Australia – Movies of the Soul

Vampire Owl: Which type of mine are they talking about?

Vampire Bat: I don’t think that the usage is like that here.

Vampire Owl: I can think of a copper mine, gold mine or coal mine.

Vampire Bat: This is not a movie about that kind of a mine.

Vampire Owl: Okay, you are talking about a highly explosive land mine.

Vampire Bat: It is the thing which is used to refer to a something belonging to speaker, and will be related to nothing else.

Vampire Owl: It is disappointing. I was reading about the Romans using caltrops which were like land mines without explosions.

Vampire Bat: This movie surely has an angel belonging to the speaker, who is a mother, or rather mothers.

Vampire Owl: So, it is a daughter that they need.

Vampire Bat: Exactly, for it is about mothers and daughters.

[Gets a guava cake and three cups of white tea].

What is the movie about? :: Lizzie (Noomi Rapace) and Mike (Luke Evans) used to be husband and wife, but now they are looking for divorce, after having a strained relationship for years after the death of her second child a few days after birth, in a fire happening at the hospital. They are also fighting for the custody of their son Thomas (Finn Little) which has him disgusted, especially at the attitude of his mother, who hasn’t been the same after the death of his little sister. Lizzie who is working at a beauty parlour is not happy at what has happened, but doesn’t do anything to change things around, not socializing with people much, and trying to evade even people close to her. But as one day, when she goes to the birthday party of her son’s friend Jeremy (Indi Serafin), thinks change, as she feels that a girl Lola (Annika Whiteley) whom she sees there, is her daughter whom she thought, had died in the fire at the hospital.

So, what happens with the events here? :: Lizzie cannot sleep or concentrate in her work, because she feels that she cannot be wrong in this, and that Lola is really her daughter named Rosie. Initially, she doesn’t say this to anyone, and tries to get into the house where her possible lost daughter is staying, becoming friends with Claire (Yvonne Strahovski) who is planning move into another city, thus leaving her home open for sale. Lizzie poses as a buyer, and also makes use of his son’s friendship with the boy there. Claire’s husband Bernard (Richard Roxburgh) also hopes that she buys the house as soon as possible, and this allows Lizzie to be closer to Lola. Even though she seems to keep a distance in the beginning, can she keep herself away as the family is moving to their new home soon? Will Claire also know about this, and how will she react to Lizzie’s guess work? Is Lizzie out of her mind, as she once used to be?

The defence of Angel of Mine :: There is something about Angel of Mine which will keep you want to know what happens next. It is not just the need to know the truth about the death of a child and also on the life of one, but also about how Noomi Rapace and Yvonne Strahovski are going to handle this, and how their characters will go through this, as this is very much performance-oriented. The former has another huge performance of her career, and the latter follows really well. There are those twists which are more dramatic rather than thrilling here. The final moments are nice, and there is a fine emotional touch running through the whole movie – there is nothing that touches one’s feelings more than a mother’s love, other than the emotions of a mother who has lost her child. Here, we have the mother who has also lost her husband and is almost losing her other child, and has no social life at all – it is where emotions run high.

The claws of flaw :: The movie remains slow throughout its run-time, and there is nothing in there to make rise above that lack pace. The struggle to accelerate can be seen on many occasions, but it can’t escape the drag which it possesses from the time when this was supposed to be interesting – it could have been even one big thriller after that moment of feeling, but after that it doesn’t use those wings to fly, but stays grounded. Making this movie fast-paced was the first step towards getting more people to watch the whole thing without looking at somewhere else, because it is that kind of a topic, with some of the best acting performance lead by Noomi Rapace. The movie should have also added something in there as a clue, and this could have been more like an investigative thriller with the mother searching for her daughter who was supposed to be dead, but this movie never rises to that level, which sadly seems to be intentional.

Performers of the soul :: Noomi Rapace might be one of the most versatile actresses we have ever seen, first noticed with the Swedish movie adaptations of the Millennium series by Steig Larsson – The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. For the common Hollywood audience, she is known to have played Madame Simza Heron in Sherlock Holmes: A Game of Shadows and Dr. Elizabeth Shaw in Prometheus, the latter being one of the most solid performances in any alien movie, making us disappointed not to have her in the sequel Alien: Covenant. The Secrets We Keep and The Price are two more thrillers which are to come from here. While she is indeed brilliant here, we also have something of similar class from Yvonne Strahovski, the lady we know from I, Frankenstein among the demons. Luke Evans, the Dracula–Hobbit–Furious–NOL star is just there for namesake and nothing more.

How it finishes :: A remake of the 2008 French film titled Mark of an Angel, this version has also managed to have almost the same number of positive opinions from the critics, as the new version is supposed to have stayed close to original as much as possible. With Noomi Rapace around, one has to believe that the English version has to be stronger, as she has the habit of making everything better than they are supposed to be, as even the already wonderful Alien: Covenant was lifted to another level with her at centre of everything. Angel of Mine is the kind of movie which begins very slow, and keeps everything going without accelerating at any moment, with a realistic ending, keeping it close to life throughout its run. This is the kind of movie which is the best for the lovers of drama, and from a distance, it is also a partial, slow thriller. You can watch Angel of Mine and see how things work without pretensions.

Release date: 30th August 2019
Running time: 97 minutes
Directed by: Kim Farrant
Starring: Noomi Rapace, Yvonne Strahovski, Luke Evans, Richard Roxburgh, Rebecca Bower, Annika Whiteley, Finn Little, Emily Gruhl, Rob Collins, Indi Serafin, Tracy Mann, Richard Roxburgh, Mirko Grillini

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: This reminds me of someone I know very closely.

Vampire Bat: Oh, you mean the Transporter. Or the Hitman.

Vampire Owl: None of them – I know that they are exclusive to the human race.

Vampire Bat: Then who are you talking about?

Vampire Owl: Don’t you remember my zombie minion who was a mechanic?

Vampire Bat: He fixed tombstones. You can’t call him a mechanic.

Vampire Owl: Well, we work through magic. What else is there to repair?

Vampire Bat: But the Mechanic here is a Hitman!

Vampire Owl: And Jason Statham is supposed to be the Transporter!

Vampire Bat: They are all professionals – Hitman, Transporter and Mechanic and there is minimum hair on the head. So, consider them as equals in a divided society and lets watch the movie.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Arthur Bishop (Jason Statham), has left his job as the “mechanic”, which has been a fancy name for a skilled hitman for very long when he was in the field. As he had been more than a professional assassin who specialized in making his assassinations look like accidents, random criminal acts, suicides or just something that happened as a part of collateral damage, he is never really away from his job with the past following him all the time. After pretending to be dead, he has been living in Rio de Janeiro after taking over the name Santos, with no noise, and no more repairing with assassinations as a mechanic. He is approached by a lady named Renee Tran (Rhatha Phongam) who tells him that she knows who he is – she wants him to kill three targets for her boss, and they have to look like accidents or normal deaths.

So, what happens next? :: Using his special skills and experience, Arthur makes his escape from Renee and her mercenaries, making his way into the resort of his old friend, Mae (Michelle Yeoh) in Thailand. There he meets a woman called Gina Thorne (Jessica Alba) who is beaten by a man, and saves her, but later realizes that she is the bait, and someone has put her there to make him fall for her, so that he can later make him do assassinations for him – the same person who was following him in Latin America. It is the man called Crain (Sam Hazeldine) who used to be Arthur’s childhood friend, but that bond no longer remained, only to turn into hate later. He would kidnap the woman, and ask Arthur to do the three kills to keep her safe. Arthur has decided to make sure that Gina remains safe, and so he goes after his first target. But this one is inside a prison, and won’t be that easy – and two more will follow.

The defence of Mechanic: Resurrection :: There is unlimited action guaranteed with this sequel, and one can safely see that it is even bigger than its predecessor in that particular department. All the action remains simple, but effective, and there is no shortage of thrills in this journey. The action actually begins in the first location itself, and there is a fine dose of the same in between – the executions are also nicely done, especially, the one from under the swimming pool at the top of the skyscraper. There are some nice twists to go with the same too, and none of these are without style here – we all know what Jason Statham is capable of from all he has done within this genre. Brazil, Thailand, Malaysia, Australia and Bulgaria – the settings for this movie are all beautiful without doubt; especially those first shots at Rio de Janeiro and what all follows at those times in Thailand.

The claws of flaw :: People might have wished for something more in the story with this second addition to the franchise – a lot more than the usual thing, but they had to be satisfied with the hitman doing jobs with this one. There might also be the need for a more standardized progress with a movie like this and also the requirement for better dialogues and moments to remember. Another thing is that people are going to compare, and that might not do much good here – it is enjoyable what you see on the screen that matters the most. You are also sure to ask more from Jessica Alba’s character and also for Michelle Yeoh. Mechanic: Resurrection could have chosen to satisfy them all, but the fact that it doesn’t try to do the same means that we can watch them all without being bothered by the rest of the world.

Performers of the soul :: Jason Statham once again shines with what he does the best – it used to be The Transporter, Crank or The Expendables, and here, he continues to create that impression on us, as we watch him take on the bad guys. As the person who has been the Transporter before, and as the person who has been the fans’ first preference to become Agent 47 in Hitman, he easily goes through this role which demands nothing that special from someone who is so close to this genre. Well, we need to watch him in this kind of roles as it is how we have known him for a long time. As the hero that we want him to be, he is there again. It is good to see Jessica Alba again, but her role is a little too limited in this one, becoming the damsel in distress for too much time. Sam Hazeldine makes a pretty good villain here, and Tommy Lee Jones scores with the screen time that he has. Michelle Yeoh could also been used more.

How it finishes :: A lot of people might have chosen to degrade this movie, and it might not be the overrated critics’ material – but that doesn’t take out anything from this movie which delivers, and we have no doubt about that. Grossing more than its predecessor, this one proves that there is more to the movie than what the reviews say – Mechanic: Resurrection is not the kind of movie that goes for brainless entertainment either, and so you can be sure that critics have got this wrong, and it is not the case of just with one person. After watching this movie against many opinions, I have only found people who had told that this movie is disappointing, as disappointing for me. It happens very often with action movies as well as the horror flicks; we know a movie is good, and there are those reviews which look at the flicks in a strange way – but we get over it and go through to watch the movie.

Release date: 26th August 2016
Running time: 98 minutes
Directed by: Dennis Gansel
Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh, Sam Hazeldine, Rhatha Phongam, Natalie Burn, Anteo Quintavalle, Femi Elufowoju, John Cenatiempo, Toby Eddington