Freddie Fox – Movies of the Soul

What is the movie about? :: This is a tale which is only loosely based on Arthurian legends, even though the base pillars remain the same. For years, humans, the masters of the sword, and mages, the masters of magic have lived together in peace at the island of Britain, helping each other at times or adjusting to one another when there is a chance of conflict. But soon there is a shift of power and Mordred (Rob Knighton), a corrupt sorcerer alligned to pure dark magic decides to change this forever after commanding great power. With an objective which is nothing less than having complete dominion over mankind, his huge army that includes monsters and consistent spells lay waste to the settlements that stand before his powers of dark magic, and they attack the last human stronghold, Camelot. As the forces lay siege to his castle, the king of Britons, Uther Pendragon (Eric Bana), manages to break into Mordred’s lair of magic and behead him, causing the end of his magically summoned creatures and the retreat of other mages.

So, what happens next? :: Even though the people of the kingdom are relieved, Uther’s brother Vortigern (Jude Law) is not a happy man, as he wishes for all mages to be hunted and killed, something which Uther doesn’t agree. This angry and jealous brother decides to get rid of the king and sacrifices his wife Elsa (Katie McGrath) to the sea witches who had promised to help him in return. As Vortigern’s men seize the day and unleash chaos, a demon knight kills Uther in combat, after killing the queen, but he misses a young boy who drifts away and is found by prostitutes who raise him. The boy who is named Arthur (Charlie Hunnam) grows up to become a strong young man skilled in fighting, and loved by people around. One day, Arthur and his friends come up against a group of Vikings who had mistreated on the prostitutes, and they make the northmen pay for what they did. But as the Vikings were guests and under the protection of the king, it brings the king’s men to their small world.

And what follows the events? :: As a criminal against the king and his laws, Arthur tries to escape, but is caught by the troops who have been forcing young men to try and pull a mysterious sword known only by the name Excalibur from a stone, something which nobody was able to do successfully. When Arthur makes the attempt, manages to pull it off, only to be captured by the soldiers and brought before the king, who tells him that he is the son of Uther, and decides to execute him in public to make sure that there is no rebellion in the name of his dead brother or any prophecy related to a sword. Meanwhile, a girl, identifying herself as a follower of the great wizard Merlin (Kamil Lemieszewski), meets with Uther’s former general, Bedivere (Djimon Hounsou) with whom she plans to save the future king of Britons – the plan is successful, as they take him to their hideout.

So, where are things heading to? :: But Arthur is reluctant to claim that he is the one true king destined for greatness. Despite being told the same again and again, he only wishes to go back to his life as it used to be. Whenever he takes the sword and fights with it, he only has the nightmares of his parents’ death and he collapses. It is then the girl who is known only as the mage, comes up with the idea to send the future king to Blacklands, where mages reigned, and where the greatest of wizards, Merlin destroyed Mordred’s tower battling against his dark magic. There, Arthur witnesses and battles more, and has more of his visions of that day, with his father, mother, the sword and the demon knight who battled the king. He would return wiser, but can Arthur really believe in himself and his destiny, follow the path and come out victorious?

The defence of King Arthur: Legend of the Sword :: Well, King Arthur: Legend of the Sword might be one of the most beautiful and stylish movie you will get to see on screen with its CGI and the surroundings, even though the same is not always there. It is evident from the first scene itself when the evil sorcerer attacks Camelot with his supporters and creatures. The 3D is also the best used in this scene; the effects make sure that watching this movie in 3D will be the right option. There are those action scenes which has stones, arrows, swords, ashes, fire, ember; all things that keep flying on and off the screen – the demon knight is the one who looks the best in this movie, and the whole design of him is the pick right here, and then there are the sea witches joined into one, another creature that will have your attention along with the less explored ones from the trees. There is also the highly sincere performances from Charlie Hunnam and Àstrid Bergès-Frisbey, the former continuing the good work from Pacific Rim and Crimson Peak; there is even a strong villain in the form of Jude Law’s evil king. The music is great.

The claws of flaw :: Too many things in this movie seems too modern than classic, and the ancient tale would seem rather twisted in favour of modernity. There are no costumes or armour in the way that we had expected to see, and the story itself is so strange; it never really seems to get anywhere after a fine start. The quick talks and even quicker flashbacks don’t really help at all. The old classics shouldn’t give in to modernity, and if it does, there has to be a better story to support the same. Also, a more colourful world would have helped to elevate the level of 3D, or even a better distribution of darkness would have been nice. The tendency of the protagonist to keep running away, is also rather strange considering the circumstances – we shouldn’t really be judging a king, but for a strong young fighter, he runs too much from responsibilities and battles. There is also not enough of Merlin, and more display of creatures and huge battles like the beginning scene could have easily stolen many hearts.

How it finishes :: There was so much that King Arthur: Legend of the Sword could have achieved, for it had Excalibur, a Round Table, the Knights of the Camelot, the mages and creatures. But this one manages to give in to modernity, and be less connected to a rather classic side. This one does have its does of action and thrills, and an undoubted strength of style and visuals, and should work for a good section of viewers, but the possibilities are endless with this one, and we hope that the same can be achieved with upcoming sequels, if there will be any. Getting Petyr Baelish right out of Game of Thrones doesn’t bring the quality of the story in any way despite him being effective. There is not much that the actors could do to raise the level of this flick which will have a tough time ahead against not just Alien Covenant, but even when facing rather simpler movies. This is a tough box-office battle for King Arthur: Legend of the Sword from which no Excalibur or Merlin can save the king. A better sequel will do this one a lot of good, as long as it is really that better – with the reminder that this is no Sherlock Holmes.

Release date: 12th May 2017
Running time: 126 minutes
Directed by: Guy Ritchie
Starring: Charlie Hunnam, Àstrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, Jude Law, Eric Bana, Tom Wu, Freddie Fox, Craig McGinlay, Mikael Persbrandt, Lorraine Bruce, Hermione Corfield, Annabelle Wallis, Katie McGrath, Poppy Delevingne, Kingsley Ben-Adir, Neil Maskell, Millie Brady, Michael McElhatton, Kamil Lemieszewski, Rob Knighton

@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl :: None of our undead doctors have approved of this movie.

Vampire Bat :: That will not be a problem at all, because neither have the critics.

Vampire Owl :: So, we should still watch this one?

Vampire Bat :: As long as there is no ban, we can surely do that.

Vampire Owl :: Thankfully, we are not from a realm where there are bans on certain types of food, cinema and clothing.

Vampire Bat :: Yes, unlike these humans who are elected for no reason, Uncle Dracula is a lenient and intelligent ruler. Even the brain-dead Lich Queen knows better.

Vampire Owl :: We should let the clever film makers from the human side to work on their movies here.

Vampire Bat :: Yes, that will also be a big bonus for tourism; all is well as long as they keep their hatred, vanity, greed and envy outside our realms.

Vampire Owl :: And to avoid any temptation for the vampires, they should lock their necks, especially those veins…

Vampire Bat :: Stop! I am going to pretend that I never really heard that!

[Gets three cups of tea with tapioca chips].

What is it about? :: The tale begins and goes through the perspective of a nameless hunchback (Daniel Radcliffe) who works as the clown in a circus. He has been part of the circus for so long, and is more of a property of the circus, treated badly by most of the people there. But he secretly reads books that are stolen, mostly related to science, particularly human anatomy. He has feelings for an aerialist, Lorelei (Jessica Brown Findlay) who is injured during one of the shows. With no hope for her survival after falling from a good height, the hunchback tries his best to do anything, and at that exact moment, is aided by a stranger known by the name Victor Frankenstein (James McAvoy) who was attending the circus performance. Both succeeds in saving the girl who is taken to a hospital. This becomes the turning point in the life of the hunchback.

So what happens next? :: Victor Frankenstein has been a very ambitious medical student who has been working on something special. His aim has always been to make a discovery that would change the future. He has been scarred by his earlier experiences and wishes to make amends with his father (Charles Dance) who thinks that he is good for nothing and will never be anywhere close to his brother. He wanted to create life, and fascinated by a simple, uneducated hunchback’s knowledge in human anatomy, decides to recruit him for the cause as his assistant, and make things better and easier. So, he plans and manages a grand escape for the hunchback whom he names Igor, after his former room-mate. He drains the new assistant’s hump with his expertise and successfully hides him as the room-mate that he once had.

How does the journey go? :: The newly named Igor instantly impresses Victor, and they realize that they can go a long way forward. The police inspector Roderick Turpin (Andrew Scott) who investigates the disappearance of the hunchback realizes that something strange is going on, and it is against God. Considering Victor’s experiments as sins and his creations as unholy, he decides to stop him, whatever it might cost. They also come up against Lorelei once again, but this time as a different person. She also asks them to rethink about going against the natural order of things. But Victor and Igor are so close to their first case of success, but will that bring them glory or terror? What role will Lorelei play in this dangerous attempt at glory? Is it really an act against God, and what danger can this new creation from the grave bring?

The defence of Victor Frankenstein :: The visuals are really good with this one; there is a lot of style associated with the movie, and the cast also saves the day. Daniel Radcliffe and James McAvoy are good, especially the former who seems to have more control over his character. Jessica Brown Findlay also brings some charm while Andrew Scott is a fine opponent to the protagonists. The differences when compared to the original story has been nicely created. The messages are well placed, and they are mostly against vanity and the false ambition which stay strong within the main protagonist – he is so close to becoming Doctor Faustus, not just Doctor Frankenstein. It also asserts that there are things that cannot be changed and we have to accept them. There are some nice dialogues which keep making the point too. It has its own dose of entertainment too, and that matters.

The claws of flaw :: Victor Frankenstein needed a better flow in its story. It surely begins nicely, but gets lost at times. It is quite strange that the movie doesn’t try that hard to deviate from its source material from which it hasn’t really followed – there seems to be an attempt to return but at the same time staying different. The movie needed to be more certain with its story, and also could have dealt with its main characters differently – even though the main actors handle the whole thing well, better characterization and a much better background would have done them all, some more good. More horrors and thrilling moments could have been added to make its central idea about life and death more appealing; for now, they have done well to do that with the dialogues – maybe they could have done so without speaking that much about the same.

How it finishes :: Victor Frankenstein is another interesting movie based on Mary Shelley’s 1818 Gothic horror novel. The different versions of the same story or newly written extensions always bring something that can catch our attention, just like I, Frankenstein which extended the tale very nicely. In another case, there was Dracula Untold which brought another angle to the popular 1897 Gothic horror novel by Bram Stoker. If you are going to judge this one based on the many years old story, this is not the movie for you; but if you are ready to think from another angle, and understand the imagination behind making such a different attempt, you can surely go for this one, as despite not being that big Frankenstein movie, this is a fun movie which also leaves the viewers with some interesting messages to take home.

Release date: 27th November 2015 (India); 25th November 2015 (USA)
Running time: 110 minutes
Directed by: Paul McGuigan
Starring: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Charles Dance, Freddie Fox, Mark Gatiss, Callum Turner, Daniel Mays, Spencer Wilding