, this one is ready for him. The soul of the colossus (Susanne Wuest) knows that he is coming, and has read information about him. Joshua has a troubled past which can be used against him if known. In the other world, the machine will use his own strength, the manipulation against him. He will have four minutes to deal with this machine or he will die with the troops and his squire Lene (David Sayers). Can he come up with something special here?

The defence of The Shaman :: The short film gets you into the story right in the beginning with an introduction and some interesting information about the premise – it makes sure that we have the idea what is to come next. Then, we are introduced into the movie’s story-line related to the Shaman called Joshua and his battles. There are some stunning visuals to go with the story. The visual splendour is the kind of thing which can challenge those big Hollywood movies, as the futuristic world devastated by wars will immediately catch your attention – the explosions add to it. The idea is no different as it is worth making a full length movie which runs for at least two hours. There is strength in the core, and we can be sure that it can be developed into big movie, and we can only hope that if it does, it releases at this part of the world.

How is The Shaman special? :: The Shaman has a special place among the short films, and it is one of the best which I have watched. As Hollywood comes up with too many remakes, it is always nice to see a new idea instead of bringing the same thing again and again. The idea which is used in this short film is also something which got a lot of potential. There is absolutely no dull moment in this one, and you are completely into the idea of Shaman, soul, Netherworld and the connections being made. The Shaman has that kind of a universe which can be developed a lot. There can be a prequel as well as a sequel in the form of full length movies, because the theme will catch the audience attention with ease. The science fiction fans are sure to love the basic idea and its development.

Soul exploration :: This is my first attempt at reviewing a short film, and The Shaman is a good flick to start doing the same. Throughout this movie and as the film ended, I was hoping that this was longer, even as a short film, I wished for at least ten to fifteen more minutes. When the idea is great and it also looks fantastic, I would wonder why one won’t want the movie to go on for a very long time. You can watch the trailer of the movie below to understand what this short film is going to be about. I am sure that you will find it an interesting trailer, and it gives a nice idea about what the movie is about. It should have you interested to watch the complete short film which is shared in the end.

Performers of the soul :: There are two characters who get most of the attention, and there are three who are the main characters – the Shaman, the Squire and the Soul of the Colossus. The performances in The Shaman were actually very good, especially with Danny Shayler who plays the titular character and Susanne Wuest who plays the Soul of the Colossus. The sequence between them is well done, which is why one would want to have them again if there is a full length movie getting made. A more detailed sequence between them would do a longer movie a lot good, and it will be the first thing I expect along with the tales of the Shaman as a person. David Sayers as Lene also does a good job here. We can be sure that the talent does exist here, and there will be more to come if there is a full length movie.

Further details about The Shaman :: The Shaman premiered at the New York based Tribeca Film Festival earlier this year and was also screened at many other film festivals around the world. The trailer of the movie had over four million views on Youtube. The whole movie is now available on Youtube to watch, and has subtitles in English, Russian, Spanish, German, Japanese and Chinese. It is also online on Vimeo as of now and was also selected into the Vimeo Staff Picks. It was also featured in Short of the Week. The movie has a rating of 7.5 on the IMDb, and it is surely ahead of most of the short films that you watch these days. It is mentioned as one of the best short films of the year, and one can be sure that it is deserving of that description. You can watch the full short film at the Youtube link below and come up with an opinion.

Release date: 17th November 2015 (Online); 18th April 2015 (Premiere)
Running time: 17 minutes
Directed by: Marco Kalantari
Starring: Danny Shayler, David Sayers, Susanne Wuest, Edmund Jäger, Adam Thomas Wright, Anton Noori, Stefan Bernhard, Samuel Jung

@ Cemetery Watch
✠ The Vampire Bat.

The Pyramid

Posted on December 6, 2015 by Tennyson

Vampire Owl :: I have received this letter from this small community living on the side of the undead lands.

Vampire Bat :: I have received a copy too. But I am yet to read it.

Vampire Owl :: It is about better representation on the movie adventures list along with the other communities who are getting all the attention as of now.

Vampire Bat :: Well, sometimes one community gets the attention, and at other times, some other one will. They will have to work hard to get more attention.

Vampire Owl :: But it says here that they are among the oldest existing communities and that they came back from the dead in the impossible circumstances at times when we vampires hadn’t really become the true undead.

Vampire Bat :: What? It is impossible! Look at the final sign. Who are they?

Vampire Owl :: It says “The Friendly Neighborhood Graveyard Mummies”.

Vampire Bat :: Zombies, werewolves and now the mummies. I thought that they were finished when they were sent to China in 2008 with Tomb of the Dragon Emperor.

Vampire Owl :: Well, they were not the same. There are no Pyramids there and so the Mummy existence has to be questioned. I believe that their depiction in that particular movie has also motivated them further to search for the right movie.

Vampire Bat :: That should mean that now we have to find a Mummy movie. I have the perfect movie in my mind.

[Gets a cup of tea and butter cookies].

What is it about? :: While the 2012–13 Egyptian protests are going on in Egypt, a team of archaeologists lead by Dr. Miles Holden (Denis O’Hare) and his daughter Dr. Nora Holden (Ashley Hinshaw) manages to discover a special pyramid from under the desert. As the top part of the structure is excavated, they find out that it is not like the other pyramids and has only three sides instead of the usual four. Using the satellite facility, they find out that the pyramid goes a long way down and that there is a tunnel which goes into its highest point. Due to the possibility of a civil war in the country, they are asked to return home, with no idea of when they can explore more of the pyramid. But as they consider this the biggest discovery of their careers, they hesitate to go back empty-handed.

So, how does the big twist occur? :: Despite a worker being dead due to the toxic gas in the pyramid, they decide to use a remote controlled rover machine from NASA to explore as much of the pyramids they can, and the gadget expert Michael Zahir (Amir K) makes sure that it can be done. But the machine is lots inside the structure, and it turns out that they can’t return home without the expensive thing. So, accompanied by the reporter Sunni Marsh (Christa-Marie Nicola) and the cameraman Terry Fitsimmons (James Buckley), they decide to go and find the machine themselves, with oxygen masks and with ropes tied to their waists making sure that they don’t lose the way. But they will know that what awaits them inside the structure is more than just the difficulty in finding the path.

The defence of The Pyramid :: There are lots of scary moments in The Pyramid, and the setting is very well established right in the beginning itself. It has been a long time since we had a good Mummy movie, and even though this one has none either, the pyramids and the undead brings us close to that feeling which we had while watching the movies with those mummified antagonists. The mythological twist which happens in the movie is a real nice one. The moments which make the most of the movie, until the final creature is shown makes some nice impact as darkness and the creepy atmosphere inside the pyramid is amazingly good – they could have got more attention going for the last few minutes of this movie. There are some nice traps too, even though that side is not used to the full potential. This one is also more serious than your friendlier adventure starring Brendan Fraser and Rachel Weisz.

Claws of flaw :: The Pyramid is in no way close to being the best horror movie of the year. It has an antagonist revealed in the end which doesn’t look scary enough, and thanks to the CGI which is not that effective, we won’t get the desired strength at the end. The creatures needed to look better and more menacing; here they are just the dangerous creatures as we know them to be so. The movie also needed a better development of the mythical story of Anubis and Osiris, working on the tales about the gods and kings of Egypt much earlier and in more detail so that everything could come together in a stronger way by the end of the flick. There is also no perfect ending as one would have expected as this has strong mythological roots. Those who have a lot of knowledge in the Egyptian Mythology might also feel different, with possible innacuracies as I have seen in some forums, but I am not an expert there.

Soul exploration :: There is not much here for the acting department because the movie’s focus is never there. Still, Ashley Hinshaw has a fine presence and does a good job in this movie which asks nothing too much from its cast. Christa-Marie Nicola should come next in grabbing our attention, and the rest also just follows the routine in a horror movie – be in trouble and hope not to die. The feeling of inescapable is right there throughout the movie as we keep having the feeling that the situation is a lot more than the usual supernatural stuff, and nobody can escape death this time. It is the certainty of death that the protagonists are facing, and the inability to find a solution to the early return to the other world means that there is more than all the discoveries science has ever made and religion has ever solved- it is a symbol of human helplessness.

More of the soul exploration and the finish :: The one thing which is special about this movie is that it takes another path while dealing with pyramids, not of the usual mummy story as one would expect. There is a nice reflection of the Egyptian Mythology along with its gods Anubis and Osiris. There is some history and mythology explained in the middle as well as by the finish, and if things were more creative by the end, The Pyramid could have been a lot better movie. There are times when some movies are underrated, and this one is such a movie. We did see such problems with The Lazarus Effect, I Frankenstein, Annabelle and The Woman in Black 2: Angel of Death. This has been happening with horror movies for quite some time and you have to watch these movies to know if they are good – you really can’t go and agree with the rest of the world without thinking, especially the critics.

Release date: 5th December 2014
Running time: 89 minutes
Directed by: Grégory Levasseur
Starring: Ashley Hinshaw, Christa-Marie Nicola, Denis O’Hare, James Buckley, Daniel Amerman, Joseph Beddelem, Amir K, Garsha Arristos, Omar Benbrahim, Philip Shelley, Faycal Attougui

@ Cemetery Watch
✠ The Vampire Bat.

Mockingjay II

Posted on December 2, 2015 by Tennyson

Vampire Owl: So, this is the name of the movie in reality. It was written here on this newspaper as Mocking Hay and I was wondering what it was about.

Vampire Bat: Here, on this other newspaper, it is written as Mockway. It is a more distant spelling. I do wonder what they might have called Goosebumps.

Vampire Owl: It is because of this wrong spelling that we felt that this was a movie which we knew nothing about, and made the choice not to watch it earlier! I don’t understand why they can’t have people who are able to spell this. I am beginning to doubt how they choose the people behind this.

Vampire Bat: They make such mistakes and still we read them. Then, we see that at some other editions of the same newspaper, and even at some other columns of the same, it is correct and then we are made sure that this particular title is another movie. I don’t understand why we are like this, looking at the mistakes, being mislead, understanding that it was too silly a thing and then continuing to read the same newspapers – actually, we even watch the same news channels which we don’t like.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.co/index.php/current-film-releases/1200-the-hunger-games-mockingjay-part-2-movie-review

A science-fiction dystopian adventure book from the US author Suzanne Collins was made into a movie in 2012, with Jennifer Lawrence playing the protagonist, Katniss Everdeen. This movie adapted from the first book of The Hunger Games series was very successful. With The Hunger Games and its sequel Catching Fire becoming grand success at the box-office, the third book in the series, Mockingjay was divided into two movies. Here we have the second part of the two, and this movie finishes the franchise. There was one movie in the franchise releasing each year from 2012 onwards, and the last three movies of the franchise have all released in the latter half of November.

Katniss Everdeen (Jennifer Lawrence) continues to be the Mockingjay and the one grand symbol of revolution as the districts unite against President Coriolanus Snow (Donald Sutherland). The attack from a brainwashed Peeta Mellark (Josh Hutcherson) did affect her, but she is back there on the warzone with her speeches and charisma only to be shot by a loyalist from District Two. Even though Katniss wishes to kill President Snow herself, President Alma Coin (Julianne Moore) asks her not to risk her life again, and advices her to remain as the inspiration and the symbol of their defiance. As she is someone who can motivate the crowd with her presence, she agrees to Coin’s idea.

But Katniss is not the one to keep away from her ultimate aim, as she sneaks into an aircraft leaving to join Commander Paylor (Patina Miller) who is planning a huge assault. There, she is told to be part of a squad lead by Boggs (Mahershala Ali) as they have to evade the booby traps or the pods on the streets which are left by game-makers of the Hunger Games. Thus the journey will be more of less like the seventy sixth Hunger Games. They will be joined by Peeta as they are to go through the streets facing the unexpected threats which await them. The Capitol and Snow will think that she is dead, not once but many times, but Mockingjay is not someone who is going to stay dead as the squad keep going towards the big destination.

The problems caused by breaking down one book into two like Harry Potter and Twilight can be seen. The fans will surely prefer this because they can watch more of their favourite franchise. More of Katniss Everdeen will be there for them to see. But as the last book is divided into two, this movie surely has been cursed with a certain amount of drag. This certainly wouldn’t have been there if Mockingjay was just one movie instead of two stretched movies. But there is one advantage that this movie does possess, and it is the ability to finish the franchise in the right way. The finish is all about that climax which has one shot from the bow of the protagonist that determines everything, even though there are some predictable sequences after that.

The second part of Mockingjay is surely ahead of its predecessor because of the quality of the material in the latter part of the book. If you have read the book already, you will feel that this movie is a good adaptation even with the stretched parts. There are some nice conversations to go with the interesting action sequences, even as there is nothing much here to compete with those which we have seen in the first two movies. There are some traces of what was seen in the games earlier, but there is no big combats shown here. The special effects are good, and the dystopian world will once again grab your attention. The weapons as well as the other gadgets will also catch your eyes.

The movie has its touching moments and thrills which are surely present. There is also some reflection of the real effects of war on the common man which is nothing more than destruction and chaos. The lives of the civilians and morality are two things which are used to one’s advantage as shown here. But the movie does end with hope, despite the deaths, and we know this factor as something which was too far away in the previous movies of the franchise. For those who are new to this franchise, they will find themselves in trouble as the movie goes directly into the story, but with some focus, a certain clue about the dystopian idea and some understanding on what this franchise is about, they can still go through this movie.

As it was in the case of the previous movies, Jennifer Lawrence still remains the biggest asset as the Mockingjay. It is a pleasure to watch her as Katniss Everdeen once again, as she does her job with no trouble at all. As expected, she has and handles those best moments of movie; there is one other point which comes with a sudden impact, related to mutant creatures in the sewers – that was a grand one too. Josh Hutcherson and Liam Hemsworth provide the needed support very well. Maybe, the movie could have finished better without using the epilogue from the book, even though that would be ignoring the faithful fans of the book. Here ends another movie based on another Young Adult Novel, and despite the flaws, it is a good finish to the franchise.

Release date: 27th November 2015 (India); 20th November 2015 (USA)
Running time: 137 minutes
Directed by: Francis Lawrence
Starring: Jennifer Lawrence, Julianne Moore, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Jena Malone, Natalie Dormer, Willow Shields, Philip Seymour Hoffman, Jeffrey Wright, Sam Claflin, Gwendoline Christie, Stanley Tucci, Evan Ross, Donald Sutherland, Mahershala Ali, Patina Miller, Stef Dawson, Paula Malcomson, Meta Golding, Wes Chatham, Elden Henson, Michelle Forbes, Omid Abtahi, Misty Ormiston, Kim Ormiston

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

Posted on December 1, 2015 by Tennyson

Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

@ Cemetery Watch
✠ The Vampire Bat.

Ex Machina

Posted on November 26, 2015 by Tennyson

What is it about? :: Bluebook is the most popular search engine in the world, handling more than ninety percent of the internet user search. It is one of the most powerful companies in the world, and maintains a certain amount of control over the internet. Caleb Smith (Domhnall Gleeson), a programmer working at the same company, wins a one-week visit to the home of the CEO of the same company. Nathan Bateman (Oscar Isaac) lives in a secluded building surrounded by greenery, an environment providing beautiful views and assuring separation from the busy life of the cities where the search engine offices are based. The only other person at home is a maid known as Kyoko (Sonoya Mizuno) who doesn’t understand English and just does her job.

So what happens in this environment? :: So, this home of the CEO is actually more than what meets the eye. One would have guessed the same considering the fact that he has almost no contact with anyone else. He has a secret, and the place is more of a secret research facility than a house. He has developed something which needs to be tested, and Caleb is the man to administer the test to a special humanoid robot with Artificial Intelligence. This robot named Ava (Alicia Vikander) develops a good friendly relationship with Caleb, but it seems that she is a lot more than what he knows about, and there is a long history behind the robot and also beyond her. There are things that will be uncovered in the environment, but not many facts can go outside that world.

The defence of Ex Machina :: An intelligent science fiction movie takes form as Ex Machina, as it slowly, but steadily moves on to become more and more interesting, from a rather normal beginning. It has the good looks right from the beginning as the scene shifts to a world close to natural beauty. There, the insides of the home are also well done. There is elegance all around, and then we see the robot with the Artificial Intelligence and we feel that it might be the best we have seen with the design. Then, things go on to become rather tense, a feeling which comes along with the intellectual and creepy side going forward together. Sooner or later, this one asks you about whose side you are on, and most of the time when facing the question, you will have no answer; but you might not need to take sides – you can grab the messages instead. Then there is Alicia Vikander as the lady robot who will simply take your breath away with her performance; not human or robot, she is right there as the Artificial Intelligence.

Positives and negatives :: The other two main actors, Domhnall Gleeson and Oscar Isaac do their job really well. In this movie, you can see no action sequences or frightening scenes on screen, making this no sc-fi action and absolutely no sci-fi horror. But it is still a thriller and a drama, filled with messages in the core. A certain slow pace in the movie never really feels as we are too much interesting in the situation that is presented in this movie; sometimes one feel that it makes us more restless and unsettled. But whichever way the movie takes the turn, it keeps working so well. It keeps us engaged in the flick, and keeps providing us with those moments to memorize and think about. The twists in this movie are not heavily presented, but they are all result of some very clever work. As it moves towards a more haunting side, you will feel that this might be the best science fiction movie made without much of a heavy budget.

Soul exploration :: There are many messages in Ex Machina, and they can affect different people in different ways. Most of us are familiar about the Latin term “Deus ex machina” which means “god from the machine”. As I missed that during a literary quiz programme and this one will stay on my mind forever. It refers to a plot device by which a seemingly insolvable problem is solved all of a sudden by an unexpected thing – it is often a rather convenient method. Here, the title should mean “from the machine”. The movie deals with the insides of a machine here, with how the Artificial Intelligence makes the change, and brings something more out of a machine than what was expected of it. The one difference here is that it is the human who plays the God.

More soul exploration :: The problem in the movie arises from the human playing the role of God. He thinks that he can be in control all the time, but he just can’t do that. There are limitations to his abilities, and there are a few people who don’t really deserve to do such things. Man is no God and with power and money corrupting the brain, morality and any compassion takes the backseat. The robot here is not just a symbol of the specific character here, but that of a lot of people in the world who have restrictions imposed on them. Only a few people get lucky, and the rest are enslaved in one way or the other. The rich and the influential ones play God while the rest are made to be obedient robots. But if there will be change, and it might all be about one moment, just like Ava’s case.

How it finishes :: Ex Machina is the directorial debut of the man who wrote screenplay for 28 Days Later, Sunshine and the cult flick and favourite 2012 action movie Dredd. Here, we are provided with more questions than ever, about where humanity begins and ends, what is consciousness and how it can be defined, the influence of technology and its control over us, the limits which should be established – and many more. It is not something which you can hope to get with this much clarity as well as simplicity from the Hollywood movies. What this movie reminds me about is the 2011 Spanish psychological thriller movie, The Skin I Live In (La piel que habito) starring Antonio Banderas and Elena Anaya. Ex Machina leaves one with a similar feeling; there is no visible horror and moments to make you scream, but it provides that special unsettling feeling.

Release date: 10th April 2015
Running time: 108 minutes
Directed by: Alex Garland
Starring: Alicia Vikander, Domhnall Gleeson, Sonoya Mizuno, Oscar Isaac, Symara A. Templeman, Elina Alminas, Gana Bayarsaikhan, Tiffany Pisani, Claire Selby, Corey Johnson

@ Cemetery Watch
✠ The Vampire Bat.

Angel of Death

Posted on November 19, 2015 by Tennyson

Vampire Owl :: Uncle Dracula was very much shocked that we missed Hotel Transylvania 2. The Vampire Panda had told me that he was on leave from the vampire throne for too many days.

Vampire Bat :: Which is why we are bringing this older horror movie right up.

Vampire Owl :: If this Woman in Black is the Angel of Death, why don’t we just call her by that name itself? Why were we not talking much about her?

Vampire Bat :: Well, there are other angels of death who might decide to protest if we do that. After all, each creature has rights.

Vampire Owl :: Yes, but still at this moment, this is the Angel of Death.

Vampire Bat :: We should publish a notice about the usage if we are to do it widely. But it should be okay for now.

Vampire Owl :: Do you know that Sinister 2 might never really release here?

Vampire Bat :: Yes, disappointing. Even Dark Places didn’t arrive.

Vampire Owl :: This is why world needs the Angel of Death.

Vampire Bat :: Yes, even the Angel of Half-death will do.

[Grabs a cup of tea with chocolate chips biscuits].

What is it about? :: A long time has passed since the events of the first movie. The time shifts to the season of death and devastation, during the Second World War. The Blitz was happening at London as Nazi Germany was showering bombs on the United Kingdom. With death wandering over their heads on planes, Eve Parkins (Phoebe Fox), a deputy headmistress along with the children of the school and the headmistress, Jean Hogg (Helen McCrory), leaves towards the small town of Crythin Giffor which was to be a safe place away from the bomber planes targeting cities. They reach a mansion which is abandoned and surrounded by no signs of human existence. Then you have to wonder if this new place away from civilization is really safe.

The defence of The Woman in Black 2: Angel of Death :: The movie nicely begins and has a dark and depressing atmosphere until the first moment of horror occurs with twenty minutes being over. There are some very nice dark sequences in this movie which bring us the elements of horror very well; the terror exists all the time here, not just when there is the direct attempt to scare the viewers. There is always something waiting to happen, and you can feel that. The movie is also sad, and it is something that will haunt you more than the horror which you expect to be there. It can also be considered as a strong drama, with emotions running high. There is a message here, and it is of death, which is brought about by none other than the actions of humans themselves.

Claws of flaw :: You will feel that The Woman in Black 2: Angel of Death is a lot like its predecessor, rather too much of that kind. The darkness is also used a lot to the inconvenience of some people. This one is also slower if we consider the pace that is expected from a movie of this genre. Talking more about the genre, this is not completely horror either, which will make some fans wonder where exactly their horror movie deviated from the cause. It could have surely used better appearances of the Woman in Black to make the desired impact for the hardcore horror fans. Even though the predecessor was a rather unknown movie at this part of the world, the second one surely had better attention, and so the viewers did deserve more from this as far as the genre is considered.

Performers of the soul :: Phoebe Fox is the protagonist here for the year 1941, replacing Daniel Radcliffe who was there during the Edwardian-era. There is torment and so much sadness which is reflected on her face, making Phoebe a nice choice for this particular character with a troubled past which the woman of the other world needs to exploit and use to her advantage. She surely has her exceptional moments in this one. Jeremy Irvine makes a nice appearance in the flick, and he does the job of another person with past troubles very well. They do make a fine pair together in the movie. Meanwhile, Oaklee Pendergast does a fine job as the kid in distress. Helen McCrory also does some good work. Even then, the atmosphere remains the grand performer.

Soul exploration :: It is no surprise that the title Angel of Death works at a time when the Second World War was at its peak. With chaos and destruction all around, one has to wonder what kind of death humans have brought upon their own kind. The humans themselves are the angels of death due to the never-ending desire for more. In the current world, where intolerance has risen to a new level, may be there are too many angels of death waiting to rise. It is by selflessness and sacrifice that the acts of hatred for the other can be averted. The message of forgiveness is the one thing which is needed more than any other. There is death awaiting each and everyone in this movie, in one way or the other, by war or by supernatural ways, but it is not the certain end.

How it finishes :: The sequel to The Woman in Black is no Crimson Peak, even though the frightening elements which are delivered comes directly out of the supernatural. You can actually watch this one without trying the original. The creepiness of the atmosphere once again helps this one to become an interesting experience as long as you don’t keep asking for more of the usual kind of horror. The Woman in Black 2: Angel of Death is that kind of a movie which is more horror for the soul than for the brain. The idea to put this story to the Second World War setting was the right one, and even though this is not for everyone, a lot of people are sure to like this one depending on their priorities and their admiration for the different kind of horror. You might have to watch this one to be sure.

Release date: 2nd January 2015
Running time: 98 minutes
Directed by: Tom Harper
Starring: Phoebe Fox, Helen McCrory, Jeremy Irvine, Adrian Rawlins, Leanne Best, Ned Dennehy, Oaklee Pendergast, Jude Wright, Amelia Pidgeon, Casper Allpress, Amelia Crouch, Leilah de Meza, Pip Pearce, Alfie Simmons, Eve Pearce

@ Cemetery Watch
✠ The Vampire Bat.

Goosebumps

Posted on November 1, 2015 by Tennyson

Vampire Owl: Movie adaptation of children’s horror fiction? What is this? We are the ones who are supposed to scare the children, not some random novels.

Vampire Bat: Not everywhere. There are regional people of darkness who have acquired the opportunity; for example, the rights for the same in Kerala were bought by Sir Kokachi.

Vampire Owl: But I wish to scare kids! I really want to really frighten them! It is my special skill!

Vampire Bat: Well, with Hotel Transylvania’s second part around, may be we will have to retire after all. I hope that this movie can support our cause.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1146-goosebumps-movie-review

Goosebumps is the name for a series of children’s horror fiction works written by Robert Lawrence Stine in the 1990s in the US. Among many such works from the American author, this particular series happened to be the most popular. There were also various spin-off series which emerged out of these works. These stories had the characteristic of being funny along with being scary. A television series was also brought to the fans based on the stories. Even though an attempt was made to create a movie on Goosebumps in the year 1998, it didn’t happen. After many speculations by the fans, on 16th of October 2015, the idea was finally brought to the audience in the form of a movie.

Zachary Cooper (Dylan Minnette) has moved from New York to the small fictional town of Madison with his mother Gale Cooper (Amy Ryan). As he begins his schooling there, his mother joins as the vice-principal at the same educational institution. The new place seems to be calm and quiet, and almost everything seems normal except for their neighbours. Even though Zachary quickly becomes close to the friendly neighborhood girl Hannah (Odeya Rush), her father (Jack Black) doesn’t approve of it, and he doesn’t even like anyone else coming near his house. As he tries to keep everyone away, Zachary only wishes to somehow get closer to the neighbours.

Zachary feels that Hannah is being mistreated by her father, and he calls the police. But that doesn’t go on as planned, with the police officers ending up warning him instead. But another day, he breaks into the house with his newly found friend from school, Champion (Ryan Lee) hoping to find her. In there, they find the girl, but it turns out that she and her father are not just normal people like everyone in the town. There is a mystery hidden in the bookshelves and they will end up unlocking them; it surely won’t do the town any good. A new adventure begins with an abominable snowman and a dummy as they unleash something which they can’t seem to stop.

The movie is sure to provide a good dose of nostalgia to those who have grown up reading the books and watching the television series. The impact will still depend on how people consider the way in which this movie shows the creatures related to their childhood memories. The creatures are all good, the most notable ones being Slappy the Dummy, the abominable snowman, the werewolf and the giant praying mantis. The others including the walking dead, vampire bats, ghost-like creatures, vampire-like monsters, the invisible boy, a circus clown and a number of humanoid creatures – all make a nice combination as they come to life from the books. There is a huge group of them, and fans will surely recognize them better.

Goosebumps is never even close to being scary, and the audience needs to keep that in mind. But it is fun, and the monsters are nice to watch on the big screen in 3D. As a horror comedy, this will prove to a fine watch for family audience. The comedy is good, and there are some memorable funny moments in this one, even though viewers might still ask for more. There is nothing new in the story either, and the movie doesn’t even bring a special sub-plot here. As most of the viewers might have guessed a lot earlier, monsters are all from books written by the author of the original series of books, and these main characters need to team up to get them back into the book before the whole town is ruined and everyone around ends up dead.

Jack Black effortlessly carries this movie as the main character and the only person who is in any manner related to these monsters, and holds the key to getting them back into the books. The audience will find that he blends easily into his character as expected. Dylan Minnette has done good work here in the role which can be categorized into that of the male lead. Ryan Lee has his moments completely on the funny side. Odeya Rush does her job really well, and some might find her somewhat a younger version of Mila Kunis at times. Amy Ryan and Jillian Bell manage to contribute well with the next two significant roles. R.L. Stine, the author of the works, also makes a very small cameo appearance as the movie gets near the end.

Even though people should find Goosebumps very much enjoyable, it does remind us of so many movies from the past. Inkheart had the characters from a book coming to life, while The Cabin in the Woods was a movie which had all the popular horror characters coming together as part of a huge, secret plan. Jumanji had the dangers of the board game coming to life to haunt the players, and Zathura dealt with a similar premise. So, the audience won’t find anything new in these creatures coming to life. But they will surely find Goosebumps to be a nice and interesting because of the way in which it is presented, with nostalgia also having a role to play for a few fans.

Release date: 30th October 2015 (India); 16th October 2015 (USA)
Running time: 103 minutes
Directed by: Rob Letterman
Starring: Jack Black, Odeya Rush, Dylan Minnette, Amy Ryan, Ryan Lee, Jillian Bell, Halston Sage, Ken Marino, Steven Krueger, E. Roger Mitchell, Timothy Simons, Amanda Lund, Keith Arthur Bolden, Benjamin Papac, R.L. Stine

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

@ Cemetery Watch
✠ The Vampire Bat.

Veronica Mars

Posted on October 15, 2015 by Tennyson

Vampire Owl :: So there is someone called Veronica from Mars? Who is she?

Vampire Bat :: Veronica is not from Mars, but Neptune.

Vampire Owl :: This is really confusing. Is she an alien among the humans? We are not familiar with alien tactics.

Vampire Bat :: The movie is about the lady called Veronica Mars from the fictional American town of Neptune.

Vampire Owl :: That solves a lot of problems. I felt that she was so pretty that she should be from Venus.

Vampire Bat :: I believe that you are too sleepy right now to get into a talk about this movie which is a continuation of a television series with the same name.

Vampire Owl :: Nobody knows about this television series around here. How come you know about it?

Vampire Bat :: I don’t know about it either. But it was positively received by the critics and the audience in its world from what we know about the series.

Vampire Owl :: That feels good because this way, we just have similar kind of information.

Vampire Bat :: We missed an interesting television series, but that is not the case of the movie!

[Gets a cup of tea].

About Veronica Mars and Neptune :: Veronica Mars was a television series which had its run during the years 2004 and 2007, having three seasons of existence. Veronica Mars played by Kristen Bell is a teenage student who helps her private detective father in solving a number of cases. Working as a private investigator along with her usual studies, Veronica solves a number of cases, and goes on to bring more and more mysteries to light. With the story first focusing on the murder of the protagonist’s best friend Lilly Kane, she deals with more cases which follows. Created by Rob Thomas, the whole thing takes place in the fictional town of Neptune in California. The movie’s story begins nine years after the incidents of the television series’ third season.

What is it about? :: Veronica Mars (Kristen Bell) is no longer at Neptune, as she has moved to New York City, and while having a relationship with Stosh Piznarski (Chris Lowell) is looking forward to be a part of the famous law firm Truman-Mann and Associates. One day, she is contacted by her former boyfriend Logan Echolls (Jason Dohring). He is accused of murdering his girlfriend Carrie Bishop (Andrea Estella), who had studied in the same school and was known by the name Bonnie DeVille as a popular musician. He wants her to choose the right lawyer for him. Veronica returns to Neptune to find it more corrupt than ever. She decides to help Logan a little more than just finding him the right lawyer, as she meets her old friends and acquaintances there.

The defence of Veronica Mars :: There is something simple and yet twisted about Veronica Mars. Its run is very smooth compared to the usual investigative thrillers which got its big moments; instead this movie maintains a run with no variations. There is a certain amount of variety in the way in which the movie delivers, and it is something unexpected for those who haven’t watched the television series, I believe. This variety in its simplicity is something which Veronica Mars can be proud about. There is also the presence of some nice humour which runs through this movie. There is entertainment guaranteed with this one, even without much knowledge about the background story of Veronica. You will feel that there is something so interesting about this character that you might ask for a sequel to better this one!

The Claws of Flaw :: Veronica Mars is not the regular story of investigation, and it might not suit everyone. The big thrilling moments and the great twist go missing here. The story that goes through had scope for more than what we have managed to see here. A highly thrilling investigation is replaced by something light-hearted and achieved with ease – may be it is the mode which is expected of this movie by the fans of the television series. The other characters also pale in comparison to the main character Veronica. The people who haven’t watched the television series might wants adjustments here and there, and they contribute to most of the viewership around here. The movie is also somewhat slow in the beginning. There are also some immature moments at parts some being too light, but I would guess that this is was never supposed to be a dark, horrifying, twisted hunt for a murderer!

Performers of the soul :: I am sure that most of the audience might know Kristen Bell more as Anna, the elder sister in the Academy Award winning highest grossing animated movie of all time, Frozen – a role which she retained in the short film sequel, Frozen Fever. Otherwise, she remains mostly unknown in this part of the world, but if one watches this movie, she will be remembered well and for long for her fine, energetic performance as Veronica. So many years after the series, she has played this character to something close to perfection, and has made the non-fans fall in love. The rest of the cast also nicely plays their role, and most of the performance department works within the movie. But everyone surely pales in front of Kristen Bell and her main character, as she remains the one show stealer from the beginning to the end.

How it finishes :: Veronica Mars should appeal to those who have watched the television series as well as those who didn’t, depending on the tastes. But don’t expect a full investigative thriller here as it is more of mystery drama with some comedy. The problem is that people get that idea with the synopsis. But Veronica Mars needs to be watched as what it is and it will be an enjoyable flick. There are also some nice and interesting dialogues which will surprise you. May be, things will get better if we can watch the television series and then go through this movie. From what I have seen, I would say that Veronica Mars deserves more attention than what it has managed in this part of the world. The television series seems to be something we shouldn’t have missed! Well, you don’t get many movies with an actress in the lead as a responsible, determined and intelligent private detective, do you?

Release date: 14th March 2014
Running time: 107 minutes
Directed by: Rob Thomas
Starring: Kristen Bell, Krysten Ritter, Jason Dohring, Ryan Hansen, Francis Capra, Percy Daggs, Chris Lowell, Tina Majorino, Enrico Colantoni, Jamie Lee Curtis, Christine Lakin, Lisa Thornhill, Andrea Estella, Amanda Noret, Kevin Sheridan, Jonathan Chesner, Duane Daniels, Sam Huntington, Daran Norris, Max Greenfield, Ken Marino, Martin Starr

@ Cemetery Watch
✠ The Vampire Bat.

Jazbaa

Posted on October 11, 2015 by Tennyson

Vampire Owl :: Holy Vampire Crocodile! This is Aishwarya Rai, isn’t she?

Vampire Bat :: Yes, it is her only. I don’t understand why you are asking. Did you also lose your eye sight with that werewolf scratch on your arm?

Vampire Owl :: No, it just has been such a long time since I saw her on a movie poster. I am surprised.

Vampire Bat :: You have the right to be surprised and also to watch this movie.

Vampire Owl :: So, you are planning to make me watch this movie.

Vampire Bat :: Yes, and it will be cheapest movie ticket which we would have bought in the last few years. I am sure that it will be worth it, no matter how we see it.

Vampire Owl :: It is good to see Aishwarya Rai returning in a heroine-centric movie. I had a crush on her when I was immortally a little bit younger.

Vampire Bat :: It is quite natural, you know.

Vampire Owl :: Yes, but not for us vampires.

Vampire Bat :: Aishwarya Rai has always been beyond one world.

[Gets the tickets].

What is it about? :: Anuradha Verma (Aishwarya Rai Bachchan) is a very successful lawyer who can gets any person free from prison, no matter what kind of case he is involved in. She has that kind of a reputation which can make anyone jealous. She is a single mother and her only relation in this world is her little daughter Sanaya (Sara Arjun). One day, her daughter is kidnapped and the kidnapper asks her to save a rape accused even though the proof is clearly against him. Meanwhile, her good friend Yohan (Irrfan Khan) is an officer on suspension who needs her help. As Anuradha tries to find something that could save the accused, Yohan helps her, but it turns out that things are not what they seem to be, and other people are involved in the chain of incidents.

The defence of Jazbaa :: A stylish thriller take its form in Jazbaa with its twists and the way in which the whole thing is shot. I have loved how the camera moves around the city and captures the same in a beautiful way. The return of Aishwarya Rai Bachchan should be what defends this movie for the audience more than the rest though. The movie’s final twist is working, and it also leaves the audience with a good message, even though it could have been used frequently within the movie itself. Whenever the movie threatens to go down, the cast successfully keeps it working at a good level, and it leaves us free to make our guesses with its suspense. No, I haven’t watched the original, and so further comment on how well it was adapted, is not possible. From what I have read, it seems to be a lot the same.

Claws of flaw :: With story already there as this is an adaptation of the South Korean movie Seven Days, there was a fine platform for Jazbaa, which it hasn’t used to full potential. A number of twists are predictable concerning a politician and his interest in the case. There is also an extension of the ending after we feel that the movie has ended, and that was rather unnecessary. The movie’s focus is also not always there in the same way. With the return of Aishwarya, the movie could have accomplished more with smartness in action rather having sequences like the heroine running, screaming and even crying in slow motion. In a movie which otherwise leaves exaggeration, doesn’t make the best use of the court room scenes either. A better second half could have brought things to another level. The melodrama should have also been reduced. It should have gone full thriller, and there is loss of strength.

Performers of the soul :: Aishwarya Rai Bachchan is back after the 2010 movie Guzaarish with Hritik Roshan. After five long years, she returns and makes an impact in this movie. Most of the time, she remains strong, but one has to wonder about those melodramatic moments and the slow motion sequence. There is no doubt about that fact that she has made her return a memorable one. But that is not all, as Irrfan Khan and Shabana Azmi often makes a bigger impact. The former’s dialogues are those which make the day instantly better. He plays the kind of cop who is not a hero, villain or a side-kick; he is much more, and he pulls that off in style. The latter is completely at ease here too. Priya Banerjee has a few moments in her short stay. The veterans Jackie Shroff and Atul Kulkarni are unfortunately used less.

Soul exploration :: The movie talks about the complications that the law has, and how justice is rarely fair for the person who suffers. It also talks about justice for a rape victim, and how too many factors affect the proceedings of a case. There is actually the need for change in attitude among the people, and it is to be the first thing. Otherwise, nothing that much positive comes to the scene. Movies will have its stars doing the job, but otherwise, it is in the hands of the common man to make a difference. But as evil is a lot easier, and so is not reacting to evil committed, such a situation is too far away. The movie’s soul could have been the social message which follows a full thriller, and with that kind of a progress, this movie could have got there as the social thriller. Such movies can make the difference.

How it finishes :: Talvar had very less number of shows here which meant that I ended up missing it. Thankfully for Jazbaa, it does get enough screens here, and the credit to the same should go to Aishwarya Rai Bachchan making the grand return in a heroine-centric movie, making the audience clearly interested. The movie has its positives and negatives, but what it surely manages to be, is a movie is worth watching this weekend. There is enough in this flick to inspire a one-time watch, and I am saying this with an attempt at the original still pending a try. I would like to hear from someone who has watched Seven Days, and I am sure that some of the people who are reading this should have had the opportunity for watching the Korean version.

Release date: 9th October 2015
Running time: 122 minutes
Directed by: Sanjay Gupta
Starring: Aishwarya Rai Bachchan, Irrfan Khan, Shabana Azmi, Priya Banerjee, Chandan Roy Sanyal, Jackie Shroff, Atul Kulkarni, Siddhanth Kapoor, Sara Arjun

@ Cemetery Watch
✠ The Vampire Bat.

Everest

Posted on October 6, 2015 by Tennyson

Vampire Owl: We have always been beyond Everest. There has been a certain amount of satisfaction with the Carpathians among our people.

Vampire Bat: I don’t think so. We are just happy with what we have, and are too immortally old for a new adventure.

Vampire Owl: Yes, but still we are very much satisfied.

Vampire Bat: We are mostly free from desire and ambition which are human qualities; but we are never completely out of it before we live among them.

[Gets the tickets and some caramel popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1118-everest-movie-review

Based on the Mount Everest disaster of 1996, Everest tries to become that disaster movie and thriller which the audience would love to watch. There has been something special about the disaster movies as almost every movie of the genre has created some impact, no matter who all have acted on it and not depending on the time of its release; people have always been interested in such themes. As it is based on that deadliest season on Mount Everest during its time of happening, it had enough strength to create something commercially positive even before the release of the movie.

The story takes place in March 1996 when climbers arrive at Lukla and then at the base camp to conquer the big one, Mount Everest. Rob Hall (Jason Clarke), a guide for the mountaineering company “Adventure Consultants” with his clients including Beck Weathers (Josh Brolin), Doug Hansen (John Hawkes), and Yasuko Namba (Naoko Mori), is trying to do this while Scott Fischer (Jake Gyllenhaal), the guide for another trekking firm “Mountain Madness” attempts the same with his own team. Things seem to go fine until some unfortunate twists of events happen, and with a blizzard striking when least expected, they are surely in trouble. It turns out that this journey is the last for some of them.

Everest is less of a movie and more of an experience, which means that the effect of this movie can vary significantly for the audience depending on what they are looking for in a movie. This experience is kept as realistic as possible, lacking in exaggerations and going through what seems to be more or less of the real-life situations. It is not really something on the lines of an action movie, and never does it try to overdo the stuff. The result is that there is no special stylish ingredient here. But the tension and the thrills are nicely boosted, and there is also some good emotional strength here. There also exist a lot of such moments, and they relate to the audience really well.

The shots of Everest become another amazing addition to this movie which uses them to perfection. The snow and the danger combines together to create the desired effect on the audience, thanks to the way in which the shots are taken. The viewers are given a nice opportunity to go through a ride through the route which inspired a lot of adventurers and has claimed many lives. Maybe they could have added more shots from the lower areas of the mountain too. The 3D is mostly not needed though, except for a few moments, one has to wonder why it had to be added. As this is kept more realistic, the opportunity to use the 3D is limited quite a lot.

The movie also feels a little long, even when it doesn’t extend much more than two hours. It is because there is not much of a story about it, and it is the experience of the adventure that Everest depends on. The beginning also has a certain amount of drag caused by early dialogues and the delay in getting into action. But as the movie is based on a true story and close enough to the truth, the difficulties are kept to minimum. The movie explores two sides of the same incident; disaster for one side and survival as well as adventures on the other side. There are no human heroes and villains here as it becomes the “humans against nature” story.

The performances are nothing less than terrific, lead by Jason Clarke and the moments with Keira Knightley might surely be the most moving moments in a disaster movie. One does hope for more of Jake Gyllenhaal and Sam Worthington even though they make something good out of their presence on the screen. The cast works smoothly, and Josh Brolin has the next big moments with the snow, survival and the family members. As these characters make their way through the snow, the viewers give the full support, and they also do shed a few tears on the loss of life, while the great mountain with the support of Mother Nature manages to have the last laugh.

Even though Everest doesn’t bother much on the plot, it has used its biggest strengths, of visuals and of emotions to the full extent. By the end of the movie, along with feeling sad for those depressing moments of loss, one also wonders about the cost of adventure and also on who wins in the end, whenever there is the feeling of need for the conquest of nature and its elements are concerned. Everest is a direct movie, and it doesn’t preach or try to add something that will send the viewer to deep thinking, but it still lingers on one’s mind with its emotional strength and what it has brought to screen as a realistic experience.

Release date: 25th September 2015 (USA); 18th September 2015 (India)
Running time: 122 minutes
Directed by: Baltasar Kormákur
Starring: Jason Clarke, Josh Brolin, John Hawkes, Robin Wright, Emily Watson, Keira Knightley, Sam Worthington, Jake Gyllenhaal, Thomas Wrigh, Martin Henderson, Elizabeth Debicki, Naoko Mori

@ Cemetery Watch
✠ The Vampire Bat.

The Martian

Posted on October 5, 2015 by Tennyson

Vampire Owl: I have always wanted to have a pact with the Martians. The Earthlings are too evil for our taste.

Vampire Bat: Well, Dejah Thoris has been a fine Martian.

Vampire Owl: I hope that the presence of an Earthling on Mars will mean that he is free of the ambitions of Earth.

Vampire Bat: It shall be so, as there is no real need for money and power on Mars as of now.

[Gets the tickets and cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1115-the-martian-movie-review

Based on Andy Weir’s novel of the same name from 2011, The Martian is a much awaited movie which has already received a lot of positive opinions. The stories of survival outside the planet Earth has had the attention of the audience with Gravity and Interstellar, and The Martian tries to make further impact in the same area during this weekend. Directed by Ridley Scott and having Matt Damon in the lead, the movie is sure to attract the audience of all types, as the trailer did manage to catch the attention, bringing it to a large number of screens on this October 2nd.

A human mission to Mars goes terribly wrong and the astronaut Mark Watney (Matt Damon) is presumed to be dead and left on the planet as commander Melissa Lewis (Jessica Chastain) has to make the choice not to risk the return of the whole crew for searching for him. But he is alive and has become the first lone man on a planet seemingly without life. The first and the best option for the astronaut would be to wait for death considering how difficult or rather near impossible it should be to survive in Mars without any contact with Earth and possessing not enough supplies until the next mission can arrive. But Mark decides to try, and make that attempt not to die.

As Mark is a botanist, he finds a way to grow some potatoes inside, after creating a favourable atmosphere for the plants. The chances of survival still remain too low, until NASA engineers Vincent Kapoor (Chiwetel Ejiofor) and Mindy Park (Mackenzie Davis) find out from the photos of the Mars station taken, that he is alive. They communicate using a Mars Pathfinder which Mark finds on the planet, and NASA begins the programs to send him supplies and get him home. But it is not that easy, as the probe which they sends explode and Mark himself has his own disasters at his place decreasing his chances of survival by many days.

Matt Damon is the man to look out for. He was also there in the last year’s space movie Interstellar, in a role which included being rescued from a planet too. But it never really had much there, and the planet sequence itself was more like a need to have a human character that is somewhat closer to the villainy. But here, there are no heroes and villains, and there is just the need for survival, that too in a fair way. The movie focuses on him, and so do the viewers, and he delivers an outstanding performance as the lone man who fights to survive where a normal person would have lost all hope. He has the most screen time, and makes a very fine use of the same.

The Martian remains ahead of both Interstellar and Gravity in many ways, making things more entertaining for the audience. The 3D of this movie might not be that heavy, but with the other aspects, The Martian clearly rises high. The environment is also a joy to watch. There is a perfect blend of emotional, intellectual and funny side here, the final side which was completely absent in Interstellar. The Martian is also straight to the point, but it never really fails to touch the audience. The movie knows where to stop being too much scientific and weird. It is the strength of the movie that the main character of the movie always remains someone whom the audience can connect with, instead of being someone special.

There is a strong, inspirational message in The Martian, and it is something which never lets go. It is the adventure that inspires the viewers never to lose hope, and it is also the kind of path which Interstellar could have followed. Another interesting thing about the protagonist of this movie is that he finds a lot more than just hope – he takes the opportunity to take the optimism to another level and even have some fun with his situation. The Martian has laughter, and that too when facing the possibility of death in a world far away from Earth. It is an adventure without any trace of pessimism, and almost everyone associated with it believes in their optimism, and this is a strange fact as the present world clearly lacks it, with so much of evil prevailing around the wars, terrorism, racial and religious hatred along with the other terrible things.

The Martian clearly has what it takes to be the big winner, and this is a good weekend to score among the viewers. This battle for escape from Mars is something that the fans of science fiction and survivor movies shouldn’t dare to miss. This has enough entertainment; some nice intelligent ideas and philosophy, along with making sure that the common man can easily understand the science here, as well as avoid whatever scientific term which they needn’t follow. The Martian is that kind of a movie, and by being the same, it will be a better, smooth experience for the brain and the heart than Interstellar, and easily overtakes the previous movie from Ridley Scott, Exodus: Gods and Kings.

Release date: 2nd October 2015
Running time: 141 minutes
Directed by: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Kate Mara, Sean Bean, Mackenzie Davis, Kristen Wiig, Jeff Daniels, Michael Peña, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Donald Glover, Benedict Wong, Naomi Scott, Lili Bordán, Nick Mohammed

@ Cemetery Watch
✠ The Vampire Bat.

The Transporter IV

Posted on September 7, 2015 by Tennyson

Vampire Owl: There is no Jason Statham in this movie. You have called me to watch the wrong Transporter here. There is even too much hair on the head of the protagonist. It is not fair.

Vampire Bat: May be! But they have still used him on some of the posters as a psychological move to attract more viewers.

Vampire Owl: I will still look for him throughout the movie. Then I will be sure that he is not there at all.

Vampire Bat: Lets consider this as an action movie with someone who is not Jason Statham, rather than as a Transporter movie. It should help you a lot.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1079-the-transporter-refueled-movie-review.html

The Transporter franchise is not among the lesser known ones, because all three movies of the series were successful and with Jason Statham in the lead, have managed to be the action thriller franchise which could set the bar high. The audience has identified this franchise as well as its protagonist as something related to Jason Statham, and he is the one name that comes to everyone’s mind when there is any mention of this series. But this one comes up with Ed Skrein in the lead as the new Transporter, and so there is the question of being successful in catching the interest of the fans. It has been quite a big doubt, and we will clearly know more as the movie is at the theatres already.

Somewhere in France, a former soldier who is working as a Transporter with his own rules gets in trouble as he is caught between four women looking for revenge and a mafia boss who had ruined the women’s lives. Frank Martin (Ed Skrein) thought that this was going to be just another job as the Transporter, but it was never going to be. With his father Frank Martin Sr. (Ray Stevenson) kidnapped, and both girls with the guns and the criminals all around him, he has to make a big choice, and it certainly has to be about choosing a side. But whichever side he would choose, there will be blood and dead bodies lying all around.

The Transporter: Refueled never goes below a certain level, but the question still remains if this entry in the movie franchise was really needed. The audience had three movies already, and they have enjoyed it so much that they can’t really think about another person other than Jason Statham in this particular role. Ed Skrein does make a good Transporter, and we can be sure about that, but he is still no Jason Statham who has been exceptional in that particular role, and could successfully make people say that he is the one true Transporter. Ed Skrein with more hair than a Transporter has ever had, manages to be another good version, but just not as big as the original.

The action sequences remain the strength of this movie, but there was the need for more considering the fact that this was going to be needing the power to match up to a franchise which had the power of Jason Statham. This one also has the power of action, but could have used even more, mostly related to the Transporter job progress. Beyond being the Transporter, this movie has more action sequences, and Ed Skrein nails them very well. There is actually a lot less number of scenes with our protagonist doing the Transporter job, as he is at most times being the son to his father and otherwise helping the damsels in distress or causing distress to some very evil men.

The damsels turning femme fatale are good here, but other than Loan Chabanol, the rest just goes along without adding too much. Tatiana Pajkovic does have the second position in the same, even though it is mostly about Loan Chabanol playing Anna and also developing certain interest with the protagonist. The shots of Europe are very nice, and do inspire one to travel yet again. Noémie Lenoir who plays the lady villain has only a few things to do, and none of them really makes much of an impact. Actually, the fact remains that none of the villains leave that much of a mark in this movie centered on the protagonist and the ladies.

The focus never really goes anywhere else except for moving towards the protagonist’s father. Ray Stevenson as Frank Martin Sr. has some nice lines here adding to the fun, but most of the times, this one is a strange character. There are times when one has to wonder if he actually exists mainly to get kidnapped multiple times and make the protagonist keeping returning to save the father who might be his only real friend. It makes one feel that this was more like a test dose of Transporter which just comes before the possible sequels. Ed Skrein himself might have been a test, and the one who was there for one season in Game of Thrones can have a longer and better run as the Transporter depending on how this one turns out to be.

Once again the battle between the good and evil, the black and white goes on here, and the Transporter becomes the key. He is the difference maker in this world inside the cinematic universe which is otherwise more favourable to the wrong side. The story-line is there without trying too much, as this is another case of having a chance at revenge against the powerful evil. It is still well presented and used in such a way as to keep the audience interested. The Transporter: Refueled is a short movie which stands just above one and half hours, and that makes sure that the movie never gets boring. Something always keeps happening as the movie goes on with its action and thrills.

Release date: 4th September 2015
Running time: 96 minutes
Directed by: Camille Delamarre
Starring: Ed Skrein, Ray Stevenson, Loan Chabanol, Gabriella Wright, Tatjana Pajković, Wenxia Yu, Radivoje Bukvić, Lenn Kudrjawizki, Anatole Taubman, Noémie Lenoir

@ Cemetery Watch
✠ The Vampire Bat.

Hitman: Agent 47

Posted on September 6, 2015 by Tennyson

Vampire Owl: It has been a long time since I last played this game. I am having heavy Hitman nostalgia.

Vampire Bat: It is not just about this game, but a lot more. Our gaming life has been dead for very long.

Vampire Owl: I will just consider this as a video game then. May be it is actually so, and it could be the reason why there are so many negative reviews on this movie.

Vampire Bat: It is not really surprising. Some people will give very high ratings to violent movies when it is directed a particular person, for absolutely no reason. The content is not important for them there. But we will see Hitman: Agent 47 as it is really supposed to be watched. We owe that much to our gaming past.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1078-hitman-movie-review.html

Hitman is a name which is heard a lot among the gaming circles, and the love for this assassin goes back to the year 2000 when Hitman: Codename 47, the first game of the Hitman video game franchise, from IO Interactive released. Among the PC games, this had a special status, and one can proudly accept that this is something which changed the future of stealth-based action games. The sequels including Hitman 2: Silent Assassin, Hitman: Contracts and Hitman: Blood Money were all much talked about titles in the gaming world, and with more in the shops and a new title coming up for the gamers, another movie based on the video game was inevitable.

Dr. Peter Litvenko (Ciarán Hinds) is the man behind a secret laboratory experiment which involved the creation of perfect assassins who never felt any remorse, fear or love, and had highly exaggerated speed, stamina, strength and intelligence which made them the perfect killing machines. But realizing the fact that he was doing something wrong, he abandons the idea and idea and disappears, leaving very powerful people on his trail. His daughter Katia (Hannah Ware) is also on the run, hiding somewhere in Berlin according to the last information. Many organizations have tried to recreate the idea and couldn’t succeed; one of them called Syndicate International decides to find the girl and get to the father at any cost.

As ICA (International Contracts Agency) decides to stop the Syndicate from getting its hands on the program, Agent 47 is contacted by his contact Diana (Angela Baby) and is provided with two names to terminate. Katia who has some strange visions and special sensory skills is searching for her father while she is approached by a man called John Smith (Zachary Quinto) who offers her protection against people who are trying to kill her. Meanwhile, Agent 47 finds and approaches her, but gets into a gunfight with John while Katia runs away. But there will be more to it than what meets the eye as the people of the Syndicate won’t rest until they get what they want.

The success of this movie will depend on what each viewer expects from a flick like this – if it is a cent percent adaptation of the game which is expected, they are going to be disappointed. There is not much of a stealth mode for this protagonist as in the game. But when we look at this from another side, isn’t a lot of action also possible in the Hitman games? The second game of the franchise actually had a lot of situations where one could just go through the enemies and the character shoots people without trying that much of stealth. Our protagonist has those special skills for big action too, and he has used them very well here – it is just that things are done rather straight for a change.

This seems to have a series of incidents which follow the great assassinations of Agent 47, as one the villains do say that he is a big fan of the protagonist’s work. So, the man has already had his shares of silent assassinations, and so if we are looking for a stealth mode, we should rather ask for a prequel rather than keep saying that Agent 47 works in shadows and doesn’t come out as an action hero. Here, Hitman is immersed in full action, and what the viewers need to do is to enjoy the wonderful sequences rather than keep complaining about it. About the story, it is surely working well, and has a number of similarities to the first game of the franchise.

Even though there is not much from the rest, Rupert Friend and Hannah Ware do leave a nice impact in this movie. Hitman: Agent 47 uses the action sequences to some great advantage, and sets up well for both the prequel and the sequel, even though one still has to doubt the possibility for the same. There is a lot of style in the way in which the action sequences are taken, and the blood and gore also maintains that quality. What one has to wonder about here is if people only care about gore when some directors use it? Stylish violence is not something that is particularly booked for a few people. Hitman: Agent 47 uses it here, and you have to admit that it is worthy.

Hitman: Agent 47 might be in no way that much interesting for everyone. But what it provides the gamers is an opportunity to see one of the most loved game characters on the big screen, despite the liberties which the movie has taken while doing full justice to the action side. This is not the movie which you need to think about a lot and compare with other titles and the games themselves, but enjoy it as the action-adventure that it has brought to the viewers. You might not remember the story for a long time, but the way of recreating the video game is worth it; there is something about a different take on the same subject, right?

Release date: 4th September 2015 (India); 21st August 2015 (USA)
Running time: 96 minutes
Directed by: Aleksander Bach
Starring: Rupert Friend, Hannah Ware, Zachary Quinto, Ciarán Hinds, Thomas Kretschmann, Angela Baby, Dan Bakkedahl, Emilio Rivera, Rolf Kanies, Jerry Hoffmann