It Feeds

Vampire Owl: It should not be it, for it should be a he or she.

Vampire Bat: I am sure that they are not talking about vampires.

Vampire Owl: Who feeds better than vampires these days?

Vampire Bat: Who follows better? Then it should be “It Follows”.

Vampire Owl: What is there to follow for us?

Vampire Bat: We follow art, and we further follow beauty beyond exceptions.

Vampire Owl: You still think that there is beauty in this world of chaos and destruction.

Vampire Bat: The beauty of chaos cannot be taken out of the equation.

Vampire Owl: The vampire elders have always absorbed power out of chaos nodes.

Vampire Bat: Chaos nodes have powered the vampire animation for centuries.

[Gets a parippu vada and three cups of Coonoor tea].

What is the movie about? :: Cynthia (Ashley Greene) is an experienced psychiatrist who is also able to see into the minds of her patients, identifying the exact problem, as she basically walks inside that world of their minds. Through these special skills, she has solved a number of problems faced by her patients, some of them actually clueless until meeting Cynthia. Her daughter Jordan (Ellie O’Brien) is very much supportive of the same, and she comes across a girl named Riley (Shayelin Martin) who comes to visit Cynthia as advised by Agatha (Juno Rinaldi), a friendly woman who was cured by a visit. But the girl’s father Randall (Shawn Ashmore) also arrives all of a sudden and takes her away, asking Jordan not to be bothered about her, but not before Cynthia has a quick glimpse of a creature that looks from under Riley’s shoulder. Jordan talks about Riley, and how she was talking about someone who always accompanies her, but is only visible to her, and when Cynthia says that she saw something, she asks her to help her.

So, what happens with the events here as we just keep looking? :: The Creature (Brooklyn Marshall) reminds Cynthia of a troubled past, and the attempts which had made her husband commit suicide after they had gone after such supernatural troubles. Even now, Cynthia has been very careful, even with her psychiatric journeys so that nothing goes out of control and comes back to her, causing trouble to her family again. Therefore, she rejects the possibility of helping the girl who seems to be too much affected by some terrible force of darkness, an entity belonging pure evil and chaos. Still, Riley’s claim that a supernatural entity has been feeding off of her, makes Jordan determined to help the girl at all costs. She goes to meet Agatha despite Cynthia’s warnings, and finds the address of the girl and her father. But soon, she finds her tied up firmly to a chair, not able to move any part of her body at all. Her jacket is removed, and as the girl places her hands on Jordan’s shoulder and upper arm, she sees the creature for the first time, touching her, and burning her body. Now, can she escape from this family and the creature that seems to be also feeding off her?

The defence of It Feeds :: The wraith-like entity with an extremely creepy burnt skull and long fingers is visually terrifying enough to keep haunting people in their nightmares. The creature on its throne is a majestic visual of a demonic rule that could cross over from its world to the human lands. The looks are as much disturbing as a terribly burnt corpse which has come back alive without much of the body left. At the same time, the movie explores trauma, fear and healing of wounds of the past while emotions run right through, as the creatures becomes unable to feed on any of them from the past and present. The continuous present of the dark lighting makes sure that something is going to happen all the time, while tense scenes during the supernatural and sudden scares from out of the world keep the horror going for the fans. The situations outside this world are nicely created and there is a certain amount of quality related to the same. With the available elements, the movie has managed to be worth the time.

The claws of flaw :: The movie does not feel like original, as elements of other movies seem to have come across here to become this film, the combination of many things, not many of them coming up as an innovation, even when there was the chance to take this further. The content here seems to rather less, and some of the moments seem to be there just to point to the jump scares. The nice poster surely gave the feeling that there would be more around here with horror level to be increased much more. Then, there are times when movie losses its connection despite having ideas active here and there. The characters also show the tendency to overdo things. The movie also seems to end up with the negative idea that helping people without second thoughts is not always the best thing to do; but that being truth is not to be avoided. The world remains uneven, and it would not go on to become a movie that we could remember for a long time; Amazon Prime Video is just the platform that will make this one something for which people will be interested.

The performers of the soul :: Ashley Greene leads the way really well here as the determined mother who is looking forward to save her daughter, even though she is not of that power throughout the movie. Still, the one who catches our attention more is Ellie O’Brien, who plays that character who tries to save lives, but is helplessly caught in trouble, tied up, attacked by the creature, and even buried alive – tough moments indeed, but she manages the same really well. In the end, the mother-daughter duo scores even further with the creature facing them, and a moment with creepers which does not strike like the Evil Dead trees, but does just enough there too. Shawn Ashmore also brings more strength to the cast, and there is also a certain amount of emotional weight which also gets added here as he scores as the father figure who listens to nobody while trying to be the big protector against all odds. Juno Rinaldi and Mark Taylor in smaller roles makes impact, despite not staying on for more. Shayelin Martin as the child with a haunting on her, does very well too.

How it finishes :: The movie is your usual horror movie which works with elements of many other movies, but the one which uses what is available effectively enough. It holds the ground as a good atmospheric horror with solid acting and creepy visuals which increases its effectiveness, but the story feels generic without more to be said about it and without doubt, predictable enough to make sure that it does not raise the level enough to be remembered for that long. When you have movies like Evil Dead, Sinister, Insidious, The Conjuring, The Nun, Annabelle and others becoming big things with the quality associated it with, one would find it strange that a movie like this which establishes the premise so well in the beginning and catches our attention could do only this much. Well, we cannot always have enough with a big start, but for this one, that was expected. After all, it is recommended with some of those better movies when on Amazon Prime Video, and more people would surely watch it there.

Release date: 28th March 2025
Running time: 102 minutes
Directed by: Chad Archibald
Starring: Ashley Greene, Shawn Ashmore, Ellie O’Brien, Juno Rinaldi, Brooklyn Marshall, Mark Taylor, Shayelin Martin, Julian Richings

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Drama

What is the movie about? :: Rosamma John Chacko (Arundathi Nag) has always had a desire to be buried in Kattappana, next to her husband, at their own parish cemetery where their ancestors were buried. But as she is in London with her youngest daughter Mercy (Kaniha), she is afraid that she can’t go back home if she is dead, as none of her children are in Kerala or even India. Mercy who used to be a nurse, is married to Dr Mukundhanunni (Shyamaprasad) who is a reputed cardiac surgeon in London after falling in love, and they are settled in United Kingdom with their two little children. Her eldest son Philip (Suresh Krishna) is a millionaire settled in the United States of America while her second son Benny (Tini Tom) is now in Australia with his wife who is a nurse. Her another daughter Ammini (Subi Suresh) is a nurse working in Canada, and has been living there with her jobless husband Anto (Johny Antony).

So, what happens with the events to follow? :: She also has her youngest son whom she loves more than the others, and Jomon (Niranj S) who is living in Dubai has no say in anything. His presence at United Arab Emirates itself is at the mercy of his good friends. So, with her sons and daughters in the United Kingdom, United States of America, United Arab Emirates, Australia and Canada, she is found dead on her bed while asleep. So, now the question remains about her funeral. The idea to which almost everyone agrees to, is that she is to have a funeral at London. For the same, the two elder brothers assign Dixon (Dileesh Pothan), a funeral director who runs his own funeral services in partnership with Rajagopalan (Mohanlal). The desire of the sons to have their mother’s funeral programme to be grand gives Dixon the idea that this is his chance to make it big.

And what else is to follow here? :: Everything seems to be going smoothly, but then, Jomon resists this idea, and asks for a funeral in Kattappana, at the cemetery where his mother had always wanted to be buried. Even though Mercy, as well as Mukundhanunni who is afraid of his mother-in-law’s spirit wandering around the house without attaining peace does agree to the same, none of them has the voice against the elder brothers who decide on it. It is then that Rajagopalan decides to have a say in the process. He feels that the old lady should get the funeral that she had always desired. But Dixon who has taken the advance payment for the funeral function won’t agree to it, and neither will the lady’s sons who got all of these planned very well. So can Rajagopalan find a way to make things happen as well as re-unite with his wife Rekha (Asha Sarath) who had thrown him out of the house in the name of a poem from the famous Chilean poet, Pablo Neruda?

The defence of Drama :: The movie does deal with a situation that could happen very often in future – it is more or less something which has been dealt with in a realistic manner. When we consider the number of our relatives outside India, it makes about twenty five percent, and if it is about someone who is outside Kerala, that can make up to seventy five percent of the total number of people. The movie certainly shows a reality that a lot of people are going to face. The older generation will have their houses and funerals in trouble soon enough. There will be those busy times at some point, when their opinions will not ever come to being something that the new generation will listen to. But it is all based on money, isn’t it? The movie is also a morality tale, with money finally becoming the least important thing. The flick also has some comedy in there, and the visuals when showing England, is pretty good.

The claws of flaw :: The movie seems stretched, without doubt. It does seem too long, and should have been kept short by removing certain parts. Maybe the introduction of Mohanlal could have happened much earlier, and things could have started happening as early as possible. There is also a certain amount of repetition here, and we can see some struggle with the flow. More focus could have been there with the characters, especially the sons and daughters of the deceased lady, and the problem that a new generation of money and career seeking youth gives to the old generation could have been focused better. Also, considering the fact that this movie comes from the director who gave us the flicks like Pranchiyettan and The Saint, Indian Rupee, Paleri Manikyam: Oru Pathirakolapathakathinte Katha, Spirit and Thirakkatha, this is not really the movie that we expected.

The performers of the soul :: Mohanlal doesn’t have any problems with this character as it seems usual and natural for him – there is special to be done or to be divergent. Asha Sarath doesn’t have that much to do here. We note that there are directors here coming in notable roles – Dileesh Pothan, Shyamaprasad, Johny Anony, Renji Panicker, all of them having their interesting moments. Suresh Krishna and Tini Tom plays the two siblings based in United States of America and Australia nicely in their own styles. Kaniha had a rather irrelevant role in Abrahaminte Santhathikal, but here she has a nice role, and has the emotions running strong with this one. Baiju has the funny side to handle, even though the department struggles most of the time. Arundathi Nag plays the corpse for most of the time, but has her moments when not inside the box. Jayaraj Warrier, Shaalin Zoya and Jaffer Idukki got some smaller roles here, but they are notable despite the short stay there.

How it finishes :: How many young men and women go in search of jobs elsewhere, and how many of them remain in Kerala? Do they really settle outside because there are zero opportunities here? It is nice that they show those five nations – United Kingdom, United States of America, Canada, Australia and United Arab Emirates. These are those places where our people will never cease to try to go and work, along with more nations in the Middle East as well as New Zealand. But is it always worth it? You will have to think over that with the situations created in this flick. It does leave one with a few things to keep thinking, and that seems to have the focus over the entertaining side. With the challenge there with Kayamkulam Kochunni, Drama seems to have just enough to keep going, and it seems to be a choice not to try to have more.

Release date: 1st November 2018
Running time: 146 minutes
Directed by: Ranjith
Starring: Mohanlal, Asha Sarath, Arundathi Nag, Dileesh Pothan, Shyamaprasad, Kaniha, Baiju Santhosh, Johny Antony, Tini Tom, Shaalin Zoya, Subi Suresh, Niranj S, Suresh Krishna, Renji Panicker, Jaffer Idukki, Jayaraj Warrier, Shankar Panicker

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World War Z

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Even in the world dominated more by vampires as the popular fantasy creature, there is no lack of support for the zombies, even in India as shown in Go Goa Gone. Otherwise, the Resident Evil series always had the complete control over that zombie world which came up as the result of an infection. The animated corpses which were something more than just a mindless vampire or human, has had more success with the stories of science rather than magic, with virus infection rather than being resurrected by necromancy or being summoned from another world by a sorcerer or a witch. Even then, they would remain the most important weapon for the battle in the box-office, as vampires have had too much run on the big screen. I would still miss I Am Legend for the kind of vampire mix which was given to the zombies, a combination of intellect which has been completely destroyed by Twilight. There are many people whom I can recommend to be zombies without being dead and coming back, but I choose to remain silent now due to the respect which I pay towards them – not those people, but the real zombies of the world. Still, I can’t hesitate to say that the hunger of the human flesh or the human brain should exist with both of them. I would thank Mary Shelley and her Frankenstein more than anything else on this occasion, and move forward.

A global pandemic in the form of a zombie outbreak has become so interesting these days that even if someone prepares for it as if the end of the world is near, there is no need to be surprised. A zombie apocalypse is something which needs its own glorification, as it is already happening with some of the mindless hypocrites who are slave to logic. But here in this Brad Pitt starrer, we have the true, respectable undead zombies, based on the 2006 novel with the same name by Max Brooks. Even as seeing Brad Pitt among the list of producers reminded me of what happened with Will Smith’s After Earth which shattered those hopes made of glass into so many pieces that it was not easy mend, there was a certain belief about this one. In that case, it would have been surprising that this movie made it to the theatres here, as there was a great chance for this one to miss the multiplexes belonging to this part of the world. The presence of Man of Steel and its reluctance to move out of the theatres might be a major blow to this one as well as to Monsters University which has been restricted to a single show if present. None of these can give even a small fight to Superman and his impact on this part of the world, something which is rooted in the childhood memories – the presence of Now You See Me and Fast & Furious 6 shouldn’t really hurt this one though.

After Tom Cruise and Will Smith jumped into the world that was post-apocalyptic Earth in the same year, with the former been a vampire in Interview with the Vampire and the latter been a zombie-vampire killer in I am Legend, Brad Pitt already had the vampire experience as Louis de Pointe du Lac, the complete vampire despite of the human conscience and existential questions of life and death, good and evil, God and Satan, heaven and hell. This time, he is not part of the attacking gang, but still raises his own questions about humanity in not that effective manner. Anne Rice’s works had its own versions of zombies, even as they were also called vampires, like the ones the leading characters encounter in Eastern Europe, with no mind of its own, attacking everything that moves, driven by its own need to feed; the only characteristic that can define them. One has to wonder what differentiates a zombie from the human beings without civilization in a world which has quite a shortage of resources. Won’t each and everyone act the same as a zombie in such a situation, in the absence of the rules and regulations of the society and the restrictions of sin imposed by the religion? That should identify us more with the term zombie rather than the vampire, knowing our need for society and religion to keep us from becoming zombies or even worse.

It must be clear from the title by now that the “Z” stands for Zombies. There is no doubt about the fact that most of the people who came to the theatre were not expecting the same, thanks to the posters which gave no clue about such a thing. Another thing is that there is no scope for 3D, as those glasses give you almost nothing other than some words which would seem to project off the screen in the beginning of the movie. There are some good CGI moments for sure, and the special effects are limited; not a very good thing for a movie of this genre. There is a good chance that most of the comon zombie fans might choose to say a no to this one. It is the story of former UN employee Gerry Lane (Brad Pitt) and his family who are saved from a group of zombies who turn all who they bite into their kind, and after being taken to a US Navy ship in the middle of the sea, he is forced to invetigate into the matter using the special skills he achieved through his missions, so that the origins of the virus could be found out and the pandemic could be stopped. Not without reluctance, but still agreeing for the sake of his family’s staying on the ship rather than in a refugee camp on the land surrounded by zombies, Gerry joins the team of experts on a plane for a military base in South Korea from where some of this is supposed to have started in the first place.

Here is the paragraph which might give you the spoiler – and the story till the end. From there the journey is to Jerusalem, as the nation of Israel seems to have had a prior knowledge about a possible zombie infection, as they did already bring up some walls. But he gets nothing useful from there, and Jerusalem is also attacked, as the zombies climb over the wall, as they form a ladder by piling on the top of one another. As the ultimate chaos follows, he manages to escape from there by boarding a Belarus Airlines flight with his escort soldier, a journey which is cut short when one of the zombies get to bite an airhostess from where hell breaks loose, and Gerry manages to throw a grenade which divides the plane into two and leads to a crash from which the two survive. They finally reach a World Health Organization research facility and assists them in finding a cure, and the find out that the virus needs people who are healthy, and those ill and therefore unsuitable as hosts for viral reproduction are not bitten, and are rather more invisible than anything else. This camouflage helps them to fight zombies, and that should save the day for the world, but the war would continue, as it might seem to the audience. There might be a question though, about this being all that we have been waiting for.

The huge pile-up of cars and the zombie attack in the beginning as well as the Jerusalem zombie attack forms the highlights of the movie. But it remains without enough moments when these two sequences are removed. The attack on the plane is the only other thing worth mentioning. Brad Pitt has done a great job to add to it. He plays an effective character, and without him, this movie would have surely collapsed. The zombies are fine, with their own pros and cons added in this one. But this movie remains slow, and without a good enough reason other than Brad Pitt to attract the viewers. All the awesomeness which was expected to follow after the initial zombie attack never comes, and as it doesn’t attempt to do anything extraordinary, the expectations are scattered and the 3D glasses are wasted. The catchy dialogues might be about the mother nature being a serial killer and how she disguises her strengths and weaknesses. The noises that the zombies make are somewhat attractive too. I would still prefer the zombies and special effects of Resident Evil, and it is a little depressing that this one lacks action, but the advantage is that this one is closer to reality and there is absolutely no exaggeration at any point of time.

The movie is just a little scary and a little thrilling. It might be the slowest zombie movie of the recent times and the most realistic of them all – it is an exaggeration, as these hardly get close enough to reality to be identified with. This world war of the zombies never tries to expand its entertainment elements beyond what is ordinary. It could have been its achievement, but for now, it is clearly working against it. Zombies and vampires have been too commericalized these days, and when the entertainment value is somewhat drained from it, there is only a little to gain. If this was about the wars from A to Z, and this one is the final one of them, there could have been a slightly better chance. World War Z does its job and there is no denying it. With Brad Pitt’s never ceasing charm and acting, and the realistic portrayal of a supernatural world stained with scientific curiosities, this one can go the distance, and stay there until something bigger comes its way and take over. One should choose to watch this one for the one leading actor who carries the movie on his shoulders, and a zombie world which takes a different stance. It is a war which this movie got to face now, as a certain amount of uncertainty is ready to pounce over it.

Release date: 21st June 2013
Running time: 116 minutes
Directed by: Marc Forster
Starring: Brad Pitt, Mireille Enos, James Badge Dale, Matthew Fox, Daniella Kertesz, David Morse

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