Tag Archives: Stephen Lang

Avatar 2

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Vampire Owl: Do you remember when we watched the first film?

Vampire Bat: That was too long ago for anything to be remembered.

Vampire Owl: Yet, it was like the first of its kind during old days.

Vampire Bat: Too many movies are first of their type.

Vampire Owl: Well, in that case, I have never really liked the second film of any franchise.

Vampire Bat: The lack of such a unique feeling will be evident.

Vampire Owl: Even the corona virus pandemic seems to be lacking in the same thing.

Vampire Bat: I have often liked the third and fourth movies better.

Vampire Owl: We can wait for that to happen after watching this.

Vampire Bat: I wonder how much of an infinity of films we will need to watch further sequels for a film which ended so well with the first one.

[Gets a vegetable samosa and three cups of Munnar tea].

What is the movie about? :: Years have passed since the first human attempt of colonising the planet of Pandora. As the natural resources of the Earth have been further depleted, leading to the planet’s near devastation, humans have been further trying to quickly colonize Pandora, and a newer and advanced base has been formed for the same purpose. The Resources Development Administration had been mining the mineral known as unobtanium on the planet, but now it has become about something more. Pandora continues to be dominated by the creatures known as Na’vi, who are 10-foot-tall blue-skinned humanoids who live in harmony with nature and considered the elements of the same as gods, particularly the Great Mother, also known as Eywa. But humans would care less about nature, as they have destroyed the same on their own planet, which could die soon enough, forcing a human exodus into this planet in the Alpha Centauri. As a technologically advanced race, humans could take on the indigenious species with brutal power.

So, what happens with the events here as we just keep looking? :: Jake Sully (Sam Worthington) who had served for humans is now completely a part of Na’vi as the leader of the forest people known as the Omaticaya. He continues to be with Neytiri (Zoe Saldana) with whom he raises and guides children including the sons Neteyam (James Flatters) and Lo’ak (Britain Dalton), daughter Tuk (Trinity Jo-Li Bliss), adopted daughter Kiri (Sigourney Weaver) and a human boy named Spider (Jack Champion), the son of the human commander who was unable to be transported to Earth due to the young age. Spider is not particularly liked by anyone except Jake and his children, as everyone in the tribe including Neytiri are doubtful about him as he is a child of the enemy who can return at any moment. They keep preparing themselves for this return of a human military force, as a number of humans have returned and erected a separate camp on the planet, with advanced weapons and forces that are beyond their comprehension.

And what more is to follow further here? :: Na’vi faces the humans in occasional ambushes, but understands that something bigger is coming, which Jake feels is near impossible to stop with their natural weapons. The guerilla campaign against the RDA supply lines does not seem to be work with that much of an efficiency, and almost has one of Jake’s sons killed in action. Colonel Miles Quaritch (Stephen Lang) returns after death as a Na’vi marine full of the memories of the dead colonel and seeks revenge with the support of a good number of similar Na’vi avatars created out of humans. They capture the children of Jake, who are freed except for Spider whom they take hostage. Even though he refuses to tell them anything about Jake even after torture, he helps Miles with the Na’vi culture and language, which Miles is quick to understand while deciding to care for the boy who is of his own blood in one way or the other. Jake who feels that Spider can lead the humans to their habitat, leaves for the far away islands where Metkayina reef people live in solidarity with the ocean and the creatures who live in the water. But would that keep them safe?

The defence of Avatar 2: The Way of Water :: Even though not as good as the first movie, there is still some fine visual beauty in store here too, especially in relation to the ocean and its alien creatures that make an impact. There is also the action that happens around, it is huge, even though there is the feeling of repetition that keeps happening at all times, making us feel that Marvel and DC can always do this better; even the visual splendour could be better achieved by them. The movie does choose family over everything else, which is a very good thing, even though not polished enough. As the predictability becomes more and more, the movie comes up with better visuals and some dialogues which seem to make up for it, even when we realize that there is not that much of an intellectual side behind it despite providing an early feeling of having it. As the scene does shift to the situation of fishermen who faces the people from outside, it reminds one of the protests called by the people of Vizhinjam near Trivandrum against an entity and similar fights by fishermen just like the tribal people against the multi-national corporations who form the new colonizers – well, the scientifically advanced and the rich always has the edge and can defeat the rest in one giant step.

The claws of flaw :: Avatar 2: The Way of Water is predictable from the early stages itself. It overdoes the family elements so much that one wonders if this will ever reach anywhere with the emotional side. The narrative remains weak, and the run-time is too much without enough content to support it except for the visuals, which are also not improvement from the first film which was ahead of its time with splendour on the big screen. Even among the visuals, there is not one moment that stands apart, and for the ocean and its beauty, there has been fantastic displays in films like Aquaman. This second movie often drags so much that one wonders if it is ever going to reach its final moments of fights. Focusing on alien family drama more than everything else hurts its capability to move forward towards the next movie in the franchise, especially when there are so many repetitive moments related to it. You just cannot talk about family so much that Fast and Furious franchise feels that it has not appreciated family enough; that would be too much to handle for anyone with some sanity left to see the irritating side.

How it finishes :: Being the second part of a movie that scored so well with the box-office as well as the critics required more – nowadays, even other industries can come up with films having big action sequences and grand events on the screen; this one could have been much more, and the second part of Avatar would get big collections, thanks to the fame of its predecessor. It has done well to be entertaining enough, but not by much. The movie franchise needs to remember that there is the requirement to raise the bar, or the third movie will struggle to keep the audience rushing to the theatres – after all, we can always have another corona virus pandemic too. Most of us have waited for too long for this movie, and what we receive is predictable stuff – not good news for any franchise, unless there are still addicted fans who wishes to keep going to Pandora without having a clear idea about how much such a world can provide. The endless opportunities of an alien world goes unnoticed here, and that is a side which requires further imagination. In this case, we know that science continues to be evil and destroy worlds as it has been doing for Earth.

Release date: 16th December 2022
Running time: 192 minutes
Directed by: James Cameron
Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Jemaine Clement, Britain Dalton, Kate Winslet

<<< Click here to go to the previous review.

<<< Click here to go to the previous film watched in theatre.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Breathe 2

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Vampire Owl: Do you remember when was the last time we had gone on a trip that had visions that made us forget to breathe?

Vampire Bat: That was to the Lake of Blood, a long time ago.

Vampire Owl: It is actually called the Lake of Death.

Vampire Bat: Yes, but it has so much of blood, and we cannot avoid that name.

Vampire Owl: The trips have been banned for some time.

Vampire Bat: A trip to Munnar always makes things better.

Vampire Owl: You cannot always trust the highlands.

Vampire Bat: What about some lakeside time at Kumbalanghi?

Vampire Owl: Well, the only trip we might be getting is with corona virus.

Vampire Bat: That is more of a visit and not a trip.

[Gets a masala dosa and three cups of black tea].

What is the movie about? :: Eight long years have passed after the incidents of the first film, and things have changed now. Norman Nordstrom (Stephen Lang) the blind Navy SEAL veteran has recovered from his injuries, and now lives with his daughter Phoenix (Madelyn Grace) and a ferocious dog to take care of them and the property. He tells Phoenix that her mother had died in a terrible fire in their old house, after which he has been taking care of her. He keeps training her in the name of surviving. His only contact in the society is Hernandez (Stephanie Arcila), a former US Army Ranger and a good friend of Norman. She is the one who always takes Phoenix outside for some fun. It is the same time when a lot of news about abductions by organ trafficking gangs among others are coming up, and Norman feels that it is not safe at all. She finds Raylan (Brendan Sexton III) in the washroom, but he is scared away by the dog. But it seems that he doesn’t stop following her. Hernandez feels that the girl should be out more, and that Norman should stop thinking about his past wars and be nicer to people.

So, what happens with the events here as we just keep looking? :: Hernandez feels that the man whom he had met earlier was just a weird man, and there is no shortage of such people in the area. But she comes up against the same person much later on the road, and feels that there is more to him than what meets the eye. Soon, she is killed while on the way back home, by the same people. Norman is against her going to school, choosing homeschooling over her meeting more people outside. Soon, a group of led by Raylan reaches their home, and after killing the dog, kidnaps the girl. He tells her that it is not him that she needs to be scare of, but the man next to her. He adds that he is her real father, and that the blind man took her home to replace his own dead daughter. She resists, but is choloroformed, while Norman is left to die after they set fire to the house. He escapes with the help of the dog which the intruders had brought with them. Even though Raylan was looking for his daughter, he does have another motive. What would that be?

The defence of Don’t Breathe 2 :: There are some fine action sequences with interesting use of darkness, as everything is set in two different buildings. The fight scenes have enough to stay in our minds, even though not as much as the first film. Some of the memorable scenes include the blind man’s use of the environment to survive and continue to combat against all odds – it is a much more difficult task for him in comparison to the first movie. The environment has been well-created, and you do feel that presence of evil at all times. Almost everyone in the film is evil, and it is a reminder of inherent human evil itself – you know that people need to be dead to be not evil anymore, as we don’t usually see good people around. The small number of people whom we meet here are reflections of the same evil, with some of them being a little evil, others more evil, and the rest being completely evil. The other characters are not present in the movie, and the girl remains the only hope for a deviation along with the children with whom she play at times.

The claws of flaw :: It is clear that this movie doesn’t maintain the quality of the first film, and it does struggle to live up to the novel idea and quality that it had maintained. The idea of transforming the blind man into saviour might not be interesting for everyone, and he also seems to do a little too much for a man for his situation. He doesn’t seem to have much of a way forward around, as far as the character is concerned – there is no strong motive to support a further character development, with material seemingly less in comparison to the earlier movie. The first film served better as a horror film focusing on survival, but this one moves too much away from that genre which served so well. With a grand change in the character, this is something which struggles to take control of the deviation well enough – maybe it requires another sequel to deal with that, but that would make one wonder what is to be done next. You know that there are better possibilities with horror characters like this one, but the studio seems to think in a different way so as to make the person useful as a protagonist instead.

The performers of the soul :: It is once again the performance of Stephen Lang as the blind man which keeps the movie going – he does seem to play a more tired person here though, as there seems to be a struggle here which is more than the first movie. With a drastic change coming upon the nature of the character, the man does take it with him well enough, even when that often leads to a struggle. He excels in the action scenes, and is good enough to take it to the next level, rising about the others who are part of the fights. Brendan Sexton III makes a pretty good antagonist, even though the idea focuses more on action rather than anything else. Madelyn Grace plays the child well, while Stephanie Arcila’s short presence is memorable enough. Christian Zagia plays a thug with a conscience pretty well. Even then, it is Fiona O’Shaughnessy who seems to be more evil than any other, as she is one mother whom the sons and daughters won’t appreciate for selflessness – there seems to be a certain amount of witch-likeness in her.

How it finishes :: The fans of the first movie will find it difficult to miss this movie, even though it is weaker in comparison the earlier flick. There is no real horror or the surprise element, but the film scores in action. An old and blind man with a special set of skills is someone of interest as he looks forward to save his daughter, and he is also an iconic character. The memories of the earlier movie also keeps us interested well enough. Among the horror movie sequels, this is the one which we have waited for, more than the other usual ones like The Conjuring, Annabelle, Insidious, Sinister etc. After all, Don’t Breathe had the skills to go divergent, and this one takes the path set by that particular movie. It means that you can be assured that this movie has a nice enough background to build on, and cannot go too wrong with this character at the core. Even though it didn’t release here in the theatres at that times, the movie is now available on Netflix, which is a fine relief for us, as we have been waiting for so long.

Release date: 18th December 2021 (Netflix); 13th August 2021 (USA)
Running time: 99 minutes
Directed by: Rodo Sayagues
Starring: Stephen Lang, Madelyn Grace, Brendan Sexton III, Bobby Schofield, Adam Young, Stephanie Arcilla, Fiona O’Shaughnessy, Steffan Rhodri, Diaana Babnicova, Christian Zagia, Rocci Williams

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mortal Engines

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What is the movie about? :: Far into the future, following an event which caused the destruction of most of Earth, cities exist here and there, with people and resources associated with them, and they move on wheels looking for options. Among them are the predator cities which feed on those smaller cities, capturing the people and taking their resources in a world which has nothing much left after that event which ended the normal flow of events. The big predator city of London chasing a small mining town is one of those events that is shown in the beginning itself. Thaddeus Valentine (Hugo Weaving), the man in charge has things going his way, but all of a sudden, a masked lady comes from the group of the people from the captured town and stabs him, only to be stopped from doing the same again by Tom Natsworthy (Robert Sheehan), thus Thaddeus surviving with a wound which could be treated easily.

So, what happens with the events to follow? :: The woman is identified as Hester Shaw (Hera Hilmar) who wants to murder Thaddeus who was responsible for killing her own mother and giving her the scar on the left of her face. As she fails in doing the same, Tom chases her, but is thrown out of the city along with her by Thaddeus who suspects that he knows something about his secret past. The two are forced to team up and try to survive together in a world which has nothing to provide hope for people left alone. The scorched grounds leave them with no resources to survive, and they end up being captured by slave traders. While Hester is being displayed on stage and sold to the highest bidder, Anna Fang (Jihae), an outlaw who fights against Thaddeus shows up, and saves her from slavery. Hester escapes with Tom, but someone else shows up.

And what else is to follow here? :: Shrike (Stephen Lang), the last of an undead battalion of soldiers shows up and goes for Hester. Thaddeus counts on the undead soldier to kill her, while she continues running with Tom and Anna. Shrike will not stop until he gets what he wants. It turns out that there is more than what meets the eye about Thaddeus and his own daughter Katherine Valentine (Leila George) figures that out with the help of an apprentice engineer Bevis Pod (Ronan Raftery). There are more evil plans at work, and if they don’t figure out the same soon enough, there is going to be terrible consequences. Thaddeus has a weapon that can make the worst happen, and the seriousness regarding the same won’t be understood by most people, except for our protagonists – but will they be too late with this? Will London gain superiority over each and every other city?

The defence of Mortal Engines :: The visuals are the best thing about this movie. The post-apocalyptic world and the machines are amazingly good, and far above the quality of some of those other flicks which claim to be grand visual treat. The colours are very nicely used, and the world detail gets full marks. You will find the big explosions in the climax to be too good, visually as well as in relation to the sound effects. There are some fine action sequences, and the thrills are present throughout the flick. Even with all these in the front, there seems to be something that lies beneath – the idea about the rich and the powerful feeding on the poor, and the desire for more power and control. One can see how important war becomes, even after there was a destruction of the world which came so close to destroying humanity itself to be replaced by another species.

The claws of flaw :: People might want more to be explained with this movie, and more could have surely been shown directly. The story surely could have used more focus, and the whole world itself could have had some smart explanations. Even the predator cities could have had their parts shown more clearly, and the same could have been part of big fights with other cities all around the world – it would have made the audience more familiar with the idea before the whole thing developed further. Those who are not used to watching this kind of movies won’t be that comfortable – well, this is a movie which has released even outside the main cities, and so that could have helped a lot. The steampunk genre can always use more of everything, as the possibilities are endless that way – genres of fantasy, horror and historical fiction could have been here stronger.

The performers of the soul :: Hera Hilmar as Hester Shaw is surely the one person who steals the show so well, not just with the action sequences, but also with those emotional moments – the scar or the red scarf that hides it elevates the level of her character with the looks itself. She does have a grand introduction too, as that sets the events of the movie going forward in a nice manner. Hugo Weaving plays a powerful villain here, and one has to love his plans regarding the world. Robert Sheehan just got a certain secondary level of job to do in comparison to Hera. Jihae makes some impact with the action scenes. Leila George plays her role in an interesting manner. Meanwhile, you will feel that Stephen Lang’s undead soldier Shrike might be the one character to remember for long.

How it finishes :: Mortal Engines, not to be confused with that terrible Mortal Instruments, will be another interesting visual treat full of action, which you just can’t ignore this weekend. With the other English movie of the weekend being The Possession of Hannah Grace, and Robin Hood already out of the equation, this one should be able to spend some good time out there. It boasts of coming from the makers of The Lord of the Rings and The Hobbit, and that is more than one reason to be hopeful about this particular flick. There is no doubt that it will provide some nice entertainment, and we can only be glad that a sequel can make this even better. Let us have more movies like this one, even better done. We remember Mad Max: Fury Road, and we know where it can go.

Release date: 7th December 2018 (India); 14th December 2018 (USA)
Running time: 128 minutes
Directed by: Christian Rivers
Starring: Hera Hilmar, Hugo Weaving, Robert Sheehan, Jihae, Ronan Raftery, Leila George, Patrick Malahide, Stephen Lang, Colin Salmon, Mark Mitchinson, Menik Gooneratne, Mark Hadlow, Kee Chan, Sophie Cox, Caren Pistorius

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Breathe

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dontbreathe

Vampire Owl: Does this movie ask its viewers not to breathe?

Vampire Bat: Even if it does, that would be okay for us, because we are dead already.

Vampire Owl: But we do breathe, all the time.

Vampire Bat: It is an unnecessary thing though. Actually, we can live without that.

Vampire Owl: But I once told my a zombie girl that she took my breath away. From what you said, I realize that what I said then was of no real significance.

Vampire Bat: Why did you have to talk to zombies about life and breath?

Vampire Owl: That wasn’t a planned meeting. I wished to talk about knife and death, but things happened too fast.

Vampire Bat: Where is that zombie girl now?

Vampire Owl: I think that she has joined the army of the Lich Queen.

Vampire Bat: Your adventures are really disturbing, I have to admit.

[Gets three cups of tea with jackfruit chips].

What is the movie about? :: Rocky (Jane Levy), Alex (Dylan Minnette), and Money (Daniel Zovatto) spends their time breaking into houses and stealing things which they sell to make money for their living. Even as they keep doing the same without regret, what they earn by stealing is just not enough, as they are not paid that much money for the stolen goods. Rocky has the worst case, as she wishes to move away with her little sister from her mother and her new boyfriend who are alcoholic and too much bothering. As usual, they look for the easy way out and they find one in a blind Army veteran who lives in the neighbourhood who has a lot of money after a settlement which followed an accident which caused the death of his daughter. Cindy Roberts (Franciska Törőcsik) who had caused the accident had disappeared, and he was left with a lot of money and the house in an abandoned area of the neighbourhood.

So, what happens next? :: Even though Alex is heistant to rob a defenceless blind man, they finally decide to do that as it was supposed to be so easy and there was so much money involved. After looking at the surroundings during the daytime, they finally reach the house at night. After drugging the blind man Norman Nordstrom’s (Stephen Lang) dog, they try to get in, and with all entrances firmly locked, Rocky just manages to squeeze in through a small window and open the door for all of them. But things are not like they had expected. The blind man wakes up, and there are secrets hidden inside the house. There is also someone in chains in the basement, and in the darkness, it is the blind man who has the advantage over them. He is just not the man they thought he was, and they finally realize that they had picked the wrong house to steal from – but not before the death of Money. To add to it, the dog which they had drugged is back on four legs.

The defence of Don’t Breathe :: The success of Don’t Breathe lies on the fact that it is a home invasion movie at the first look, but manages to provide much more than that, as a horror-thriller. With the best use of the atmosphere, the darkness as well as the sounds make sure that we are watching something more than a thriller inside a house. We know what might be coming from the first shot itself, and there was sure to be blood and twists, and they are present for sure. All its elements are cleverly used, and we know that never does this movie misses out on its skill to be brilliant and entertaining. It is not easy to find a horror movie where you struggle to find the flaws, and Don’t Breathe is one of them. The movie is smart and we are satisfied; we had many home invasion thriller, but this is surely the one which you are going to remember longer than any other.

Positives and negatives :: One might still feel that the blind man’s secret is not used to that twisted advantage which the movie could have had and that would have made sure that this movie would stand the test of time for an even longer period of time. Yes, Don’t Breathe could have surely given the viewers an even more twisted experience which would have stayed for all groups of people, but it chooses to stay safe – that might be the smarter decision considering the fact that there are different age groups from different parts of the world watching this, but that was a chance that they could have taken. Instead, this one works with less dialogues and more thrills. The result is that this one makes one holds his or her breath, thus making its title really relevant, even though the name of another horror movie, Lights Out would have also been suitable for this one.

Performers of the soul :: Jane Levy once again establishes herself as a queen of horror, as she once again teams up with the same director after Evil Dead was remade with them being part of the team in the year 2013. Whenever we see a horror movie, we wish for her to be there; a few other names might be there too, but she is someone who comes as a lovely choice. Meanwhile, Stephen Lang is just too good – from the first moment his character is introduced, to the end, we are so much impressed by his work – and we are also looking for a sequel with the ending that the movie brought. There are not many characters out here in this movie as most of the action is restricted to the moments of terror inside the house. Then there is Dylan Minnette who is also there as the third significant character, and stays there for most of the movie for the good. Daniel Zovatto has a rather smaller role, and Franciska Törőcsik is another person with a short role, but we still remember her.

How it finishes :: This movie comes from Fede Alvarez who had given us Evil Dead, the remake of that cult classic movie which we had all watched while growing up. The fourth installment of the franchise was very much an interesting one, and Don’t Breathe successfully overtakes that one. The Uruguayan filmmaker surely knows how a horror movie is made to bring the best effect to us. If you love the genre, you are surely not to miss this one; even otherwise, you can go for this one, as it is that good. This is the kind of movie that we have been looking for since watching The Cabin in the Woods; for this is not the usual horror movie with ghosts, demons and times of haunting, as this is much more. It brings the good news here, as we get back to the ones that matters the most with their immense potential for evil; the humans. You want to see ghosts jumping out of nowhere to bring the cheap scares? Then you should travel another path. Choose The Conjuring or Insidious on another day; this time, go for Don’t Breathe!

Release date: 26th August 2016
Running time: 88 minutes
Directed by: Fede Alvarez
Starring: Jane Levy, Dylan Minnette, Daniel Zovatto, Stephen Lang, Franciska Törőcsik, Emma Bercovici, Christian Zagia, Katia Bokor, Sergej Onopko

dontbreathe

@ Cemetery Watch
✠ The Vampire Bat.