Eric Bana – Movies of the Soul

What is the movie about? :: This is a tale which is only loosely based on Arthurian legends, even though the base pillars remain the same. For years, humans, the masters of the sword, and mages, the masters of magic have lived together in peace at the island of Britain, helping each other at times or adjusting to one another when there is a chance of conflict. But soon there is a shift of power and Mordred (Rob Knighton), a corrupt sorcerer alligned to pure dark magic decides to change this forever after commanding great power. With an objective which is nothing less than having complete dominion over mankind, his huge army that includes monsters and consistent spells lay waste to the settlements that stand before his powers of dark magic, and they attack the last human stronghold, Camelot. As the forces lay siege to his castle, the king of Britons, Uther Pendragon (Eric Bana), manages to break into Mordred’s lair of magic and behead him, causing the end of his magically summoned creatures and the retreat of other mages.

So, what happens next? :: Even though the people of the kingdom are relieved, Uther’s brother Vortigern (Jude Law) is not a happy man, as he wishes for all mages to be hunted and killed, something which Uther doesn’t agree. This angry and jealous brother decides to get rid of the king and sacrifices his wife Elsa (Katie McGrath) to the sea witches who had promised to help him in return. As Vortigern’s men seize the day and unleash chaos, a demon knight kills Uther in combat, after killing the queen, but he misses a young boy who drifts away and is found by prostitutes who raise him. The boy who is named Arthur (Charlie Hunnam) grows up to become a strong young man skilled in fighting, and loved by people around. One day, Arthur and his friends come up against a group of Vikings who had mistreated on the prostitutes, and they make the northmen pay for what they did. But as the Vikings were guests and under the protection of the king, it brings the king’s men to their small world.

And what follows the events? :: As a criminal against the king and his laws, Arthur tries to escape, but is caught by the troops who have been forcing young men to try and pull a mysterious sword known only by the name Excalibur from a stone, something which nobody was able to do successfully. When Arthur makes the attempt, manages to pull it off, only to be captured by the soldiers and brought before the king, who tells him that he is the son of Uther, and decides to execute him in public to make sure that there is no rebellion in the name of his dead brother or any prophecy related to a sword. Meanwhile, a girl, identifying herself as a follower of the great wizard Merlin (Kamil Lemieszewski), meets with Uther’s former general, Bedivere (Djimon Hounsou) with whom she plans to save the future king of Britons – the plan is successful, as they take him to their hideout.

So, where are things heading to? :: But Arthur is reluctant to claim that he is the one true king destined for greatness. Despite being told the same again and again, he only wishes to go back to his life as it used to be. Whenever he takes the sword and fights with it, he only has the nightmares of his parents’ death and he collapses. It is then the girl who is known only as the mage, comes up with the idea to send the future king to Blacklands, where mages reigned, and where the greatest of wizards, Merlin destroyed Mordred’s tower battling against his dark magic. There, Arthur witnesses and battles more, and has more of his visions of that day, with his father, mother, the sword and the demon knight who battled the king. He would return wiser, but can Arthur really believe in himself and his destiny, follow the path and come out victorious?

The defence of King Arthur: Legend of the Sword :: Well, King Arthur: Legend of the Sword might be one of the most beautiful and stylish movie you will get to see on screen with its CGI and the surroundings, even though the same is not always there. It is evident from the first scene itself when the evil sorcerer attacks Camelot with his supporters and creatures. The 3D is also the best used in this scene; the effects make sure that watching this movie in 3D will be the right option. There are those action scenes which has stones, arrows, swords, ashes, fire, ember; all things that keep flying on and off the screen – the demon knight is the one who looks the best in this movie, and the whole design of him is the pick right here, and then there are the sea witches joined into one, another creature that will have your attention along with the less explored ones from the trees. There is also the highly sincere performances from Charlie Hunnam and Àstrid Bergès-Frisbey, the former continuing the good work from Pacific Rim and Crimson Peak; there is even a strong villain in the form of Jude Law’s evil king. The music is great.

The claws of flaw :: Too many things in this movie seems too modern than classic, and the ancient tale would seem rather twisted in favour of modernity. There are no costumes or armour in the way that we had expected to see, and the story itself is so strange; it never really seems to get anywhere after a fine start. The quick talks and even quicker flashbacks don’t really help at all. The old classics shouldn’t give in to modernity, and if it does, there has to be a better story to support the same. Also, a more colourful world would have helped to elevate the level of 3D, or even a better distribution of darkness would have been nice. The tendency of the protagonist to keep running away, is also rather strange considering the circumstances – we shouldn’t really be judging a king, but for a strong young fighter, he runs too much from responsibilities and battles. There is also not enough of Merlin, and more display of creatures and huge battles like the beginning scene could have easily stolen many hearts.

How it finishes :: There was so much that King Arthur: Legend of the Sword could have achieved, for it had Excalibur, a Round Table, the Knights of the Camelot, the mages and creatures. But this one manages to give in to modernity, and be less connected to a rather classic side. This one does have its does of action and thrills, and an undoubted strength of style and visuals, and should work for a good section of viewers, but the possibilities are endless with this one, and we hope that the same can be achieved with upcoming sequels, if there will be any. Getting Petyr Baelish right out of Game of Thrones doesn’t bring the quality of the story in any way despite him being effective. There is not much that the actors could do to raise the level of this flick which will have a tough time ahead against not just Alien Covenant, but even when facing rather simpler movies. This is a tough box-office battle for King Arthur: Legend of the Sword from which no Excalibur or Merlin can save the king. A better sequel will do this one a lot of good, as long as it is really that better – with the reminder that this is no Sherlock Holmes.

Release date: 12th May 2017
Running time: 126 minutes
Directed by: Guy Ritchie
Starring: Charlie Hunnam, Àstrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, Jude Law, Eric Bana, Tom Wu, Freddie Fox, Craig McGinlay, Mikael Persbrandt, Lorraine Bruce, Hermione Corfield, Annabelle Wallis, Katie McGrath, Poppy Delevingne, Kingsley Ben-Adir, Neil Maskell, Millie Brady, Michael McElhatton, Kamil Lemieszewski, Rob Knighton

@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl :: You are obviously talking about me.

Vampire Bat :: No, I am not. Why should I talk about you now when I am going to watch a horror movie?

Vampire Owl :: You said “deliver us from evil”. I am evil.

Vampire Bat :: No, you are not evil, not even remotely close to being a bad guy.

Vampire Owl :: But I am bad. Super evil.

Vampire Bat :: Owls are not evil. It is impossible. Bats are evil.

Vampire Owl :: You cannot take my right to be evil. I am going to owlify the world and establish my greatness.

Vampire Bat :: As if that is going to happen. You said you would do it before Mangalyan reached Mars.

Vampire Owl :: Damn. It all happens too fast. These strange space related things are not covered by the vampire newspapers.

Vampire Bat :: I would say that it is more due to your brain’s clock working so slow.

[Gets into the theatre].

What is it about? :: A cop Ralph Sarchie (Eric Bana) is going through some strange situations, as weird incidents happen in the city, and some of them has almost no reason or solution. A Spanish priest Mendoza (Édgar Ramírez) tries to convince the police officer that these incidents have something with it than what meets the eye. There are three former soldiers from Iraq who seems to be involved with the crimes that has occured in the city, and the priest warns Sarchie that it is beyond the human comprehension as there are two types of evil, primary and secondary, and it is only the second about which the humanity can find answers with its ability to understand things in the scientific way. At first, the cop refuses to believe that the three men are possessed, but he might not be able to hold on with that viewpoint for too long, as things go out of control, and it affects even his own relationships with his wife and daughter.

The defence of Deliver Us from Evil :: The scares are surely working, especially with a number of scenes in the basement which brings the best out of horror. The atmosphere is creepy, and is successfully kept that way and the tension is efficiently maintained. The darkness and the rain are two elements that nicely supports the shocks that the movie dares to come up with. The movie nicely manages to stay in control with the blood and gore elements as well as the horror, and this intermediate path which it has taken can make it a safer bet. There is an attempt to explain evil with the need for faith, and there is some skill in the characterization of the two leading characters who go on to fight evil. The moments in the zoo and the basement of a family with a complaint are two very nicely done scenes, invoking terror as well as mystery, and a certainty that there is something yet to come. The cast is also a fine boost for this movie.

The claws of flaw :: The movie needed a lot more explanations about what is happening around with demons possessing people and making them do things, and by passing through the portal into this world from the other dimension, the question would remain about what they achieve other than scaring people and in the process, killing a few. There had to be a plan which isn’t seen anywhere here. A comparison to The Exorcism of Emily Rose and Sinister which comes from the same director is not possible as this belongs to a lower level, and any comparison to The Conjuring is clearly impossible. The movie should have used more special effects, and it could have given a much needed boost to the scary sequences. The end scene is also weaker with a usual exorcism performed in not that powerful manner as it was expected from the way the movie was working with its creatures from the other world. The second half is weaker compared to the first which was an impressive start.

Performers of the soul :: Eric Bana is in full control of things here in one of my favourite performances from him ever. There is something about him that makes him good with this character, and I would guess that his looks and style is pretty much best suited to playing this role. Édgar Ramírez also has left a mark as the new generation priest who has kept himself modern, but has still remained within his priestly world. I remember him mostly as Ares from Wrath of the Titans, and here he seems to fit in better. The prettiest one around, Olivia Munn has an admirable stay, and her character has presence, but she is left is not much to do in a world of demons repelled by one priest and a police officer. Sean Harris as Santino is impressive with his possessions and nicely compliments the horror elements of the movie with his performance. Meanwhile, Joel McHale is also good in his supporting role. Olivia Horton also delivers some terror with her role as the possessed lady.

Soul exploration :: The movie is based on the real life experiences of Ralph Sarchie recorded in his book, Beware the Night also co-written by Lisa Collier Cool. I would guess that it would add to the spookiness and surely has me wishing to read the work some day – it would be difficult to get it here, but there will be a way. The title of the movie is the ending of the Lord’s Prayer. It is that need to be saved from evil that we can see in this movie. There will always be things which are not in our control, and humanity’s minuteness and vulnerability are among those factors which will solidify the same fact. It is a clear thing that we can’t know everything, and no mater how or to whom we pray, there is something that prayer can always do. There is evil in this world, and however we categorize them, there is the need for God’s grace to save ourselves. The free will is there, but it is not the permission to do evil; as there is the presence of sinister forces at work, and only by goodness and faith that one can be redeemed.

How it finishes :: The reviews from critics which were negative, has now improved and the movie has come close to getting a fifty percent, and I would expect it to increase further as the opinions from most of my acquaintances have been quite positive. The other movie of the week happens to be November Man which should have its own audience due to the presence of Pierce Brosnan. Surprisingly, Lucy and The Maze Runner are the movies which stay on to this week, and I wonder more about the former, as it seems to have stayed there so much longer than it was expected to thrive. Deliver Us from Evil should be the movie of the week, and it is going to be replaced by Annabelle as the most awaited horror movie of the year. There is also that expectation for Haider the Hindi contemporary adaptation of William Shakespeare’s Hamlet along with the seemingly dumb remake of Knight and Day which has been named Bang Bang! which attempts to repeat what Besharam did during last year’s Gandhi Jayanthi. Let’s hope that horror will find a way to thrive!

Release date: 26th September 2014 (India); 2nd July 2014 (US)
Running time: 118 minutes
Directed by: Scott Derrickson
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Olivia Horton, Dorian Missick, Rhona Fox, Valentina Rendón