Kraven

Vampire Owl: This is not the kind if superhero that we were looking for.

Vampire Bat: I am pretty sure that this is an anti-hero.

Vampire Owl: All vigilantes are not really anti-heroes.

Vampire Bat: Well, this one seems to have less heroism than others.

Vampire Owl: Sometimes villains are the true heroes.

Vampire Bat: You are talking about Thanos, aren’t you?

Vampire Owl: I always wished that they ended the series with The Avengers: Infinity War.

Vampire Bat: I also agree that a dead character should stay dead.

Vampire Owl: Well, death is only the beginning.

Vampire Bat: Yes, as far as the dead keep rising.

[Gets a vanilla shake and three cups of iced tea].

What is the movie about? :: Nikolai Kravinoff (Russell Crowe) is a much-feared drug lord and crime boss, and he moves to Ghana with his sons after the death of his wife, only to have his sons attacked by a lion and one of them even leaves him after seeing that his father brutally killed the animal. The family feels broken down, but the younger son stays with the father, whom considers him to be too weak to continue his legacy. The elder son Sergei Kravinoff (Aaron Taylor-Johnson) goes on to become Kraven the Hunter, an entity whose real identity is known. The younger son Dmitri Kravinoff (Fred Hechinger) lives with his father, but has no part in his crime business. Sergei goes on as a vigilante who hunts criminals. After assassinating an arms trafficker in a Russian prison, and following it up with a few others, he travels to London for Dmitri’s birthday where there is a family reunion including the father. But their reunion is short-lived, as mercenaries abduct Dmitri despite the best efforts of the big brother to stop the effort.

So, what happens with the events here as we just keep looking? :: The man who was behind this kidnapping, Aleksei Sytsevich (Alessandro Nivola) has been an opponent of Nikolai. He also has the strength of a rhinoceros along with its skin, after an experiment which was conducted a few years ago. Aleksei proposes an alliance with the brothers to overthrow Nikolai, and after agreeing to this, he says that they would be partners. As there seems to be no solution, Aleksei lures him to a monastery in Turkey, but the ambush is not successful. Aleksei hires the Foreigner (Christopher Abbott), a hypnotic assassin to kill him. Sergei’s only support it Calypso Ezili (Ariana DeBose), a lady who had also helped him earlier to survive when he was attacked by the lion as a child. Now, it remains to be seen if a deal or a raid could be done, as Nikolai is not ready to pay the kidnapper. Still, it is to be seen if the assassin would kill Sergei even before that. He finds himself searching without results, but some result is sure to come soon.

The defence of Kraven the Hunter :: There is the usual anti-hero dose being provided here, and there is a look at the environmental concern and the love for animals, as if an emergency of our times. The action scenes in the forest and grasslands bring a certain amount of variety here and there. A connection between the wild and the domestic is established easily. The actors seem to very much capable of working through the side of action, and the anti-hero side is indeed well-maintained here. The fights do feel more raw than stylish, and that often comes as a welcome change. The mystical elements do run through here. The antagonist is indeed strong, and there is more than one that goes with the title, all of them strong enough to make an impact. There is a lot of idea left for a possible sequel, as the ending seems to suggest more to come, and there is surely some mystery to be solved later. The anti-hero elements do work better than what Deadpool has been turning out to be with its ridiculous nonsense.

The claws of flaw :: The movie never manages to raise its level that much as it keeps moving through the safe zone and keep it even safer. In this world of too many superheroes, some risk needed to be taken in the right way to bring variety through innovation and not through strange representation and change of races and ethnicities. The movie also struggles with its special effects, and even its antagonist could have scored further with better computer-generated imagery. There should have been some Spider-Man connection made here, and without that presence even in the end credits, we struggle to believe in the seriousness here. The negative opinions about Madame Web might affected this one too, as the world of spiders surely seems to be in a crippling state – we miss The Amazing Spider-Man more than ever. There are complications about his position in this world, and the lack of clarity regarding his powers would mean more confusion – well, it is that kind of a family where everyone seems like an anti-hero or a villain and we do wonder about the situation being like this with just a hunter around.

The performers of the soul :: Aaron Taylor-Johnson leads the way pretty well as the anti-hero who goes on hunting without remorse, as he chooses the worst people. There might be the question if someone bigger would have been there, but this would feel good enough due to his dedicated work. Even though Ariana DeBose as Calypso Ezili manages pretty well, Diaana Babnicova who played the younger version seemed to match the character the best, and a deviation from the past is visible around there. Alessandro Nivola makes a fine antagonist, and even with lesser graphics and special effects, he is indeed a menacing villain and a match for the protagonist. Christopher Abbott plays the other villain, and the menace should have been given more time as we look at it. About Russell Crowe, we see a certain amount of grey side here, and it is also something to remember as we move away from this movie. Fred Hechinger who made a point will surely have more to make in the sequel as we notice the ending moments.

How it finishes :: Kraven the Hunter adds to that list of lesser-known anti-heroes, even though it might never be as popular as Venom and Deadpool who became the main characters out of Spider-Man and Wolverine. This is that movie which seemed to have been missed by too many people around here. Unlike those earlier superhero movies, this one is the flick which came with no hype at all, and most people also failed to realize that this one existed in the theatres nearby. They would expect many things here, but they would no not much about him, as this man is no hero that the people in this part of the world have ever known. All these are happening in a timeline where fine superhero movies like Minnal Murali and Gundala and brought about by those industries which have not been known for creating this kind of a universe. With that long comic support, it is surprising that people of Spidey are struggling to make an impact. I would for a better work with a sequel even though this one did work well enough.

Release date: 13h December 2024
Running time: 127 minutes
Directed by: J C Chandor
Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Russell Crowe

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@ Cemetery Watch
✠ The Vampire Bat.

The Pope’s Exorcist

Vampire Owl: They shall never dare to exorcise us.

Vampire Bat: Why should they try to do that? We never possess bodies.

Vampire Owl: Yet, they wish to get rid of horror with the same methods.

Vampire Bat: We are the least terrifying group of supernatural.

Vampire Owl: We are both super and natural in nature.

Vampire Bat: Yet, our demonic side cannot be exorcised.

Vampire Owl: So, there is no need for a vampire exorcist?

Vampire Bat: He might end up making us more human, that’s all.

Vampire Owl: That would be the most depressing thing in my life.

Vampire Bat: It would also be incredibly evil in nature.

[Gets a choco-marble cake and three cups of Munnar tea].

What is the movie about? :: Gabriele Amorth (Russell Crowe) has been serving as Pope’s personal exorcist in 1980s. One day, in 1987, he chooses to visit an Italian village where a man is said to be possessed by a demon. With the help of the local priest, he manages to use a Saint Benedict Medal to make the demon possess a pig and get it killed with a shotgun. Gabriele had performed this particular exorcism without getting permission from his superiors, which does not prove to be that positive a thing for him. As he did this without the permission of the bishop, there is questioning, and he says that what he did was just helping a mentally ill person. The bishops are not happy, but Amorth continues to do what he does the best. It is then that a family of three, including the recently widowed Julia Vasque (Alex Essoe), her rebellious daughter Amy Vasquez (Laurel Marsden) and the young son Henry Vasquez (Peter DeSouza-Feighoney) travel to Spain from the United States to take possession of a very old Spanish abbey which is located in the middle of nowhere.

So, what happens with the events here as we just keep looking? :: The Pope (Franco Nero) is in support of Gabriele all the time, and believes in his abilities. Restoring this castle and selling it seems to be the only hope for Julia and family, but things do not seem to move that smoothly ahead, as there is an accident and the workers move away. Soon, Henry seems to be acting strange, and there seems to be something supernatural about him as well as the building. The hospital cannot find anything wrong with the boy, but Henry’s condition only gets worse. They approach a priest, but the demon in Henry easily defeats him. This leads to Gabriele being called for an exorcism, and the Pope makes sure that he is the one who gets the chance, as the abbey has some dark history behind it and has given the church problems before. Gabriele who reaches Spain finds the boy only to find the kind of demon that he had never battled before. The demon knows him and also his past, and seems to be able to defend and deceive the priests with ease. Gabriele feels that there is some more sinister plan in the mind of the demon, but can he find it out in time?

The defence of The Pope’s Exorcist :: One could claim that this particular movie is not scary enough, but the fear is there with the ambience and the realization of the presence of inescapable evil that runs right through the film. The Pope’s Exorcist, with its beautiful, abandoned abbey in the middle of nowhere, reminds us of the grand Gothic adventure which was Crimson Peak which had a world of universe running through, rather than coming right out. With the setting always remaining a strong point, the movie also has its moments which shine bright – there are the two ladies from the past, one that eats a bird and falls from the top and the other one which appears instead of the possessed boy in the bed and reappears covered in blood later. Their existence adds the psychological elements of horror in a world which is infested with demons. We do not always need that many monsters as The Cabin in the Woods would provide – we would just need the demons from hell to create that impact of terror that would hesitate to leave us.

Positives and negatives :: The movie also has some humour being provided here and there, but one cannot deny the fact that it could have surely been scarier. The family portrayed here could have been tormented more before the appearance of the exorcist, and mystery could have lived for longer, and nights could have seen terror as a regular part of it. The grand visuals of Spain and Italy will keep us going, and will keep us wishing to travel to those parts of Europe. The emotional side also remains strong, and so is the feeling to keep out of evil. You are reminded that death is only the beginning – you know that hell could be closer than you thought. The special effects add nicely to the Gothic world which has been provided by the abbey, and its works the best in the final moments. Yet, people would not like the fact that the demon of this movie do not reveal its true form and spread terror in all corners of the building – after all, we have so much of the dark beautiful abbey around and so less is explored with the touches of evil.

The performers of the soul :: The movie is driven though a magnificent performance by Russell Crowe which has no match in the form of any exorcist character in the recent past. We go through his emotions and guilt as much as his drive to destroy evil and drive out demons. We have not seen such a work from him in a long time, and if there is a sequel, this would become even more joyful to watch him fight the different demons in various parts of the world. In the beginning, we feel that there would be limitations to the work, but he rises above that with ease. Daniel Zovatto provides some fine support, and he also lives up to the job that is given to him, and keeps getting better with better moments to perform being provided to him. The two makes a fine combination here in a world which brings the supernatural to the light. Alex Essoe plays the desolate mother who just lost her husband and has her children not talking to her, really well – we see her reclaiming her lost faith in a realistic manner. Peter DeSouza-Feighoney gets into the terrifying child role really well. Laurel Marsden plays the rebellious young lady nicely too. The two ladies from the movie’s past, Carrie Munroe and Bianca Bardoe makes some fine terrifying and notable appearances which will stay with us for long.

How it finishes :: In relation to exorcism and the demons, this movie sets a new level of work in its genre that will inspire more of similar works. The way in which it asserts the presence of evil which cannot be understood, and will go to any extent. The movie has surely exceeded the expectations of the common horror fan, as it never came with the hype as it has been attached to The Conjuring, The Nun, Annabelle, Insidious, Ouija, Sinister and the others. It also leaves us with a lot of anticipation for a possible sequel, and its base on real events makes the whole thing even stronger. The ending makes us feel that bigger things are yet to come with more exorcism and fallen demons sent back to hell. This could actually become a franchise more powerful than the universe of horror that has already been created. The skill to make something out of even the simplest elements of horror can be seen here. As we all know the presence of evil, and it gaining in strength, watching more demons being exorcised adds to the hope for a future of goodness. After all, when facing a demon, horror is not always the most important thing that one needs to confront – there is more.

Release date: 14th April 2023 (Theatre); August 16th 2023 (Netflix)
Running time: 103 minutes
Directed by: Julius Avery
Starring: Russell Crowe, Daniel Zovatto, Alex Essoe, Franco Nero, Peter DeSouza-Feighoney, Laurel Marsden, Cornell John, Ryan O’Grady, Carrie Munroe, Bianca Bardoe

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@ Cemetery Watch
✠ The Vampire Bat.

The Mummy

Vampire Owl: It seems that finally the mummy has scope to be a real mummy.

Vampire Bat: What are you referring to, here?

Vampire Owl: Usually in the movies, the mummies are men, and so the mummy is usually a daddy.

Vampire Bat: And you are talking like a dummy, for which there is no need.

Vampire Owl: No, you should see the mummy lady in this one. She is cooler than most of the known mummies.

Vampire Bat: You know one mummy which is cooler. You just can’t pronounce his name.

Vampire Owl: Yes, why don’t they have simple names like Count Dracula?

Vampire Bat: Well, mummies are from very ancient Egypt, and going so long back, such names had to exist.

Vampire Owl: I am going to call them Mummy A to Mummy Z.

Vampire Bat: Yes, please do it, as long as they don’t hear the same.

[Gets the tickets with cardamom tea and special popcorn].

What is the movie about? :: In ancient Egypt, Princess Ahmanet (Sofia Boutella) is an expert in almost everything, and is undoubtedly the best warrior, and the next in line for becoming the Pharoah of the lands. The Pharaoh, Menehptre (Selva Rasalingam) also sees his successor in her, strong, courageous and one who doesn’t give up. Things are all going smooth until the Pharoah has a son with a newer, younger wife, which angers her as she realises that all her work has been for nothing, with this young child taking over the kingdom as the Pharaoh of Egypt when he grows up. Frustrated with the situation, she decides to take the throne in one way or the other. Knowing that she can’t do it by himself against the extremely powerful Pharaoh, chooses to worship Set, the god of evil, chaos and war. This particular god who had even killed his own brother Osiris helps her in return for unleashing himself on Earth – but, after killing her father, his wife and the baby boy, she is captured by the guards and mummified.

So, what happens next? :: With the princess mummified, and buried in a land far away, the curse of Set remains, as the promise to him in unleashing the god was not kept. Years later, somewhere in the present Iraq, Nick Morton (Tom Cruise) and his best friend Chris Vail (Jake Johnson) spend their time looking to gather what all antiques they can get from the area of the nation called Mesopotamia, which used to be the cradle of civilisation while having their own trouble with the locals as well as the terrorist organisations operating from there. It is during these times when they accidentally uncover a tomb, which seems to be Egyptian, much to the surprise of the archaeologist, Jennifer Halsey (Annabelle Wallis) who also lands there as part of her excavations. With the approval of Colonel Greenway (Courtney B. Vance), she goes into the tomb supported by Nick and Cris, ending up with a sarcophagus immersed in mercury, which they decide to take home.

And, what is to follow next in the adventure? :: Their trip is rather cut short as the flight is attacked by a huge group of crows, and Cris who was bitten by a spider inside the tomb also turns undead, and Nick has to kill him. The plane ends up crashing, and Nick manages to save Jennifer by using the parachute, but he as well as the others in the airplane are assumed to be killed. But Nick ends up waking up in the mortuary, with a vision of an undead Cris, and he also has visions about the princess. He begins having more and more visions of the princess and undead, and goes to the crash site only to escape from the princess and her newly resurrected undead. It is a secret society headed by Dr. Henry Jekyll (Russel Crowe) that helps them to escape, and after chaining the princess in such a way that there is no way to get away, explains to Nick that he is the key to her finishing the curse, which why he escaped without a scratch from the plane crash. Well, evil would always find a way, and so does the princess to escape and unleash herself – can anyone stop her in time?

The defence of The Mummy :: The movie does begin strongly, and there is certainly a nice beginning to the tale, with the interesting tale of the power-hungry princess of Egypt told and also with the mummy being unearthed, followed by the plane crash – there are also some nice visuals with everything, and the visual beauty is there throughout this movie no matter where things happen. Tom Cruise does a great job as the protagonist, and Sofia Boutella is amazing as the princess of Egypt returning as the mummy – the censor board seems to have worked very well to cover most of her tattooes; maybe they are against Indian culture more than we think they are, and it is not the movie makers who decide what we can watch, it is the current Chairperson of Central Board of Film Certification in India, after himself getting to watch everything because he can – we saw most of it in the trailer, seriously. Russell Crowe is sadly wasted in his role though, and so is Annabelle Wallis, both having characters going nowhere against a powerful, love-seeking mummy and an even more powerful human Cruise.

The claws of flaw :: There is a certain loss of direction regarding this movie – the same can’t be called as positive divergence, because it just goes on and on, even adding the elements of Jekyll and Hyde, and one has to wonder why it had to be done, when enough material is available from the tales of mummies; people end up wondering if they are going to add the Hulk next. It is as if the idea about making good blockbusters by reboot, is leaving Hollywood. Not sure why decided to bring the mummy from Egypt to Iraq and then to England, with not much of Egypt there in the picture – we would have preferred to see the Pyramids whenever the word mummy was associated, and not like what they did with the third of the mummy movies. It was Dracula who really had to come to England, a vampire, not a mummy. The humour is of no use, and the climax is of no strength, with weak twists, and the final sequence not interesting at all. Also, Tom Cruise’s character gets bigger than the mummy on whom the movie is really supposed to be about, and it is also a creature who can be captured with sharp weapons.

How it finishes :: The Mummy brings the tale of the undead creature from Egypt once again, and this time not exactly in the same path. This certainly won’t prove to be a match for the movie of 1999 and its sequel, The Mummy Returns. This is surely better than The Mummy: Tomb of the Dragon Emperor though, and one has to wonder if this stands any chance against Wonder Woman, or even the still running Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol 2. It will certainly not bring three sequels and four spin-offs unless there is a big improvement with a sequel. Even though not a bad movie as it has its interesting moments supported by visuals and thrills, the execution is not that much there, which should give it a disadvantage against the movies which released earlier – but with Tom Cruise around, this should do okay at the box-office. After all, it has been a long time since we saw a Mummy movie, and a female Mummy as the main villain brings more variety to the tale. But where we want Tom Cruise more is in movies like Edge of Tomorrow, Mission Impossible, Jack Reacher, Minority Report, Oblivion and many others. Underworld and Resident Evil franchises, despite being in confusion due to too many movies, could combine action and horror better.

Release date: 9th June 2017
Running time: 107 minutes
Directed by: Alex Kurtzman
Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe, Javier Botet, Selva Rasalingam, Dylan Smith, Rez Kempton, Chasty Ballesteros

@ Cemetery Watch
✠ The Vampire Bat.

Man of Steel

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Behold this moment, for this is that period of time when our childhood superhero, the most popular one of that time, would seem to be someone else when we look at the name of the movie which features him, but then we realize that he is still Superman.  He is the Man of Steel, as Batman is the Dark Knight, both rises and without any doubt, both would end. Both have changed and evolved so much that one can no longer use the common joke about Superman and Batman, what differentiates them from the common man without superpowers is the way they make the underwear into outerwear; for The Dark Knight and the Man of Steel no longer comes with the same, may be they found it incredibly difficult to find one, or in more modern terms, it doesn’t suit the new generation of so called stylish people who despite their own traditions in every possible way.  It is still good that they have learnt that what is to be worn inside should remain inside.  Actually, they are both not the superheroes who continue the legacy, as they move out of it.  Another thing is about this Steel Man and the Iron Man; considering the success of the Man of Iron, may be Man of Steel can make an impact close to enough to it, at least with the adults who still think Superman is a little childish, and with no doubts, too powerful for anyone to like. So, this is a new superhuman, as the alien takes a turn at the road not taken except for Christopher Nolan’s Batman.

This movie begins in another solar system, another galaxy, which might be strange for a superhero movie, as it is not usually expected unless the protagonist is He-Man of Eternia with all the focus on Castle Grayskull. But, this is a change which works quite well. We see that when the planet Krypton is facing total annihilation due to an unstable core, Jor-El and his wife Lara launch a small spaceship carrying their newborn son Kal-El and a genetic codex. Zod arrives in time, but fails to stop the launch; in rage, he murders Jor-El, but is captured, and he and his supporters are imprisoned in the Phantom Zone, a prison which holds its prisoners who suffer for almost eternity, thus serving as a device for damnation beyond the control of Satan. But they manage to escape when Krypton explodes and their control over the jail is gone. They travel around different planets looking for life as well as things to salvage. Meanwhile, Kal-El lands on Earth and is discovered by Jonathan and Martha Kent, who name him Clark and raise him as their son. So, the Earth’s location and its peculiarities provide the kid with superhuman abilities, which he manages to control with the help of his foster parents. This is where Superman begins his second phase, and the first known phase of this whole sequence of origins.

Living a wanderer’s life fearing for his own power and the possible reaction of the people of Earth about his strength and abilities, he finds a Kryptonian spaceship fron under the ice and meets the hologram of his own father which explains to him more about himself and his origins. The Daily Planet reporter Lois Lane comes to know about the same, but decides not to publish about him without his consent. Meanwhile, Zod finds his existence and comes to Earth with his followers and it is where the twist of fate takes place and the fun begins with the life or death situations, not just for Superman, but also for all Earthlings, all threatened by the superior technology and weapons of the Kryptonians as well as their superhuman strength on Earth. As he plans to terraform Earth and make it another Krypton, eradicating the whole population and replacing them with the Kryptonians with the help of the genetic codex, Superman chooses the side with which he is not supposed to get along despite his own evolution, that is humans. This is the choice which will define him in what is to come, as he is the alien, ghost as well as the guardian angel. With the help of the military and whatever is on his side, he has to prepare for the final battle, as the Kryptonians launch a world engine which terraforms the planet.

I guess Zack Snyder’s movies have never really disappointed me it, as Dawn of the Dead was good, Watchmen was even better, 300 was very impressive, Legend of the Guardians: The Owls of Ga’Hoole had my attention, Sucker Punch was much above the expectations, and here is Man of Steel which raises the expectations for the upcoming 300: Rise of an Empire for which it is incredibly difficult to wait. That should be a hundred percent record which is not seemingly inclined towards being broken. To add to it, the Greek hero of Immortals & the fairy tale princess-to-be from Enchanted make such a genuine combination on-screen even between such complexity and duality which surround an extraterrestrial heritage of thirty three years. Henry Cavill makes that super impact while Amy Adams as Lois Lane makes that character much more dearer to the viewers. Princess Giselle or Amelia Earheart from Night at the Museum: Battle of the Smithsonian will now be more of Lois Lane, and that less known Theseus surely has a more powerful real demi-god status this time. But this Superman is not just any other alien, as he is more human than any of the most wretched Earthling. He is more concerned about Earth and human life than the average common man who feeds on his own people and the mother nature. Superman is less involved with that title “super” which is a relief, as it is that word which one uses as a lie when many other words fail; welcome relief again.

As the movie is more inclined towards the Dark Knight series in its theme, but still resembles The Avengers in its alien invasion sequences, there is more to look forward to. Michael Shannon plays the impressive villain, General Zod – an iconic supervillain for sure. The villain is made for what he does, as the newborn babies are all created to be someone; to follow a path or duty – there is no moment when the person looks less focused on the one aim which is the return of Krypton’s life. It is more of a reflection of the current age, when the children are programmed into professional courses, rather than letting them make a choice. The result is just a profit-oriented world without morality and values, slowly moving towards total annihilation as in the case of Krypton. Antje Traue as Faora makes the villain’s sidekick, may be even as good as the General himself. Going back to her role in Pandorum, she is that person one might wish to watch in most of the action movies. Her fight sequence with Superman can be considered second only to the final battle. Laurence Fishburne as Perry White, the editor in chief of the Daily Planet, is that role which is surely going to be explored a lot in case of a sequel. Kevin Costner and Diane Lane plays the roles of Superman’s adoptive parents, and Russel Crowe and Ayelet Zurer his real parents from Krypton, providing some of the best emotional moments of the movie.

The movie is about choices, as Superman chooses to be human and not of his kind, and also chooses to hide between the people with whom he doesn’t belong. He also chooses to end his planet’s last hope of survival by helping the Earthlings. That might have brought the end of his culture and heritage, and all those which he could have achieved as the hero of his own race. In all these decisions, he makes him the most vulnerable, more mentally than physically. Superman is more of a man than the super being, something we could never associate with him during our childhood. Right now, it will be just right to say that he has made himself the most righteous superhero, many times better than Iron Man, and also above his nearest competitors who are Batman and Spider-Man. Well, this is set to break box-office records for sure, and it is already pulling in too much crowd at this part of the world even for those shows which are usually not even a quarter full. The lower critical ratings of this movie compared to the ones like The Avengers and Iron Man 3 forms another thing which is out of this world. The former has such ratings that even Superman might decide to choose any random Kryptonite prison for eternity rather than seeing these one-sided opinions which so many people are actually forced to believe. The movie also proves this dialogue from Kill Bill wrong: “Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he’s Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone. Superman didn’t become Superman. Superman was born Superman. When Superman wakes up in the morning, he’s Superman.” Superman became superman because Earth made him so; he was nothing at Krypton. Everybody has life molded by choices, whether it is Superman, Count Dracula, Batman or Skeletor, and it is faith, belief and hope that guides one side, and the exact opposites the other.

So, Man of Steel is a must watch for all action fans, as this genesis go back to the planet of Krypton with stunning visuals and powerful sound effects. There is still the emotional element which has not let go; not yet. The effect of The Dark Knight series is also something which seems to hide, but still stays there. The action sequences are breath-taking, and one can see how well one superhero does all that the whole team in The Avengers could barely manage to do – some might disagree, and they can have enough reasons for that. Here is the man who can smash and also get beaten up like the Hulk and Thor, be aggressive and agile as the Iron Man, be righteous and true to the cause like Captain America, be as accurate as the Hawkeye, and be a better fighter than the Black Widow. This one has won the battle of superheroes this year, as Iron Man 3 would surely have to take the backseat, not by a long distance though, for both would seem to belong to different genres as we consider the souls of them. Thor: The Dark World wouldn’t stand a chance as far as the things seem to be now. This is where you see the need for He-Man and The Phantom again, but this year has been booked by the alien from the other planet, and there is nothing to be done other than to watch this one and enjoy it.

Release date: 14th June 2013
Running time: 143 minutes
Directed by: Zack Snyder
Starring: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Russell Crowe, Laurence Fishburne, Antje Traue, Ayelet Zurer

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@ Cemetery Watch
✠ The Vampire Bat.