Tag Archives: Shebin Benson

Thalavara

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Vampire Owl: So, this is what humans call destiny related to a mark on the head.

Vampire Bat: There is no destiny that humans can create in any world.

Vampire Owl: They could still seal their own fate.

Vampire Bat: They are the fates that the world is forced to endure.

Vampire Owl: You remind me of the cursed fates of the northern witches.

Vampire Bat: Still, humans come up with motivating movies with some feel-good.

Vampire Owl: Humans do not really make any species feel any good.

Vampire Bat: Well, feel-good is that mask which humans need.

Vampire Owl: Yes, they need that reason to live.

Vampire Bat: Well, you do not need any reason to live forever.

[Gets a Kadai paneer puffs and three cups of Darjeeling tea].

What is the movie about? :: Jyothish (Arjun Ashokan) suffers from a skin condition called Vitiligo which provides visible white patches on the skin due to loss of pigment, clearly visible on his face. His dream is to become an actor, and had won many accolades for his efforts during school days as a leading drama performer. He had left all of these behind and after taking a graduation in commerce, started working in a mobile shop, only to be fired from there due to his movie craze leading him to take day off on almost every Friday on the day of movie releases with some lame excuses. Now jobless, he is forced to work with his mother Asha (Devadarshini) in the supermarket where she works in the sales, as the new person supposed to the home delivery. He is ridiculed by people for his skin disease, and even his best friends call him names and make fun of him, despite their close connection with each other. His father Kannappan (Ashokan) has been movie enthusiast who had planned to go abroad, but ended up jobless at home due to the same craze for cinema much to dismay of the family.

So, what happens with the events here as we just keep looking? :: It is then that Jyothi (Athira Mariyam), Jyothish’s sister elopes with his friend Ganesh (Sarath Sabha), who had full freedom in their home, leading to Asha, as the breadwinner of home, disowning her. It is then that a new girl Sandhya (Revathy Sarma) arrives near home in Palakkad, from the other side of the state border, Coimbatore. She works at an agency which deals with foreign education, focusing on UK, and Jyothish ends up meeting her in her office as well as the supermarket. Even though everyone around seems to be attracted to her, she falls for Jyothish, and their love story slowly blossoms. But without a good job, her family is surely not going to agree to this wedding, and the family history of her sister eloping with someone was not going to help the cause at all. He gets a small role in a short-film which becomes viral on YouTube, but is humiliated for his looks while looking for a role in the upcoming movie. Can he go beyond the restrictions imposed on him by the society which do not accept the divergent or will there be a union of bad luck events for him?

The defence of Thalavara :: The movie nicely addresses something which is not usually shown in the mainstream cinema — the life of a person with vitiligo and how he has to go beyond the opinions of society and achieve something. Here, we can see that the same is done without adding that much of a melodrama, which would have been the main thing if this was taken in Bollywood. The romance here is also very well managed in a realistic manner. It should be considered as a fine quality as most of the other industries of the nation would have clearly overdone the same and might even add a quick dance in a nation with a lot of snow with greenery and classic streets. Its reflection of a common man’s life and the regular problems which becomes part of the crisis will never leave our attention. The idea of accepting oneself and living with dignity work very well. Even the romantic scenes show that understanding, and it just becomes a usual thing rather than a glorified piece of garbage – it is there and it an extended form of friendship and not a stalking, lusty, infatuated absurdity like in movies like the lesser appreciated Maine Pyar Kiya and for that undeserving very much appreciated Annayum Rasoolum.

The claws of flaw :: The movie does deviate the main concerns at times, maybe to try and make it feel more entertaining, and it is also a little bit too long for this kind of a content, as one and half hours would have been perfect in this case. When we consider that it does not take into account, the psychological side that much except for the negative feeling and lack of confidence, something might feel left out. The movie just goes through the simple journey, which makes it feel no need to go in a more intense manner or launch that dramatic punch which will leave a big difference. The ending does not really solve the problem, but makes one feel good enough that there could be a better future soon. Even a movie which dealt with a lesser problem like Mili had an even more consistent solution to its crisis. The movie’s beginning might have also left many people with not much of an interest in the journey forward, as it just feels too ordinary a start to the kind of message it would intend to deliver with that special dose of motivation.

The performers of the soul :: Arjun Ashokan strikes gold with this performance, and it is as realistic as one could be, with him maintaining a common man’s feelings throughout the journey – this might also he his best work in a leading role till now. Revathy Sarma plays the Tamil girl whom we might remember even more than the one we had with Sai Pallavi in Premam with the realistic touch rather than that overstretched one. She plays the role with so much realistic touch, and remains a lovable character – something which she achieves with so much of ease. Among the friend characters, Muhammad Rafi stands as the most notable one, as he has always been in that television show of Flowers channel which keeps coming back to us. Sarath Sabha also remains very much notable. Athira Mariyam’s realist work will also have our attention. Then you see how good is Devadarshini in the mother role and how well Ashokan supports in the father role, with a little bit of humour and emotions also present in the journey.

How it finishes :: The movie does manage to finish off the whole thing well, and there is closeness to humanity that works like a dream here. This is the kind of movie that works with motivation really well, and reminds people that there could be those journeys with some type of crisis which is often overlooked in favour of some others which get all the attention. We remember that some problems get more attention than others, but it is to be remembered that for some people, some troubles are bigger, and that it has to be individual-centred. Well, not all people are the same, and the problems of some people are just of a grander scale than one would think. The movie reminds us that it is all about the individual, and if there is some support when required, things can only get better – it is important to keep everyone close to the heart as we are all in this together in one way or the other. This is no blockbuster material with scenes to get fans clapping, for a human tale that inspires and gets some feel-good into the scene.

Release date: 22nd August 2025
Running time: 120 minutes
Directed by: Akhil Anilkumar
Starring: Arjun Ashokan, Revathy Sarma, Shebin Benson, Ashokan, Devadarshini, Athira Mariyam, Abhiram Radhakrishnan, Prasant Murali, Sam Mohan, Harish Mohan, Sohan Seenulal, Shaju Sreedhar, Vishnu Reghu, Muhammad Rafi, Manoj Moses, Aswath Lal, Amith Mohan, Naseer

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@ Cemetery Watch
✠ The Vampire Bat.

Kannur Squad

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Vampire Owl: We have taken a little too much of time to watch this one.

Vampire Bat: Well, as people say, better late than never.

Vampire Owl: I have heard that this is among the best of the year.

Vampire Bat: We have all heard a lot about this movie in a positive manner.

Vampire Owl: I hope it is not from some fan boys.

Vampire Bat: We do not talk to the human fan boys anymore.

Vampire Owl: It could be a vampire fan boy, like the Vampire Penguin.

Vampire Bat: None of the vampires are fans of any human.

Vampire Owl: I am sure that there are exceptions.

Vampire Bat: This movie itself is an exceptional one.

[Gets a Kadai chicken pizza and three cups of cardamom tea].

What is the movie about? :: ASI George Martin (Mammootty) and his team of CPO Jayakumar P. Vasu a.k.a. Jayan (Rony David Raj), CPO Jose Skaria (Azees Nedumangad) and CPO Muhammed Shafi T A (Shabareesh Varma), popularly known as Kannur Squad go on a search for some political goons in the forests of border area between Kerala and Karnataka, only to find a partially decayed body hanging from a tree. Even though the first idea is to leave it as a suicide, George is not ready to leave it behind. His idea is that this not a random suicide. They are able to find the culprit with ease, but is struck by the allegation against Jayan for working with sand mafia, seemingly ending the Kannur Squad with a certain amount of unexpected dishonour. But when an NRI businessman from Kasaragod named Abdul Wahab (Manoj K U) is murdered with no clue to be found, the police officers are forced to bring them back, as the other team of Kannur Squad is on a mission in North India.

So, what happens with the events here as we just keep looking? :: Krishnalal T K IPS (Vijayaraghavan) finally agrees to have them investigate the case in ten days as SP Manu Needhi Cholan IPS (Kishore) also supports them after reading about them. By tracing the calls, they get to Riyas (Deepak Parambol) who had supplied the sim cards on his name. They understand his role in the robbery and murder, while also figuring out that there is involvement from people outside Kerala. But the other people involved could not be found out as they seem to have reached safe havens in the north of India. Farha (Afsana Lakshmi), Wahab’s daughter who was brutally beaten up and sexually assaulted, provides them with better details of what happens during the night and one of the assailants in revealed to be Ameer Shah (Arjun Radhakrishnan) who gave his name before strangling her father in front of her. Kannur Squad also gets an image of Ameer from social media and the search leads them to Mumbai. But it is still to be found if the investigation can be finished in ten days.

The defence of Kannur Squad :: The movie goes through an interesting set of proceedings from the beginning itself, and some fine music supports the same at all times. There is no moment in the movie which is not interesting, and we become part of the whole thing as the journey proceeds from one place to the other, from one end of the nation to the other. All of the performers seem to be perfectly chosen for their respective roles, including those who do not speak Malayalam – the choice of cast is one of the best things about this particular movie. There are moments that we remember, and some of them are there to stay for a longer period of time. As the fans of the mass masala avoids this movie, we can watch this one in peace, and hope for more of similar films to come. The emotional side do appeal to us, even though there is no overdose of emotions to make melodrama come forward. The movie focuses on the essential, and not the exaggerated, and it is the beauty of the world that has been created here – you feel that the police universe here is real, and not the unreal chaos that we see in Bollywood. Among the best of realistic police works, Kannur Squad is here to stay.

Positives and negatives :: The movie could have surely had more interesting moments in between in relation to the villains and their journey, but we have the police officers’ journeys nicely documented through some fine visuals. The determination of the righteous police officers and the difficulties that they come across on the way can be seen in a realistic manner rather than in the exaggerated ways which are often preferred by industries like Bollywood. A little bit of mass moments is added only in the end, but that would also be limited to suit the realistic nature of the film. The ending nicely finishes all things well. Maybe, they could have added some moments from back home by the end, but they have done well without it. The idea of the squad itself is inspired by a real-life police team of the same name, which makes the investigation even more interesting. The real-life police officers who investigated similar cases were also contacted. The shooting locations also stay close to the incidents and the journey feels very much real.

The performers of the soul :: Mammootty leads another fine team of police officers, and he does the job with ease, as he has always done, whether it was about brutal power as shown in Christopher or something classic in nature. His character would remain an iconic one here to be remembered for long, along with the squad itself. Rony David Raj plays another fine police officer here, as he continues the good form in similar roles. It is also nice to see Azees Nedumangad in a serious role, and he does his police role incredibly well – coming out of the usual in Star Magic, he has been doing so well in films these days. The team from that show of Flowers will have our attention at all times. Shabareesh Varma makes the next police officer really well, and blends into the team nicely. Kishore’s police role is also notable, while Vijayaraghavan plays the veteran police officer job with ease. Sunny Wayne and Shine Tom Chacko has small cameos to add to it. The women do not have much to do in this film, but the notable performance here is from Afsana Lakshmi who surely has a bright future in front of her. The villains led by Arjun Radhakrishnan and Dhruvan leave a mark with their remorseless and brutal presence with villainy.

How it finishes :: When talking about police investigations which keep close to a realistic mode, Operation Java is the only other film that seems to bring some comparison as relevant. Related to Mammootty and his team of policemen, that would be Unda that would call for the comparison. The visuals keep us going as much as the controlled emotional side and procedure of investigation. The movie’s journey to one of the highest grossers in Malayalam movie industry is very much justified, and as 2018 and RDX: Robert Dony Xavier have already done so well, the year has been a fine one. As we welcome the new year, we look forward with hope for an even better 2024. As of now, I wish you a very happy new year, and hopefully, this will be the one grand year to look out for. Maybe we are hoping for no reason, but that is what we do for every new year. Then we also wish to watch more movies which will stay with us for long.

Release date: 17th November 2023 (Hotstar); 28th September 2023 (Theatre)
Running time: 161 minutes
Directed by: Roby Varghese Raj
Starring: Mammootty, Rony David Raj, Azees Nedumangad, Shabareesh Varma, Kishore, Vijayaraghavan, Sunny Wayne, Arjun Radhakrishnan, Dhruvan, Sarath Sabha, Afsana Lakshmi, Manoj K U, Resh Lamba, Nalneesh Neel, Ankith Madhav, Sivadas Kannur, Mullai Arasi, Sajin Cherukayil, Shebin Benson, S P Sreekumar, Manohar Pandey, Susmita Sur, Saraswat Pandey, Gibin Gopinath, Benzi Mathews, Seju K Eapan, Anoop Trivedi, Avinash Pandey, Catherine Maria

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@ Cemetery Watch
✠ The Vampire Bat.

2018

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What is the movie about? :: In the village of Aruvikkulam, things seem to go on as usual, with the usual incidents and small problems which comes naturally to such an area which is close to the highlands. Anoop (Tovino Thomas) is a former solider who left the army as he was frightening by two deaths at the India-Pakistan border. He had arranged a fake medical certificate for the purpose and tries to go to Middle East to get a job. He has always been afraid that someone would come from Delhi to collect information about him and take him back to the one of the army camps. This leaves him suspicious about Manju (Tanvi Ram) who is appointed at the nearby school after living in the Indian capital for a very long time. The fear is reinforced by his friends who come with a similar idea about the new teacher. But the complicated relationship soon leads to their marriage getting fixed. After leaving the army, Anoop has remained a favourite young man in the village, and this leads to the wedding function being arranged as a grand ceremony.

So, what happens with the events here as we just keep looking? :: Nixon (Asif Ali) has always wanted to be a popular model, as he performs in small roles in films and advertisements. He detests the fishing job which is followed by elder brother Winston (Narain) and father Mathachan (Lal). He feels that he does not have anything to do with sea and that catching fish is not his cup of tea. As Nixon falls in love with the daughter of the rich businessman Chandy (Joy Mathew), the future father-in-love makes fun of his modelling job and family background related to fishing, which leads to further conflict between him and his family. Only Chandy’s son Alex (Hari Krishnan), who is also Anoop’s friend shows some interest in the marriage alliance. Meanwhile, the reporter Noora (Aparna Balamurali) is covering news about rivers, floods and droughts on both sides of Western Ghats, and feels that the rain which has caused floods in some areas of Kerala will mean much more in the coming days. She had only previously reported about increasing droughts on the other side of Mullaperiyar.

And what more is to follow with water coming out of everywhere? :: Home Secretary Shaji Punnoose (Kunchacko Boban) also feels that they needs to be prepared. He had only recently built a new house, and has fear for the safety of his own lands too. Rameshan (Vineeth Sreenivasan) who is working in Abu Dhabi is arranging a job for Anoop there, and is returning home due to his mother landing in the hospital, but the airplane is diverted from Cochin to Coimbatore because of the bad weather. His problems with his wife Anupama (Gauthami Nair) have reached the peak, closing in on divorce. Koshy (Aju Varghese) is struggling to make a trip happen with the two Polish tourists whom he wished to take to Cherai, Fort Cochin, Aleppey and Munnar, but the plans get foiled due to one problem or the other caused by the continuous rain. There is news about multiple low-pressure areas formed in the Arabian Sea which could turn into cyclones. The dams in the state are almost completely filled and needs to be opened. There seems to be something terrible awaiting most of the areas of Kerala, and it is worse than what they had imagined.

The defence of 2018 :: The movie, along with finding the right members of the cast for even supporting roles, thrives with the moments which it had recreated from the 2018 Kerala Floods, which formed the most devastating series of disasters in the state’s history. The scenes like fishermen coming to the rescue as a selfless act and the helicopter rescue are some of the most memorable moments which we take back from our memories. For some people, these calamities might have been just random news, but for those who were most affected by it would feel this differently and strongly. What Jude Anthany Joseph has managed is to come up with the struggles during the flood not as someone who views from outside, but as a person who has been part of it. The visual effects look nice on the screen, and is a fine step which can be followed while making disaster movies. The emotional side of the movie remains really strong, as the humanity and hopelessness displayed here feels so real, and this could be the tale of flood not only in Kerala, but also somewhere else, as natural disasters limit the division between people and brings them together in hope for a better world.

Positives and negatives :: The movie’s first half might feel too calm for the viewers, and it is also a short time period before the interval, after which the movie gains in length and comes up with the scenes of interest. It could feel like a little bit too much of time taken for people’s liking. There are surely those moments which could have been explored more, but while creating a world which incorporates so many elements, we just cannot ask to bring the focus to everything. There is the feeling that keeps this close to Virus, another film which showed how Kerala fought against the epidemic of Nipah. Virus was quick to get into action and keep the focus on the core at all times, even though both movies are of almost same length. There are also a number of main actors like Tovino Thomas and Kunchacko Boban who are common to both movies, and there is the realistic touch that remains in both cases. During these days when there is too much of heat, and with similar rain feeling too far away, one might have the feeling of safety again, but one has to remember that this can repeat, and the same heroes, including the selfless fishermen who keep losing everything will come back to save us. The movie’s dedication to them is indeed splendid, as we keep the saviours in our prayers.

The performers of the soul :: Tovino Thomas plays the one true heroic figure in this movie, as he evolves into the saviour without the superhero powers of Minnal Murali. This would be his new highest grosser, going past last year’s Thallumaala. In his hundredth movie, Kunchacko Boban also gets to the hundred crore club after Nna Thaan Case Kodu success, and his role, even though smaller in magnitude, remains of strength. Asif Ali plays the one character that has undergone the most transformation in this film, and he does that without any problem. Lal remains a strong presence as the fatherly figure and fisherman who cares for his children as well as the people around him. Narain’s presence in Malayalam has been too less in the recent years, but his another notable return can be seen here, and he performs really well in this particular role. Sudheesh and Indras come up with emotional performances and shines as the veterans as they have always been. Tanvi Ram is the most notable among lady leads, while we feel that Aparna Balamurali who appeared in the beginning with so much potential was wasted. The sub-plot with Kalaiyarasan-Vineeth Sreenivasan-Gauthami Nair feels forced, even with good performances. Gilu Joseph and Hari Krishnan provides good support too.

How it finishes :: The movie works well as a homage to the many heroes who became part of the rescue operations during the devastating flood in Kerala, and brings the memories of those days right back to us. It would be the most effective for anyone who was in Kerala during this period of time. Good disaster movies have been rare in Indian cinema, and we have had to look towards Hollywood to bring some classic natural disaster on the big screen. But this movie makes sure that there is a better chance for success here. As the highest grossing Malayalam movie of the year, the film has made sure that the industry has managed to gain its life back, as it was Romancham which made the most money during this year – it would have been a surprise for the superstars. Well, a movie which had everyone uniting and becoming heroes to save their world is something that would be supported by everyone, and that explains the fine collections in the theatre. If any of the survivors who came directly out near-death situations watched this movie, they will know how this is a movie which should be cherished for long against the tides of time. Considering its run with audience still very much present for the shows, it is capable of overtaking the collections of Lucifer and Pulimurugan.

Release date: 5th May 2023
Running time: 154 minutes
Directed by: Jude Anthany Joseph
Starring: Kunchacko Boban, Tovino Thomas, Asif Ali, Vineeth Sreenivasan, Lal, Narain, Tanvi Ram, Vinitha Koshy, Joy Mathew, Indrans, Renji Panicker, Hari Krishnan, Sudheesh, Aju Varghese, Kaliyarasan, Gauthami Nair. Sshivada, Aparna Balamurali, Siddique, Janardhanan, Jaffar Idukki, Gilu Joseph, Sreejith Ravi, Rony David, Kalabhavan Haneef, Karunan Pauly Valsan, Shebin Benson, Shobha Mohan, Sreeja Ravi, Boban Samuel, Santhakumari

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@ Cemetery Watch
✠ The Vampire Bat.

Evidey

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What is the movie about? :: Symphony Zachariah (Manoj K Jayan) is a busy, but not so rich musician who keeps traveling all the time, not caring much for his wife and children. Jessy Zachariah (Asha Sharath) is left to care for the family which consists of her father-in-law, Kuttichan (Prem Prakash) and two children. When one day, Zachariah goes missing, Jessy is determined to find out what happened to him. Police Inspector Simon Tharakan (Baiju Santhosh) is the one in charge of the case, and it seems that the case is solved when a letter from Zachariah reaches them. But there is something strange about the letter – Jessy doesn’t believe that it was written by Zachariah. A man named Kabir (Kunchan) who comes to see them makes things even more complicated. Jessy even begins to doubt that Zachariah has another wife and kids.

So, what happens with the events to follow? :: Their son Leen (Shebin Benson), a college student is in love with Shahana (Anaswara Rajan), a girl whose life he saved when she was drowning, an incident which fetched him a bravery award. But it seems that he is no longer the person that he used to be. Studying at a college far away from home, he seems to be having more opportunities to go divergent from the studies rather than be the student who used to be the face of the college earlier. He doesn’t come home much, and has been a difficult person to find even for his family. This, along with the missing husband is breaking the family apart, but Jessy is determined to find Zachariah. For that, she would have to take more than one journey, through Mangalore and Goa, as he was supposed to perform at one of the events there.

The defence of Evidey :: The movie belongs to the genre of a family thriller rather than anything else, and the approach also seems to suggest a journey through such a path. The short length makes sure that there is no dull moment in the movie, and there is no drag, even when it seems to be trying to be preachy. The issues that are shown in the movie are genuine, with messages against drug abuse, and the parents’ failure to guide children along with the inability to become good role models. This is the time when students need to be told about the terrible effects of drugs and alcohol more, and with parents having no time to take care of their children, along with everything negative influencing them better, the movie has becoming very relevant. There has been too much of such things in the news, and this is a movie which can be shown in schools and colleges.

The claws of flaw :: The movie’s songs are all very much interesting, and such a thing does no good to a family thriller – a good family song or even a song on friendship and love if done well enough can lift a movie of the genre and provide it with a boost, covering its faults up to an extent. Evidey doesn’t have that, and it also doesn’t seem to try too hard with its thriller side which was to serve as its stronger point. The investigative side could have also been done in a more interesting way, and a better backstory was needed with the family members – it would have worked well with a good song, and that much time could have been enough to have the characters settled, especially the two pairs. Even the sequences at Goa could have taken a boost, with some more wandering around the major areas of the state which is not short of providing some good visuals at any point.

The performers of the soul :: The movie remains mostly centered on Asha Sharath, who once again plays the mother of a son gone the wrong way, like in Drishyam. It is once again the duty to save him, but the task remains difficult as it is too late – the tormented mother continues to be on the spotlight. Prem Prakash, at the same time, brings some very emotional and controlled moments to remember, as he has done before on many occasions. Manoj K Jayan is not there for much time, as he is the missing character who can only be there with some small flashbacks. One would feel the need for more of such flashbacks to get a better idea of the character. Baiju plays the police officer who is working on the case, and he makes one believable cop. Kunchan has shorter presence too, and Shivaji Guruvayoor as well as Sunil Sukhada got even lesser time on the big screen.

Further performers of the soul :: Suraj Venjaramoodu makes his appearance in the later stages of the movie, and has some of the best dialogues in the whole film. He becomes an integral part of the movie in the second half, and continues to assert his presence until the end. Even though some part of it seems forced, the character sticks on well. Shebin Benson shows some skills in this role, and the emotional sequences are handled very well. We see how the changes occur with the character, and how the same has been portrayed in a believable manner. Anaswara Rajan of Udaharanam Sujatha fame does a wonderful job here, as her character is a well-written and well-performed one without pretensions. From the early happy mood to those emotional sequences, she shows a controlled, realistic version, and tranquility when needed is a skill that we rarely see on the younger stars these days.

How it finishes :: Evidey easily takes its message against drug abuse to the next level, even though it does take some time to be there. With clubs like SADA (Students Against Drug Abuse) being formed in colleges to provide awareness regarding the same, we are slowly, but steadily realizing the fact that the drug menace can’t be left unchecked. Evidey will surely help to bring the awareness, as did Kerala Excise Department with the Vimukthi Short Film Competition and its winning entry “Midhya” by Mar Baselios Institute of Technology and Science, Kothamangalam. After so many short-films tried to make the point in that certain competition, and a number of them winning runner-up and consolation prizes, we now have a full-length movie which doesn’t glorify the evil at any point, and scores with an emotional climax and message against it.

Release date: 4th July 2019
Running time: 122 minutes
Directed by: KK Rajeev
Starring: Shebin Benson, Asha Sharath, Anaswara Rajan, Prem Prakash, Manoj K Jayan, Baiju Santhosh, Shivaji Guruvayoor, Suraj Venjaramoodu, Kunchan, Sunil Sukhada

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@ Cemetery Watch
✠ The Vampire Bat.

Virus

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What is the movie about? :: Kozhikode District collector Paul V Abraham (Tovino Thomas) gets an urgent call when he is about to leave home. There are a series of events that lead to the same, and most of it happens in the Kozhikode Medical Centre. A nurse named Akhila (Rima Kallingal), was taking care of a young man named Zachariah (Zakariya Mohammed), who was admitted to her hospital for fever, but is now suffering from the same symptoms. Dr. Abid Rahman (Sreenath Bhasi) is having his normal shift in the hospital as his lover and medical student Sara Yakub (Madonna Sebastian) shows signs of ending their relationship – at the same time, more and more patients are being admitted in the hospital. But the signs that some of these patients show are not natural, as the doctors figure out that something strange and unusual is coming up. It is also not limited to one or two people anymore, and there is panic.

So, what happens with the events to follow? :: The samples are sent to Manipal to be tested by the experts led by Dr Suresh Rajan (Kunchacko Boban), and it is confirmed that it is Nipah virus which has affected the patients. With no vaccination or specific treatment available for the epidemic, the only hope for the goverment is quarantine, and hope to find the source, as well as make sure that it didn’t spread to many people. The team lead by Health Minister CK Prameela (Revathi) includes the collector Paul V Abraham with Dr Smrithy (Poornima Indrajith) and Dr Annu (Parvathy) in an attempt to stop the infection from spreading. First identified in 1998 in Malaysia, the disease, in most cases has taken the lives of those who were infected. With people not related to the first patient, like Unnikrishnan (Soubin Shahir) getting infected, there are questions raised how the source could be found. Are the authorities good enough to find it?

The defence of Virus :: The movie nicely deals with a situation that Keralites, especially those from Kozhikode and Malappuram districts in the north of the state had to go through. With the virus showing its signs of return in the central area now, the case has gained further significance. One won’t fail to notice how the movie has kept itself close to reality, and how each character has been given significance, with each actor having a job to do. The movie is never dependent on one person, as there is no main character – there are only people who tries to help others, and a few others who try to survive in a world which is threatened by something new, and something deadly. The movie was a need, as the world needed to know the story, and making it a memorable one was Aashiq Abu’s duty, which he did with ease, as we have three good memories in a row, with Rani Padmini, Mayaanadhi and this one.

Positives and negatives :: The movie might feel slow at some points, but it quickly goes past the same. We are able to place ourselves in the place of the characters, and we go through their emotions with ease. The emotional strength of the movie is high, and it can even be more with different people, and their perspectives. The thrills are also there, and we keep close to the whole thing, each moment. Parts of the movie might be fictionalized, but our director surely knows where to stop that. The location is as nicely captured as the people themselves. The view from the top more or less makes us feel the city. You know what is going to happen in the end, and you want to know how we reach there, and to go through that journey, we are with the characters like never before – in creating that closeness to the characters, the director has succeeded.

The performers of the soul :: The movie has a fantastic cast, and the talent can be seen in each part of it. Parvathy comes up with another great job after Uyare, and this one has one more natural performance from her. Two of the three best movies of the year belongs to her, with the other one without her presence is Kumbalangi Nights. Tovino who was Parvathy’s co-star in Uyare had only memorable performances, with Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona giving him a continuous impressive run in Malayalam movie industry. Here, once again, he owns his role. Kunchacko Boban didn’t have that much of a great run with his previous movies, but he is right there, solid with this role of a doctor. Asif Ali continues his choice of some good movies with another emotional role. Vijay Superum Pournamiyum had provided a great beginning to the year for him. Joju George, after Joseph, continues to strike our emotions in a beautiful way.

Further performers of the soul :: Indrajith Sukumaran and Rahman has smaller, but memorable roles, especially with the former who manages to come up with some nice moments in between. It is also great to see Poornima Indrajith after such a long time, and this is a role to remember for sure – nice to see Remya Nambeeshan there too. Revathi manages to do the job of Health Minister in a believable manner. The similarity in appearance has also been achieved up to an extent. Madonna Sebastian doesn’t have much to do here, and neither does Sharafudheen. Rima Kallingal is quick to come and go, and stays in memories because of the emotional connect with the real-life character being attained. Meanwhile, Sreenath Bhasi gets a different role this time, and he manages to provide complete justice to the same. He had provided some signs of the same in the last movie, but that was a mute character – this time, he raises the bar. The roles of Jinu Joseph and Dileesh Pothan are small, but to be noted. Unnimaya Prasad and Soubin Shahir also catches our attention.

How it finishes :: Virus is already the biggest movie of the weekend, with so almost all shows being booked early. The success here lies in the fact that it shows everything in a realistic manner, never do we see those unreal heroes – we feel that almost every character in there are people like us, and therefore part of us. We can feel the pain and troubles of the characters, as well as reflect the same. As Nipah virus once again becomes a cause of concern, this becomes a thing of focus yet again. Virus is a movie that needs to be watched for how it shows the people showing their fighting spirit and their concern for others, in a battle for survival. It is also a memory of the people who lost their lives in the process, especially the nurse, Lini Puthussery who died while doing her duty. It is the same reason why this movie needs to be watched more than any other.

Release date: 7th June 2019
Running time: 152 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Kunchacko Boban, Asif Ali, Joju George, Jinu Joseph, Rahman, Soubin Shahir, Indrajith Sukumaran, Parvathy, Poornima Indrajith, Remya Nambeeshan, Revathi, Madonna Sebastian, Sreenath Bhasi, Indrans, Rima Kallingal, Dileesh Pothan, Senthil Krishna, Sharafudheen, Shebin Benson, Zakariya Mohammed, Sudheesh, Savithri Sreedharan, Darshana Rajendran, Basil Joseph, Lukman Lukku, Ann Saleem, Haris Saleem, Sajitha Madathil, Leona Lishoy, Nikhil Raveendran, Sreekanth Murali, Vettukili Prakash, Sreedevi Unni, Ambika Rao, Divya Gopinath, Unnimaya Prasad, Sundara Pandyan, Binu Pappu,Vimal Muraleedharan, Nilambur Ayisha

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@ Cemetery Watch
✠ The Vampire Bat.

Mohanlal

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What is the movie about? :: Meenakshi (Manju Warrier) a.k.a. Meenukkutty is a die-hard fan of Mohanlal who was born on the same day on which the actor’s first movie, Manjil Virinja Pookkal released. Right from childhood, she used to be that huge a fan of the actor that she couldn’t stand anything said against him – she could only be pleased by things related to Mohanlal. After growing up, nothing changed for her, and she is finally married to Sethumadhavan (Indrajith Sukumaran) who has been in love with her since their childhood times at the same classes in the same school. As Meenakshi just goes on watching Mohanlal movies on the first day first show, and fighting with people who speaks against the actor, the marriage itself seems secondary to her. Sethumadhavan who couldn’t even think about not loving her, decides to keep her happy by allowing this strange addiction which goes over everything else.

So, what happens with the events to follow? :: But things only get worse, and Sethumadhavan decides to end his life by jumping in front of a train. There he meets a stranger (Soubin Shahir) who is sitting in the railway station with his dog. Sethumadhavan tells his story to the new friend who seems to be a little crazy himself. The story begins from their childhood when he develops certain interest for Meenakshi, and to their marriage and beyond. Meenakshi’s interests only get stranger, and it gets to the worst situation with her getting pregnant after a long wait, and them losing their child because of her need to watch another Mohanlal movie on the first day first show. But that wouldn’t change her, and after moving to a new place, there would me more to affect their family life in a terrible manner. How can they fight through this struggle which keeps repeating itself?

The defence of Mohanlal :: There is nostalgia being awakened in this movie, as Mohanlal movies had been defining our childhood. We see a fine beginning to this movie, with reference to Manjil Virinja Pookkal in which Mohanlal made the entry as a villain. The song in the beginning is the best of them all, and sets a fine mood for everything. The scenes involving the children are too good, as they grow up watching Mohanlal in his movies, and the youth also has a few moments during its short existence. It is the first half maintaining a certain level that makes sure that people are very much interested in knowing what is to follow. The movie is also a clear improvement from the director’s earlier movie, IDI: Inspector Dawood Ibrahim. The comedy is also better than the earlier fan stuff movie, Pokkiri Simon, even though there is no twist or suspense to this one.

The claws of flaw :: There seems to be not much care given for the story here, as it is rather too ordinary, with nothing innovative happening, even though there was surely the chance for something special. The reflection of fan stuff is also done in a strange manner. The fan thing is more or less irritating at times, and the length of the movie is also a little too much for such a story which never tries to raise its level. The justification provided for extreme fan worship is even stranger, and never does it seem to bring things together – its ending is rather forced to become a happy one, and the reality, as one would expect, can only be much worse. There was the chance to lighten up the nostalgia with each moment of life, but such a plan is never there. This never seems to have the plan to show a normal fan who has controlled love for the favourite superstar. The first half is some fun, while the second half drags on.

The performers of the soul :: Even though we can say that Manju Warrier is perfectly suited for this role, there will be opinions that the character has been overdone, and is more or less irritating for anyone’s taste. Some of the actions of the character just can’t be justified, and providing justification here would do more harm than good. Coming out of C/O Saira Banu, Udaharanam Sujatha and Villain last year followed by Aami, this character has no strength, no matter into which genre we put this one. Yes, there are moments which stay, and the comic side is handled better in the early stages, while the latter moments never even come close. Indrajith had two thrilling adventures last year in the form of Tiyaan and Lakshyam, both taking different paths, and here we have a change again. He seems comfortable in this role, and he plays the helpless husband facing fan nonsense with no problems.

Further performers of the soul :: Meenakshi, known the best for Amar Akbar Anthony and Oppam, makes the childhood moments memorable, with Vishal Krishna of Maalgudi Days and Annmaria Kalippilaanu fame. Shebin Benson and Krittika Pradeep also have some shorter moments of glory, with latter earlier being seem in Aadhi as the girl who admires the leading character. Soubin Shahir provides some fun, but the character never really suits this movie. The same can be said about Salim Kumar who has too short a role, which makes no contribution to the overall story. Even Aju Varghese who plays a major character has the role being given less attention, with ineffective jokes – Hareesh Perumanna is also wasted in a small presence. There are many characters, with faces that can be recognized easily, but most of them seem to be present for the sake of being there.

How it finishes :: This is the movie that needs Mohanlal to fuel it, but it doesn’t deserve the star due to the ordinary stuff that it provides in the name of an extraordinary actor. When you name a movie Mohanlal, there is a certain expectation about keeping a level, but we see that it is the only thing this one tries to focus to bring the fans. We do feel those movies with which we grew up with, and at the same time, we keep wondering if this is the best tribute that was there to be watched. After all, this is Vishu, and we Keralites deserve more. This year had many movies, but as of now, it has been struggling to catch up with the flicks which released last year during the same months. Is this the loss of creativity around here, or because the big ones are yet to come? We will see that, and until then, Mohanlal might be the movie that families can enjoy up to an extent along with some Mohanlal fans, depending upon what you are looking for.

Release date: 14th April 2018
Running time: 140 minutes
Directed by: Sajid Yahiya
Starring: Manju Warrier, Indrajith Sukumaran, Aju Varghese, Krittika Pradeep, Baby Meenakshi, Shebin Benson, Master Vishal, Unni Krishnan, Salim Kumar, Soubin Shahir, KPAC Lalitha, Hareesh Perumanna, Sreejith Ravi, Anjali Aneesh, Siddique, Balachandran Chullikkadu, Pradeep Kottayam, Riyas Doha, Sudhi Koppa, Sunil Sukhada, Manoj Guinness, Sajan Palluruthy, Kottayam Nazeer, Anjana Appukuttan, Praseetha Menon, Sethu Lakshmi, Asha Aravind, Unni Rajan P Dev, Sreya Remesh, Molly Kannamaly, Prithviraj Sukumaran (voice)

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@ Cemetery Watch
✠ The Vampire Bat.

Iyobinte Pusthakam

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Iyobinte Pustakam ()

What is it about? :: The movie tells the story of Iyob (Lal) and his three sons, Dimitri (Chemban Vinod Jose), Ivan (Jinu Joseph) and Aloshy (Fahadh Faasil). Iyob was a young local boy who became the right-hand of Harrison (Sal Yusuf), one of the British people who established homes in Munnar, but he managed to rise after his death and had become the most powerful and the influential man in the area. Due to the commanding nature of his father and the atrocities of his brothers which are covered up with money, Aloshy leaves home and joins the Royal Navy from where he is dismissed as a result of a mutiny, which leads him back home. There, his troubles with his brothers begin, and Iyob is infuriated by his lack of obedience and also lack of display of admiration for his father, for which he disinherits him, and his brothers attack him and leaves him for dead. But Iyob doesn’t really know his other sons yet, and an enemy called Angoor Rawther (Jayasurya) shall soon come up.

The defence of Iyobinte Pusthakam :: Iyobinte Pusthakam is brilliant, and amazing beyond words in its visual splendour – it is something that we might have never seen before in Indian cinema, and one can get a peek at the same by just looking at the trailer – the complete stuff is a lot bigger and highly extravagant in its visuals. What you see in the posters are made a lot better in this movie, and not the other way around. The movie’s use of history and the variety in settings are also something to cheer about. We rarely have such good period thrillers in Malayalam, and even in Bollywood. The only things related to history that we have these days are related to killing white people – are we so much out of ideas that we have to talk about one thing again and again? No, not all, says Amal Neerad who has come up with his magnum opus here, which tells the story of the people of the land during the British rule and after, combining history and fiction. You can appreciate this one as long as you have the ability for the same.

Positives and negatives :: The movie might still be slow for a few, but I will say that there is absolutely no drag, and it is achieved by the beauty of the visuals – it is no bloody useless drag like Annayum Rasoolum, I can assure you that; this is more of a Left Right Left of this year. As you enter the world of unparalleled visual beauty, what you want might not be the story. The plot might look ordinary, but it is never about the story. Do watch and get taken into this amazing world, and the first movie from Amal Neerad that I liked – and this is one big like for him! Yes, I have never liked Big B, Sagar Alias Jacky, Anwar and Bachelor’s Party, and you fan-boys and girls can dislike me for the same. Interstellar was just a story that could never happen, but this one is a story of humanity in real, and it is up-to you to choose the one that you wish for this weekend, as both are for entirely different set of minds! Our Malayalam critics will never rate a movie from Kerala high, so just the “very good” rating for this movie would mean “out of this world”.

Performances of the soul :: Fahadh Faasil is nothing less than brilliant here, as he has another feather in the cap here. It is amazing how he has managed to thrive under almost every circumstance that has been put before him. How good can he be? We can never know the limits of his abilities as it seems. Lal is also nothing less than the powerful and later the helpless figure that he is supposed to be – there is nobody other who can be this character. Chemban Vinod Jose and Jinu Joseph are also good and the former is extremely efficient at times Isha Sharvani is extremely beautiful and suited for the role with her looks alone, otherwise she has much less to do; but that has still worked well for the character. Jayasurya is one impressive villain too, as he becomes the smiling assassin here. Padmapriya as Rahel also scores, coming out nowhere. Vinayakn is also nice. The characterization is so powerful and they nicely blend into the strength of visual beauty and that nice background score. I shall leave with some more thoughts below.

Soul exploration 1 :: Iyobinte Pusthakam as King Lear :: Iyobinte Pusthakam is a lot like King Lear or a loose adaptation from the same – it is as much of Shakespeare as Haider is Hamlet, and it has nicely used the setting to support the same. Iyob is King Lear who divides his kingdom among two sons, disinheriting the third, and in the end, it turns out that he was always the righteous and the loving one who comes out to help the father. Goneril, Regan and Cordelia are all here, and there is the Earl of Kent who is joins with the villains this time as Lazar. Rahel does the job of Edmund here, standing between the two sons and making one kill the other. Meanwhile, going outside the play, Martha becomes the lady love that every movie needs, and Angoor Rawther is just the villain that every story should have. There are also those moments when Iyob seems to be descending into madness, and Oswald is also there, as the man who tries to kill our hero and gets himself killed. Also check for the The Brothers Karamazov kind of characters with the same names.

Soul exploration 2 :: Iyobinte Pusthakam as the Parable of the Prodigal Son :: Iyob himself mentions Aloshy as prodigal son when he returns from the navy, and the church priest mentions that he is to be given a warm welcome if it is so, just like in the Holy Bible. But here, Aloshy is not the prodigal son, but rather the lost son, who returns after gaining wisdom rather than losing money, and this illusion of the gone son being the prodigal son is directly reversed in this movie without any complication. But considering a few other cases, he is indeed unemployed and without money compared to what he has at his own home which was left behind. The money that he extravagantly spent are the years of his life, and the time which he should have spent with his family. The father does accept his son, but once again, the elder brothers don’t. The movie’s use of the dialogues about the parable gives us this idea.

Soul exploration 3 :: Iyobinte Pusthakam as the Biblical story of Job :: The main character of the movie is Iyob or Job even as the hero is Aloshy. Even as our character here doesn’t have the qualities of a righteous man, he is also someone who losses almost everything that he holds dear, and it includes his own children, his property, and up-to an extent, his health. But the answer to his problems is achieved sooner here, in the form of his earlier lost son Aloshy. During his last moments, he holds onto the cross and gives it to his son, something which he already had, but rarely mentions as his baptism was nothing that he or his people wanted. It is his faith in God that is replenished in his final moments, and even as there is no redemption like that of the Biblical Job here, he does manage to die a good person rather than the evil feudal lord that he had been.

*This is the finest movie of the year from India, among all those which I have watched. Don’t miss this one! It is out of the usual league. It also leaves us with thoughts about the oppressed becoming the oppressor when opportunity arises, and also with a message on equality among the masses.

Release date: 7th November 2014
Running time: 160 minutes
Directed by: Amal Neerad
Starring: Fahadh Faasil, Isha Sharvani, Lal, Jayasurya, Padmapriya, Chemban Vinod Jose, Reenu Mathews, Jinu Joseph, Vinayakan, Lena Abhilash, T. G. Ravi, Sreejith Ravi, Shebin Benson, Saritha Kuku, Nebish Benson, Sal Yusuf, Aashiq Abu (cameo), Amala Paul (cameo)

iyobintepustakam

@ Cemetery Watch
✠ The Vampire Bat.