Vettah

vettah (1)

What is the movie about? :: The City Police Commissioner, Sreebala IPS (Manju Warrier) is investigating a case about one missing actress and her old friend; the possibility of a kidnap and a murder is there, and all signs lead to one man only, Melvin Philip (Kunchacko Boban) who claims that he killed both of them and has buried the corpses at a certain location which he cannot remember. Further questions don’t reveal much as he keeps repeating one particular part of his tale. ACP Xylex Abraham (Indrajith Sukumaran) helps Sreebala in the case, and is troubled by his own family problems. The story of Melvin goes back to his own life, and his relationship with his wife Sherin (Kaadhal Sandhya) after an inter-faith marriage and the loss of their daughter, finally leading to the death of her too.

So, where does the investigation go from there? :: Here, during the questioning, Melvin talks to the police officers about trust and its role in life. With the case of Melvin, it is not incident of two people missing that comes to the light, but many facts which were rather hidden. There is the case the accident of Sreebala’s father (Vijayaraghavan), the relationship between Xylex and his wife as well as a lesser known past of Melvin, all coming to light, and each of these being connected to the other, the past to the present and the future, all things being revealed as the story progresses towards the end. So, will Sreebala and Xylex find the missing people, and are they really dead as Melvin says? Is Melvin really the culprit, and has he killed these people or is he just some random person who lost his sanity after the death of his wife and daughter?

The defence of Vettah :: The mind game factor remains the core of the movie, as manipulations make the most impact around here; the intelligent entertainer comes to the picture here. There is nothing of masala here though; for there exists no comedy and no action sequences at all as the brain game keeps going here. The final twist is a working one and does justice to the rest of the movie. The suspense is maintained well throughout the movie and we will keep guessing about how it will go towards the end. As this one released without a trailer, and a lot less known about the flick, there was a certain amount of mystery surrounding this one, and that brings the surprise to light. There are also some messages related to how the world works, as the movie takes one through the darker side where justice is rather difficult, and revenge becomes the more realistic option. The visuals are also very good.

Claws of flaw :: I am pretty much sure that a lot of people will have problems in following this movie due to its choice of following a different and more complex path. Some people would surely ask for more explanations, and if you miss some points, you will miss a lot. The movie also leaves a few occasions without making much impact, even though the moments could have been better. There is also a certain amount of slowness that you feel in here, and the pace could have actually increased better in the earlier stages too. A number of scenes could have been avoided or presented in another way, but it still works in the way that we see them. The story of each main character could have been separately developed, and that of Indrajith’s character could have used a lot more of ideas too. There is nothing much in the music.

Performers of the soul :: We haven’t seen Kunchacko Boban as someone with this much negative shades on that many occasions; and he has managed this one really well – he comes up with the biggest score here. There is a certain amount of wicked beauty about his character on a number of occasions, and it works really well for him. His smile is something that gives you the clue about what you are witnessing, which is part of a bigger plan, and it has the nice dark side waiting to unleash itself. It is a lot his movie rather than of any other. The idea that many people might have had earlier with the investigation belonging to the two police officer characters will take a u-turn related to this one. It is Kunchako’s biggest and the most interesting role in a commercial movie for a long time. He makes a lot happen here in style.

Further performers of the soul :: Manju Warrier has a good run in the first police role in her career, and the one role which remains serious through the run-time – it also becomes her only full serious role during her return, as Vettah allows no comedy as it goes direct and is strictly a serious flick. Coming right out of Rani Padmini and Jo and the Boy which were heavy in messages as well as Paavada which had her in a special appearance, she leaves a mark with the first flick with her as the leading actress. Beginning her second innings with How Old Are You?, I will say that she has had a very good run which continues – there is too much jealousy on the same as far as the fans of the rest are concerned though, which explains a certain amount of dislike or hate. Well, she is surely a lot better than the other other fake lady superstars who claim such a title!

How it finishes :: The final lead here, Indrajith Sukumaran is solid, but the character is left to less importance, and that is a case of something interesting gone missing. The one sad thing here is that with his demise, Vettah will be Rajesh Pillai’s last movie, and it is a terrible loss to the Malayalam movie industry. His Traffic was undoubtedly one of the best with the narrative, and also brought an amazing change at a time when Malayalam movie industry had more terrible movies than the good ones. His Mili was also one of the best of its kind, the only real movie to bring the introvert opinion to light in the right way – it was so good that it bothered a lot of people who couldn’t stand seeing an introvert as the leading character; which is why I consider it as the one righteous movie which gave voice to the lesser shown “others”. We will miss the visionary director.

Release date: 26th February 2016
Running time: 114 minutes
Directed by: Rajesh Pillai
Starring: Kunchacko Boban, Manju Warrier, Indrajith Sukumaran, Sandhya, Deepak Parambol, Rony David Raj, Prem Prakash, Vijayaraghavan, Kottayam Nazir, Baby Akshara Kishore, Baby Nandana Sajan, Akash Keralan, Jith Pirappancode

vettah

@ Cemetery Watch
✠ The Vampire Bat.

The Vatican Tapes

thevaticantapes (1)

Vampire Owl :: It has been a long time since some horror, right?

Vampire Bat :: Yes, there are not many horror movies releasing here these days; sometimes, there is just none at all.

Vampire Owl :: The world was so much better during The Conjuring days. There was abundance of horror then.

Vampire Bat :: Yes, after that, a lot of horror movies didn’t release here. I have a long list of that.

Vampire Owl :: And there were a few which released too late.

Vampire Bat :: And also the rest which came to some theatres only; those multiplexes – only those where we couldn’t go.

Vampire Owl :: And there was like one show at times when it was not comfortable for us.

Vampire Bat :: And they got cancelled or disappeared completely just too soon.

Vampire Owl :: This is why we should find out own horror.

Vampire Bat :: Exactly! Otherwise, how can we recharge our strengths?

[Gets three cups of tea with tapioca chips].

What is it about? :: After showing a few videos with shots of possession and exorcism, we are taken into the story. A young girl, Angela Holmes (Olivia Taylor Dudley) begins to show some strange behaviour after cutting her finger with a knife during a birthday celebration. Her father Roger Holmes (Dougray Scott) and boyfriend Peter Smith (John Patrick Amedori) are concerned, but it seems to be more of her fear for the hospital as she hasn’t been there since her early childhood. But one day, she is bitten by a raven while traveling inside a bus, and it makes the injury even worse. Her weird behaviour just continues. One day, she doesn’t wake up at all and had to be taken to the hospital again only to cause a car accident. With that, she slips into a comma and doesn’t wake up for a long time, and in the end, the doctors decide to declare her dead.

So, how and where does things take a big turn? :: Roger meets a priest Father Oscar Lozano (Michael Peña) who used to be with the army earlier. The priest becomes suspicious of what has happened with Angela, but as the hospital declares her case hopeless, he decides to provide her with the last rites. But as he begins the same, it turns out that she is not dead at all. That surely makes everyone happy, but things don’t remain the same after her return to the normal life, as it gets worse. The hospital cameras identify her trying to hurt a newborn, and after seeing and questioning her about the same, a detective murders himself with two bulbs. She is moved to the asylum, and things don’t get any better – murders happen and so does chaos. The hospital abandons the case, and now there is only one chance left.

The defence of The Vatican Tapes :: There is a story smoothly told here, and there is no rush with its idea. The ending also signifies that there is scope for something bigger with a possible sequel. The Vatican Tapes also doesn’t go with the cheap scares, and uses it central idea to generate the fear. There is nothing jumping out of darkness, and there is no manifestation of the demons. Instead, what happens here is the realization of the horror that is warming up, and the unlimited terror which is going to be unleashed later. The usual horror characters, especially the annoying ones are missing, and the movie finishes with the rather realistic end to what could happen – a possible end of the world coming closer rather than the exorcists saving the day. The horror in this movie is more on the background and getting right into the viewer with the basic idea!

Claws of flaw :: The movie hasn’t really used its video footage to its advantage, as most of those videos could have been shot just like the rest of the movie. The exorcism scene also doesn’t bring that much strength as expected, and won’t satisfy people who keep seeing the same thing all the time. Something more brutal, or shocking; even something at least surprising was the need of the times considering the number of exorcism movies and the rest of the horror which have come to us in the recent years. There is also not that much information about the demon and the possession, except for bringing that Anti-Christ idea up – a better explanation was a lot in need here, especially with experts in such matters already there as characters; it was never going to be that difficult. Maybe, the sequel, if there is one, can solve some of it.

Performers of the soul :: Olivia Taylor Dudley is the big asset for this movie, as she comes up with some very nice and creepy moments with her performance as the one coming back from the dead, as well as the fully possessed person. We would remember her from the lesser known horror movie Chernobyl Diaries and the more recent Paranormal Activity: The Ghost Dimension. The Vatican Tapes has what might be one of her best works among those popularly known – there are those points which you will want to recollect. She will have a bigger job there if there is a sequel for this one. The next notable performance is from Michael Peña who plays the priest who comes to know about this particular possession. Peter Andersson has a smaller, but nice performance here, and lets look out for Djimon Hounsou in case of a sequel.

How it finishes :: The Vatican Tapes is surely an interesting movie, and it will appeal to those who like the movies concerning possession and exorcism. It might not be everyone who are looking for some terrifying events throughout its run, and it is surely better than how it is rated at IMDb and what the critics have said about it. There is also the presence of evil portrayed well enough without adding those ghostly or demonic images, and the connection there with the horror is really well-made – it is gloomy, and hope of something better is not easy to have in here. It does try to be different than a usual exorcism movie, as this one doesn’t end with evil. Yes, it is horror, and is not a pretendor to the genre like some movies which get heavy critical appreciation as horror or superhero movies, but in reality, they are not.

Release date: 24th July 2015
Running time: 91 minutes
Directed by: Mark Neveldine
Starring: Olivia Taylor Dudley, Kathleen Robertson, Michael Peña, Djimon Hounsou, Dougray Scott, John Patrick Amedori,Peter Andersson, Tehmina Sunny, Noemi Gonzalez, Bruno Gunn, Ashley Gibson, Daniel Bernhardt, Alex Sparrow, Jarvis W. George

thevaticantapes

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

wrecker (2)

Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

thwrecker

@ Cemetery Watch
✠ The Vampire Bat.

Maheshinte Prathikaram

maheshinteprathikaram ()

What is the movie about? :: Mahesh Bhavana (Fahadh Faasil) owns a small studio named Bhavana, living his life in and around Kattappana in Idukki. He is a simple man who finds happiness in the usual happenings of daily life, and is a popular person in the neighbourhood. His best friends include the older man who runs a shop near his studio, Baby (Alancier Lay) and his employee who is a cheerful young man named Crispin (Soubin Shahir). He has been in love with his childhood friend Soumya Kunjumon (Anusree Nair) for a long time, but it turns out that she decides to marry someone who works abroad instead. At the same time, he also gets into a fight with a group of strangers, and he makes a promise not to wear footwears until he has revenge on Jimson Augustine (Sujith Shankar) who beat him up.

So, how and where will the things be going from there? :: Mahesh is determined to have his revenge as he trains in Kung-fu hoping that he can win a fight against his newly found opponent. As Jimson has moved to the Middle East for a job, he keeps waiting for his moment of return. Meanwhile, Mahesh meets Jimsy Augustine (Aparna Balamurali) who needs him to take a photo for the cover page of a magazine. As they fall for each other, he comes to know that she is the sister of the man whom he wants to beat up. But he decides to go on with the relationship, even though he is determined that he will beat up the man when he returns to India. So, will Mahesh have his revenge? Will he manage to do that and finally wear the chappals? Is the decision not to have revenge as Jimsy wouldn’t want? Or will he just fail in the quest?

The defence of Maheshinte Prathikaram :: This one is more than just a movie; as it is more of life – there is nothing exaggerated in this movie as it uses the simple events of life, which could happen anywhere, and brings everything out of them. The movie’s biggest asset is its ability to make one laugh, and that too without using those silly jokes – even above that, it can bring a certain smile on the face of the viewers. There is a lot of skill in how the comedy is handled in this movie; there is nothing dumb, and there is no words used with hidden meanings. The revenge here is not something of hate, but simple, and out of a simple promise which has been made – nobody gets to suffer for the same; and the movie is that light-hearted. The songs are good and the visuals of the high-ranges are very well captured. Life is rarely reflected on screen this simple and lovable; especially look out for the anthem and the theatre scenes – that’s just two of the long list.

Claws of flaw :: There is nothing huge in the story of this movie; it is just the simple life of the common man in the high-ranges. Well, as Life of Josutty had said in the posters, this one is also just life without twists and suspense. There will be no big melodrama or romance as those exaggerated movies – dealing with a simple man’s life, this movie won’t satisfy the blind fans looking for all which is not there in life. As the movie brings real and natural humour instead of the silliness which is needed for the fans, there will be the group which won’t like it. But the final fight scene could have been shortened, and Aparna Balamurali could have had her entrance much earlier, especially considering the fact that they don’t see each other during their first meeting. But that is no flaw for you to decide not to watch a feel-good movie which is a lot sensible than the rest.

Performers of the soul :: Fahadh Faasil returns to be the crowd-favourite after Monsoon Mangoes which never really got close to connecting with the audience. As always, he is too good – he has taken control of this character and has done a really fantastic job. You have to love how well he manages each of his characters, and this one is simply awesome. Here is the man whose movies have viewers and admirers of movies rather than fans – it means that we can watch his movies without being troubled by the blind fans who are howlers, abusers and haters; how many celebrities can manage to offer a movie without trouble from terrible people? I had even read that he said that fans associations are not needed, and people need to watch his movies only if they are good. It is the kind of policy which every sensible actor needs to follow.

Further performers of the soul :: Anusree manages her role here with ease, as she plays Fahadh’s love interest in the first half. The second half has Aparna Balamurali whom we remember from Oru Second Class Yathra in which she played the character Amritha Unnikrishnan; it is related to the song “Ambazham Thanalitta” with Vineeth Sreenivasan rather than the movie. Here, she is the one to look out for, after our protagonist. She has a simple and charming way of playing her character here, and it is a lovable performance in store here. I am sure that she will go a long way after this performance. 2015 had some interesting new female faces in Malayalam movies, and 2016 has one more promising star, even though not that much of a new face – she has her first big role and she has done a really good job; this work feels so real and energetic.

And the rest of the movie :: The combination of Alancier Lay and Soubin Shahir is really good in this movie, and they handle the funny side here amazingly well. In a movie which has a lot of new faces, another newcomer Lijomol also has some nice funny moments here. The debut from the director Dileesh Pothan is a wonderful one, and he has also played one role. The supporting cast is really strong here, even with so many new faces. This different kind of revenge story is the kind of movie which you should really watch. It is something like a simple and humorous page taken right out of the book of life. Maheshinte Prathikaram is the kind of movie which could have been made more, but only people who have the ability to notice the simple things in life with skill, can come up with such a creation, and for the same, this movie needs the appreciation as it becomes the best of the year so far! These are good times for movie-watchers, with options of Action Hero Biju and Puthiya Niyamam also there!

Release date: 5th February 2016
Running time: 121 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Aparna Balamurali, Anusree Nair, Soubin Shahir, Alancier Lay, Lijomol, KL Antony, Jaffer Idukki, Dileesh Pothan, Sujith Shankar, Saiju Agustine

maheshinteprathikaram

@ Cemetery Watch
✠ The Vampire Bat.

Puthiya Niyamam

puthiyaniyamam (2)

Vampire Owl :: I have been waiting for this movie.

Vampire Bat :: Yes, it should have released last year.

Vampire Owl :: As the trailer has come out, my desire to watch this movie has only increased.

Vampire Bat :: Yes, the trailer has been an interesting one too.

Vampire Owl :: Mammootty’s next movie after Pathemari here, and that too a thriller. I don’t think that things can get any better.

Vampire Bat :: And his next movie should be White with Huma Qureshi; that should be something of variety.

Vampire Owl :: It is because you have less time these days that I was afraid that we might miss this movie.

Vampire Bat :: Well, we should never keep away from watching a movie like this.

Vampire Owl :: It is like our duty to Malayalam Cinema, right?

Vampire Bat :: Yes, something like that.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Louis Pothen Narimadan (Mammootty), also known as LP among friends, is a film critic, television presenter and sculptor, and above all that an advocate who deals with cases of divorce, even though he tries his best to make sure that separation of a family is avoided whenever possible – at times, he is also interested in being a social activist. A person who is secular in nature, he is married to Vasuki Iyer (Nayanthara), a Kathakali artist who is a strong believer in God. Their families are not in connection with them after this inter-caste marriage even though Louis and their daughter are often invited to his ancestral place. But Louis’ family does reconcile with the new bride; yet things do take a terrible turn to make a negative impact.

So, where does life go from there? :: Things don’t go that well within the family in the later stages though. Vasuki has her systematized delusions about people, as she doubts the fish-seller, vegetable vendor and others who are part of their daily lives. She is overly concerned about the safety of her daughter and she keeps forcing Louis to keep making sure that they are safe, forcing him to buy a car and drop the child right inside the school compound every day. Louis is worried about the change in character of Vasuki, and even the child notices the same. One day, after a Kathakali performance, Vasuki meets Jeena Bhai (Sheelu Abraham), the city police commissioner who offers her help if there is any need. She decides to talk about her problems to the cop.

The defence of Puthiya Niyamam :: The climax is the highest point of the movie, as the final moments become a lot more interesting. There is one twist in the end for which you can wait, and it is the kind of waiting which you can wait with expectation to find something interesting. The messages are there, and there is also the presence of some moments for family watch. The visuals are pretty much interesting, even though the same could have been used better to display the city. The music is just okay around here. You will find interesting moments for the fans in the end, and there will also be some dialogues which will keep them interested – well, they will clap anyway, but some are worth it. The fact that there is no overdose of emotions here, is also a positive here. The fact that this doesn’t become the usual revenge story is also good.

Claws of flaw :: The first half is pretty much not good. It drags and nothing much really happens; even the comedy itself is forced. More focus could have surely made things better with the things before the interval. The movie takes too much time to get to its main points, and it has to wait till the end to bring that big moment. The movie also takes the chance to deviate from any idea that people had from the trailer; it is not really a positive thing because there was scope for more from that trailer. A lot of extra characters including Aju Varghese is wasted, and the comic side never really gets going, which affects the flow in the first half. More could have been done with the central idea of the movie too. The thrills are also too less even though this one was called a thriller – there is a shift in focus which makes the genre move away. We also needed more of Mammootty.

Performers of the soul :: Most of the screen presence is with Nayanthara who is there for most of the run-time of the movie, and she has given a very interesting performance in her character here. The mystery of the character’s change is well-portrayed here. Mammootty is there from the beginning itself, but takes over the movie’s universe only by the end; at some point you feel that he is there for the sake of being present only, but he will make amends in the end, and you need to wait for that. You still won’t get Mammootty as the protagonist or a full movie presence though, but as I said already, waiting will make things happen in the end – good things happen to people who wait; I have that kind of an experience myself. Bhaskar the Rascal had them working together nicely, and now this one has them doing the same very well. The rest of the cast does not much.

How it finishes :: The fans have been the curse of this movie; a lot of dialogues were not clear because they were making noise inside the theatre. If the focus of the fan clubs is to disrupt the dialogues of their own superstar and throw waste inside the theatre, it is time that they cease calling themselves fans. Yes, this is not the first time, but while watching a thriller, such lack of quality among people who call themselves fans will only cause problems to the flow of the movie. I think that it is time that celebrities have a say about this; do they want fans who keep saying the same thing all the time or people who appreciate their performances? Well, blind support to an actor isn’t going to make his name better – people will say his name and add the word “fans” to the end, and call things pathetic – it is the duty of a responsible fan to make sure that it doesn’t happen!

Release date: 12th February 2016
Running time: 134 minutes
Directed by: A. K. Sajan
Starring: Mammootty, Nayanthara, Aju Varghese, Baby Ananya, Sheelu Abraham, Rachana Narayanankutty, S. N. Swamy, Sreelatha Namboothiri, Pradeep Kottayam, Ponnamma Babu, Sadiq, Jayaraj Warrier, Sohan Seenulal

puthiyaniyamam

@ Cemetery Watch
✠ The Vampire Bat.

Action Hero Biju

actionherobiju (1)

Vampire Owl :: I have read and heard mixed reviews about this one.

Vampire Bat :: Yes, and I have even heard that the other flick at the theatres is a better movie than this.

Vampire Owl :: Do you know what that means?

Vampire Bat :: Yes, it means that we should watch this movie before going for any other.

Vampire Owl :: If someone says that the other movie is better and keeps telling us that we should watch that particular movie, we should watch this movie only.

Vampire Bat :: Exactly; we know that our tastes are different as individuals, unless we blindly follow a trend.

Vampire Owl :: I remember us liking Lord Livingstone 7000 Kandi more than Amar Akbar Anthony.

Vampire Bat :: Yes, they told us that the former was not a movie at all. Strange people.

Vampire Owl :: And they declared a repetitive comedy movie as one of the best entertainers of all-time.

Vampire Bat :: Which is why we should watch them all, and what they don’t like, we should surely try.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Sub Inspector Biju Paulose (Nivin Pauly) is a teacher turned police officer who is determined to serve the people and has dedicated his life to his duty. He intends to keep the law and order in the city of Cochin, and for the same, he intends to keep himself close to work all the time. The movie goes through his daily life as a police officer, and deals with the cases that he comes up against everyday, as he gets ready for his marriage with Benitta Dominic (Anu Emmanuvel). There will be enough trouble to keep him busy. And yes, you get all of these without slow-motion sequences, beating up twenty five people at a time, and not catching dangerous serial killers, international criminals or extreme terrorists. Do you know about realistic movies with messages, but having no real dull moment in between? Yes, this works in that way!

The defence of Action Hero Biju :: The one thing which you can be sure about this movie is that it is realistic to the core. The protagonist doesn’t go on fighting the big villains beating them up on the roads or defeating his minions by fighting them all over the city. There is no villain here, but the crimes. There are no heavy dialogues around there either. You shall find no Bharathchandran, Balram, Mohammed Sarkar, Madhavan, Easo Panicker, Baba Kalyani, Chandrasekharan, Sharafuddin Tharamasi and the rest who are part of that long list of heroes from the past, or even those divergent ones of the later times like Sam Alex, Solomon Joseph, Hameem Hyder and Anthony Moses. The movie has no complications, and things are simple, as one would expect to happen as part of the usual life. The comedy as well as the emotional side are very much working; the visuals are really good and the songs are just okay. This one also works as a tribute to the police force.

Claws of flaw :: The movie’s realistic approach won’t appeal to all. It is not that kind of a realistic approach which is forced upon us like in the case of Annayum Rasoolum which declared the same to be just drag and more drag. It was a case of exaggerated realistic world which seemed to work with a section of people, but Action Hero Biju chooses not to use that, but go for what can be believed by the common man. That should still disappoint the fans as they might have been looking for something else, with action, thrills, twists and turns, punch dialogues and everything else; even otherwise, they might look for the exaggerated heroism or a heavy dose of cheap comedy – none of these happens to be here. It is the substantial problem with expectations, as that becomes a flaw in the eyes of the fans. The movie might also be a little bit too long for the kind of subject it deals with and the way of treatment. There could have been a better focused ending too.

Performers of the soul :: Nivin Pauly returns with one of his most anticipated titles in a long time as he joins forces with Abrid Shine yet again, after the much appreciated 1983 as the director comes up with his second movie. He has managed the role of the rather human police officer without that much trouble. There are moments which are not that good, but there are some in which he looks very well in form. Anu Emmanuel looks good, but this is the debut in which she has not much to do, and it is only the smile and the name of the character that stays with this one – she needs a movie with more screen presence. The comic side is at its best with Joju George, and Suraj Venjaramoodu comes up with a huge performance in one of the best, emotional moments in the movie – there is another one with Meghanathan and Rohini, and the girl who plays her daughter has some nice moments. Major Ravi and Saiju Kurup plays protagonist’s superior officers well. There are a few lesser known faces who provides some interesting performances too.

Soul exploration :: As we go further into this, we feel that what we have seen on the screen has no part in being unrealistic. It is a ride through the life of a police officer as expected under the normal circumstances, and there are multiple incidents and cases which the protagonist has to deal with, among which none of them is related to solving a mystery which only the hero can bring out to light. Instead, the police officer deals with the usual cases that comes up in life – yes, no serial killers, no big gangster lord, no catching international criminals, no standing face to face with powerful politicians, no reaching at scenes of crime at the exact time, no chance of becoming the only man in the whole world who can catch a fiery terrorist, no beating up twenty people just because he can in a movie and surely no unlimited dose of dialogues. Last year, there was the realistic Pathemari, and in Hindi, there was the realistic Airlift; this one also follows the more realistic model, but with fun.

How it finishes :: The one problem which has undoubtedly worked against this movie is its title itself. The movie is not what the title suggests, as it seems to make us feel that this will either be masala action entertainer or a full comedy movie, but as it ended up becoming a realistic movie, it is sure to make one wonder what kind of audience the makers were looking to target. If people feel that the pathetic eternal drag like Annayum Rasoolum was good and Action Hero Biju is not, I will ask for a change of the meaning of the word. Another fact about Action Hero Biju is that it is cent percent better than the overrated flick which was 1983. But these days, people rarely look for a realistic movie which is closer to life, except for those pseudo-realistic movies like Annayum Rasoolum, the bloody movie in which nothing happens and we have more and more tea to the end. And is it just Premam that we always need? It was clear that people in the theatre enjoyed in this case too.

Release date: 4th February 2016
Running time: 145 minutes
Directed by: Abrid Shine
Starring: Nivin Pauly, Anu Emmanuel, Jude Anthany Joseph, Suraj Venjaramoodu, Major Ravi, Rony Davis, Joju George, Prajod Kalabhavan, Saiju Kurup, Kochu Preman, Valsala Menon, Azeez, Rohini, Meghanathan, Sajan Palluruthy, Balachandran Chullikad, Abhija Sivakala, Madhu Mohan, Bobby Mohan, Devi Ajith, Manju Vani

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