Varikkuzhiyile Kolapathakam

What is the movie about? :: Fr. Vincent Kombana (Amith Chakalakkal) is the parish priest and also a much respected figure in the small remote island of Arayamthuruth. Being an ex-policeman, he believes in getting things right in his own way, and how to have control over the small law and order problems that happen in the island. He is determinted to make sure that everyone around him walks the right path. For the same, he walks around at night, and checks if nobody causes any trouble. One night, while going through his usual walk, he witnesses a murder, but it turns out that he just can’t speak about it. But he has to let the people and the police know about this crime without talking about it. Being a trained ex-policeman, he plans on finding the reason behind the murder and about how the victim ended up being one.

So, what happens with the events to follow? :: On the other side of the events is Joy Kattukkaran (Dileesh Pothan), a man with many secrets. Part of the same parish, he is one of the richest men in the village, and with his wife Lissy (Lena), seems to live a happy life. The other seemingly nice men in the village (Nandhu and Nedumudi Venu) also have their own secrets. The seemingly Victorian Compromise, was not working in anyone’s favour, as most people out there were not what they seemed to be. Caught between them, and hoping to solve a mystery won’t be Fr. Vincent Kombana, but Komban Vincent, a man with a long past during his life at Mattanchery. Now the question remains about how far the priest can go to bring the murderer to justice while staying within the borders of religion. Before the feast occurs at the church, he has to do it.

The defence of Varikkuzhiyile Kolapathakam :: The trailers had showed that there is something out there to be witnessed in this movie with grandeur. There is no lack of style here, and we are also introduced to a different kind of priest, and a beautiful remote island which brings a lot of beautiful visuals. There are some nice moments to go with it too. After Paippin Chuvattile Pranayam and Kumbalangi Nights, this is another movie to bring that kind of a setting with backwaters and showing simple lives along with problems faced by the locals. There are some nice twists happening here, and the interval punch is a perfect one. There are some funny moments, but the focus shifts, and we are given the idea that there is more to come with a major shift in the proceedings – the movie goes forward with the links being connected nicely. Things come together nicely in the end, and we are left with something to guess too.

The claws of flaw :: With the premise and the idea, Varikkuzhiyile Kolapathakam could have surely achieved much more. There are moments when the movie go extra-stylish and with some more drama than needed. It also shows a certain shift from the major point at times, and also takes some time to get into the mood – it is with the interval that the movie gets clearly into that path. With a murder mystery at the centre, and having a number of talented actors for support, this could have gone forward with many twists and turns as well as shocking revelations, instead of revealing a little too much early. When choosing an unconventional path, going for something special is easier, as things will easily blend in – it hasn’t been focused on, that much. Some of the jokes were also less effective, and there was chance to add more in that department too.

The performers of the soul :: Amith Chakalakkal brings life to the role of an ex-policeman and priest nicely. We have seen him in some notable roles, but the most significant one was surely as the leader of the gang of youngsters in Pretham 2. He remains strong throughout this movie, and even goes rather extra-stylish at some moments. The character could have done with less heroism, and without that stylish hero image. Among the senior actors, it is Dileesh Pothan who is there for more than anyone else. With certain negative shades, this is something that he does with ease, in his usual style. We know what he can make out of even the simplest of roles, and the director leaves something for us in the acting department too, every time. The negative side is safe with him, in a way that it rises when needed, so well.

Further performers of the soul :: Lena is there for a short time, but leaves her mark with ease – maybe she could have been there for more, one would feel so. Anjali Nair has that kind of a role which she has done a lot of times before – her smaller roles have remained notable. Shammi Thilakan provides some fine support in between, staying close to the protagonist. This is one role that becomes significant in more than one way concerning the story. Nedumudi Vendu doesn’t have much to do though – his character itself could have been replaced by any other doing the same kind of actions. Sudhi Koppa is also left with a small role, and Nandu has more though. The second outing of the director Rejishh Midhila after Lal Bahadhur Shastri of 2015 also helps him to make a point, as the whole level has advanced from there.

How it finishes :: It is always great to have movies like this without the so called superstars doing so well – Joseph did the same, rising out of its low budget status to become the best Malayalam movie of the year 2018, something which nobody expected with so many big budget movies releasing in the year with many big names associated with them. This one won’t be the same for this year, but the effort has been good to go this far, with its title coming from Manianpilla Raju’s character Hitchcock Kanjikkuzhi in the movie No. 20 Madras Mail. During these times when good thrillers are hard to come, Varikkuzhiyile Kolapathakam takes the pain to bring something different, and it is to be appreciated. It is to be noted that we have had some good time with Malayalam movie industry so far, and it has been just near 2 months.

Release date: 22nd February 2019
Running time: 123 minutes
Directed by: Rejishh Midhila
Starring: Amith Chakalakkal, Dileesh Pothan, Lal, Anjana Appukuttan, Baby, Dheeraj Denny, Gokulan, Sudhi Koppa, Anjali Nair, Nandu, Kainakary Thankaraj, Shammi Thilakan, Nedumudi Venu

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June

What is the movie about? :: June Sarah Joy (Rajisha Vijayan) considers herself to be an ordinary girl with no special talents, which is the reason why she is upset that most of the other students who join her class are able to do so much more. Her parents (Joju George and Aswathi Menon) care very much about her as she is their only child. Noel (Sarjano Khalid) is her newfound best friend who is elevated to the level of her boyfriend. They get to connect well with each other as they are both considered to be lagging with their talents. As time progresses, she is able to make new friends, and her Plus Two batch of 2007 is finally able to become a batch to remember not just for the students, but also to the teachers. But at the same time, when her parents find out about Noel, she decided to end their relationship. She joins a nearby college while he travels to Mumbai to stay with his parents and to continue his studies.

So, what happens with the events to follow? :: The best friends go in their own ways, and June is left with the memories of Noel. She goes through her college days without much of an enthusiasm as she is still caught in her life in Plus Two. After completing her degree, she decides to go for an interview in Mumbai and meet Noel at the same time. She stays with her Plus Two classmate Abhirami a.k.a. Mottachi (Vaishnavi Venugopal) who is also working there, and finds Noel to begin the next phase of their relationship. But things are not that easy as she thought they would be. She has to deal with his family as well as hers, and at the same time, maintain her own independence. About their life, what Noel thinks might not be the same either. So, the question remains about what awaits her in the rest of her life.

The defence of June :: The strength of June lies not just in the performances lead by the female lead, but also in the memories that it creates. It takes us back to the school days, and even though it is not an exact reflection of the memories as it was recreated in Om Shanti Oshana, this one is surely an effective one, thanks to a better performance from the female lead in comparison to that older version. The movie is also a clean entertainer for the family audience, with nothing that makes them doubt about their plan to watch the movie – keeping it so, and at the same time, funny would have been a difficult job, but is done with skill. The climax and the final scenes are beautifully done too, and it talks not just of love, but of nostalgia and friendship that comes back after a long time. The music is nice, and suits the mood of the movie. The songs come too often, but they are nice to hear.

The claws of flaw :: The movie’s idea to skip the college days completely is one strong negative point on this movie – the second half could have used some of that too, and in that case, being a coming-of-age story in the lines of Premam and Om Shanti Oshana, this one has a little missing part. There is no life that serves as a coming-of-age story without the college days, because it doesn’t matter who denies the same, there is something about those moments all the time. It is where bildungsroman struggles. The movie is also a little bit too long, which is why one can feel certain drag with the romance. There was surely more scope to make this one better. It has to be noted that not everything in the movie brings the memories of school days, and not all jokes serve to be that effective. But as the industry is once again becoming hesitant to experiment, June is surely one another welcome move.

The performers of the soul :: Rajisha Vijayan who won the Kerala State Film Award for Best Actress for her performance in her debut film Anuraga Karikkin Vellam, which was also her first movie, once again makes an impression, as we had expected from the trailer. Georgettan’s Pooram and Oru Cinemakkaran never really gave her any challenge as movies which kept at a certain level, never trying to rise or give its female protagonists opportunity to do much. She takes over the protagonist, and has the sixteen year old going through to the next ten years of her life, even though three years at college are absent. The moments during the Plus Two time period are done with amazing skill, and the latter moments are not far behind, and they seemed to come naturally to her. With the whole movie completely dependent on her performance, she makes sure that she comes up with only the best.

Further performers of the soul :: Along with Rajisha, there are others to add to this one very well. Joju George gets another fine role after Joseph, unlike the insignificant one he had to do in Lonappante Mamodeesa. He nicely gets into the father role here, and has some funny as well as touching moments to go with it. Aswathi Menon who is best known for Sathyam Sivam Sundaram and its highly popular song “Walking in the moonlight” has the mother role here, and she makes it a good one. Sarjano Khalid, the debutante who plays a male lead does well, as if he’s been there before. Arjun Ashokan has also done a good job, especially in the second half. Among the actors and actresses who plays the protagonist’s friends, it is Vaishnavi Venugopal who shines the most. That should be among the most natural performances not by a main or secondary heroine, in a long time. The other newcomers are also good talents, as we can see here.

How it finishes :: Releasing at the same time as Oru Adaar Love released, this one uses less hype and more quality to be assured of a more solid run. After Aadu 2, Vijay Babu becomes the producer again here, and we expected a performance to remember from Rajisha Vijayan – it is the same that we get here. This one stays close to life and memories, along with being another feel-good movie which touches our hearts after Vijay Superum Pournamiyum, Njan Prakashan and Ente Ummante Peru. June is also one movie which does so much justice to the trailer, as it is more or less the same thing that we watched earlier and expected. Even though Kumbalangi Nights and 9 are there, this movie should take over some of the presence of the latter, and keep going, because the movie is many different things to different people.

Release date: 15th February 2019
Running time: 141 minutes
Directed by: Ahammed Kabir
Starring: Rajisha Vijayan, Joju George, Sarjano Khalid, Aswathi Menon, Vaishnavi Venugopal, Nayana Eliza, Arjun Ashokan, Sanju KS, Akhil Manoj, Harisankar, Sruthy Suresh, Margret Antony, Raveena Nair, Aju Varghese (cameo), Sunny Wayne (cameo)

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9

What is the movie about? :: Dr Albert Lewis (Prithviraj Sukumaran) is a very successful astrophysicist who have had a love for science since his childhood. He didn’t have that family life that he wanted though, as his wife Annie (Mamta Mohandas) died with childbirth, and his son Adam (Master Alok) is a known menace in the neighbourhood as well as school, leading to multiple change of educational institutions. As Adam was involved in another incident which left his cousin on a wheel chair, even the relatives are hostile to the boy. With Adam being expelled from his school in the middle of the term for another fight with a student, he gets an assignment from his mentor, a world famous scientist, Dr Inayat Khan (Prakash Raj). The idea is to watch, analyze and record the scene of a huge comet from the Himalayas, where it would bring a different scene altogether. With his team mates and Adam, he reaches the place, and stays at a remote guest house owned by his mentor.

So, what happens with the events to follow? :: It turns out that this comet is not your usual one. It produces an Electro Magnetic Pulse which would disrupt the modern day life – there would be no electricity, internet or mobile phone; modern day vehicles wouldn’t be able to provide transportation. It would be more or less like going back to nature, without having those facilities which people hold dear. There is panic all around, and Albert who reaches the seemingly Victorian-styled huest house makes sure that there are enough candles and lanterns. He also makes some adjustments to an older vehicle and makes sure that it works even though the usual transportation shuts down. As the shut down occurs, the sky turns red. Albert who is watching the amazing sight comes up again a stranger, Ava (Wamiqa Gabbi) who is lost in the woods. He takes her to the guest house, but there seems to be something special about her. She seems to be holding on to some secrets – what would they be?

The defence of 9 :: There are so many things being dealt with, in this movie which is a combination of genres. The horror in this movie is nicely done, and we have the same with a seemingly Victorian Gothic setting which has everything for a horror thriller. The supernatural, death and decay, ancient beliefs, unsolved mysteries, nightmares, hallucinations, large old building with only a few people, darkness, loneliness, fear – they are all there, and at the same time we wonder if some alien terror is going to be unleashed or if the world is going to end. The mystery element is also nicely made up, and it goes right through the movie. The darkness is the most beautiful thing in the movie, and you fall in love with night here. There is quality in how the setting has been used, with the beautiful as well as creepy visuals; the sound effects are also lovely. There are many Hollywood movies that comes to your mind, and also that same quality.

The claws of flaw :: The story here is not that easy to digest for everyman. It just puts too many things in here and also has an ending which is left open as well as unclear. It is also too long and has too many scenes with the apparition of one dead wife appearing, a case of terrible repetition which could have been avoided. The ending could have also been more direct – even though having multiple interpretations is not that bad, the horror feeling that was established earlier should have been allowed to continue to make an impact and leave the theatre with the audience. After all, the audience have gone through all these, and one of those interpretations just nullify the same. It is the supernatural of the movie that rises above everything else here, and the same should have taken full control and came to a conclusion in the end – well, when there is a chance to go full Gothic in a setting like this, I would take it.

The performers of the soul :: Prithviraj takes another divergence and another risk with this movie, but this doesn’t trouble him that much because he has been to such a situation before. He has played the protagonist looking for answers, who would be wandering through mystery and horror in different films. We have seen him in the dark flicks like Memories, Adam Joan7th Day and Ezra, making nice impact. The Hollywoodish feeling that he maintained even in last year’s Ranam and Koode are also to be remembered. Prakash Raj is just there for some time, and there is just him going through the long talk and no action. Mamta Mohandas is just there for the song with very short flashbacks and to keep coming back as apparitions in stylish clothing – there could have been more. Mamta is not someone who is to be restricted to that, as we feel that the flashback is more relevant than ever in this movie.

Further performers of the soul :: At the same time, Master Alok brings a fine performance as the child in trouble, and we see something that makes him right for the genre. Back after the much appreciated Godha, Wamiqa Gabbi is fantastic as the mysterious girl who turns out to be more than just a damsel in distress troubled by a piece of comet. There are fine moments which reflects the creepy side is a beautiful way, as she walks through the huge building as lights are turned off, staring outside from a bath-tub and coming up with a mysterious, creepy smile on more than one occasion. She seems to blend into the Gothic horror so well, and I will be glad to see her in a full-horror movie. You look here, and feel that she could be in something like Crimson Peak. Rahul Madhav and Adil Ibrahim are there in smaller roles, and we also see some unknown actors who are there for a short period of time leaving something nice behind.

How it finishes :: It can be seen that 9 goes through different genres at the same time. There is science fiction and the supernatural, as the movie is a psychological horror thriller with a scientific background. It is the first big movie to combine all these well, and one of the first movies to deal with some science fiction of such grand scale. There are questions that go unanswered with the same, and there are moments when we feel that the grip is lost – it could have surely been better, but as it is now, makes an interesting watch. 9 is surely an effort in the right direction, and we can hope to have more movies of the same kind after this. If a combination like this can have everything in the right quantity and quality, there is no limit to how good it can be. Until such a movie is made, we can go to the theatres and enjoy 9 this week.

Release date: 7th February 2019
Running time: 149 minutes
Directed by: Jenuse Mohamed
Starring: Prithviraj Sukumaran, Prakash Raj, Wamiqa Gabbi, Mamta Mohandas, Master Alok, Tony Luke, Vishal Krishna, Rahul Madhav, Adil Ibrahim

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@ Cemetery Watch
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Kumbalangi Nights

What is the movie about? :: Four brothers Saji (Soubin Shahir), Bonney (Sreenath Bhasi), Bobby (Shane Nigam) and Franky (Matthew Thomas) live in a small house which on an abandoned side of the fishing village of Kumbalangi. Born and brought up in a remote area on the island which came to be connected to mainland Kochi by a bridge only a few years back, they have been living happily, content with what they have. Their small area itself forms a very small island where people abandon their dogs and cats. Saji and Bobby doesn’t have jobs even though the former manages to get something without working. Bonney works with a music and dance troupe while Franky is a student and a football enthusiast. Things seem to be going smoothly even though none of them has any real purpose in life. They fight with each other and also with others, and have some drinks, wasting their time without regret. There are no thoughts about future either.

So, what happens with the events to follow? :: Things have a twist when Bobby falls in love with Babymol (Anna Ben) who has been admiring him for a long time. She works in a resort at Kallenchery side of Kumbalangi as a tourist guide and also runs a home-stay near her home. The two wants to get married, but her sister Simi’s (Grace Antony) husband Shammi (Fahadh Faasil) decides things in the house due to her father’s demise, and he wouldn’t have him as a co-brother. Shammi wants someone who is equal to him, and asks Bobby to get a job and renovate their small house. Bobby finds out that Shammi is not someone who can be reasoned with, and gets to work. But can Bobby get to marry considering the fact that Shammi is considering more than what he says? Also, can the brothers settle their differences and stop fighting each other at regular intervals for different reasons?

The defence of Kumbalangi Nights :: The first thing that strikes you here is the presence of those Chinese nets against the beautiful backwaters and greenery, captured so wonderfully. At night, the sight becomes even more beautiful, becoming the enchanting Kumbalangi – the visuals are too good. Supporting the same, are some excellent performances from each person on the screen – being a movie which gives equal importance to its characters, we see nobody backing down here. The emotions and the funny side stand at two sides of the backwaters, sometimes jumping into water together, and at times, one after the other. As a realistic take on the life of struggling people, we listen to the local slang, and we also see common factors of life. If you have been to Kumbalangi, you will see a few things which will remind you of the village – not just the fishing nets, but also the bridge to Kumbalangi, the path to Kallenchery, the Kallenchery Resort and others. There we love the simplicity that the movie displays.

Positives and negatives :: The nights at Kumbalangi is a tale of the abandoned, who seek redemption within the world which has become a part of them. The lives of the subaltern nicely gets the treatment that it deserves. It is not like those movies which choose “jobless youngsters becoming gangsters” to show the same idea, because Kumbalangi Nights nicely manages to think above that idea. It destroys the stereotype that Angamaly Diaries also created earlier in the name of a realistic tale, and goes for real, common people instead of thugs. Kumbalangi Nights is a welcome metamorphosis from the usual to the unusal, an extension of the movies like Maheshinte Prathikaaram and Thondimuthalum Drikshashiyum. As it touches you deep with its realistic depiction of all things with even more realistic dialogues, from the talk about true love to those related to family and relationships, there is no reason for you not to watch it. You can ask for more from the story, but the tale here is of life itself. It still takes some time to get going, and can be considered to be slow in the beginning by a few.

The performers of the soul :: The four actors who play the four brothers form the core of the movie. Among them, it is Shane Nigam who plays the Romeo character that touches your heart very early. He excels in those romantic sequences too. We remember those early signs in Kismath which were so nicely carried into Parava, and Shane is now here, playing another character so naturally. Soubin Shahir is fantastic with those emotional scenes and the character never fails to bring the funny side alive too, even when things are going very serious. He has those moments that touch hearts so well in the second half. Sreenath Bhasi plays the mute character very well with actions and expressions. Matthew Thomas who plays the school boy is not far behind either. We see how well they combine to make the moments in this flick so much better. In their journey, in their transformation, in their brotherhood, we find our messages of life as they find redemption.

Further performers of the soul :: Two leading ladies add to it in the same way. Grace Antony does her job in a believable manner, becoming the local house wife as one would expect her to be. She also proves that she can handle the funny side really well. At the same time, the debutante who leaves a fantastic mark here is Anna Ben. Among all the dialogues in the movie, it is those that she says that stays with us for long. Those related to “true love” and “knowing Jesus” are among them – we feel those to be so natural that whether they are emotional or funny, they go deep. Then you see Fahadh Faasil who steals the show each and every time he appears on the screen, and by the end, we see him in a performance that we least expect. There is more to his character than what meets the eye, and we have had that feeling before, in Varathan – no we are not going to find such exaggeration here, because this is the life of everyman with struggles rather than someone with the silver-spoon. We have no heroes here – instead, we have people whom we understand, and their myriad of emotions taking roots within us. Heroism is shown to be abnormal, and what the villain wishes to display – others live life.

How it finishes :: This is one movie which surely doesn’t look like the director’s debut film, as one would find it difficult to come up with complaints here. The choice of Kumbalangi is a smart one too, and it makes sure that things get closer to perfection unlike Paippin Chuvattile Pranayam which couldn’t do the same even with backwaters all around. There is poetry in Kumbalangi Nights, with its beautiful backwaters, and the lives of people who face abandonment just like their surroundings, and how they seek redemption. It is a realistic through the common man’s life with all those emotions coming from within, and we see how the setting contributes to making the story even more beautiful. Last year, we had to wait till Joseph to have the best of the year, and this year, this month, with Kumbalangi Nights, the best of the year might have come early. With it lighting up our world, we no longer have the darkness of the nights, as they are replaced with (k)nights in shining armour who reflect the light.

And here is one beautiful song to add to it:

Release date: 7th February 2019
Running time: 135 minutes
Directed by: Madhu C Narayanan
Starring: Shane Nigam, Anna Ben, Grace Antony, Sreenath Bhasi, Soubin Shahir, Fahadh Faasil, Ramesh Thilak, Matthew Thomas, Dileesh Pothen

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@ Cemetery Watch
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Lonappante Mamodeesa

What is the movie about? :: Lonappan (Jayaram) runs a watch repair shop in the small town of Manjapra near Angamaly, and Shameer (Hareesh Perumanna) is the one who does all the repairing jobs there. Lonappan doesn’t get much of an income from the shop, but he is not able to close it because it is family property. He is unmarried, and also has 3 unmarried sisters (Shanthi Krishna, Nisha Sarang & Eva Pavithran) – as they are not getting married, he is also not thinking about getting married. He is someone who used to be called “Tolstoy” for his story-telling abilities when he was a child. But the situation at home had forced him to stop his studies and take over watch repairing business. He is not satisfied with the same, and doesn’t even try to make things better. The watch repair shop remains exactly in the same shape as it used to be earlier.

So, what happens with the events to follow? :: One day, Lonappan has a get-together with his former classmates from nearby school, and he realizes that he is the only one in their class who couldn’t get settled down. His old friends Kunjootan (Dileesh Pothan) and Neelima (Kaniha) are married, and they have settled down with good jobs in the Middle East, even though Lonappan was supposed to be the smartest of the students in their batch. The confidence given by the two makes him wonder what he can do differently to achieve success. There is frustration in his mind, but that doesn’t stop him from trying a few things differently much to the dismay of his sisters who find his actions to be strange and hopeless. Now the question remains if he can find success in his life. Whether his newly found plans will work or not, will be revealed only in the future.

The defence of Lonappante Mamodeesa :: The protagonist nicely becomes an example of people who couldn’t get to become what they wanted in life because of circumstances, and what was imposed on them by family and relatives. It is a case that is quite common, and it is a situation that too many people have faced in India, especially in Kerala – the rise of engineering was only one of such cases. With the feel-good elements, it is something that we can’t hate, and as a reflection of an everyman character, it is something that we don’t want to avoid. The emotional side is strong at times, and we can stay close to the life of the main character. It is up to the character to go through another baptism to bring the change to his character, and it is baptism by fire that can make sure about it.

The claws of flaw :: The movie is certainly confused about how it is going to bring about the change in the protagonist. The quick ending makes that clear, as we wait for something special to happen, but there is no such thing. The music is not memorable at all, and some of the characters in the film are not even needed. The subplots are not that much there, and some incidents don’t really have purpose. The transformation of the protagonist is not shown in the best way, and the movie is lacking in comedy, even though there were many chances for the same. Even the leading lady is wasted without being given much of a chance to keep staying on the screen. There are so many opportunities being wasted here, as we know that this was meant to be more. Lasting for just more than two hours, this feels longer because of missing the path on different occasions.

The performers of the soul :: Jayaram is the one family favourite actor whom we love to in roles like this. But it is a disappointing truth that except for last year’s Panchavarnathatha, there hasn’t been a movie which could rise above average status since Nadan and Lucky Star in 2013. Daivame Kaithozham K Kumar Akanam, the other movie of 2018 was a big pain, and we can be glad to see that this movie comes close to bringing the glory back up, even though it never really manages to do that in the end. Jayaram surely has returned to form, being at his comfort zone, playing a character which brings him no real challenge. Playing a commoner who has to go through many struggles, something related to family and at other times related to personal life wouldn’t bother him at any moment, and we can see the lovable Jayaram model on a number of occasions, and it brings us hope that things can get only better.

Further performers of the soul :: Anna Rajan with the Angamaly Diaries and Velipadinte Pusthakam fame plays the female lead, even though there is not much there for her to make an impression. Eva Pavithran who was last seen in Rockstar, Nisha Sarang of Uppum Mulakum fame, and Shanthi Krishna who had made a comeback with Njandukalude Nattil Oridavela are there as the three sisters of the protagonist, doing a fine job. Hareesh Kanaran is there to bring the comic side to good effect, but we can see that it is limited – the opportunity for comedy itself is not that much there to be taken, and it is wastage of his skills. Kaniha is there just for the sake of being present. Dileesh Pothen has some nice moments for us to remember, as he does that each and every time he comes on the screen. Alencier Ley Lopez’s priest role is also something that goes limited. Joju George, after the greatness of Joseph, gets a role to be forgotten.

How it finishes :: A return to family track can be seen for Jayaram with Lonappante Mamodeesa, and we know that there is hope for more. The main idea is about dreams and how people are often unable to reach where they wanted to be, or where they deserve to be – the power of the twist of fate is so. This one appeals more to the family audience that anyone else, and goes the predictable way to bring the feel-good factor. The focus on feel-good for success has let something else go missing though – we remember how Njan Prakashan, Ente Ummante Peru, Vijay Superum Pournamiyum, all tried feel-good with fine effect within a gap of one month. Even though this one wouldn’t live up to that level, it also goes on to make it count in the list of movies belonging to the same category, and striving to get into the minds of the family audience.

Release date: 1st February 2019
Running time: 135 minutes
Directed by: Leo Thaddeus
Starring: Jayaram, Anna Rajan, Eva Pavithran, Joju George, Kaniha, Hareesh Perumana, Shanthi Krishna, Alencier Ley Lopez, Dileesh Pothen, Niyas Backer, Nisha Sarang, Innocent, Sneha Sreekumar

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@ Cemetery Watch
✠ The Vampire Bat.