Sweet Girl

Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim: Uprising

A flashback to the first movie :: The story of Pacific Rim had its focus at the area where about 90% of the world’s earthquakes and 81% of the world’s largest earthquakes occured, and it was discovered that something more was responsible for the same. Then came the giant alien creatures attacking Earth after coming in through an inter-dimensional portal located at the bottom of the Pacific Ocean. As it was discovered that these creatures named Kaijus would keep coming, and no wall could stop them, there were massive robotic machines called Jaegers constructed to combat the threat. These machines were too huge and complicated that each Jaeger had to be controlled by two or more people who shared the load inside the machine. They were connected by a neural bridge in a process called “drifting” through which they shared their minds with the machine. With Jaegers getting destroyed faster than they are built, they needed to stop the attacks by closing the bridge.

What is the movie about? :: Years have passed after the pilots of the iconic Jaegar Gipsy Danger Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kikuchi) using the jaegar’s nuclear reactor to seal the breach through which the creatures passed through. There hasn’t been a Kaiju attack for a very long time, and former Jaeger pilot Jake Pentecost (John Boyega), son of Kaiju War hero and martyr General Stacker Pentecost (Idris Elba) makes a living by stealing and selling old Jaeger parts on the black market. But him, along with the teenager Amara Namani (Cailee Spaeny) are arrested for their illegal work with Jaegars. In return for being set free, he is forced to begin training Jaeger program recruits with his former co-pilot, Nate Lambert (Scott Eastwood), and Amara who has knowledge of Jaegers is also taken into the programme as new recruit for pilot training.

And what is to follow in this particular adventure? :: As the Jaeger training continues hoping to battle any possible return of the Kaijus or any alien creature from another planet or dimension, the programme itself is threatened by the Shao Corporation’s remotely controlled giant drones idea lead by Liwen Shao (Jing Tian) and supported by scientist Dr. Newton Geiszler (Charlie Day). There is the plan to get more giant robots controlled from a safe location, without the need for neurally compatible pilots risking their lives in battle. But Mako is doubtful about the possibilities of such an idea, as the system could be hacked with long distance signals responsible for success and defeat in combat. But before she is able to submit her final report about the possibility of such a programme, an unexpected event occurs, which brings the twist to the proceedings.

And what else is to come? :: It is then that a rogue Jaeger, Obsidian Fury attacks the city, and kills Mako along with many other civilians, and causing destruction to the city. Gipsy Avenger, the spiritual successor to Gipsy Danger controlled by Jake Pentecost and Nate Lambert manages to hold on against the far advanced design of Obsidian Fury, before the rogue Jaegar retreats with the arrival of the other Jaegars, Saber Athena, Bracer Phoenix and Guardian Bravo. This leads to a quick approval of the drone programme, and the first group of drones are deployed faster than they intended to be. But it turns out that the drones are not on their sides, as they are quick to get rid of the cannons and attack the Jaegers at the base of operations. As Gipsy Avenger finally finds and defeats Obsidian Fury, there is a secret revealed, and it is not sweet, or positive for humanity and its continued existence, as extinction threatens.

The defence of Pacific Rim: Uprising :: Despite missing this year’s Academy Award winner Guillermo del Toro at the helm, this movie has held its ground – even after not matching the first flick, this one has enough to make it better than any transformers movie that has released in the last few years including the last one. The detailing on the screen remains nice, even though not as much as the previous movie which had better quality there. The action sequences are more though, as it is where the movie focuses the most, along with a few twists in between; special effects are great without doubt. The robots look nice, and the Kaijus, even though are present for lesser time than they used to be in the first movie, keeps us further interested. The movie is even lighter than its predecessor, and makes it more for the families. There is also some good acting and fantastic visuals to go with it, plus we also have a final scene that calls for a possible sequel.

The claws of flaw :: There is no chance to match the Guillermo del Toro vision of Pacific Rim, as Pacific Rim: Uprising surely falls short with its content. This kind of a comparison was always expected to be done, and we see that the same strange beauty and smartness is not displayed in this one which just follows the route to make the best out of the success of the first flick. There are more robots, but none of them matches the first movie’s Gipsy Danger, Crimson Typhoon, Cherno Alpha and Striker Eureka. The story also trails in comparison to the first movie, and those moments of goosebumps are missing this time. The movie is also very less about its characters this time, and the neural bridge never really gets the attention as it used to get, and repetitions can be seen. This one requires the possible third movie to take it to the next level, and lets hope that Guillermo del Toro plays a bigger role in that one to make sure that this franchise gets a big boost, as we need it as much as they do.

How it finishes :: Pacific Rim continues to do what Transformers movie franchise could have done better. I have found this one to be even better than the big hyped superhero movie, Black Panther. It is something that has the core in Guillermo del Toro’s grand vision, and due to the same, we will always enjoy a movie in this series. It is sure to make Transformers fans jealous, and lets hope that the franchise with autobots and decepticons will take something out of this movie to make those talking robotic aliens make the best use of its resources rather than repeating its events. With all its big action sequences and special effects, we won’t be able to wait for a third movie for very long; we are sure that there can be more – but even this sequel had taken about five years and so, lets hope that we have the next one before we are out of the robotmonster effects witness on the big screen. Until then, enjoy Pacific Rim: Uprising as the big entertainer that it successfully manages to be. Who needs Independence Day when we have these?

Release date: 23rd March 2018
Running time: 111 minutes
Directed by: Steven S DeKnight
Starring: John Boyega, Scott Eastwood, Cailee Spaeny, Jing Tian, Rinko Kikuchi, Burn Gorman, Adria Arjona, Zhang Jin, Charlie Day

<— Click here to go to the previous review & more.

@ Cemetery Watch
✠ The Vampire Bat.

The Belko Experiment

Vampire Owl: I hope this doesn’t turn out to be something like those experiments from Doctor Frankenstein.

Vampire Bat: Well, Mr. Frankenstein has not equal, and so, there is no relevance for such a question.

Vampire Owl: I have never really liked him. You know how much blood the vampire community has to donate for his cause. A number of blood banks have been left with minimum resources.

Vampire Bat: But, it is for building a better future, of the vampire community.

Vampire Owl: Why would he even try to do that? He is no vampire, and he is not even distantly related to our community.

Vampire Bat: He is a good scientist. He made a monster, and now he wants to make something good.

Vampire Owl: He experimented on himself to keep staying alive for this long!

Vampire Bat: Yes, which is how he became very useful to us.

Vampire Owl: But I doubt his inner motives, which he isn’t showing to us.

Vampire Bat: Even if there is something, it is going to be nothing in front of the Belko Experiment. I am sure about that.

[Gets three cups of Vagamon tea with a piece of green apple cake].

What is the movie about? :: Belko Industries a vey famous American-based non-profit organisation which has branches all over the world, and facilitates American companies in South America in hiring American workers. It is a popular choice among freshers when looking for jobs, and has a high reputation everywhere. It is at one of its lesser known branches, the office building in Bogota, Colombia, which is located at a rural or rather remote setting that Mike Milch (John Gallagher Jr) and his girlfriend Leandra Florez (Adria Arjona) works. They find it strange tha there is a long queue in front of the office with the Colombian local workers being sent back, and new people being in charge of security. The two, along with the other employees including the newest employee Dany (Melonie Diaz) are all there, and when the last of the employees get into the office, things change.

So, what happens next in the movie? :: After the final employee is inside the office, a voice asks everyone to kill two of the co-workers in half an hour of time, or they will randomly chosen and killed. The building is covered by steel shutters from all sides, and all phones including the mobiles stop working – everything is cut off, including the air conditioning. The company’s chief operating officer Barry Norris (Tony Goldwyn) try to tell everyone that there is nothing to panic. But it is him who panics first as the head of four employees are blown, and he, along with two other workers, Wendell Dukes (John C. McGinley) and Terry Winters (Owain Yeoman) decide that it is only fair that they kill a few people if it is all that takes to make sure that they keep living for a longer period of time. Mike tries to take the tracer off with a knife, but the people in control finds out what is being done to the tag, and warns him against doing the same.

And what is to follow with a twist of events? :: They realise that the Colombian workers were sent back home, because only the American employees had the tracer put in them to find them in case they were kidnapped in another nation, and so only they could be manipulated here. The announcement is no longer considered a prank, as things turn too serious – thirty of them are to be dead within two hours in one way or the other, or sixty people will be killed, according to the voice. Barry, along with this newfound friends tries to get the weapons stored within, so that they can kill according to the demands of the voice, while Mike who is against it, along with his girlfriend, and the only remaining security guard Evan Smith (James Earl), as well as the tech worker Keith McLure (Josh Brener), tries to hang banners from the top of the building, only to get shot at, by the special guards outside. With people losing patience as well as hope, how many will be dead, and who all will survive?

The defence of The Belko Experiment :: This is one movie that begins the adventure right from the initial stages itself, and goes on to continue well right into the experiment within the building. There are so many thrilling moments in this movie, and it has us guessing what is to happen next for most of the time – as we know that there is no escape, and with a short run-time, things are surely progressing rather quickly. There is a fine concept at work here, and we once again get to see how much each person wishes to live, at the cost of the lives of others around. It is quite thought-provoking without doubt, and we keep wondering about our situation. Maybe this movie is more human than the rest of the movies, with people looking to earn money, and survive, with that survival getting a new meaning here – some of them just live up-to that too. The cast, as a whole works pretty good for this one, even though there is nothing big.

The claws of flaw :: There is a certain kind of predictability that comes in through the middle, going on, and there is also the limitation coming in, with not that much tried with its setting right inside a building. With people caught inside a huge building without any option to escape, and having chips inside their heads ready to be blasted, there was not that much of an option left – if there was at least one path left free, it would have been more interesting; without escape routes, this is rather one-sided, thus the movie removing its own options. There is a certain amount of sadism in this movie, which puts people against one another, and in the situation which make them kill or be killed, we feel the survival of the fittest in an office. The inherent evil in man comes out with a number of people here too. In this movie, we are without hope, and its sadistic experiment on human nature is something that not many people can stand. Better execution to keep the balance, maybe?

How it finishes :: The Belko Experiment is another one of those movies involving experiments, but not on the lines of Morgan or Ex Machina, as this one looks out for social behaviour rather than anything else. But in the end, we humans just got to give in to one thing or the other, whether it is is science, politics, religion or whatever else. There is all the action that happens in a building, the thrills, and along the violence, this movie leaves you with something to think about. Those people who are looking for some different horror or more of thrillers, are surely going to love this one. Among those movies which seem to go rather the same way, there is The Belko Experiment which travels a strange and depressing path, which is is more or less a reflection of human nature – darkness falls into humanity too easily when facing terror, doesn’t it? You don’t need much of an experiment to prove the same on most occasions.

Release date: 17th March 2017
Running time: 88 minutes
Directed by: Greg McLean
Starring: John Gallagher Jr, Adria Arjona, Melonie Diaz, Tony Goldwyn, John C. McGinley, Josh Brener, Michael Rooker, David Del Rio, Stephen Blackehart, Rusty Schwimmer, Owain Yeoman, Sean Gunn, Abraham Benrubi, David Dastmalchian, Gail Bean, Valentine Miele, Joe Fria, Benjamin Byron Davis, James Earl. Cindy Better, Kristina Lilley, Maruia Shelton, Brent Sexton, Mikaela Hoover, Lorena Tobar, Gamal Dillard, Gregg Henry

PS: The best of lesser known horror is at The Autopsy of Jane Doe.

@ Cemetery Watch
✠ The Vampire Bat.