Dirty Angels

Vampire Owl: Do you remember that angels were banned from the realm?

Vampire Bat: They never really belonged here, did they?

Vampire Owl: Well, there are demons, so there should be angels around.

Vampire Bat: There is no angel-demon balance maintained here.

Vampire Owl: There should be something like the reverse Shadow World.

Vampire Bat: Shadow World is a closed portal away and not part of our realm.

Vampire Owl: You know that we have them in the map made my Dr. Frankenstein.

Vampire Bat: You are the only one looking at a map belonging to a pseudo doctor.

Vampire Owl: Dr. Frankenstein is a scientist and the greatest of achievers.

Vampire Bat: He was never supposed to be one, everyone knows that.

[Gets a Malabar Chicken biryani and three cups of Ooty tea].

What is the movie about? :: Badia (May Kurtz), the daughter of Afghanistan’s Minister of Education finds herself kidnapped from her school by a terrorist group which identifies itself as a subgroup of the Islamic State. Most of the girls of the school are shot dead or pushed to death from the top of the school, with a few of them who are children of important people taken as hostages. The leader of the group is Amir (George Iskandar), a man who had a terrible past, and cannot align with either the Pakistani government or the newly formed Taliban government of Afghanistan, both for him, have aligned with the devils for profit. Jake (Eva Green) who was tortured and chained up in a cage by the local militia, and was about to be stoned to death by the locals and militia, is rescued at the last moment by the American forces, and on recovery, is assigned to be part of this mission involving the missing girls. She is not happy about her escape, as there were men left behind, but decides to go on with it after persuaded by her old friend Travis (Christopher Backus).

So, what happens with the events here as we just keep looking? :: She gets to Pakistan with a plan to cross the border and meets her team with Medic (Ruby Rose), Bomb (Maria Bakalova), Mechanic (Rona-Lee Shimon), Shooter (Emily Bruni) and Geek (Jojo T Gibbs), along with their team doctor Mike (Edmund Kingsley), drivers Abbas (Aziz Capkurt) and Malik (Reza Brojerdi) who also provides them with local support in the country before they cross over to Afghanistan with what is disguised as medical aid. The terrorists had demand ten million dollars ransom per hostage and also the release of a prisoner in the Afghan prison, but the demands were not accepted. In Afghanistan, some local information is attained through Awina (Laetitia Eïdo), a woman whose life was saved by Jake during her last mission, as the United States of America has pulled out of the nation all of a sudden. But the mission does not seem to be as easy as expected with so many lives at stake, and so many people with higher profile involved. Now, can they go through this mission and achieve the objective in time without loss of civilian lives?

The defence of Dirty Angels :: The movie does manage to keep the action going with thrills that come with, as the action thriller mode was always on for the movie. The beginning scenes with the main character is very nicely done, even though leaving more scope for not opting for the safe mode as the opportunity seemed eternal; still manages to set the mood right there. Then there are moments which keep the tension going, and some humour is placed well in between. The visuals are also nicely arranged here with the feeling of being right there in the middle of danger to be taken. There is no budget lost there as it seems to have come in the right path. The action is never overdone and the interest is never lost. The combination of actors do their job well, and we see the combo working nicely, and those who feel like non-native adds nicely. This would not have been an easy thing to do, but the world and its problems have been depicted well with a fictional incident nicely worked on. There will surely be situations that would last for at least some time. Eva Green leads the way so well too.

The claws of flaw :: The movie does wonder about how to make the best of situations, from the first scenes involving the main character to the abduction and getting into mission, things could be used to be better advantage of the movie. The characters are not that much well-defined as we look closer, with all of them just existing for the sake of the mission. There could have been a stronger script which could have made the characters better too. The presence of stereotypes would also be felt, and the predictability factor often gets higher. The mood also keeps changing at times, affecting the flow, making one feel like the movie is bigger than what it really is. There could have been more talk about the danger and situation which is around. The potential would have led somewhere else, as we look at it. The evil could have also depicted with a much more force, and we know that this is not really what we had expected, and we were surely in requirement for much more. This could have even been a full-action adventure instead going into any political or social details, otherwise it needed more details.

How it finishes :: This movie, does manage to come up with quite some good work in the end, despite seemingly diverting in between. This would qualify as one of those rare movies with strong female leads and some morally complex objectives which seem to get to a pretty good end in the end. The uneven execution and the lack of balance is what keeps pulling it back. It was never going to be an American Sniper either, as one might realize it early enough. It is that kind of a movie which goes through the middle path, not aspiring for greatness through innovation or by trying hard, as the lookout for safe mode ends in just the usual. One can keep wondering how much bigger this could have managed to be, if diverted to the right path. They have this world and premise, and we can keep wondering about the possibilities – at the same time, enjoy the movie as it should be. It is now available in Lionsgate Play, and with one good mobile phone recharge offer, the same can be accessed and watched.

Vampire Owl: So, are we going back to getting the angels back in?

Vampire Bat: No, we are not having another open portal in the realm.

Vampire Owl: You know that this will bring balance.

Vampire Bat: There would be no balance in a world of chaos.

Vampire Owl: So, we will have no angels in the realm.

Vampire Bat: The realm would stay as it is, in a traditional manner.

Vampire Owl: The zombies were outside the tradition and still accepted.

Vampire Bat: You know that they are just partial vampires without brains.

Vampire Owl: Well, there can be no real relation, you know.

Vampire Bat: The relationships are for humans; we have bloodlines.

[Moves into the darkness of the night].

Release date: 13th December 2024
Running time: 104 minutes
Directed by: Martin Campbell
Starring: Eva Green, Maria Bakalova, Ruby Rose, Rona-Lee Shimon, Jojo T Gibbs, Emily Bruni, Christopher Backus, Zoha Rahman, Laetitia Eïdo, Aziz Çapkurt, George Iskandar, Reza Brojerdi, Edmund Kingsley as Dr. Mike Claudia, May Kurtz

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@ Cemetery Watch
✠ The Vampire Bat.

Blood Red Sky

Vampire Owl: Now, this is the type of title that I would prefer for a movie.

Vampire Bat: You are planning to make a movie too?

Vampire Owl: Yes, Doctor Frankenstein will be directing it.

Vampire Bat: Well, not the best director for our kind of a movie.

Vampire Owl: He has assured us that this movie will be the highest grossing vampire movie in the history of our realm.

Vampire Bat: I assume that it would be science fiction then?

Vampire Owl: You know that Doctor Frankenstein doesn’t talk science outside the laboratory anymore.

Vampire Bat: His type of science is the best when not talked about.

Vampire Owl: You are talking ill about an award winning scientist.

Vampire Bat: I am sure that he paid a million for that particular award.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: An airplane which was supposed to have been hijacked, lands at an RAF base in Scotland. As the soldiers try to get the people out, Elias (Carl Anton Koch), a little boy is the first person to come out, and he is taken into a room, where he recollects the happenings during the flight, seemingly in terror. Back to the past, Nadja (Peri Baumeister), a widow from Germany, is taking a flight to the United States, where she could be treated for blood cancer better, and Elias, her son, joins her at the airport. They come up against Farid al Adwa (Kais Setti), a physicist, who helps them with their luggage. Nadja continues to look really ill, and taking her medicines doesn’t seem to help at all. As the passengers begin to sleep, a group of men supported by the co-pilot Bastian Buchner (Kai Ivo Baulitz), find and attack the three air marshalls in the flight, murdering them. Soon, the gang take over the flight, after getting rid of the pilot.

So, what happens with the events here as we just keep looking? :: The team tells the passengers that their requirement is monetary, and if nobody tries to do anything nasty, it will remain safe for everyone. They also re-programme the black box, after which they deviate the flight towards another path. As Elias tries to run away to a hiding place in the plane, one of the attackers shoots Nadja, and leaves her behind, considering her as dead. But it seems that Nadja has secrets of her own. Nadja, even though weakened, manages to access the cargo hold, and removes the contact lenses and dentures that conceal her mutated eyes and fangs before managing to kill and feed on a dog. It is revealed that she was bitten by a vampire which also killed her husband on a winter night when their car broke down. She regains her strength, and attacks one of the hijackers who come that way, killing him. She realizes that her vampirism is coming back to her, as she also feeds from the hijacker. Now, the hijackers have an adversary that they don’t want. But is she good enough?

The defence of Blood Red Sky :: The idea is good, as there is a vampire on the airplane, and we don’t usually get that – there is a certain amount of creativity in bringing a different vampire world unlike what we usually have. It brings a dangerous situation, and then makes it even more dangerous from multiple sides. Each minute, there is no real relief, as the situation only gets worse for the living characters. The movie has no real heroes, and it doesn’t claim to have some supernatural being saving the day, for the bloodbath won’t leave many people behind if it was a real thing. There are some moments which stand out, including different transformations, and quick as well as gory attacks. The mother-son bonding is also good, especially in the beginning stages. There might not be many other movies which connect motherhood and vampirism, and here, the vampire has its own divergence, even though not by that much of a distance. You are never short of blood and gore with vampirism around.

The claws of flaw :: This premise could have developed into something bigger, and there could have been some fine action sequences as well as moments of horror which would bring the shock and stay for long, but that chance is not taken here. You have a vampire on a flight, and also a few hijackers – things really need to get bigger. While holding on to many elements, it sometimes losses grip on its most valuable asset, the vampire mother who has just unleashed the creature in her. Sometimes, the action doesn’t get the attention that it deserves, and during some moments, horror just takes the backseat, leading to the movie losing the advantage. The hijackers here could have also had better motives, and some of them could have actually had specific characteristics as well as a background tale – here, only one of them seems to have the same. Turning more people into vampires is not always the best option to make a movie better – this film seems to like the idea of having a vampire full-house airplane though.

Performers of the soul :: Peri Baumeister leads the way in this movie here, and she does that in a way that catches our attention a lot in more than one mode. She is strong as the motherly figure, and as a vampire, she takes the creature’s features with ease. It is a performance that many others playing vampire characters can note. She goes through the motherly love and vampire thirst for blood at the same time, or interchangeably. Among the villains, it is Alexander Scheer who gets the most of the villainy, even though the vampire-thing doesn’t work well for him. Dominic Purcell who plays the leader doesn’t get his due at all, as death comes early for him. Roland Moller also has his own different moments, and he could have made one smart villain – leaves a mark as he does now though. Carl Anton Koch who plays the son has his moments, but there are a few which doesn’t suit. Kais Setti is there from the beginning to the end, and he also has some fine job to do. Another one to be noted is Kai Ivo Baulitz.

How it finishes :: Like Train to Busan, this one is Flight to New York, and with vampirism spreading quicker than ever, one could actually replace the vampire here with a zombie, and still have the film working – with a little concern about the slower pace of zombies. Placing vampires on the airplane is an idea that can hold on strong, better than placing them in ships or trains. This film seems to have finished the idea though, without scope for a sequel, but we know that sequels can come out of nowhere. We are never really short of vampires, for we have placed them with werewolves in Underworld series, as mother-daughter duo wandering around the world in Byzantium and at many other places. Anne Rice, the author of The Vampire Chronicles who recently died, had brought some fine works which could be made into movies, taking some fine form in the form of Interview with the Vampire starring Tom Cruise, Brad Pitt and Antonio Banderas. We have had so many vampire novels, films, series and others in quick succession – this one also adds on. Netflix surely has the better vampire flick, as what Amazon Prime could get was Black as Night.

Release date: 23rd July 2021 (Netflix)
Running time: 121 minutes
Directed by: Peter Thorwarth
Starring: Roland Moller, Peri Baumeister, Chidi Ajufo, Alexander Scheer, Dominic Purcell, Rebecca Dyson-Smith, Graham McTavish, Kai Ivo Baulitz, David Hurten, Kais Setti, Nader Ben-Abdallah, Jan Loukota, Florian Schmidtke, Jacqueline Macaulay, Holger Hage

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@ Cemetery Watch
✠ The Vampire Bat.

15 Minutes of War

Vampire Owl: This is till longer than our last war against the werewolves.

Vampire Bat: That was not a war, but an ideological difference problem.

Vampire Owl: Okay, then what about the war against the zombies?

Vampire Bat: There has never been a direct war with the zombies.

Vampire Owl: You are denying the existence of life-threatening situations.

Vampire Bat: I am only denying its status as something it is not, and not its existence.

Vampire Owl: Okay, what is this particular war about?

Vampire Bat: The movie itself is about a hostage situation and not a war.

Vampire Owl: It seems that nobody got time for a real war.

Vampire Bat: Yes, everybody is busy with the war against the Corona virus which seems to be a long and tiresome process.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: In February 1976 in French controlled Djibouti, a school bus suddenly sees a number of gunmen and is taken hostage. After continuing to drive to the border of Djibouti attempting to cross the Somalian border, only to be stopped just before that, as the border security forces of Djibouti shoots it on the wheels, leading to them to halt just before the border, with the Somalian forces looking on from the other side, ready for anything including a full shootout with their neighbours. A negotiation doesn’t seem to be possible, as they intend to take the bus to the other side of the border. The terrorists won’t show any mercy as they don’t care about the children at all because they are white, and are most probably all French. They would be happy to see some of them dead, and didn’t care if the kids are hungry or not. This creates a crisis on both sides of the border, with each second being important.

So, what happens with the events here? :: Francois Simon (Claudio Dos Santos), the bus driver is asked to inform the military and police that any attempt to come near the bus will lead to the death of the kids. Jane Andersen (Olga Kurylenko), one of the teachers of the students’ class rushed to the scene evading the barricades, and asks the terrorists to let her help the children, as they let her stay on the bus as long as she doesn’t create any trouble there. This becomes a crisis which is to be dealt with extreme care, as the life of children are at stake. Groupe d’intervention de la Gendarmerie nationale a.k.a GIGN, an elite police force from Paris specialized in counter-terrorism and hostage rescue reaches there with the intention of freeing the school bus with zero hostilities among children. They are lead by Andre Gerval (Alban Lenoir) who decides to hide behind the rocks around the bus, and wait for the signal from Paris. But will that be coming in time?

The defence of 15 Minutes of War :: It has to be noted that the movie doesn’t even take fifteen minutes to begin the initiation of action with the school bus abduction happening so early. The situation of the hostages and the terrorists are presented well, and the movie is always in control regarding the same. Saving innocent children from terrorists and criminals never really loss its value in movies, for having little kids in the captivity of cruel, remorseless men with guns is something that has everyone tensed, even those who do not care about the movies of this genre. The location has some nice visuals with the shades of the sand having one green bus in the centre. The action is all nicely done, and the tension has been built really well. The final shooting is something which has us at the edge of the seat, and as there is a large amount of uncertainty in play here, 15 Minutes of War has us hoping for the special skill or at least the miracle or luck to help the kids.

The claws of flaw :: Most of the big action, as said in the title is limited to the last fifteen minutes or rather been ten and fifteen minutes here. The movie doesn’t really rush around here, and there is a certain amount slowness that we can find, as it changes focus towards people outside the bus a little more than expected – it should have kept more within the bus unless there were some plans being made about the possible attack on the bus to kill the terrorists and free the children. There are movies which have dealt with the hostage crisis even better, when we look back further, and they had all focused more on where the hostages were held, and in this case, that was even more needed. Some people can choose to be on the side of the terrorists citing reasons from the past, but anyone who holds children at gunpoint to get what they want can only be pure evil, and someone creating terror on the innocents will be called by one name only.

Performers of the soul :: When the Olga Kurylenko is attached to a title, you feel that it could be an interesting thriller, for the Bond girl from Quantum of Solace has been a name associated with some of the most entertaining titles. From the video game shooters made into cinema like Hitman and Max Payne, to Centurion from the past and Oblivion in the future, both history and science fiction had some fine movies for her. Johnny English Strikes Again had her with the gun in a different way while The Courier had her back to action thrillers. We now await more of interesting titles with her in the lead, like The Translators, Empires of the Deep and The Bay of Silence, all supposed to have their own dosage of thrills. If you go in between, you will see Mara and The Emperor of Paris. So, there is not doubt about her skills in movies like these, and she continues her fine form. Alban Lenoir is the next one to catch our attention, and he is very good here.

How it finishes :: Originally titled L’intervention, the movie makes another fine French war thriller which will catch your attention by keeping the tension going, with a thrilling beginning itself. Well, when you see a school bus with white children in what seems to be an African country, and you have also seen that this is an action movie with a hostage crisis right in the middle – that is a heads up with only a few seconds advantage, as the movie takes you on the bus with the children so well. There has been the absence of movies featuring hostage crisis well enough, and this one does manage to solve that absence up to an extent. This is also among the three movies of Olga Kurylenko which I watched in the recent past, and I have to say that all of these have been eight plus out of ten movies for me, and that would make me consider the leading lady as one safe bet as far as movies are considered, both English and French in language spoken.

Release date: 30th January 2019
Running time: 98 minutes
Directed by: Fred Grivois
Starring: Olga Kurylenko, Alban Lenoir, Kevin Layne, Michael Abiteboul, Sebastien Lalanne, David Murgia, Guillaume Labbe, Vincent Perez, Josiane Balasko

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✠ The Vampire Bat.