Jo and Jo

Posted on June 11, 2022 by Tennyson

Vampire Owl: The movie seems to have gathered some extra attention.

Vampire Bat: Some movies always get some unexpected attention.

Vampire Owl: Most of them also get the unwanted.

Vampire Bat: Well, there are many unwanted movies.

Vampire Owl: You are talking about the movies with so called superstars.

Vampire Bat: Yes, in comparison, this one is capable of more.

Vampire Owl: Yet funny movies mostly get more ratings than they should.

Vampire Bat: Let us not think about comedy right now.

Vampire Owl: You mean to say that these are bad times.

Vampire Bat: Yes, there are never good times when humans are involved.

[Gets a vancho cake and three cups of elaichi tea].

What is the movie about? :: Jomon Baby (Mathew Thomas) and Jomol Baby (Nikhila Vimal) are the two children of Baby Palathara (Johny Antony) and Lillykutty Baby (Sminu Sijo). Both the children do not like each other, and fights continuously, sometimes without any reason at all. Manoj Sundaran (Naslen K Gafoor) and Ebey Kuruvilla (Melvin G Babu) are Jomon’s best friends, and the former also has a crush for Jomol. Baby is an understanding father even though both of his children are more irritating than anything he had known before, especially during the COVID-19 pandemic lock-down days. Baby doesn’t have that much of a work because these are the corona times, and Lillykutty is not happy about her children being rebellious against her. Jomol is not happy and often violent for no reason because she feels that Lillykutty likes Jomon more as he is the younger one and male. Jomon is a very irresponsible student and son, whose only contribution towards home is the one fish that he gets once in a bluemoon while trying fishing with his friends.

So, what happens with the events here as we just keep looking? :: Member Shibu (Binu Adimaly) is consistently trying to get Jomol married to someone who is settled outside India, especially because Lillykutty wants to see Canada, United States of America, United Kingdom or similar countries after she settles down there – Jomol is very hostile about that idea as she is not the kind of person who wishes to leave her comfort zone. One day, Jomon finds a letter seemingly of romance, addressed to a person named Jo, and also a green motor-bike leaving the area. He feels that Jomol is having an affair, and throws the letter away. He feels that she will leave them all, and go with a stranger on a motor-bike. Jomol who picks up the letter later, finds the writings for someone named Jo, and feels that Jomon is having a romantic affair at this age, which means that the girl would most probably be below eighteen, and therefore it is an illegal affair. Jomol decides to take the help of their grandmother to find out the truth, while Jomon is helped by his friends, especially Manoj who is heart-broken about his crush having an affair. What would actually be the truth?

The defence of Jo and Jo :: When we look at Jo and Jo, some people might find it perfect to relate, especially the kind of new generation that is not ready to give their elder sister the deserving respect, and spends their time playing nonsensical games when not wandering around with friends for smoking or drinking alcohol. The film is a fine representation of such a generation, and also that of a new generation of elder sisters who fail to take responsibility of the younger brother – in that case, the boys who serve more as friends are surely better. Still, it does feels that the new generation is gone beyond repair, thanks to the mobile and internet addiction brought to everyone by Reliance through Jio and schools through the online classes in the time of COIVD-19 lock-downs. The film clearly shows that the future is lost with a new generation coming up from online schooling. The humour which has been used for the same is somewhat working, and those who are able to relate to these might find the proceedings to be even better.

The claws of flaw :: There is not much in Jo and Jo that you have not witnessed before in different forms in a few movies and some homes, even though there is the exaggeration. Sometimes, this idea of exaggerating is a little too much. The problem that the main character has with his bowels is made fun of in a miserable manner, and those are not really fit to get anywhere near quality jokes. When making a family movie, one also has to make sure about the language. There are strengths being displayed in this movie, but they don’t get the required focus. A better awareness about the genre was required here. One actor who should have been used more is Sagar Surya of the Thatteem Mutteem fame. The moments related to corona could have also been more fun – a lot of innovations could have been used there too. After all, there is more about corona virus than what is reported in the news; you just need to look a little more for inspiration. For a movie dealing with simple things, it feels a little long, and also has some irritating moments. The feel-good factor just goes missing, and there is almost no good thing about family here.

The performers of the soul :: Mathew Thomas who set the ball rolling with Kumbalangi Nights and Thanneer Mathan Dinangal, continues his good form around here too, even though that much of power cannot be seen around here. The talent is visible at points around here, but not as a whole. Nikhila Vimal who debuted as the lead in Love 24×7 and only recently had different types of performances in The Priest and Madhuram, gets a role which is still much divergent from her previous performances. Yet, sometimes, her character feels overdone, and one would love her the most from that work of grace which was seen in Aravindante Athidhikal. Johny Antony who is known more as the director, earlier seen in Home, has evolved into Ranji Panicker – Lalu Alex mode with ease, and is the one true lovable character in this movie. Naslen K Gafoor who traveled a different path with Kuruthi, does what he has been usually doing with ease. Melvin G Babu is the one who nicely adds to the fun, often better than the bigger names around here. Sagar Surya’s small role is made effective enough too. Sminu Sijo makes a fine mother too.

How it finishes :: It is nice to see that Jo and Jo releasing on Amazon Prime Video less than one month after its theatre release. These are the times when the corona virus is becoming stronger than ever, and crowds should be taken care of, even though political parties and celebrities would care less about common man who is forced to suffer due to the never ending attack of the virus. If it was stronger and better focused, it would have been able to leave an emotional impact or a result of pure fun, but due to it going through everything randomly, it is only a somewhat effective entertainer without an emotional side to be taken further. If it has tried to send a message, there has been failure related to that. The movie can be considered as a random funny movie about happenings in a family during COVID-19 lock-down times, without expecting too much – there is nothing grand here, and no contribution towards the intellect. You can just go through this movie because you wish to see something which could naturally occur in families, with the funny side, avoiding the terrible exaggerations in between – nothing more is granted here.

Release date: 10th June 2022 (Amazon); 13th May 2022 (Theatre)
Running time: 134 minutes
Directed by: Arun D Jose
Starring: Mathew Thomas, Nikhila Vimal, Naslen K Gafoor, Melvin G Babu, Johny Antony, Leena Antony, Sminu Sijo, Sagar Surya, Hareesh Penga, Binu Adimaly, Kalabhavan Shajohn

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@ Cemetery Watch
✠ The Vampire Bat.

Aarkkariyam

Posted on May 22, 2021 by Tennyson

What is the movie about? :: Ittyavira (Biju Menon) is a retired mathematics teacher who is spending his time alone in a village in the district of Kottayam. At the same time, his daughter Shirley (Parvathy Thiruvothu) and her second husband Roy (Sharafudheen) are living in Andheri, Mumbai, and are planning to come back to Kerala after some time, despite the COVID-19 restrictions being further imposed everywhere. The coming of Corona has kept all of them in their own space, without much contact with outside world, and the spread of Corona virus had also brought some financial crisis to Roy and Shirley. The former’s business was already failing and there is no success in mutual fund either. The two manage to come all the way to Kerala to Shirley’s hometown and meet Ittyvira, who is really happy to see them. But they are also not able to meet their daughter, as the borders are closed. They apply for permission, but soon, a nation-wide lock-down is imposed, and they are all stuck there in their home in the village.

So, what happens with the events to follow? :: The lock-down changes their lives by a long way, and the restrictions reach their place too. The already interior home now feels even more away from civilization. This is the time when people were only beginning to understand the COVID-19 situation, and everyone was expecting all these problems to be solved as the virus would eradicated in the end of lock-down. One of the consignments of Roy is now stuck with the customs, and without that, there is nothing much that can be done. Now, the only way to get some quick money so that they can pay back Vyshak (Saiju Kurup) is by selling the ancestral lands, and it is Ittyvira who provides them that idea. But there are some complications related to the same, as there seems to be some secrets from the past which need to be taken care of. Roy begins to feel uncomfortable about the same, but there is nothing that he can do, other than worry about the same.

The defence of Aarkkariyam :: Aarkkariyam would seem to be a usual film in a village setting, but it is surely more than that – we get the idea only later though. Every moment in this movie nicely contributes to keep it going, and it is not that long either with each second in there used in an interesting manner. It does have that fine punch at the interval, something that makes the film take another route from the second half. The title itself is a worthy one here, as we keep wondering who all knows about a number of things including a sinister event and a person who was involved in the same. The performance of the three main characters elevates the film further, and the supporting cast is also interesting. The surroundings are nicely created, and the feeling of Pala-Kanjirappilly area is given with the rural touch everywhere, from the people to the environment. The film also focuses on the different opinions that different people would have about one person, and how polarized the same happens to be – how one can pretend to be good among the common people.

The claws of flaw :: Aarkkariyam is not the kind of movie which you would expect, as it has a certain deviation in store there. It is also slow at times, and there are lots of moments when nothing happens, even though they do contribute to the mood. There is also the presence of some usual cliché stuff here, but the same will go on and pass. Even if it feels like family drama, it doesn’t suit into that genre completely, and one would have doubt about the kind of audience it is actually looking for – even though we can keep it for the common audience in general. A little bit more of the moments in Mumbai and their return to hometown as well as a few twists in between would have helped more, even if it would deviate further away from the genre. It was an opportunity for something more, and there was the chance to be a classic, but the film manages to keep it going straight and without adding any special ingredient into it – maybe because there was the feeling that it was not needed, like Kungfu Panda would agree.

The performers of the soul :: This movie, as expected has Biju Menon with a performance to remember, and that too with a different kind of work. He has embraced this role like Vijayaraghavan did, as he moved from the usual kind of hero to the senior roles. Much elder to Biju Menon, he would be the one we would expect in a role like this, something which he has done in earlier films, but not as the protagonist like we see here. We know that other older superstars are still playing the characters of lower age group, but Biju Menon has had the courage to take it to the next level. If we remember his last few films, we will see that this difference in looks has come unexpected, and by a long way. Even as everything is kept simple about the character, there is always something to remember with this act. There are also those simple dialogues will stay, and sometimes come back – it is one realistic performance to remember as we look at it.

Further performers of the soul :: The movie is indeed about Biju Menon, but others do play their part too. Parvathy Thiruvothu once again has a role to remember, as she blends in here nicely, just like she has done so many times with ease not limited to her most appreciated performances in Uyare, Charlie and Ennu Ninte Moideen. She does get pushed to the background though, as the film progresses. It is also nice to see Sharafudheen in a serious role this time. We have been so much used to see him in those comic roles, except for that villainy in Varathan and the psychotic side in Anjaam Pathira, but those were kind of exaggerated when we have a look back – this is really a fine change here from the early comic side in Premam and the same later in Njandukalude Naattil Oridavela. The two match with their performances, and the cast has worked really well. Saiju Kurup plays the supporting role in the usual kind of way, but could have been part of more of the action too. Shoba Mohan is the only person here who gives the feeling that we have seen the person before.

How it finishes :: The first movie directed by cinematographer Sanu John Varghese is not something that we can leave behind. This is the kind of movie which I would have surely watched in the theatre early enough, if there was no COVID-19. It was a good decision to release this one on Amazon Prime Video along with Neestream, Roots Video and Cave OTT platforms because most of us were always going to watch it on Prime Video only – it is still difficult to find the movie there because of the spelling required to be exactly as it is when searching, and surprisingly it is also not on the list of the new film releases on Amazon. But we do get to it anyway, and during this time of lock-down and triple lock-down in Kerala, this is the kind of movie that reminds us of last year’s lock-down exactly as it is, and it is more or less a realistic experience that we go through – the kind which we had seen in Joji, and also in Nayattu even though this one keeps the thriller side at a distance.

Release date: 1st April 2021 (Theatre), 19th May 2021 (Amazon Prime Video, Neestream, Roots Video, Cave)
Running time: 126 minutes
Directed by: Sanu John Varghese
Starring: Biju Menon, Parvathy Thiruvothu, Sharafudheen, Arya Salim, Ganga G Nair, Saiju Kurup, Thejaswi Praveen, Shoba Mohan, Jacob George, Pramod Veliyanad

<— Click here to go to the previous film review.

<— Click here to go to the previous Malayalam film review.

<— Click here to go to the previous superstar film review.

@ Cemetery Watch
✠ The Vampire Bat.

Escape Room

Posted on March 28, 2020 by Tennyson

What is the movie about? :: Six people from different background, unrelated and unknown to each other are given puzzle cubes which they are supposed to open. The names include Zoey Davis (Taylor Russell), a Physics student who is an expert in her subject, and can’t stop talking about it even when she is not at the college, much to the dismay of the fun loving room mate who rarely understands anything that she says related to science and technology. Another name on the list is Ben Miller (Logan Miller) who is responsible for replenishing the stock at a shop, someone who is an introvert and has almost zero friends. Meanwhile, Amanda Harper (Deborah Ann Woll) is an Iraq war veteran, traumatised from her experiences there, but a perfect lady soldier who thinks she can go through anything. Jason Walker (Jay Ellis) is a stock trader who spends his time thinking about how to please his clients and make money. Mike Nolan (Tyler Labine) is a poor truck driver who wishes to earn some quick money.

So, what happens with the events here? :: The last one in the group is someone who is a gamer mad about the idea of escape rooms. Danny Khan (Nik Dodani), a man of South Asian descent, has gone through such experiences before and is excited to be part of this particular escape room game, which would provide the winners with ten thousand dollars, an amount which none of the group members would leave behind. They go to a floor at the top of the building and await further instructions from the game master. When Ben tries to open the door, the door knob falls off, seemingly showing that the game had already begin. They start looking for clues to escape from there, but the discovery of one clue only leads to the heat in the room to rise, and now they have to escape the place before they are fried alive in the first challenge itself. But this won’t be the toughest of their challenges, as many more rooms are to come.

And what else follows with the happenings? :: Even though they manage to find an opening to escape that particular room, there would be tougher challenges awaiting, and some of these tasks would have connections to their past, something which would come to their own mind at regular intervals while going through the escape procedure. There is no doubt about the fact that Amanda Harper, as an Iraq war veteran, would have a troubled past to remember from her time in the Middle East, but the question remains about what kind of past other participants would be hiding. What might be the reason why these six people who are not related to each other, and with nothing to connect them were given the puzzle cubes? Is it a game which itself has a past which had all of them together at a point? Are there some elements which make sure that these people have what it takes to survive, whether the brains or the muscles?

The defence of Escape Room :: The movie makes a fine treat within the genre, as there are puzzled to be solved, and very personal problems to be taken care of. The movie is a psychological as well as action thriller, and it also has the elements of drama with the characters’ past catching up quite fast. It can also be considered to be a part of a type, strangers-in-a-room subgenre, where only the toughest and the smartest can survive. We have seen such a situation before in The Belko Experiment, and during the times of Corona lockdown, this movie will surely catch one’s attention. There are some interesting rooms designed here even though we would have wanted even better ones. There are some nice situations being brought here for the protagonists too. We will also have some twists around here too, even though not that many of them.

The claws of flaw :: If you had watched the trailer, you would be expecting more from the movie. It does reveal a little too much of the movie, and as this one is of short run-time, there is less number of rooms. The movie could have started earlier with the action because here it starts twenty minutes in the film. There was scope for one more room to be squeezed in here with the same run-time, and with a slight increase in the same, another one could have been there. This idea has been tried and tested a lot, and it could have had something special as we see it being repeated here, but the same is not done. There is also some predictability which comes into the picture in the final stages, and the movie just tells us the names of the characters who are to survive towards the final stages – the three characters of whom we have had a few minutes of introduction, which was rather unnecessary addition to an unnecessary revelation. The ending is also ordinary.

The performers of the soul :: There is another movie in 2017 released with the same name, and what seems to be keeping this flick better could be the performances, as setting, puzzles and characters of the 2017 seems to be better from the trailer. In the 2019 version here, the one actress who looked perfectly suited for the role was Deborah Ann Woll, who played the Iraq war veteran in a very convincing way throughout the movie. The next one to make an impression is Taylor Russell who plays the character who has the most screen space, and it comes off without any difficulty. Logan Miller is natural in a usual person kind of role, and Jay Ellis suits here like Will Smith does in most occasions. Tyler Labine and Nik Dodani are the lesser players here, as we don’t get to notice them much except for the latter coming up with a funny side which is cut short too soon.

How it finishes :: With the premise that it had, Escape Room is a movie which could have achieved something bigger, and maybe it can with the upcoming sequel. The movie has its moments with the rooms, and keeping the audience at the edge of the seats trying to figure out who all will go to the next level, and how they can figure out the puzzles and survive each stage. With six people facing circumstances beyond their control, there was always going be thrilling fun, and this movie is no exception here. I was wondering that during these times of Corona, you can create yourself an escape room with puzzles. After all, we are all under lockdown, and going out is nothing less than a terrible violation against our own countrymen. So, lets play a game or two, decode some puzzles, answer some riddles, and create our own escape rooms in the house.

Release date: 4th January 2019
Running time: 100 minutes
Directed by: Adam Robitel
Starring: Taylor Russell, Logan Miller, Deborah Ann Woll, Jay Ellis, Tyler Labine, Nik Dodani, Yorick van Wageningen

<— Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Transformers IV

Posted on June 28, 2014 by Tennyson

Vampire Owl :: Isn’t this the movie in which your Chevrolet Beat transforms?

Vampire Bat :: No, it doesn’t. The best it can do is to transform into a Titanic on on our roads on a monsoon season giving company to the other cars.

Vampire Owl :: Shouldn’t the movie at least feature you?

Vampire Bat :: Why me? When was the last time I transformed?

Vampire Owl :: It is named Age of Extinction. I think Vampire Bats are going extinct. Nobody really likes you. Even Poe prefers a raven at night.

Vampire Bat :: No, that is not true. There are people who like me, like Count Dracula, Batman, the cute zombie girl next door and twelve thousand two hundred and fifty three normal vampires. I might even have a candlelight dinner with Countess Dracula.

Vampire Owl :: I hope you take this lightly, but Countess Dracula is dead.

Vampire Bat :: What? When?

Vampire Owl :: I am not sure, but that should be about four hundred years ago or so?

Vampire Bat :: It is difficult being immortal; you have to watch good people suffering and bad people thriving.

[Enters the movie hall].

What is it about? :: Years have passed since the last battle between autobots and decepticons which left the city in ruins and so many people dead, making it difficult for the government to rebuild it again, and as a result, all the aliens were declared fugitives and there was not going to be any combined efforts between humans and the autobots anymore. Another transformer called Lockdown who belongs to neither of the two factions is shown to help the government in doing the same, with a promise of something in return for the capture of the autobot leader, Optimus Prime. Meanwhile, the human research on dead transformers is progressing, and there was the discovery of transformium, a metal which is unstable and can transform, creating more of such robots which can replace human soldiers in the case of a war. With the help of a captured Brains, they are slowly using this metal to build transformers which accept command from the humans, including Galvatron, Stinger and Junkheap. At the same time, Cade Yeager (Mark Wahlberg) and his friend Lucas Flannery (T. J. Miller) purchase an old truck in hope of helping Tessa Yeager (Nicola Peltz) in her studies with the money they can get from selling the parts. But that truck would be Optimus Prime in hiding and things will take a turn.

The defence of Transformers: Age of Extinction :: The movie has great battles, as robots collide and fight against each other in a war which lets sparks fly and makes things come towards you in 3D which is a nice visual extravaganza. The special effects nicely compliment the action sequences, and the chaotic world is nice to watch with transformations to come with the same. There are the nice cars to which the robots transform which look better than ever. The best scene is that which involves the huge spaceship which wanders in the sky, and also uses its powers with all the possible awesomeness as far as a movie like this is concerned. The destruction is also taken to another level. The transformations also take a twist, with dinobots having robots transforming into giant dinosaurs as well as the human constructed transformers having their own way of changing, all of them contributing in a different manner. The three machines which are better than the others are the Optimus Prime and Galvatron (Pacific Rim‘s Gypsy Danger’s evil twin) trucks along with the cars of Lockdown and Stinger. There is a lot for the Transformers fans to cheer about, as the awesome heroes once again go on their mission to save planet Earth with the support of a very few human allies. The human greed and the inherent evil are also nicely shown.

The claws of flaw :: The movie suffers from the usual problems with the plot which we can associate with all the Transformers movies which try to follow the path of the original with one villain at a time, Megatron, Fallen and Sentinel Prime who were in the previous movies make way for Lockdown, and Megatron is once again here being the secondary villain, just in another form. There is also the old truck Optimus Prime who refuses to stay in the grave and comes back from the dead as the metallic zombie which I have always hoped to have stayed dead or refusing to die at all. Bumblebee continues to be overrated and lives, while the kill off the last interesting robot from the first movie, Ratchet, something which they already did to Jazz and Ironhide. The robot design is also more complicated, but at the same time, horribly flawed, as we no longer see the usual robot faces, but creatures with face of Japanese Samurai and those with beard and smoking cigars, something which looks so dumb in the detail. The plot gets predictable by the second half, and the addition of dinobots is nice variety, but the way in which they are introduced is lame. The movie is also too long and has too many repetitive fights which often makes the viewers wonder if they had already seen all these. The characterization is another case for downfall.

Performances of the soul :: Mark Wahlberg is rock solid in this movie, and it is good to see him instead of the usual cast that we had, because he is always one of those nice action stars who are suitable to play this kind of role which involves being the hero and yet not being the strongest one around. Here he is, being the mechanic, father and action hero all at the same time, and makes it work even as his character is not without flaws. Nicola Peltz is more about being the beauty among the population which are mostly robots or action heroes, and being the one with teenage girl problems and having problems with her father. She looks great and proves that one thing. Sophia Myles and Li Bingbing also contributes to the overall beauty, having nothing too much with their characters. T. J. Miller provides some comic side which is there only for some time. Stanley Tucci’s partially villainous character also provides some comic relief during the intense action, but it only works partially – not something which the Transformers franchise haven’t tried before and often succeeded; other times proving the inherent dumbness. Jack Reynor has a nice presence, as what can be called the supporting actor, but as a need for our girlfriend to have a love interest. Kelsey Grammer is a nice villain, but not fully utilized and forced to come second. Titus Welliver also comes up with a strong performance.

Soul exploration :: The movie leaves with hope for a sequel, but the question remains if it has a soul to work on. It had the always-ready-to-die Optimus Prime with an ideal, but that is actually less worked on now. The autobot-decepticon enmity has also gone the wrong way. At the same time, the movie has given us an idea about how bad the effects of science and technology can be, and there are secrets that should be left alone, for there are other things that humanity should focus on, as they are that species which are infested by greed, hatred, lust and envy. The technology is rarely safe in the hands of man, as they are incapable of handling the same due to the presence of their inherent evil nature. When the movie goes on to be a massive success story at the box-office, the one thing we have to think about is how well it has portrayed humanity and the problems caused by its pride. Even a robot knows better than humans who are blessed with better teachers throughout the centuries, and even with all the knowledge that they have gathered, man fails to be good, and it is a case of shame. Then in finding the creators, they are indeed Prometheus infested.

How it finishes :: I had considered Transformers: Dark of the Moon as the worst Transformers movie of all time, and I will stick to the same, but I would still think that our movie here has got more problems in its story-line than the others, but it does make up with the better special effects and action sequences, plus Mark Wahlberg who looks very well suited for this kind of role. Still, except for the first Transformers movie which I have watched so many times already, I wouldn’t dare to watch another one of this franchise again. I would suggest you watch the robots of Pacific Rim rather than watch the aliens of this movie if given a choice. But there is no denying that this movie is pure entertainment, except for the fact that its lack of brain and the repetition, along with the terrible length makes the situation a bit intolerable to a few. Transformers fans should like this movie a lot, and the new additions can impress a number of viewers. This is one of those non-superhero Hollywood movies which are running houseful right from the day it was released, and one can be sure that this is not the end for this franchise, and this sequel is going to collect a lot of money.

Release date: 27th June 2014
Running time: 165 minutes
Directed by: Michael Bay
Starring: Mark Wahlberg, Nicola Peltz, Kelsey Grammer, Stanley Tucci, Jack Reynor, Sophia Myles, Li Bingbing, Titus Welliver, T. J. Miller, Melanie Specht, Victoria Summer