Atlas

Posted on July 1, 2025 by Tennyson

Vampire Owl: I have known others with the name Atlas before.

Vampire Bat: I believe that it was Cloud Atlas.

Vampire Owl: So, you feel that there is nothing common among the two.

Vampire Bat: There should be a little bit of future related things in both.

Vampire Owl: A world of future never gets old in the past or present.

Vampire Bat: Well, the future does seem to be very much different than what we thought many years ago.

Vampire Owl: Yes, third world war is too late in human world.

Vampire Bat: And the space colonization has been delayed too much.

Vampire Owl: What about time travel? I believe that there was going to be a time machine with a rage of 10000 BC to 12000 AD.

Vampire Bat: Well, we do not even have teleportation yet.

[Gets some Paneer 65 and three cups of orange tea].

What is the movie about? :: It is the year 2043, and humanoid artificial intelligence terrorist Harlan Shepherd (Simu Liu) leads a war of machines against humans, which leaves about three million people dead, proving the scientist who adopted him as his son, and the founder of the programme Val Shepherd (Lana Parrilla) wrong in her theories and expectations about a better future with Artificial Intelligence. The group of machines seem to be too powerful a force to counter for any nation and its military power. An apocalyptic event which soon lead to the extinction of humanity seems imminent, with Harlan having full access to all machines and controlling all similar forces. There are talks around and the military forces of the world join together to form a group known as International Coalition of Nations (ICN), and this leads to the humans finally winning many battles against Harlan much to the dismay of the machines. This forces him to escape Earth and locate himself in outer space, with a promise to come back and finish what he had started with determination.

So, what happens with the events here as we just keep looking? :: After twenty-eight years pass without the machines making any direct battles with humans, Atlas Maru Shepherd (Jennifer Lopez), an analyst, the daughter of Harlan’s designer, has been hunting for a chance to find the escaped machines who are responsible for that near-apocalyptic event. After one of Harlan’s AI agents is captured and interrogated by her using special techniques, she finds out that Harlan can be found on a planet in the Andromeda Galaxy. As she provides this information to the others, keeps insisting that she should come along and face Harlan, something which she has wanted to do for a very long time. The military hopes to use AI-assisted giant robots known as ARCs which connect to human rangers through a neural link, but Atlas in not ready for the same as she distrusts all kinds of Artificial Intelligence. But Harlan’s drones attack their spaceship just before entering the planet’s atmosphere, and Atlas is forced to enter an ARC herself and falls right on to the planet’s surface.

And what more can happen between humans and machines now? :: Atlas is not happy about her situation within a machine, but she manages to gain basic control of the ARC despite her distrust of the Artificial Intelligence who introduces itself as Smith in a very friendly manner. As they move, the two combine forces and soon find the rest of the rangers dead, and somehow manages to escape to escape from the humanoids chasing them despite the link between her and the machine being weak. She reluctantly agrees to directly interface her mind with Smith, allowing for greater control of the ARC. This allows them to move on with a hope to escape, as finding and defeating Harlan seems to be almost impossible now as she is no monster hunter and the enemy is too strong. But is there still a chance to stop Harlan, and should they take it instead of going through the route to the escape pod? Is there something they can do, and is there a chance that Harlan will directly come to get them? Is Harlan actually a villain or is there something more to him than what meets the eye?

The defence of Atlas :: The biggest advantage of this movie is its stunning visuals with some fine Computer-Generated Imagery and visual effects that elevates this movie so much that people would have wanted to watch the same on the big screen. The spaceships, visuals of space and the planet in Proxima Centauri, along with the stylish AI machines are joy to watch, often reminding one of some computer games – remembering MissionForce: CyberStorm of 1996. Then we know Pacific Rim and its sequel. The messages of Artificial Intelligence and trust, along with the idea about human future being devastation does keep all the thinking going forward. All the action makes things more interesting, and the alien planet is something that everyone would look forward to. Jennifer Lopez mostly manages to handle this quite well, even though the role would have suited a newer, younger or lesser-known actress better with the tale seemingly going in that path. There are no unnecessary complications of science here though, and without an Interstellar-kind of scientific overdose, the move scores more on the true science-fiction and not that science-reality mode that keeps the viewers struggling. The Mech-AI and bonding feels nice too.

The claws of flaw :: The movie not having a younger main character to suit the situation more does hurt it at times, and there are moments when it seems to go into a silly mode. There is too much focus on one character even when this is about saving the world. It does not feel appropriate to see that the most trained leader of the rangers and his fully matched AI companion falls too easily while the analyst gets to defeat advanced Artificial Intelligence humanoids with powerful weapons with ease – it is quite the disgrace to the soldiers and their battle-hardened commander intending on saving the world. Somehow, their only duty seems to be focused on keeping the seemingly useless emotionally struggling elder lady who might be mostly out control, safe at all times. In that case, they should have kept her back home, as she is nowhere close to as guide as she claimed to be with the Artificial Intelligence leader, with her missing out on the most predictable part of the movie. The basic idea about Artificial Intelligence seems to be overused, even though we do not come to know that it is what we are dealing with, until the movie is somewhat closer to its end.

How it finishes :: Atlas could have surely been a better movie with less predictability, with more of a consideration on its basic strengths, but it remains an entertainer, and for that much there is no doubt. The repetition itself holds it down, but the same seems to be the one thing that would drive movies like this forever. The film was surely not well-received by the critics and Jennifer Lopez was even nominated for the Worst Actress category at the Golden Raspberry Awards – but you know that critics often make no sense, as they recently did with Madame Web, and we know that even the best movies do not make money, like John Carter. This movie could have at least received some accolades for its graphics and visuals, for the settings in space need not always be this good, and not all science fiction are spectacles of this quality, not even those much-famed superhero movies of Marvel. You watch this one for the beauty on the screen and another world of future with an emotional and classic touch. Well, you need movies like these at regular intervals to keep the love for science fiction going, and not those silly stuff which deviates from the genre’s core.

Release date: 24th May 2024 (Netflix)
Running time: 120 minutes
Directed by: Brad Peyton
Starring: Jennifer Lopez, Simu Liu, Sterling K Brown, Mark Strong, Gregory James Cohan, Abraham Popoola, Lana Parrilla

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Sweet Girl

Posted on September 4, 2022 by Tennyson

Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Trapped

Posted on August 10, 2017 by Tennyson

Vampire Owl: Aren’t we all trapped? Isn’t that the reality of our world?

Vampire Bat: How are you trapped? You are wandering all around.

Vampire Owl: I am talking about being trapped in this body and this world.

Vampire Bat: Oh! So, you want to be dead and meet Lady Death to be with her again.

Vampire Owl: Yes, it is kind of like that. There is that certain need which doesn’t go away.

Vampire Bat: You do no the consequences of the same, don’t you?

Vampire Owl: Will I be locked in the top floor of the vampire castle like this particular person ended up?

Vampire Bat: No, unless you make the mistake of locking yourself in. I am sure that you can get out through the keyhole, invoking your inner vampire anyway.

Vampire Owl: Dude, my vampirism is rather inside out.

Vampire Bat: Well, you have to find your true inner vampire, and it is now or never.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: Shaurya (Rajkummar Rao) is not the most popular person in the company which he works and has very less number of friends. He has problems talking about his love to Noorie (Geetanjali Thapa), but finally when he manages to do the same, they are together – now the problem remains that they need to get married before she is forced to marry someone else. But before that, he needs to find a house for them live in, and he is just not able to do that with his small salary – both of them don’t earn enough together, and can’t afford to give advance to renting a new house in the locality. There seemed to be many choices earlier, but soon, he seemed to be running out of options, and as the clock seems to be moving so fast, he is prepared to be settled with anything. It is then that he gets what he wants, and feels that this is all going to work fine, but little does he know that it is only going to mess up everything further.

So, what happens next in the movie? :: The new place that he gets to stay is a room at the top floor of an apartment which is newly built, and is at a great height. It is not used for living, as there is some legal issues with its construction, and a case is pending at the court. It stands tall in the city, with no people within and around, as only one old security guard is there to look after the whole thing, and doesn’t really care what happens. So, renting out this place seems to be too easy for the young broker (Yogendra Vikram Singh) who is only happy to gain anything from the same. So, without letting the guard know about it, he just moves in with the essential things without telling his friends or anyone at the company, even his own lover. After he falls asleep, he wakes up late next morning, and in a hurry to get to his lover, goes out, and runs back to get his mobile which he had forgotten – but he had left the key outside the door, and ends up getting locked inside.

And what is to follow with this adventure? :: He finds that his mobile is on low battery, and quickly tries to make calls, but soon the battery gets to zero power, and it turns out that there is no electricity there either. There is no water supply either, and his attempts to break the lock as well as the door itself fails. He tries shouting, but nobody hears him from that far away, and his attempts at writing down things on a cardboard box reaches nobody – even when it reaches someone, it is taken only as a prank as everyone knows that nobody lives in the flat which is plagued by a court case. As days go on, he begins to have hallucinations, and decides to take more desperate measures to ensure his own survival. But the question remains how long he can go on like this, with no chance to communicate to the outside world about his hopeless situation, which gets more and more desperate every day? There is the need to act quickly, or he is done.

The defence of Trapped :: You will find Trapped in its own divergent mode to be effective right from the first moment all these things in the flat begin. This genre is not really something that brings our movies into the confort zone, neither does it do the same for the audience, but this one seems to have got the balance here. You feel the need to get the protagonist out as much as he does for himself – being a common caught in a terrible situation, his tale connects to us better than the others. It also shows the situation in a busy city where nobody cares for the others – it is to be noted that the nobody never really cared that the protagonist was missing and didn’t care to come looking for him – it is all work and nothing else in a busy world which has so less for the common man. We have that there will be hope for more at some other times, but there is none. Rajkummar Rao is undoubtedly the star here, as he makes things better every second, starting from that door getting locked. Geetanjali Thapa has a cute and smart presence in this one when she is there.

The claws of flaw :: The movie does have its slower moments in the middle, and the beginning actually feels rather too ordinary and interesting – it takes getting locked inside an apartment to make things interesting. One also wonders why people never really noticed the fire even in the night – something like that is possible in an abandoned building, and it had to be checked for, no matter where you are – these days, people are suffering from the terrible lack of curiosity, or are they not? It also reminds us of a number of survival thrillers, and you know the names without second thoughts, as they are that good. This won’t come close to being there with them though. It is also the same reason why you would want more with this movie, with more efforts to escape, and what else can be tried differently in an effective manner. The songs are not that interesting, but they are not to focused on.

How it finishes :: When you consider how well this movie seems to have been done, one can only wonder why it doesn’t get to release here with some publicity – we know that even if it is a good movie, the cast wouldn’t matter that much – we know how some of those Bollywood superstar movies run here without much of an audience leading to shows getting cancelled again and again, finally disappearing from the theatre list in less than a week. This type of movies need to have its trailers and posters all around here, and after getting that needed attention, can get to be watched by more people. Serious survival horror has had less attention in our world, and other than Warning which was taken from the much popular Hollywood movie, there is not much being even remotely close to being known to the public. We could have always used more, and it is surely nice to have this one around here. I am sure that we are going to have more of such divergence in the future, like there was with movies like Phobia and Raman Raghav 2.0.

Release date: 17th March 2017
Running time: 105 minutes
Directed by: Vikramaditya Motwane
Starring: Rajkummar Rao, Geetanjali Thapa, Yogendra Vikram Singh, Rahul Dutta , Malay Garg, Girish, Patrick Graham, Rajiv Khanna, Hawk McNab, Hardik Mehta, Rahul Patel, Anup Rupanwar, Shiladitya Sen, RN Shukla, Vivek Soni

@ Cemetery Watch
✠ The Vampire Bat.

The Best Offer

Posted on October 26, 2014 by Tennyson

Vampire Owl :: It is such a gloomy Diwali this year. Nothing to be done. I expect this Halloween to be bad too.

Vampire Bat :: I had my own celebrations though.

Vampire Owl :: Really? And you didn’t call me? After all, I am your only officially undead friend.

Vampire Bat :: It was not arranged by me. There was lightning and almost everything in the living room seemed to be enjoying fireworks. Only the stabilizer is working now.

Vampire Owl :: I would need that stabilizer. I can connect it to my owlifier and hope that it works without loss of energy.

Vampire Bat :: Do you know that you often seem to talk like Victor Frankenstein?

Vampire Owl :: Absolutely not. See, you are giving a wrong idea about owlification to the society. This is for their own good, so that they don’t have to face a third world war and a possible extinction.

Vampire Bat :: Have you even read about a world war?

Vampire Owl :: No. Why should I? I read no evil, hear no evil, see no evil. I just create evil – I am an evil mastermind.

Vampire Bat :: I have a movie for you then.

[Grabs of a cup of tea].

What is it about? :: The Best Offer is set in a world of art, where an old expert in art Virgil Oldman (Geoffrey Rush) runs an auction house. He is not a loved person around, as he has very few people around him who likes his way of behaviour and most of his life is spent with the desire to illegally gain the possession of very rare and highly valuable pieces of art, unmarried. He is appointed by a young heiress, Claire Ibbetson (Sylvia Hoeks), who asks for his help to auction off a huge collection of antiques and grand pieces of art which has been passed onto her by the family lines. But as Claire suffer from “a strange disease” as the people she knows tell him, or a certain amount of agoraphobia as she keeps herself confined to a room inside the huge mansion. As curiosity keeps getting into him, he hides himself inside the mansion one day to find that she is young and beautiful and sees her in a compromising position. He is immediately attracted to her beauty, and as they come close to each other, there will be the course of something else that will be set in motion.

The defence of The Best Offer :: Here is a movie which never ceases to enchant you with its visual splendour provided by art rather than anything else. There is a lot of beauty in the way in which the whole thing is narrated. Here is a quote which you can take home — “Emotions are like work of art. They can be forged; they seem just like the original but they are forgery. Everything can be fake: joy, pain, hate, illness, recovery… even love” – it tells a lot about the movie and how it connects art and man. Then there is question of truth and happiness, the things that are not found even in the real thing. The performances are splendid too, especially from the two leading characters. It is indeed a fresh take on the mystery genre, and a different entry to the world of romantic thrillers. There is also the abstinence from the usual formula that can be seen on a number of occasions. One can’t also deny the existence of so many angles from which this movie can be viewed from. I see the hollowness of humanity which can create huge artistic forgeries of the mind.

Positives and negatives :: The movie is slow, and it has lots of art associated with it, not really appealing to everyone. It is easy to find such people who don’t care about antiquity in this part of the world as we see our own centuries old monuments being vandalized by people or even those who claim to be lovers to write their names. There is almost no love for art in our lands, not even to the courses related to the same. So, this movie not releasing her was never a surprise, and people are going to find fault with its setting anyway. There will also be people wondering how such a thing in the movie is even possible with the two – but human mind is indeed strange, and emotions are pretty much ridiculous even for the most skilled ones – that much one has to be aware of. Yes, there are some characters who should have developed further and are lost in this seductive battle between the two main characters. It does give a little bit of too much clue to the viewer’s liking too early, but not everyone will pick them.

Performers of the soul :: Geoffrey Rush steals the show right from the beginning, and even by a bigger margin by the end. We don’t have a character here whom we can easily sympathize with, but here the man has completely made us feel for the character and the emotions that he has, even as he is not that much of a positive character, or someone we can cheer for. He is not a hero here, but we are given a chance to admire him as a tragic hero with this performance, and here he is elevated to the status of someone like Doctor Faustus who has the power of knowledge and yet not the wisdom to make things work in the right way. There is a certain beauty about it. Sylvia Hoeks is stunning here, not just by looks, but with a performance which seems to make her a modern day Rapunzel, caught in the hopelessness of the never-ending loneliness in the middle of nowhere, with no escape and less hair, but still extremely beautiful and having all the traits of her gorgeous and mysterious character.

Soul exploration :: Even as the movie’s focus as well as its background are on art and valuable antiques, its soul is on the gorgeous enigma who is at the centre of everything. She is the one to determine the fate of more than one character in the movie, and the universe which was rather static until then, revolves around her and turns it into a romantic mystery and then into a kind of thriller with the world no longer following a pattern. The life based on art becomes the life based on one lady who is like living art in beauty, and the protagonist soon finds his Helen of Troy and seems to wonder like Faustus if it “Was this the face that launched a thousand ships, And burnt the topless towers of Ilium?” – there comes the radical change in the world, and it sets things in motion, as the centre is clearly the mystery that the mysterious beauty provides, and the protagonist comes directly under the influence of this centre, the soul which changes things.

How it finishes :: The Best Offer is lost to most of our people, and it is not even known to most of our viewers. Another fact is that it might not appeal to everyone with a universe of art and a mystery that is built around the same which is hard to connect for a lot of people belonging to the modern world. As it tells the story of two people who are separated from the usual known world in different ways, the focus is on the search of love and the vanity in the hope that there will be the appearance of such a feeling which is so hard to achieve in this world of materialism. The movie talks about the world of love just as the illusion of art, and forgery is possible with ease, even as the best of forgeries might require skills, and it will take more than just the expertise to look through the fake emotions of love and desire, and that should be an objective vision which should be completely absent when the illusion begins to spread through one’s eyes.

Release date: 1st January 2013
Running time: 124 minutes
Directed by: Giuseppe Tornatore
Starring: Geoffrey Rush, Sylvia Hoeks, Jim Sturgess, Liya Kebede, Donald Sutherland, Philip Jackson, Dermot Crowley, Kiruna Stamell

@ Cemetery Watch
✠ The Vampire Bat.

Oru Indian Pranaya Katha

Posted on December 22, 2013 by Tennyson

An Indian Love Story :: Now, that is the direct Malayalam to English translation of the title of this movie, but let it not make you think about this as a romantic love story full of melodious songs and a hero and heroine looking at each other, the sky, the beach, or the river. This is partially a political satire and otherwise a drama concerning family relations. Coming from the director who never disappoints us (except for may be No. 1 Snehatheeram Banglore North), as the man with such a fine record, this movie was always going to be watchable whatever be the content, and even as it turned out to be kind of usual, this movie also doesn’t disappoint (yes, I do think well of his last venture Puthiya Theerangal too). His best of this century was Manassinakkare, and before that we know it has always been Nadodikkattu – Oru Indian Pranaya Katha fits among the good movies, not at the higher level though. But be assured that the love between the lead pair happens just because the movie ends, and that is where the romance should begin.

What is it about? :: Ayamanam Sidharthan (Fahad Fazil) is the leader of the local youth wing of a party who hopes to become an M.L.A. soon by being the candidate in the upcoming by-election. He is supported by Uthup Vallikkadan (Innocent) who is the district head of the party always making an attempt to show his face on television. But his hopes are crashed when the national leaders choose another person who has no political background to contest in the elections instead of him, just because she is the daughter of a big shot politician. As Sidharthan is fed up and decides to take a break, he comes across Irene Gardner (Amala Paul) from Canada who is attempting to shoot a documentary and needs someone to help her, for which she can provide rupees two thousand per day. He feels that this could be a nice opportunity for him to keep away from politics as well as gain some much needed money, and he takes that offer. But he realizes that there is something about her that is much more than what meets the eye. So why is Irene in India and what is she looking for, and how can our hero help her? There remain the questions.

The defence of Oru Indian Pranaya Katha :: The movie has a wonderful first half, and it is a gem that shines and takes all the claps with grace. There are lots of moments of fun, and in each of them, Fahadh Faasil scores, and Innocent provides good support. There is the humble and yet beautiful beginning to the story which is carried on towards the interval. The moment when the hero takes up the job for the heroine is hilarious, and most of the moments involving politics are times of laughter. It remains clean throughout the movie, and there are no unnecessary vulgar jokes which has been plaguing Malayalam movie industry and keeping the audience away. There is basically nothing which is bad for kids, and there is no stupid romance getting in the way of the movie flow. There was obviously the chance for bad jokes on many occasions, and at a time when even movies like Sringaravelan become family entertainers, this effort to keep the dirty things away has to be appreciated. To add to it, the goodness and social message that the movie delivers is worth some applause.

Claws of flaw :: The movie fails to keep the momentum going in the second half, and right after the first half, the world starts twisting and breaking apart. Even as the latter half also has some good jokes, it seems to suffer from a big curse which hinders its movement, and it drags and gets converted into a family drama from the political satire which it was in the first half. There is lot of emotional undercurrents going on, and none of them romantic in character. The leading lady’s search for her roots lacks in both strength and innovation and the flashback story is too much off the dusty old books. The songs stay below average, and there is nothing that can pounce in our hearts. There is a void left in our desire to follow the satirical side, and our need for things which are left behind can be felt by the end of the movie. It has a happy and a righteous ending for sure, but surely not an effective one. The people who are looking for the romantic side will be disappointed, as the love between the leading characters blossoms only in the last few moments of the movie, or rather the last few seconds before the movie ends.

Performers of the soul :: As expected, Sathyan Anthikkad’s style rescues another movie yet again. But Fahadh Faasil is the man who leads the show yet again, just like he did in North 24 Kaatham without even speaking much, and in Amen with simplicity. He has portrayed a different character yet again, and his comic side in this movie is something that takes over. He once again transforms to a character who rules the first half of the movie and stays good in the second half. Innocent’s support is as good as usual, and there is no boring moment when he is around. Amala Paul looks even better than ever in this movie, and it is good to see that her presence is there right from the moment she is introduced. Her character seems to have been rightly portrayed, right from the moment she appears with a video camera in an orphanage. Her characteristics of a lady searching roots as well as a fun loving girl are rightly captured and reflected to the audience. Shafna and Lakshmi Gopalaswamy are also there with significant roles which catches attention, but the latter could have had more screen time.

Soul exploration :: The movie does leave us with many messages, one of them being the core of them all, not to take politics as a job, but as a means to serve people along with working. The real ambition is to be serving people rather than to be at the top, but that will rather be a need. Well, ambition is the root of all evil, and as Doctor Faustus did prove long ago as in the lives of Lucifer and Mephistopheles, there is nothing like ambition that makes a man evil. The leading characters do undergo significant changes in their journey, but not something as huge as North 24 Kaatham, as they were both this good right from the beginning to the end. Even as a movie which is considered as a romantic comedy, there is no glorification of romance or similar stuff, and that is another bonus. The useless nature of exaggerated love is made known to us throughout the movie, and the stress is more on family values, along with helping others at the same time. The movie also stresses on the importance of roots and the need to know them thoroughly. Whatever be the situation, or however the world changes, there is nothing like our parents, as the movie shows.

How it finishes :: When the hero says “There is beef in the scene” – that was a hilarious moment, and so was the dialogues in the library – the movie drops such laughter bombs regularly to keep the movie in the hunt in a weekend powered by two other big releases, Jeethu Joseph’s Mohanlal starrer Dryshyam and Lal Jose’s Dileep starrer Ezhu Sundara Rathrikal along with the Bollywood’s own Dhoom 3 and Hollywood’s only release Cloudy with a Chance of Meatballs 2. There is also the Tamil movie Biriyani, which means that there is a lot going on in the theatres this weekend – I have already booked tickets for Dryshyam, and I am looking forward to watching Ezhu Sundara Rathrikal on the same day. There is a lot to be done for me this Christmas, that is for sure, and as far as Oru Indian Pranaya Katha is concerned, it is a good choice for a family outing, and there is not much rush for it due to the less hype – you can go for it soon enough. Forgive the movie for its weaknesses in the second half, and do give it a chance to be that love story that scores without that much of romance. This is a small movie of goodness, that can do with a lot of support from the audience.

Release date: 20th December 2013
Running time: 150 minutes (estimate)
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Amala Paul, Innocent, Shafna, Lakshmi Gopalaswamy, Krishna Prabha, Muthumani