Tag Archives: government

Artificial Justice

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Vampire Owl: This seems to be the next thing after artificial intelligence.

Vampire Bat: Humans seem to be addicted with their machines.

Vampire Owl: Well, they are the only ones they trust.

Vampire Bat: Human distrust among themselves is valid.

Vampire Owl: Our 12th Man Dr Frankenstein has warned us about the same.

Vampire Bat: Mr Frankenstein has not been a doctor since birth.

Vampire Owl: This is not about him being a scientist or doctor.

Vampire Bat: He is just not a source to be trusted.

Vampire Owl: His judgements have been seventy five percent accurate.

Vampire Bat: Humans might still come up with ninety nine percent with their machines.

[Gets a paneer uthappam and three cups of Mattupetty tea].

What is the movie about? :: In most courts of Spain, an artificial intelligence system called THENTE 1 has been serving as an aid to judges, as an analysis of the files and the expressions as well as way of talking of the accused are considered. Even though the system seems to be near-perfect, veteran judges like Carmen Costa (Verónica Echegui) trusts her own intuition and experience to make the final decision. She even goes against the system which predicts eighty two percent chance of a hacker committing the crime again, and sets the man free despite the suggested denial of freedom. Her belief in Artificial Intelligence is rather limited, as she even distrusts the medical analysis about her showing her as not fit enough to undergo pregnancy, and every time ends up aborting the fetus due to her declining health. Concerning the future of artificial intelligence, the CEO of THENTE, Alicia Kóvack (Alba Galocha) had been regularly trying to meet Carmen who was trying to avoid everyone, while government pushed for artificial intelligence to replace the judges.

So, what happens with the events here as we just keep looking? :: It is on the same night that Alicia meets with an accident, as the artificial intelligence which was installed in her car deviates the vehicle to avoid another car which was stuck on the middle of the road, leading to her death. A grieving Carmen is told that the artificial intelligence took the decision to deviate her car into the side to save the lives of two people who were in the other car, as a direct collision would have killed all three of them, and that this action saved two lives, and almost saved Alicia who died in the hospital. The government starts strongly pushing for the use of artificial intelligence as a substitute for judges in the form what was called artificial justice. Carmen is invited to work on the further development of the project, making sure that it is flawless. Alicia had noted down in her will that Carmen had to approve the whole thing before being implemented. This leads to Carmen doubting a bigger conspiracy behind all of these. Is Alicia’s death and the upcoming election related to this artificial intelligence implementation and more?

The defence of Artificial Justice :: The movie focuses on exploring the role of Artificial Intelligence in one’s everyday life, focusing deeper on how well the artificial ones can deliver justice. It asks how much the control can be provided to the machine, at a time when there would be the control of multi-national companies if there is such a programme. There is the idea that there would always be something which the machines cannot predict, including the nature of people and the changes that come across them, as the need to judge people by past would be more complicated than ever. The idea of having an artificial judgment instead of a human judge would leave so many things unattended as shown here, and so would anything driven by a machine which would consider some lives to be less important than others under some circumstances. The idea is nicely thought about, and the arguments are put in here nicely, as the feeling of unknown danger and mystery runs through here with slow thrills making impact.

The claws of flaw :: The pace of the movie keeps going down at times, and its inability to raise itself by the end of the flick makes it questionable as a thriller with a motive. The struggle of the movie is always present, and even when the main character is swimming or driving, the problem seems to be of the movie rather than of the character. The deep exploration of situations is not there, as the movie keeps on looking only at the ideas on the surface and keeps jumping from one to the other like a really irritated Tarzan or Mowgli. The ending feels too rushed, and in world where an escape would be impossible, a Joseph-type ending would have done perfectly alright, but we do not see the same with this one. There needed to be some emotional strength to support the efforts of the dead characters, but the movie just shows too much indifference to its characters that the viewer would feel that the real machines are the people in there among which some of them just dies like computers being shut down by others.

The performers of the soul :: Verónica Echegui handles the weight of the situation here really well. Her performance reflects the mood of the movie, and she remains solid even when movie shows some struggle. The calmness that she shows when facing all adversities, reflects the character very well, and there is a certain amount of freshness about her. Alba Galocha is the one person whom we miss during the journey here, as the character is gone too early, but we know that there was a lot more she could have done here if the role carried on to the end. She has the looks that would the present Spiderman as his girlfriend, seemingly a perfect choice in a battle against Mysterio or any other classic villain. The looks seem to keep making her feel younger. Tamar Novas makes it work and Alberto Amman adds on with his performance here. The villainy here is smooth and working from the background in an effective manner, as shadows seem to haunt. The supporting cast is also pretty good as we look around.

How it finishes :: Artificial Justice raises some interesting points while going through a journey that we would remember due to the questions which have been asked, and the so many answers which could be received. The lost point here is that it fails to develop on the same, and end well, with the finish going through such a struggle to even prove that it is the end, and there would be no more similar finishing points to follow. The ending is not just open-ended, it also provides nothing to the audience who have been waiting for a grand finish like in those usual science fiction tales with a grand underlying message. The conspiracy was huge, and that big ending was required. But with a fine beginning and with suspense and danger around, the experience of the movie remains good, even when the pace is reduced at times. There is the struggle, but we get most of the thriller that we wanted from this one. The Spanish thrillers have had the guaranteed thrills at least at the minimum for some time as far as internationally known movies are concerned.

Release date: 13th September 2024
Running time: 98 minutes
Directed by: Simón Casal
Starring: Verónica Echegui, Tamar Novas, Alba Galocha, Alberto Ammann, Lúcia Moniz, Paula Morado, Santi Prego, Ledicia Sola

<<< Click here to go to the previous review.

<<< Click here to go to the most read review here.

@ Cemetery Watch
✠ The Vampire Bat.

Kho Kho

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What is the movie about? :: Maria Francis (Rajisha Vijayan) is appointed as a PT teacher in a girls’ school, in the remote area of a village which is surrounded by backwaters. She is forced to take up the job because her husband Ben (Venkitesh VP) was facing failure in business, and was in requirement of the money. Maria used to be a sprinter, and was very close to representing India at an international level when something terrible happened in her life. At the new school, the two people who is in support of her activities are the peon Shivaprasad (Renjit Shekar Nair) and the accountant Vinod (Rahul Riji Nair), the latter being doubtful about the requirement for a PT teacher in the school, yet being interested in Maria. After some days of doing almost nothing in the school which has historically given no importance to arts and sports, she decides to create a kho-kho team for the first time in school history, a move much appreciated by the headmaster.

So, what happens with the events to follow? :: With a confused but hardworking team led by the stubborn Anju (Mamitha Baiju) who has her own mood swings and not missing her chance to pick up a fight, Maria hopes to make history through her students, and achieve greatness which she couldn’t earlier due to circumstances. The parents of the students are against the students choosing sports instead of using that time for studies, and do not appreciate the fact that the girls are going somewhere far away to compete. But as they qualify for the district level competitions, they do manage to gain a certain amount of support. The girls’ problem related to balancing studies and sports, their problem with wearing shorts within a conservative world and Anju’s attraction towards Shivaprasad might be the least of the problems with Maria will have to face here. Can she and Anju lead the team towards seemingly impossible victories and an even more elusive final triumph?

The defence of Kho-Kho :: Depending more on the emotions than anything else, Kho-Kho also has the usual moments of thrill with the games. It is the common motivational story of the underdogs who had no chance, but with hardwork and inspired performance, comes out victorious against all odds. The characters and the setting become interesting in this case, as this goes through life of common people for most of the time. We also have some nice visuals to go with the same. There are many exciting scenes here to remember too. The struggles of the characters involved here are shown well, especially the two main characters played by Rajisha and Mamitha. The feeling which was provided by Finals is somewhat repeated in this movie, and if you had like that movie, this will be on your favourite sports drama list too. The songs are pretty good, and they go on well with the visuals as well as the mood, and so does the background music. Unlike Chak De! India and Dangal, this is the real woman-centric film with empowerment, and without those unnecessary superstar exaggerations, and that feels true to life in many ways.

The claws of flaw :: Kho-Kho is certainly not that big as Finals, the other film with the same actress in the lead. The background story which keeps on moving silently is not that strong when we look at it. The premise feels similar to other movies, and we can predict a lot of things which are going to happen here. A number of training scenes and events are more repetitive rather than trying to do something different or unpredictable. To add to it, some dialogues actually look more artificial, right out of paper, rather than coming with the emotional weight. Venkitesh is also very much underused in another movie after The Priest limited him, and Thattumpurath Achuthan‘s song presence had made us feel that he would be a regular full presence. More of the girls in the cast should have got more attention though, at least half of them. The release of the movie on Asianet was delayed by a week, and it was Drishyam 2 which had its television release then, a disappointing decision from the channel which might have kept some people away.

The performers of the soul :: We have seen Rajisha Vijayan only in a few movies, and among them, we have seen such great skill. We have seen her in the grand performances from Anuraga Karikkin Vellam which brought her the Kerala State Award for Best Actress, through the nostalgia-inducing coming-of-age story of June, to the earlier sports drama of high acclaim, Finals. It is to be noted that in both sports drama, Rajisha plays a character with a tragedy to go with both life and career. With her role beginning as the trainer, the tragic background was established much earlier here. Rajisha once again has the whole thing in control here, and from the beginning to the end, it is a determined as well as emotional performance. Well, Finals was the best movie of the season when it released, but many people missed the work on the big screen, and the same is the case here too due to COVID-19, and it seems that the early television premieres are changing some of the situation here, with everyone getting the needed access not too late.

Further performers of the soul :: Mamitha Baiju who was also seen in Operation Java plays the captain of the team, and plays her role in a very much believable manner, with all the emotions and determination required for the role. She will surely be a talent to look out for, with more of similar roles. There is the rage and a flurry of emotions that she comes up with, which suits very well for her character with a troubled past. Unlike the character she played in the Balu Varghese starrer, the energy here is intense. Venkitesh VP as the protagonist’s husband has only a limited role, and we are still hoping to see him in bigger roles, like we have wanted all those actors and actresses in the Naayika Naayakan reality show to come out with their performances on the big screen. Renjit Shekar Nair and the director himself – Rahul Riji Nair comes up with good supporting performances. Vettukili Prakash’s role might have felt unnecessary. The cast of girls in the team is also nicely done, and at least quarter of them stay with us by the end, even though not more than one or two gets extra attention.

How it finishes :: Kho-Kho is another sports drama which you don’t need to miss, and it is also a film which goes through the base level of the game, without overdoing the same. Just like Finals, it is nice to see another sport with lesser fans getting all the attention, and not the highly fan favourite Indian sport of cricket or football which comes second. Cricket never really required movies as support, but some sports can have films made on them to bring out interest back to them, and this is the same case happening here. The movie is a reminder of a sport which is often left unnoticed among the bigger names. Kho-Kho is a film that can have even a sequel with this content, and there are times when it also reminds us of Godha, which brought back memories of wrestling as a sport. These are indeed the films which needs our support, and not those overrated stuff which has wandered around with a lot of hype and no substance. Kho-Kho needs to come back to television or release on Amazon Prime at some point to expand its horizons.

Release date: 14th April 2021 (Theatre), 28th May 2021 (Asianet)
Running time: 119 minutes
Directed by: Rahul Riji Nair
Starring: Rajisha Vijayan, Mamitha Baiju, Renjit Shekar Nair, Venkitesh VP, Vettukili Prakash, Arjun Ranjan, Sreejith Babu, Jeo Baby, Geethi Sangeetha, Rahul Riji Nair

<— Click here to go to the previous review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Viral

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Vampire Owl: This title should be reserved for a vampire movie, and not the flicks like these.

Vampire Bat: They are using this title for parasitic worms, and not zombies, unlike what you think.

Vampire Owl: What? There are no zombies in this one?

Vampire Bat: There are people mind-controlled by worms which develop a parasitic relationship with the brain.

Vampire Owl: Oh! I had sent my zombie minions to watch this one thinking that it was a zombie movie.

Vampire Bat: It is okay. They can’t differentiate between the two with their infected brains.

Vampire Owl: I hope they don’t. If they get something to use against me, there will be trouble – I haven’t even paid them their wages for very long.

Vampire Bat: What? Where does all the money you earn as a senior vampire associate go?

Vampire Owl: I am building an ark as part of my plan to take over the world.

Vampire Bat: Please make sure that the world doesn’t take over you.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Emma Drakeford (Sofia Black-D’Elia) and Stacey Drakeford (Analeigh Tipton) are two sisters studying at the same institution – the former is rather the studious kind and the latter the hyperactive one who keeps bringing some trouble to her sister. The former is attracted to their neighbour studying in their school, Evan Klein (Travis Tope) while the latter finds her boyfriend in the local boy CJ (Colson Baker). Their father, Michael Drakeford (Michael Kelly) who is teaching at the same institution has problems with his marriage, which he is trying to sort out from a distance. Meanwhile, there is news about a terrible virus causing some parasitic infection. But the United States government is confident that there is nothing in that virus that they can’t handle, and is keeping a close watch on people who travel from outside the country, and those who go out.

So, what happens next? :: When Emma’s best friend Gracie Lemay (Linzie Grey) manages to get the same infection, things turn upside down in their small town which is not prepared for such a thing. It seems that Gracie is going to die, and her parents provide the information that she is going to get better, but both is not correct, as something worse than death awaits them. The infection also spreads through another students whom she is contact with. The infection spreads wide from all corners of the continent and nation, and there is soon a quarantine on the whole county as with many other places in the country, as their father is stuck on the way trying to get their mother from the airport. Their mother can’t get out of the airport either. He asks them to stay at home, but they go for a party only to find out the infected there, unleashing terror, which seems to have Stacey affected, but she doesn’t show the signs then.

And what is to follow in the events to follow? :: They waste no time in getting back to their house and lock it up, only to know that things are only getting worse. The military is there and restrictions are made, with nobody allowed to be outside the limits of the town. Almost everyone stays at home, but that doesn’t really stop the infections from spreading, and nobody is safe. They keep listening to the news which brings them further hopelessness with events all around the globe including governments bombing a full town or city to contain the infections, and also see their neighbours being captured by the military who takes them away. The soldiers keep checking if there is any infected in the homes, and considers it against the law to have one inside, and when broken, would have serious consequences. With every attempt to escape quarantine not being fruitful, can the two sisters do the impossible? They have no idea what they are up against – nobody does.

The defence of Viral :: As many other movies including the many movies of Resident Evil, Viral uses the idea of a virus outbreak to end the world, and with the same, it does a nice, and a more realistic job. There is nothing exaggerated tried here, and we also have the support of the emotional side along with the horror and thrills to make this one a balanced movie dealing with these things. This one’s use of the parasitic worms to control the humans from inside while multiplying, provides a more terrifying feeling as we see them travel inside the skin. The movie also nicely builds its story from the beginning unlike other horror stories, and the protagonists seem to be a lot more likable with their sibling bonding side. The movie has the advantage of Sofia Black D’Elia who, along with being the prettiest person around, also has full control of her work, never straying. Analeigh Tipton comes second, and does pretty well with her big and rebellious sister role.

The claws of flaw :: There are those stupid decisions being made by the protagonists – there is possible virus outbreak outside and you might die, and still our people have no problem in going to a party and socializing with others who might be infected; well, party might be the most important thing for a new generation in some areas, but one would think that life is something of more significance. You are also very much provided with the idea that this movie could have been something bigger, and it keep you wondering about what kind of terrible attacks could have been witnessed on screen, and what all desperate measures the protagonists would have taken to escape them. All these could have been done quicker, without providing significance to a few repeated dialogues – well, we ask for the best from a virus outbreak causing end of the world, don’t we? Infections can bring more on the screen than people not infected.

How it finishes :: Despite reminding of other movies dealing with a terrible infection striving for the end of the world, Viral is also an interesting take on the same. It might feel like a deviation from the usual zombie horror, with people not being control of their minds, but the difference is that there are those worms in control right inside. There is one thing about which you will be sure about more than the rest – it will be about the need to see Sofia Black D’Elia in more horror movies, considering the way she has handled this one. Then there is another thing – this movie is surely a fine way to spend some time with a certain amount of thrilling moments of horror, which rises further above the opinions about it seen online. Also read the reviews of the movies in theatres right now, Thrissivaperoor Kliptham, Varnyathil Aashanka, Clint, Sarvopari Palakkaran, Chunkzz, Kadam Katha, Sunday Holiday and Thondimuthalum Driksakshiyum.

Release date: 29th July 2016
Running time: 85 minutes
Directed by: Henry Joost, Ariel Schulman
Starring: Sofia Black D’Elia, Analeigh Tipton, Travis Tope, Colson Baker (Machine Gun Kelly), Brianne Howey, John Cothran Jr, Michael Kelly, Stoney Westmoreland, Linzie Grey, Judyann Elder, Philip Labes

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.