Monthly Archives: December 2024

Guardians of the Galaxy 3

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Vampire Owl: We have not been watching enough movies in the last few months.

Vampire Bat: We have surely been affected by vlogging taking over blogging too.

Vampire Owl: Yet, there have not been enough videos put in YouTube.

Vampire Bat: Well, we will never have enough of them.

Vampire Owl: There can always be enough videos and we slow down.

Vampire Bat: We do not slow down without a reason.

Vampire Owl: Old age always makes us slow down.

Vampire Bat: We have only recently slowed down with this blog.

Vampire Owl: Still, we are watching less movies.

Vampire Bat: The theatres have turned into nonsense with some dumb movies.

[Gets a blueberry cake and three cups of mango smoothie].

What is the movie about? :: As the Guardians of the Galaxy remains at Knowhere which serves as their new headquarters, things seems to go smooth without much of a crisis that used to be always there providing a sense of danger. Everything seems to come easy for them at the new place, with no need to even train for a possible coming adventure. It is then that a powerful artificial being named Adam Warlock (Will Poulter) arrives there and starts attacking them. He easily defeats Star-Lord (Chris Pratt), Drax (Dave Bautista), Groot (Vin Diesel) and Mantis (Pom Klementieff) before severely wounding Rocket (Bradley Cooper). He is finally defeated by Nebula (Karen Gillan) who returns after being run through a series of buildings. They are not able to heal Rocket with the medical packs which they have as he has kill switches implanted in him by an organization known as Orgocorp, whom the Guardians intend to target and find the override codes which can save Rocket’s life.

So, what happens with the events here as we just keep looking? :: The new version of Gamora (Zoe Saldana) who does not recognize Star-Lord also joins the group, coming from the Ravagers. They manage to infiltrate Orgocorp, but after a long fight and some injuries, they find out that they have to travel further to the area known as Counter-Earth which was built in the image of Earth, mostly focusing on New York model, having even its own Statue of Liberty on the image of High Evolutionary (Chukwudi Iwuji) who has been chasing Rocket, and is responsible for his present situation. But High Evolutionary feels that the world is not perfect yet and intends to destroy it in a period of time. He feels that finding Rocket is necessary in his quest for attaining perfection through evolution, something for which he had been striving for so long. But Star-Lord and his team are determined to save their friend, and Gamora is interested in what she can earn in the process. Can the team win their battle?

The defence of Guardians of the Galaxy Vol. 3 :: There is always that interest in seeing new worlds and exploring them being fulfilled – the world detail here remains interesting, and the same can be said about the aliens who wander around here. The Computer-Generated Imagery remains interesting around here, and adds to the total visuals that do not hold back. The emotional side often works well, especially with the bonding among friends. The backstory of another interesting character has been built with the emotional touch, and one would expect to see these characters separately in different movies from Marvel. There are some nicely created action scenes around here too, and with aliens involved, there is always something more to be seen. There are some fight scenes in some interesting environments that we will remember too, along with a comic side.

The claws of flaw :: Guardians of the Galaxy Vol. 3 does not raise the bar at all, even though we often have the feeling that it is going to, and there were also many reviews which seemed to suggest the possibility of the same. The run-time feels a little more than needed, as the whole movie itself focuses on just one thing, not having that much to spread the wings. The emotional side does not work at all times, as there are moments when it seems to be created just for the sake of creating sympathy for a main character. There are moments which needs to be serious, but not emotional – this kind of a difference needs to be better understood by the makers from Marvel. The ending seems to be forced and repeated at times rather than bringing the innovation or the spectacle as one would have wanted. The formula really needed to have something special this time.

The performers of the soul :: The performers feel usual for us as these people have been playing these characters for quite a long time. These are not different from what all have been witnessed in the last two chapters. The one notable new addition here is Will Poulter, who plays one new character that seems to go through interesting changes, and the powers also remain interesting. Chukwudi Iwuji as the High Evolutionary makes a strong and interesting villain with the motives that never seems to end as far as evil keeps going in this world, trying to find one way or the other. Among the Guardians, it is Karen Gillan who has our attention the most, and keeps the base strong. Chris Pratt does the usual job with ease. Dave Bautista who has been keeping us interested from the WWE days remain a joy to watch on the big screen. Bradley Cooper and Vin Diesel with their voices manage to contribute nicely around here as we have been hearing them in the series. Pom Klementieff brings some fine humour. Sylvester Stallone becomes a fine addition around here too.

How it finishes :: Guardians of the Galaxy series of movies have never mean among the best quality superhero movies that we have known in the last few years. This one does not manage to be that great as the reviews say either. Marvel could not maintain that strength that they had by the end of Avengers: Infinity War and Avengers: Endgame. It is still very much entertaining with the content, despite the bigger run-time than it should have had. With the tag of a fine entertainer, the movie will keep its audience interested, as they have been deprived of some good entertainment ever since Avengers decided to end and the fans had to depend on some strange series instead of the regular movies to get their entertainment. Considering the kind of movies that Marvel has been making with unnecessary deviation and dumb characters who never deserved to be superheroes, this movie is very much ahead on many different angles.

Release date: 5th May 2023
Running time: 150 minutes
Directed by: James Gunn
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Bradley Cooper, Will Poulter, Sean Gunn, Chukwudi Iwuji, Linda Cardellini, Nathan Fillion, Sylvester Stallone

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<<< Click here to go to the greatest superhero of India.

@ Cemetery Watch
✠ The Vampire Bat.

Quantumania

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Vampire Owl: I am sure that we are going to have a Vampire Ant soon.

Vampire Bat: A vampire with the size of an ant is never going to work.

Vampire Owl: It might not be scary, but would be effective enough.

Vampire Bat: You are expecting to send them as spies?

Vampire Owl: They could actually be made bigger with science.

Vampire Bat: You are going for more scientific experiments?

Vampire Owl: Yes, experiments led by Doctor Frankenstein.

Vampire Bat: You are going with the pseudo-scientist again.

Vampire Owl: Do you know that Doctor Frankenstein got another degree?

Vampire Bat: You should understand at least now that he is fake.

[Gets a Kolkata Kathi Roll and three cups of green apple tea].

What is the movie about? :: Scott Lang a.k.a. Ant-Man (Paul Rudd) is now living the happy and much appreciated popular life after teaming up with Avengers to defeat the villain who was going to kill half of the population on the planet. He is happy living with his girlfriend Hope van Dyne ak.a. Wasp (Evangeline Lilly) while his daughter Cassie Lang (Kathryn Newton) has a strained relationship with him and remains a very irritating activist who listens to nobody. She also has a suit like her father, but is not able to use it appropriately. As Cassie meets Hope’s parents, Hank Pym (Michael Douglas) and Janet van Dyne (Michelle Pfeiffer) and reveals to them that she was trying to contact the Quantum Realm with a message through a special device. This leads to Janet panicking and almost switching off the device, only to have them all taken into the realm. They were separated in the process, with Hope, Janet and Hank on one side of the realm, and Scott and Cassie on the other.

So, what happens with the events here as we just keep looking? :: Janet tries to find a solution with an old friend Lord Krylar (Bill Murray) who is now aligned with the new ruler of the Quantum Realm, known only as Kang the Conqueror (Jonathan Majors) who have enslaved the local population, torturing and killing them as he wished. The enslaved population is led by Jentorra (Katy O’Brian) through a revolution which stands no chance against the mighty conqueror and his army. Also hunting them is Darren Cross a.k.a. M.O.D.O.K (Corey Stoll) who has been transformed into a cyborg-mutant combination working as a super-soldier for Kang. It seems that Janet has a past with Kang, and it involves the long period of time that she spent there. Kang is revealed to be someone who is capable of conquering and destroying different timelines, thus changing the multiverse. He is caught in this world after his exile only because of Janet’s actions and will do anything to escape. But can he do that with his army or some foolishness of the teenage daughter of Ant-Man, or can Janet once again do what she did long ago?

The defence of Ant-Man and the Wasp: Quantumania :: The world here is really well created with some fine detail that never ceases to amaze us. You see the objects floating around in this world and are left mesmerized with them. It could manage to be better than different alien worlds and creatures shown in other movies which are more popular and revered as even bigger names. There are also some interesting creatures which are added well enough. We are always looking at the background details of the world and appreciate the same. The world has surely got a strong villain too, as this one will go on to impress further in later movies as it seems, with a setting for a sequel. The ending has the scenes during credit which assures even more. The family moments and the focus on rebellion are present – it means that there is the certainty of emotional moments and messages running right through. Some of the humour does work too, but not those idiotic ones which we could have lived without, as Marvel refuses to grow up too often.

The claws of flaw :: The movie maintains the irritating thankless child idea, and the new generation of characters seem to be as much irritating as the new group of superstars, none of them making an impact – it was evident with The Marvels, and nobody wishes to see such a ridiculous new generation being provided the superpowers. Captain Marvel was already too overpowered, and too without a kryptonite. But to add to that, the movie also ridiculously holds on to the strange past. The humour is also less effective, and silly enough for most of its run. The thankless kid would never be a thing of humour either. Some of the elements might have also been lost in relation to some series which have been going on, but we are the fans of cinema, and cannot be persuaded to watch such continuous series. Marvel needs to think about its audience in all parts of the world, and focus on what appeals to them rather than just trying to make things absurd with some foolish, childish characters introduced as children of earlier Avengers.

The performers of the soul :: Paul Rudd continues his good form as the one superhero character that we keep remembering with a funny side. He is good with the funny side, and there are no moments when he is not into the character. There are many superheroes who feels funny or family-oriented and this is both with a big heart – he rightly becomes the same with ease. Evangeline Lilly seems to have come up with a tired performance in comparison to Michelle Pfeiffer who seems to have only gaining in strength as years pass. Michael Douglas is there as the other ant-member, and this is already too big an ant-family to look out for. Then there is Kathryn Newton as ant-woman which becomes another unnecessary addition to make the family even bigger and seemingly ready to explode with too many ant-people around. She is mostly irritating as the daughter, but manages pretty well in the action sequences. The one who impresses the most in the action sequences is Katy O’Brian as Jentorra, without any touch of overdose – her scenes are realistic, and we do not feel that she is not the rebel who battles who fights her heart out. Jonathan Majors as Kang the Conqueror is a powerful antagonist that never gives up, and we often connects with him so well as a king rather than the villain.

How it finishes :: Ant-Man and the Wasp: Quantumania takes the Marvel Cinematic Universe after Avengers: Infinity War and Avengers: Endgame forward in its on way, focusing on the shrunken subatomic world rather than the one that everyone knows well enough. It is a fine method when we think further about it, as there is not that much in the universe that we already know along with its miserable group of people. While doing the same, the movie has created a fantastic world which might feel better than traveling to another planet or dimension full of aliens – there are enough creatures and civilizations in there to keep us interested. The entertainment factor never goes out of fashion, even though we would have surely loved to have a lot of action. There would have been the chance for more, and the irritating dumb jokes could have been avoided to make the world more serious. Well, this does manage to be interesting enough with its content, and we know how well different universes can manage to make an impact.

Release date: 17th February 2023
Running time: 124 minutes
Directed by: Peyton Reed
Starring: Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton, David Dastmalchian, Katy O’Brian, William Jackson Harper, Bill Murray, Michelle Pfeiffer, Corey Stoll, Michael Douglas

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shazam II

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Vampire Owl: Shazam has not been on the list of our favourite superheroes.

Vampire Bat: But it is surely on the funny list.

Vampire Owl: You mean to say that there is another list?

Vampire Bat: Yes, we have to separate the comic side from the serious.

Vampire Owl: So, you mean to say that all superheroes are not considered on the same list?

Vampire Bat: No two superheroes are the same.

Vampire Owl: Not when we consider a few from different comics.

Vampire Bat: You mean to talk about Marvel’s parallels in DC.

Vampire Owl: Well, there are exceptions.

Vampire Bat: I would work on those exceptions.

[Gets a chocolate brownie and three cups of green apple tea].

What is the movie about? :: Billy Batson a.k.a Shazam (Zachary Levi and Asher Angel) is trying to keep his family of superheroes going, but it seems that everyone wishes to go on their way as they have grown up. Billy is further worried about being thrown out of the family when he turns eighteen, and his elder foster sister, Mary Bromfield (Grace Caroline Currey) feels that the day will come rather soon. It is then that the Wizard (Djimon Hounsou) provides Billy with a warning that the “Daughters of Atlas” are coming to get them. Hespera (Helen Mirren), Kalypso (Lucy Liu) and Anthea (Rachel Zegler), the three daughters of the titan have decided to unleash their wrath on humans. They would steal the wizard’s broken staff from the Acropolis Museum in Athens and take it to the Wizard who is already imprisoned by them. They forcibly use the powers of the wizard to fix the staff and reactivate its powers with a grand plan to bring back the world of the gods.

So, what happens with the events here as we just keep looking? :: The daughters manage to capture Freddy Freeman (Jack Dylan Grazer) and trap everyone in the city within an indestructible forcefield created out of godly magic. They imprison Freddy along with the Wizard in the realm of gods. Billy makes an attempt to negotiate with the sisters, while Anthea gives tips to the Wizard and Freddy to escape from captivity. Back home, the battle sees more members of the Shazam family losing their power, and Hespera is captured by them to negotiate another more even deal. But it is revealed that she allowed herself to be captured so that she could steal something from their lair. This would help her to make their world greater than ever, and at the same time, destroy the other worlds including that of humans. Can the remaining members of the Shazam family manage to stop the daughters, or will there be chaos unleashed? Will the Wizard finally believe that she should not have given the power to Billy who has almost no true wisdom?

The defence of Shazam II: Fury of the Gods :: The attempt to keep the funny side alive has worked again for the DC Extended Universe, and we see this world colliding with another, as we see the connection more than once. The movie’s best new addition might be Rachel Zegler, and the idea of the family that runs through, maybe even more than Fast and Furious franchise. The action sequences are nicely done, and we see the aerial battles with all the effectiveness. The different worlds are created well with the special effects, and this can be said with those location with derive power from the settings. The film keeps us going and whenever it seems to lose some strength, something stronger always comes up and adds to the occasion. The movie serves as a reminder that DC has come up above Marvel after the end of the greatest superheroes like Captain America and Iron Man, while the darker heroes of this side have more to prove, and even bring some of the best villains around.

The claws of flaw :: The childish side which is present in this movie never really leaves us – the silliness could have been kept to the minimum as some points seem to be not maintaining a certain amount of quality. The lack of seriousness at some points feels to be rather strange, even though not that ridiculous as we have seen in Deadpool and its sequel. The deviation that the movie takes from the other films of DC Extended Universe works only at times. Some of the moments travel too far away from the core and seems to favour an animated movie, and the lightness of this particular flick often becomes rather too much. The magic could always look better and bring a more stylish spectacle, something which Doctor Strange has perfected so well. This movie could have also used some support from Black Adam, as The Rock would make things eternally grand.

The performers of the soul :: Zachary Levi manages the humour in this sequel with ease, and the emotional side also comes strong with him around. The work here becomes a fine extension of what he did in the first movie. Jack Dylan Grazer’s work is to be remembered next, and remains something that rises to the occasion with the humour as well as the emotional elements. Grace Caroline Currey who was earlier credited as Grace Fulton with the previous movie continues to have a memorable impact here. Rachel Zegler brings a great amount of charm to the movie, and her avatar remains a truly memorable one with an emotional touch as much as the magic that surrounds her. Lucy Liu becomes the villain that catches our attention more while Helen Mirren also contributes effectively to the process. Djimon Hounsou’s work remains notable as the one wizard who keeps the magic alive. The cameo from Gal Gadot as Wonder Woman will stay with us for a long time too, but the earlier moments had left us thinking if that was to come at all.

How it finishes :: Shazam II: Fury of the Gods takes the deviation from the other superheroes of the franchise very seriously, and could have even used Black Adam around here. There are many interesting moments here, and the emotional side is also working, with messages that work with effectiveness. The entertaining side stays strong, and we know that there is always something bigger to come, and it could manage to be better than the earlier movie with ease. The messages stay strong and about family and the underdogs, we know how it manages to go as expected. This is another movie which keeps DC flying high enough, even though not as much as it could have managed. This one manages to be interesting for both adults and kids, as the action or the funny side never shows up alone. Marvel could not have achieved such balance with such material after Avengers: Infinity War and Avengers: End Game – maybe with the looks, but not with the rest.

Release date: 17th March 2023
Running time: 130 minutes
Directed by: David F Sandberg
Starring: Zachary Levi, Asher Angel, Jack Dylan Grazer, Rachel Zegler, Adam Brody, Ross Butler, D. J. Cotrona, Grace Caroline Currey, Meagan Good, Lucy Liu, Djimon Hounsou, Helen Mirren

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Flash

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Vampire Owl: I have once proven that I could be faster than The Flash.

Vampire Bat: Vampires have speed as one of their special skills.

Vampire Owl: Yet, it is certainly not fast enough.

Vampire Bat: You cannot ask for so much of speed when you have other skills.

Vampire Owl: Drinking blood do not count as a skill.

Vampire Bat: I understand that it is a quality.

Vampire Owl: I was going to call it a necessity.

Vampire Bat: Vampires can live without any necessities.

Vampire Owl: Humans call necessity to be the mother of invention.

Vampire Bat: We do not need to invent anything, as we have everything here already.

[Gets a mango cake and three cups of Vagamon tea].

What is the movie about? :: Barry Allen a.k.a. The Flash (Ezra Miller) is living his life as the superhero who is meant to save the world regularly along with Bruce Wayne a.k.a. Batman (Ben Affleck) and Diana Prince a.k.a. Wonder Woman (Gal Gadot). After stopping a robbery and after saving children from a hospital, Barry gets back to his normal life which includes the trial of his father Henry Allen (Ron Livingston) who is supposed to have killed his mother Nora Allen (Maribel Verdu) a long time ago when he was a child. It was the one incident which changed his world permanently, and it is still has the chance to get him further down in depression. Understanding that his father would remain in prison for the murder which he never committed, he is overcome by emotions and ends up traveling back in time. Despite the advice of Bruce not to do it, he ends up changing his past, making sure that his mother never forgot to buy a can of tomatoes, and was not left alone in the kitchen while his father had left for the supermarket. This seems to have left his mother alive and his father out of prison.

So, what happens with the events here as we just keep looking? :: Barry feels that he has solved everything by just changing a little bit of the past, but he is thrown out of the world of speed by another quickly moving person. As he falls out of there, he finds himself in 2013, and finds his parents at home, with another version of him arriving there at the same time. This version does not have the powers as he does not go to the same places, and in an attempt to make sure that the superpowers are achieved, they reach the location to get hit by lightning, but Barry ends up losing his powers while the younger version in this timeline becomes the metahuman. The other version of him do not know how to use the powers, and without them, he cannot get back to his timeline, and that creates a clear problem out there. He has to go back in time before there is any more problem being created, but this is the same moment when an alien from outer space sends a threatening message to humans to provide them with someone belonging to their species or meet instant doom. Now, with no metahumans to be found in this world and with no Justice League, Barry wonders what can be done.

The defence of The Flash :: It can be seen that The Flash begins really well, with some slow motion moments that steal the show – even before that, we know that the film will be more light-hearted than anything else. The actions sequences are nicely done, especially the final ones. The journey through the timeline and within the Speedforce remain interesting. Some of the references to what lies beneath work with effectiveness. The idea of not trying to alter the past for personal gains maintains the upper hand, and a certain amount of stoicism can also be seen. At the same time, the movie serves its fan with determination, and we are impressed with multiple worlds reminding us of Doctor Strange in the Multiverse of Madness just because that film came earlier. Sometimes we feel that we just need that particular version of Supergirl to appreciate the work done here – not all worlds need Superman-power, and some are not ready for the same. Well, not all worlds need to have everything, and it could be more divergent than having some versions of all heroes everywhere.

Positives and negatives :: When the speedster metahuman is involved, there is always scope for more, not just with the story, but with the visuals which would have no real limits – we know that the tale can always be expanded from that series from some time ago. It is to be noted that the Flash is not really a much remembered superhero in this part of the world, and often makes us feel that Quicksilver always had the advantage in the slow-motion sequences – Marvel’s early introduction of its metahumans could be blamed for the same, but even after the speedster returned, the ball never really arrived at his court to provide him the advantage. The negativity in relation to the movie is not justified though, as the movie works so well, and it maintains quality in the proceedings. If Spider-Man with its multiverse can work nicely, this does the same with the use of speed even better. The movie struggles a bit during the first return to 2013 timeline and the a few minutes there do not go off – things only get better with the discovery of Batman in this particular world.

The performers of the soul :: Ezra Miller handles the character of Flash with ease. The elements of humour have been maintained well by him here. The comic side remains strong, thanks to him, and in their very small presences, Gal Gadot and Ben Affleck also supports the humorous side really well. The one who steals show as the surprise package is Sasha Calle who becomes the first Latina actress to portray the role of Supergirl. The extra-terrestrial species of the planet of Krypton seems to be scoring really well with their characters beyond Superman too. Sasha is remarkable as the Supergirl who rises to fight for the new species that she does not know, and excels in those shots of classic superhero action that elevates the movie. We would love to see her in more action movies, maybe with a science fiction or horror touch. Michael Shannon’s return as General Zod makes the same impact as the last time. Antje Traue has the supporting role with the antagonist, and remains somewhat notable. Michael Keaton comes in the role of Batman of the new timeline, and it is not something new for those who have seen him playing the role before in the 1990s.

How it finishes :: The Flash can be considered as a misunderstood movie which could have done a lot better business and surely deserved a better reception from the audience. Aquaman and the Lost Kingdom is surely a better flick which also only did better, but not as much as it should have done. Well, these days, we do see that most of these DC movies are actually better than the Marvel flicks after Avengers: Infinity War and Avengers: End Game. The overpowered Captain Marvel never really needed to make a comeback either and The Marvels never required to even exist as it never seemed to have shows there. We would have required more of movies from Doctor Strange and maybe a film with Hawkeye at the centre from the Marvel Cinematic Universe. For DC, there could have been more of Batman and Wonder Woman too. For now, it is good to have The Flash around with a Supergirl whom we are going to remember for a very long time. You have to make the movies interesting, rather than trying to create characters and situations for the sake of pleasing people, and this movie deserves the applause for keeping it entertaining at all times.

Release date: 16th June 2023 (Theatre); 15th November 2023 (Jio Cinema)
Running time: 144 minutes
Directed by: Andy Muschietti
Starring: Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston Maribel Verdú, Kiersey Clemons, Antje Traue, Michael Keaton

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Red Door

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Vampire Owl: I have always loved the red door.

Vampire Bat: There is no red door in the castle.

Vampire Owl: There are doors in many colours?

Vampire Bat: You were colouring the stone doors all these times?

Vampire Owl: It already had enough colours with them.

Vampire Bat: We only paint everything black.

Vampire Owl: Not everything is black in the castle.

Vampire Bat: Yes, in the Dracula Castle, some are very dark grey.

Vampire Owl: You cannot question Doctor Frankenstein’s choice of colours.

Vampire Bat: So, Mr. Frankenstein is responsible for all of these.

[Gets a blueberry cake and three cups of kadak chai].

What is the movie about? :: Josh Lambert (Patrick Wilson) has lived many years after the earlier incidents of possession and traveling through the Further, a realm full of tortured souls through which the family had projected in an astral mode bringing chaos and destruction to their world. Renai Lambert (Rose Byrne) is now divorced from him, and this separation has not come up with positive things for him or her. His relationship with his son Dalton Lambert (Ty Simpkins) has only managed to worsen over time, and his attempt to make things better by staying closer to him only makes the whole thing even more terrible. As Dalton joins a new course, Chris Winslow (Sinclair Daniel) becomes his new best friend after they are given the same room despite the latter being a girl. He joins the class of Professor Armagan (Hiam Abbass) as he wishes to be an artist, but a painting that he makes when asked to go deep into memory makes things very weird. The painting is of a red door which has served as a portal to the Further and the darkness of evil that awaited.

So, what happens with the events here as we just keep looking? :: This is when both father and son seems to have some hallucinations, and dead people seem to come to meet them. Dalton seems to have travelled to some other world which is connected to this, but he does not remember the Further – both Josh and Dalton had their memories wiped out and seeing the spirits is the first-time experience for them. The demons that haunt them only seem to get worse. Chris shows Dalton YouTube videos about astral projection to help him understand the situation, as he gets into the Further again, which brings into this world an unknown entity that attacks Chris. Despite the repeated warnings by Chris, Dalton decides to go into the Further again and search for answers, which locks him there. Josh who understands that the situation is terrible, meets Renai and after knowing about the painting of the red door, decides to travel to the terrifying dimension once again to save Dalton. Can he do it without being lost there?

The defence of Insidious V: The Red Door :: We are always interested in a world beyond, brought together by astral projection, and having its demons. The reminder about another dimension existing in the dark and waiting to pounce upon us, is something that has immense possibilities. We get the feeling that this brings everything together, and the franchise’s journey focusing on this particular family might end here. The use of picture and some of the moments within the other dimension brings some horror here, and the mystery remains strong. The bonding for family is nicely shown without holding back. The emotional side works for most of the time too. The idea of focusing on the red door through a painting is nicely done. The astral projection’s extension can be seen as effective enough to bring other films focusing on the same idea. The journey through the memories also brings some of the nostalgia back here too. We are looking forward for the red door to open and bring something more through the portal that connects between all of these, for we understand again that death is only the beginning of a torment that never ends.

The claws of flaw :: Insidious V: The Red Door reminds us that the franchise was once very frightening with elements that were to stay in our memories. One can be sure that this one does not live up to that power, as the scares are never focused on. The darkness and the evil that lurks in the Further is not explored well enough, as we look closer. The demons basically could have had a grand tale with deep myths running through, but the same cannot be seen here. There is a certain amount of struggle that this movie goes through, this many years after it made its classic point through another dimension, and that feels too strange. There are moments when we think what went wrong with this world, as there was so much to explore, and instead this movie spends its time to focus on the family and how the members bond together to destroy evil that comes back to haunt them – it also leaves us with the hope of bringing the whole family together yet again; not the best choice for a fifth horror movie in a frightening franchise which should live forever.

The performers of the soul :: Patrick Wilson also becomes the director in this movie, as he goes through the journey both as the main character and the man behind all of these with ease. He has been a clear part of the horror world with works in The Conjuring universe as well as this one, along with the journey through the Aquaman franchise. His journeys seem to have created so many horror enthusiasts in this part of the world, and he leaves us confident about more. The beginning as the director works out well for him too. Rose Byrne has been part of this franchise for long, and contributes well as one would expect in a film which does not focus on her that much. Ty Simpkins’s son character works pretty well, while Sinclair Daniel bring the comic side to the scene, even though a little bit more than it was needed in a movie like this, and not always working that well with the humour. The supporting work just happens, and do not go that much forward with the same strength with which the earlier movies came and conquered without second thoughts.

How it finishes :: Insidious V: The Red Door tries to bring the sequel horror right back here again. The attempts of Annabelle, Sinister, The Conjuring, The Nun, Don’t Breathe and others have already been seen, and this particular movie here is at number five with its sequels. We know that horror is forever, but we also understand that none of these movies had their sequel providing a higher quality than the original flicks which started the series with a certain amount of strength. It leaves a certain amount of chance for another sequel which can explore the demons and the other dimension better. But we know that a sequel might not have that much of a power as we would have expected from an original, and the next one would be the sixth movie in the series which would require more plans to elevate the overall status. Not many movies have managed to come up with a sixth film in the franchise, and for horror movies, it is even more difficult. This movie just manages to live on as a sequel, and we have to see how far can the next entry raise the level.

Release date: 7th July 2023
Running time: 107 minutes
Directed by: Patrick Wilson
Starring: Patrick Wilson, Rose Byrne, Ty Simpkins, Sinclair Daniel, Hiam Abbass

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@ Cemetery Watch
✠ The Vampire Bat.

Scream VI

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Vampire Owl: Do you have a count of the number of serial movies we have watched?

Vampire Bat: I even have a count of the number of Ghostface films we have watched.

Vampire Owl: The Ghostface is not that scary a face.

Vampire Bat: Not for us vampires, but they are for the humans.

Vampire Owl: The spoof movies have killed that fear effect.

Vampire Bat: Well, spoof movies also have the fear factor.

Vampire Owl: They are supposed to be funny, right?

Vampire Bat: Yet, there is something scary coming from within.

Vampire Owl: We do not get scared that easily.

Vampire Bat: Yet, we have enough to be scared about, including some mean humans.

[Gets a paneer masala dosa and three cups of cardamom tea].

What is the movie about? :: It is a Halloween night and things seem to go really smooth with some fine trick or treat times. Laura Crane (Samara Weaving), a film professor is murdered in the alley by one of her students wearing the Ghostface costume who feels that she has been blaming him too much for failing. But the same person after returning from the act of cruelty is brutally stabbed multiple times to his death by another person in the Ghostface costume who gets into his home. Sam Carpenter (Melissa Barrera) and Tara Carpenter (Jenna Ortega), the two sisters who escaped the attack of the Ghostface killer have now moved into New York City with the latter attending Blackmore University where Laura also taught about slasher films from the last century. The other survivors Mindy Meeks-Martin (Jasmin Savoy Brown) and Chad Meeks-Martin (Mason Gooding) are also there. Quinn Bailey (Liana Liberato), Anika Kayoko (Devyn Nekoda) and Ethan Landry (Jack Champion) are the other three students who are close to them and they are more like one group.

So, what happens with the events here as we just keep looking? :: Kirby Reed (Hayden Panettiere), a survivor of the earlier murders is now an FBI agent, and gets herself assigned to the case. Wayne Bailey (Dermot Mulroney) is the original police officer assigned to case, and has no clue about what has been happening. Gale Weathers (Courteney Cox), the survivor who wrote books about the Ghostface-related murders is also there as reporter again. The situation seems to be more complicated than ever, as the killer is not just out to kill the two sisters, but also prove that they were always the real killers. Gale had also found an abandoned theatre, which was set up like a shrine for the killers wearing Ghostface masks. The survivors decide that it is time to finish the Ghostface forever, with Wayne and Kirby on their side. They set up traps for the murderer, but the person seems to be smarter than that, and there seems to be surely more than one killer wearing the costume. So, how will they find the killers with the Ghostface mask without being killed? How much of the mystery can they manage to solve before most of them get brutally stabbed by the person in black?

The defence of Scream VI :: As a sequel to a slasher franchise that goes a long way from the past’s nostalgia to the present, the movie maintains the standard which we were assured with the earlier films. The first scene is surely among the best, as even with some deviation, there is that murder at a time when were less expecting it to happen. Samara Weaving in the beginning becomes part of that talk which brings the early twist with blood and gore back to the track. There is no better sight than a Ghostface coming after another. You are reminded that Ghostface is forever, and there is no going back from this particular serial killer – we have others for sure, but this is one killer that rises above them all without any superpowers and by not truly coming back from the dead. The final scenes are really well, and we have some nice moments in a train too. The hunt feels very much dangerous, and we know that there is something more to be revealed here. This time, the villain is not just about the movies, as things well be more personal than ever. You will also be screaming for more, as we look forward to a sequel to take this forward even further.

The claws of flaw :: We are looking at another Scream movie here, and after so many films in the franchise, we expect the flick to be a lot better. The case of repetition does not make things better, even though there was the chance to move away from the common ideas – it could have focused on horror which takes a side-seat instead of coming to the front. There is a certain amount of weakness in the horror elements which goes back instead of bringing the terror. There are some movies which focused on slasher horror so well, placing that element over the others, like There is Someone Inside the House and the three movies of Fear Street. Even the reboot of Wrong Turn came back with the elements so well. We have always remembered this movie for slasher horror, but there are so many occasions when we see that this flick tries to go back to the past and feed on the nostalgia even at a time when there is none. The twist is not that much working, as one could successfully guess some part of it. The common slasher elements could have been brought in there to increase the impact.

The performers of the soul :: Melissa Barrera continues her good form as the scream queen here too, and maintains the legacy of the Scream franchise well. The final moments provide her with the opportunity to get close to that legacy and she manages that with ease. The action in the end has her as a possible action heroine at some point, like Kate had its female assassin in full strength. Jenna Ortega does well as the second most important character, the sister who finds trouble again and fights it well with the sibling. She would make no lesser scream queen either. Courteney Cox does the same thing again, as she has been doing for a very long time – while adding to the nostalgia, the feeling of repetitiveness feels a little too much. Hayden Panettiere has been a crush for a lot of us during the 2000s, and it is good to see her again, leaving us with some more of fine nostalgia to add here. Her work remains a highlight in this movie too. Samara Weaving could have had more screen space though, as she was the one who started this film so well. Another seemingly interesting scream queen is Liana Liberato, and the rest also nicely contributes to the slasher.

How it finishes :: I have never been far away from slashers, as they have been part of my journey with horror movies for a long time – I would be teaching them with a lot of happiness if it was part of the syllabus in a university. Here, it can be seen that the one franchise with which we have the nostalgia associated, has another movie to keep us interested in the serial killer whom everyone remembers and uses as a common model for Halloween celebrations regularly. Ghostface is to live forever through different killers, and the murderers of this movie also makes it count. Yet, we feel that this could have been better, and that the movie could have elevated the whole thing to another level through horror. There could have also been some music to add to that horror, and darkness could have also contributed better. It does misses out with the horror as it can be seen here, and we call for sequels of Sinister, Evil Dead, Insidious, Annabelle, The Nun or The Conjuring to serve for the same, as they have done with the first of their series.

Release date: 10th March 2023
Running time: 122 minutes
Directed by: Matt Bettinelli-Olpin, Tyler Gillett
Starring: Melissa Barrera, Jasmin Savoy Brown, Jack Champion, Henry Czerny, Mason Gooding, Liana Liberato, Dermot Mulroney, Devyn Nekoda, Jenna Ortega, Tony Revolori, Josh Segarra, Samara Weaving, Hayden Panettiere, Courteney Cox

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.