Oddity

Vampire Owl: I would like to say that we are all odd.

Vampire Bat: We are odd for the humans indeed.

Vampire Owl: We have called odd by Dr Frankenstein millions of times.

Vampire Bat: Mr Frankenstein knows nothing about vampires.

Vampire Owl: Yes, he is a man of science and an expert in the same.

Vampire Bat: He is a man of pseudoscience like no other.

Vampire Owl: Well, humans call us as part of this pseudoscience too.

Vampire Bat: The lack of belief in God is slowly eating humans from inside.

Vampire Owl: I have heard that the demons of the night are also burning them.

Vampire Bat: I know that there is a great war coming among humans, bigger than they have ever known, and the godless world of theirs which twists religion for politics is going to burn.

[Gets a masala bonda and three cups of tea by Fort Cochin Beach].

What is the movie about? :: Dani Odello-Timmis (Carolyn Bracken), wife of Ted Timmis (Gwilym Lee), a renounced psychiatrist, moves to a new country house which is located in the middle of nowhere. As Ted works during the nights, and as the hospital is short-staffed, she decides to stay at the new house through the night and arrange a few things even though there is a lot of work to be done. She tries to call her twin sister Darcy Odello (Carolyn Bracken), who is a clairvoyant, but is unable to get to her on the phone. Olin Boole (Tadhg Murphy), a former of patient of Ted visits Dani on the might and asks her to let him in so that he can help her with the people who had gotten inside her home. Even though she feels that she heard some sound inside, she is reluctant to get him inside and asks him to go away. Olin tells her to call the police and seems to walk away. She is scared, but decides to stay inside and not open the door. But in the morning, she is found dead, and Olin is believed to be the murderer.

So, what happens with the events here as we just keep looking? :: Soon, Olin is also found dead in the mental hospital where he was admitted, and he seemed to have met his death in the most brutal manner. One year later, a woman named Yana (Caroline Menton) starts living with Ted as his new girlfriend. She is not happy about living in home in the middle of nowhere which had seen that one mysterious and brutal death. She feels that there is something sinister at work there, and she gets visions of the dead woman all the time. Even though she credits the same to sleeplessness, she wishes to moves to the city as her new boyfriend is always at the hospital during nights in the name of extra work and too many patients. Meanwhile, the twin sister Darcy, who has been talking to the spirits, seems to be in need of investigating the murder as she feels that there is something more to that particular murder. She decides to visit the house where the murders took place – what will she find there? Is there anything to find out?

The defence of Oddity :: The movie remains highly atmospheric, and this country mansion in the middle of nowhere is the perfect place to live as long as you are looking for horror. The setting justifies everything else, as we have the feeling that the supernatural is always around, even though the presence of a human killer or a psycho is also around to be felt. The movie has its own unsettling moments, and there are some red herrings which comes right out of nowhere. The movie does feel clean, with nothing unnecessary being put into use here. There is a lot of evil that runs through the background of the movie which can be used for a sequel too. The supernatural elements of this one can have another movie or even get multiple spin-offs. There seems to be a limitless journey like The Conjuring in store here, but due to the nature of this movie, we need to doubt such an existence. Maybe, this is only a beginning which will stay fine at the beginning.

The claws of flaw :: The movie remains too slow and continues to lag even with such a short run-time which could have been a boon here. There are too many moments when nothing much is happening, or at least make us feel so. Too many dialogues also send the movie into a struggle, as there are too much words and less action. There could have been some big action at least with those hallucinations, but that is not so. There are moments which are predictable, and at some point, we have already guessed a number of main things here – for a movie like this, it is not too acceptable. There are some elements and some characters who needed a detailed exploration, but that focus is certainly not here to be taken. The lack of focus comes back to haunt the movie at times, as the emotional attachment also leaves us on the way due to the same reason. Something at the centre of all these, also needed some explanation instead of coming alive in the end.

The performers of the soul :: The movie is led really well by Carolyn Bracken who plays two roles, one of an unsuspecting lady who is excited to move to a new house and loves her sister and husband very much, while there is the second sister who is blind, but is in contact with the supernatural as the one sister who is more determined than ever, and yet makes one feel that there is something strange as well as psychotic about her, along with being psychic. These are the characters so well-played that we fall in love with both, and there is that nice divergence from each other that we love to have. Gwilym Lee comes with the classic work as the man who does all the job, and is the man to look out for. Tadhg Murphy plays a memorable character and does it in a convincing way even though not present throughout the movie. Caroline Menton plays her character in a believable way with no pretentions. Steve Wall also stays in a notable role which becomes more relevant as the movie reaches the final moments.

How it finishes :: Oddity had so much scope to be something bigger, but it resists that tendency to search for grandeur with ease. The movie takes too safe a path here, and the same is evident at times. The movie could have been a psychological and supernatural masterpiece with elements from both sides, but that heavy load is not taken here, as there seems to a certain reluctance to go big. Therefore, as it is, this is one movie which works, and gives us some fine moments to remember, but there is nothing much that would extend its stay. This one is not going to be a Sinister, Insidious, Oujia, The Conjuring, Annabelle, The Nun or The Curse of La Llorna, establishing certain evil that we are going to remember for long. Instead, it is that common safe route horror movie which brings some innovation and shoots the scares that work with an abiding mystery all around. Let us watch this one and keep guessing on what is to happen next with its own suspense creeping into the classic space for horror.

Release date: 30th August 2024
Running time: 98 minutes
Directed by: Damian McCarthy
Starring: Gwilym Lee, Carolyn Bracken, Tadhg Murphy, Caroline Menton, Jonathan French, Steve Wall

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@ Cemetery Watch
✠ The Vampire Bat.

The Void

Vampire Owl: I have always liked the Void. It made sure that there was nothingness in our realm. It was beautiful.

Vampire Bat: There is more than void that brings the nothingness.

Vampire Owl: Void is actually better than the rest. It is quite harmless, unless you use it to tamper with the wheel of time.

Vampire Bat: You can’t manipulate the wheel of time with just the void.

Vampire Owl: Well, you can’t just manipulate anything like the humans do. They just lie, cheat and steal as they want to.

Vampire Bat: These days, they are busy spreading the same on the internet, right into the social media.

Vampire Owl: Maybe, we can put them right inside the Void.

Vampire Bat: The Void doesn’t take anyone who tries to get in – it chooses people with quality.

Vampire Owl: What about the Shadow Domain?

Vampire Bat: The humans might be capable of entering that domain, because they are that evil. We can keep this in the list of suggestions.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A man named James (Evan Stern) is seen running away from two people who shoots him, but misses. They hope to continue the chase and find him, but he reaches the main road and stumbles across a police car which is parked on the side. The police officer Daniel Carter (Aaron Poole) gets him to the nearest hospital which only has parts of it working after a fire, and will be closing down soon. There are only the minimum number of staff present there including Doctor Richard Powell (Kenneth Welsh), nurses Allison (Kathleen Munroe) and Beverly (Stephanie Belding), along with the inexperienced intern Kim (Ellen Wong) who was supposed to leave much earlier. Other than them, there are only a pregnant girl Maggie (Grace Munro), her grandfather Ben (James Millington), and the only patient admitted there, Cliff Robertson (Matt Kennedy).

So, what happens next? :: The hospital is not the best preference for anyone who is looking for the best of treatments, but its proximity makes it a good choice for the people living around. It is the only reason why at least three people from outside are already there for treatment. The state trooper Mitchell (Art Hindle) also follows there, as there has been a blood bath in a farm house, and he is also looking for James, who could be the one responsible for the same, as the is known to take drugs. Meanwhile, Beverly murders Cliff and attacks Daniel, who is caught with surprise by her skinless, bloody face, but manages to shoot her dead. Mitchell attributes this to James and some drugs which he was taking, which the nurse could have used for herself. Daniel who goes out to use the radio in his car finds things getting complicated as he is attacked by a cultist wearing a hood having the picture of a triangle.

And, what is to follow next in the adventure? :: An escaped Daniel manages to get himself back into the hospital, but two strangers are also inside (Daniel Fathers and Mik Byskov) who wish to kill James – in the confrontation, the doctor gets killed. As more and more cultists gather outside the hosptial, they understand how messed up the situation is, and tries to have some control. But it turns out that Beverly has come back from the dead, and she doesn’t even come close to looking the same. After failing to get hold of James, this animated version of her takes Mitchell, and kills him. They survivors finally manage to kill the creature, but there seems to be some more evil lurking under the hospital. They can’t get out as the armed cultists are waiting outside, and something threatens to come up and finish them off from the hospital’s basement – what will they do? The pregnant girl’s time is running out, and Daniel himself was stabbed – will they survive the night?

The defence of The Void :: Without wasting any time, The Void is ready and right into action, and this one keeps building on what it has in the beginning, bringing more horror into the material. You can feel the evil present throughout, and there is almost no way of how terrible it is; we just keep knowing its existence, and understand the chance that it could be fully unleashed at any moment. The scary moments work really well, and we see the effective use of terror in the form of undead creatures which are not zombies by definition. There is one nice scene where the heroes are caught between the creatures seemingly right out of hell rather than becoming walking undead in the form of zombies. There is scope for unleashing the most ancient and the most powerful of evil around here, and we know that death is only the beginning, once again. The cast is also pretty good, even though there is nothing big done. Caught in a half-burnt hospital, it is a nice setting for all.

The claws of flaw :: The blood and gore in this movie is going to keep some people away, as the movie gets violent early enough, only to get a few steps further as it moves forward. The Void might also be a little late in its arrival; if it had come a lot earlier, we could have enjoyed it as the first flick of a franchise which would have a fine cult following. The movie could have also used some fine, detailed creatures for its horror rather than those half baked ones, which surely adds to the horror, but not as whole. There could have also been better clarity with its story, and it could have made up a grand one with its proceedings – with this kind of a premise, there are so many places that its tale could go. But its chances are not fully explored here, as it ends in just an ordinary way instead of making it a big terrifying finish to a journey resembling the idea of hell.

How it finishes :: The Void will get more of interesting horror, and there is not that much of delay for this movie to take you on the terrifying ride. Even if not as good as those divergent horror movies like Don’t Breathe, A Cure for Wellness, Get Out, Lights Out, The Autopsy of Jane Doe and It Follows, this one has also has its own variety in treatment, as horror gets its dimensions explored yet again. There will be those haunting tales about ghosts on one side, and then there are these stories, which takes it to a different level – we will always love those movies like The Conjuring, Insidious and Annabelle, but we want things to bring more twist like this one, even if it is not a perfect story with all things coming together. Maybe, there could be a nice sequel to this one, working on its established origins, and making things better. We can only hope and wait for that though.

Release date: 7th April 2017
Running time: 90 minutes
Directed by: Steven Kostanski, Jeremy Gillespie
Starring: Aaron Poole, Kenneth Welsh, Daniel Fathers, Kathleen Munroe, Ellen Wong, Mik Byskov, Grace Munro, Evan Stern, James Millington, Art Hindle, Stephanie Belding, Matt Kennedy

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Apothecary

apothecary (4)

Vampire Owl :: My owlification procedure didn’t work yesterday.

Vampire Bat :: Why? You fell into one of those holes which used to be a part of what used to be our roads?

Vampire Owl :: That was last week. This time, I was trying to pronounce the name of this movie so that I can say that correctly at the ticket counter.

Vampire Bat :: The movie name is one of its kind. I don’t think you will need to pronounce it. They will just give you the tickets.

Vampire Owl :: It is okay then. I can’t pronounce it yet. Still working on it.

Vampire Bat :: Never mind. I call it Eco-Pathiri.

Vampire Owl :: That reminds me, I need pathiri.

Vampire Bat :: You need a blood shake.

Vampire Owl :: Yes, that too. Then I will pronounce it correctly.

Vampire Bat :: May that happen in this century.

[Goes to the ticket counter].

What is it about? :: The movie has the protagonist Dr. Vijay Nambiyar (Suresh Gopi) leading a wonderful life as a neurosurgeon and one of the most respected employees of Apothecary Hospital – a super speciality hospital intended for the high class people which charges an incredibly heavy price for the service that it provides. He is known to be someone who is able to have the grace of God in healing people, and has saved the lives of many people who had lost hope. He is married to Nalini Nambiyar (Abhirami), a gynaecologist working at the same hospital and with two kids. Subi Joseph (Jayasurya) is one of the poor and illiterate patients admitted to the hospital, and along with a few others, he is also a contendor for being a guinea pig for illegal drug tests which are going on in the hospital. Dr. Vijay is also forced to agree to the management’s demands for illegal drug tests on patients, but as he himself is admitted in the same hospital after an accident, things change. There will be a lot happening in one man’s mind – no doubt.

The defence of Apothecary :: Along with the wonderful performances from the cast, this movie can also boast about a straight-forward approach in its path. It doesn’t add any masala in its realistic world and keeps things as it should be. As Kung-fu Panda already found out with the dragon scroll, there is no secret ingrediant in this movie, and it is simple noodles. Every extra masala that you add to the movie noodles won’t always give the result that it is expected to give, and there are times when it has to stay real, and even in the imaginations, the movie achieves the same. Its social relevant theme and the message that it carries with pride are among the things that its makers can be proud about. It leaves the audience with thoughts far above what meets the eye, and this stimulation of the intellect should be made mandatory in the movies which end up crossing the limits of buffoonery and they should be chained to the pillar of sense at some point. The whole thing might have been a risk, but it is good to see that the director has chosen this theme and has given out the right message. It might not have been easy, but it is done. The end dialogues are excellent, even when preachy.

The claws of flaw :: The movie drags, and it does so for quite a long time. The movie can be considered too long for its theme and it stretches itself with repetitions which could have been something else. For someone who gave us Melvilasom on his directorial debut, this is a letdown. That movie was something special, one of the best ever made in the history of Malayalam movie industry, and measuring from that perspective, this movie has gone down. Such a comparison was expected as there was the line “from the director of Melvilasom” on the poster, and even as it can be avoided, the hopes remain partially crushed. Then there is that sentimental background music which runs through the movie and keeps coming out of nowhere to make us irritated. It should have been made shorter and to be capable of connecting better with the audience. There had to be a little more clarity on a few things related to the hallucinations and thoughts of our protagonist. There was to be some better editing too. The first part of the second half seems to drag the most, and almost makes this just an art movie.

Performers of the soul :: Suresh Gopi plays the protagonist and easily steals the show in a character that seemed to work for him like a beautiful dream sponsored by a genie. His moments of emotions as well as the preachy side are very much nicely handled. Jayasurya is also there giving life to a character which is simple and at the same time touching for the audience. Subi Joseph is a representative of the common man who comes to the universe of the elite, and it is well done. Asif Ali has a lesser job to do, but he finishes that well. Meera Nandan’s role is also small, but she is very good as Daisy, and the sadness that she displays is so effective for everyone who watches her on the screen. Abhirami has so less to do, as most of the time, she remains crying, but that is still not that much of a lesser job to do. The supporting cast is mostly okay even as there seemed to be some trouble with it as the characters of the doctors were a little too much on the same side which could have been avoided to add some neutrality. In total, it is good to be part of this movie.

Soul exploration :: Here is a special movie for the viewers. Unlike the usual expectation, this is not a medical thriller, but more of a medical drama. It is meant to make people think and there is no doubt about its success in the same. The whole movie is set inside a hospital and a lot of it inside the ICU, like the director’s last movie was completely shot inside a courtroom. It has been all about one building till now. As the earlier movie had talked about the prejudice that was there among the equals, this one talks about the patients’ existence as commodities as hospitals turn into big business ventures looking just for profit. That one had absolutely no drag though. But here, the relevance of the topic is much higher, as it is something of contemporary nature a lot more than anything else. It is just the same as educational institutions becoming places for business – there are always the hospitals. There are basically two types of commodities in our world – the student and the patient, both being good for business, and to be used as a medium to extract money from their loved ones.

How it finishes :: The movie is incapable of surviving in the theatre of much time, and it was evident from the expressions of the common people who were watching it. Surprisingly, they will like fake movies like Bangalore Days, 1983 and Neelakasam Pachakadal Chuvanna Bhoomi is rather a surprise for me though. After the box-office reports come, lets hope that truth won’t have to take that much of a fall, but the sad and depressing fact is that it will. There is no hope for movies like Apothecary in our theatres. It is not because of any other reason – it is because of the attitude of our own audience who are looking for just stupid fun, not even some intelligent entertainment. People ask for entertainment and they are provided the same, most of the time in a very low quality, but surprisingly, people are more than happy with the same. They come and see their favourite stars, sons of the stars or any relative of their favourite superstar on the screen and watch all the nonsense and clap like there is no tomorrow. The hope is just not there for the meaningful movies.

Release date: 7th August 2014
Running time: 150 minutes (estimate)
Directed by: Madhav Ramadasan
Starring: Suresh Gopi, Jayasurya, Abhirami, Asif Ali, Meera Nandan, Thampy Antony, Indrans, Kavitha Nair, Neeraj Madhav, Seema G. Nair

apothecaryy copy

@ Cemetery Watch
✠ The Vampire Bat.