alligator – Movies of the Soul

Vampire Owl: I have always wanted to have the title, Vampire X.

Vampire Bat: You have been identified as Vampire O for a long time.

Vampire Owl: Well, why not X? Everyone has wanted to be Agent X.

Vampire Bat: Agent X has never been real – there was only a hoax related to it.

Vampire Owl: I have heard that most of the mass movies of humans have such agents.

Vampire Bat: They have such things because they run out of ideas.

Vampire Owl: I do feel that the X letter suits this movie better.

Vampire Bat: Well, its better suited for a slasher movie for sure.

Vampire Owl: You know how much we have missed the true slasher films.

Vampire Bat: Well, they should come back now for classic horror stories – the encounter should happen now or never.

[Gets some French fries and three cups of Munnar tea].

What is the movie about? :: Maxine Minx (Mia Goth) has always wanted to become a famous actress, and she does not mind how it comes, as the easy option seems to be to become a pornographic actress. As she wishes to be part of such a film during a time when theatrical pornography market is booming, she goes on a road trip with her friends and crew for an upcoming adult movie. The crew includes her own boyfriend and producer Wayne Gilroy (Martin Henderson), other actors Bobby-Lynne Parker (Brittany Snow) and Jackson Hole (Scott Mescudi), director RJ Nichols and his girlfriend Lorraine Day (Jenna Ortega). While Nichols want it to be a serious piece of cinema, Lorraine is not happy with the work. Bobby-Lynne and Jackson seems to be very much interested in each other as far as the work is concerned, but as they reach the farm where they are supposed to shoot, things do not seem to get any better. The whole place is supposed to have had soldiers staying there during the Civil War, but that might not be the only history that the house would have.

So, what happens with the events here as we just keep looking? :: In the early moments itself, it seems to be clear that there is something strange about the area as well as the old couple who owns the house, but the crew doesn’t seem to mind as they are able to shoot in peace around such a deserted area. The name of their movie is The Farmer’s Daughters, and the setting and the atmosphere seems to suit it very well. The old lady is very much attracted to Maxine, and wishes that she was young like her and friends who seems to enjoy their youth so much. At the same time, Lorraine, who is tired of being considered prude by others, wishes to participate in one of the intimate scenes, much to the dismay of Nichols who finds the change to his script and his lover’s change of heart to be depressing. He decides to leave the place, but finds out that it is not that easy to leave the farm, and others would also discover the same sooner or later. Now the question remains if any of them could manage to leave the place alive.

The defence of X :: The movie provides the feeling that it goes straight to the good old horror slasher roots, without hesitating like the newer additions to the genre which seems to have a few more doubts than required. This would be like sending an e-mail to those older generation of slashers and letting them know that we are still here, even though instant messaging is more of the trend. There are some memorable scenes including the alligator attack which just misses the protagonist, the meeting of two characters played by the leading actress, the elder woman invading the protagonist’s room and the final scenes of gore. The victims here are not that dumb as the characters who run around in horror films either, as the danger here would feel minimal for anyone. The movie is very much atmospheric, and the world here is suitable to be place any terrifying creature. The idea of being in a cabin in the middle of nowhere never really gets old, and never limited to Evil Dead and The Cabin in the Woods which serve as perfect examples.

Positives and negatives :: This movie is an example of something coming out of nowhere all of a sudden and keeping us interested. One might feel that there could have been more strength with its evil presence, but that side is kept rather realistic here. There are no supervillains who keep coming back for more after they seem to be dead, a case which has been repeated so many times, very recently with Halloween. The movie does have the stereotypes, but none of them used for the sake of being there, as there is some fine blending happening around here. This is also the kind of movie which makes you long for those old slashers, and a return to the past is provided with elements of nostalgia. The ideas of beauty and its fading with old age gets a special attention here, as we look at the process leading to disastrous events. The ending could have actually been more powerful, as the use of some elements resemble deus ex machina. What rises above all of these is the certainty that this is a worthy slasher horror that takes us to that childhood which had horror that lasted and eternity.

The performers of the soul :: Mia Goth was part of A Cure for Wellness with a mysterious performance, and it is nice to see her again in a genre which seems to suit her so well – the looks also come as a bonus along with her performance. It would seem that she blends in here so well that we never feels that she is not that any of those characters. Even when nothing happens, there is something about her – the swimming scene of her might be one of the spookiest among them, as danger is on the trail, and so seems many other mysterious elements. Such natural performances have been rare in slasher films. The makeup for the older version is also well done. Jenna Ortega is there as what seems to be another version of the protagonist, but there is the feeling that we do not really see enough of her here. There could have been something eerie about her in the end, but there is the feeling that the character is abandoned. Brittany Snow’s role is rather predictable, but still leaves a mark. The rest only needs to play along according to the needs here.

How it finishes :: We have not had many classic slasher movies around here which could bring us some nostalgia along with quality. This one does the job pretty well though, and in a world where slasher horror is losing power, a movie like this is very much required. There might be many reasons to deny the slasher its due, but we can always have more to accept it as a genre that demands our attention. When we consider the horror movies of the year, X is that film which has managed to grab less attention. But it is also that kind of a movie which deserved more. It would not be the perfect slasher film with that near unstoppable killer on the loose, but does manage to gain the success that it deserved with moments that will stay with us for some time. After all, being in a cabin in the woods or in the middle of nowhere makes all the impact in different forms. There is no better place to be, for any horror fan – we enjoy watching the terror unfold in such a setting, with atmosphere playing a major part in raising the level here.

Release date: 14th April 2022 (Amazon Prime Video); 18th March 2022 (Theatre)
Running time: 106 minutes
Directed by: Ti West
Starring: Mia Goth, Jenna Ortega, Brittany Snow, Martin Henderson, Owen Campbell, Stephen Ure, Scott Mescudi

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@ Cemetery Watch
✠ The Vampire Bat.

What is the movie about? :: Haley Keller (Kaya Scodelario) who studies in the University of Florida hopes to gain new heights as a swimmer, and she had been trained for the sport by her father Dave Keller (Barry Pepper) since childhood, when she used to break all challenges underwater. It is during one of those swimming training sessions at the university that she comes to know about a Category 5 Hurricane Wendy which is on a collision course with Florida, as her elder sister Beth Keller (Morfydd Clark) who lives with her family in Boston calls her, and advises her to get out of the state as soon as possible. But it turns out that she can’t reach her father, and she decides to go to her family home, make a quick visit and leave the state with him. As she gets close to her hometown, Wayne Taylor (Ross Anderson), a police officer and Beth’s ex-boyfriend asks her to go back as the cops are trying to lockdown the place.

So, what happens with the events here? :: Even though most of the roads on the way are partially flooded with heavy rain still coming down, she quickly takes a deviation, and goes to her house much to the dismay of Wayne. She gets to the place where he was supposed to be staying, but finds only their dog, Sugar. Then she leaves for the family home where she grew up, hoping to find him there – she also takes the dog with her, and finds the water level on the roads to have risen further, and the rain not seeming to lessen at all. She finds his truck at Coral Lake house, but he doesn’t seem to be anywhere in the house, leading her to search in the basement. There, she finds her father wounded and without consciousness. But she is attacked and is cornered by a group of alligators seemingly arriving there due to flooding. Now, their exit is locked, and there is no option of calling anyone.

And what else follows with the happenings? :: The mobile phone is destroyed in the process, and everyone in the neighborhood seems to have left the place due to flooding, and the hurricane expected to pass through the middle of the town, with further flooding almost there. More water comes into the basement, and the place starts getting flooded, making their safe corner behind the pipes to be accessible for the alligators by swimming. Both are injured, and Haley being a swimming champion seems to have a better chance of swimming out of it, but not with the alligators around. Through the window, she gets the attention of three young thieves (Anson Boon, George Somner and Ami Metcalf) who are stealing things from the flooded petrol pump and shop on the opposite side of the road. But as they look to the other side, they are caught by another group of alligators and killed. Now, Haley and her father are left with just the option to swim – but isn’t that suicide?

The defence of Crawl :: The movie does provide thrills with some nail-biting moments, and we are with the protagonists from the beginning itself, as a natural disaster along with some alligators are coming to get her and her father. There is her skills in water being focused with all the action, and the father-daughter bonding is also there to be taken. The atmosphere of the movie is very well done, as the flooding, the dark clouds and the powerful wind creates the feeling of the impossible escape throughout the flick. The same can be said about the characters whom we can relate with, especially as we have had our lockdown, and an invisible enemy in the form of a virus instead of the alligators. There are some quick scares with the alligators around, and there is the blood and gore associated with alligator attacks. The alligators coming out of nowhere adds to the much needed scares and there is fear present through out the movie.

The claws of flaw :: Crawl might still pale in comparison to grand survival movies like The Shallows. But this one doesn’t have that much of a perfect realism to go with it, as our protagonist fights many alligators and ends up surviving while that movie was one true survival flick with the main character taking days to final get rid of one shark. So, there is a little bit of extra added here in Crawl as far as surviving is concerned, and there it goes in the path of movies like Jaws. It could have also had more deaths to add to its tally, or at least some dead bodies to add to the scary moments. If these moments of fear had also lasted longer regarding the in-movie time, that would have also been nice – the movie is also very short in total run-time, and this is the kind of alligator attack that we can go through if we have less than one and half hours to spare, thus never dragging or wasting time.

The performers of the soul :: Alexandre Aja, the director is known for violent French slasher cult movies like Haute Tension, and master horror movies in English like The Hills Have Eyes and Mirrors. There is horror staying on here, with his skills. Kaya Scodelario does a fantastic job here as the protagonist. She seems to be perfectly suited for this role in more than one way. I remember seeing her for the first time in The Maze Runner, and she was a special addition there. Pirates of the Caribbean: Dead Men Tell No Tales also had her presence, and she surely has one performance to remember. There are some fine dialogues and her moving through water evading the alligators as the apex predator – the moments that rise above all. Barry Pepper also has his moments as the father. The rest of the cast members don’t have much to do except for being food to the alligators, or being part of the world outside.

How it finishes :: During the time of Corona Virus, Crawl becomes another movie to watch with another natural disaster causing people to face the wrath of nature and its creatures. At these times, we have faced terror in one way and went to lockdown, and with this movie, lets see what awaits us in bigger size, as we become nothing facing mother nature. The movie has nicely captured the fury of nature, not just with the creatures, but also with the flooding and the coming hurricane. The special effects make sure that we are engaged to this atmosphere in more than one way – well, flooding is coming during these monsoons in different parts of India just like last years, and this movie is something that we can watch again during those time. With the climate changes, we always have to be ready for more.

Release date: 12th July 2019
Running time: 87 minutes
Directed by: Alexandre Aja
Starring: Kaya Scodelario, Barry Pepper, Morfydd Clark, Ross Anderson, Anson Boon, Jose Palma, George Somner, Ami Metcalf, Annamaria Serda, Savannah Steyn