Kill Command

killcommand (1)

Vampire Owl :: I remember having made such a command.

Vampire Bat :: Yes, I totally understand. To your zombie minions?

Vampire Owl :: No, to the Frankenstein Monster.

Vampire Bat :: No wonder nobody gets killed by that command.

Vampire Owl :: My question is about why nobody has told me anything about this movie yet.

Vampire Bat :: Nobody I know have heard about this movie either.

Vampire Owl :: But I have a feeling that we will like this one. The poster is so nice.

Vampire Bat :: A science fiction action thriller will only do good at this time. We never really get much of such movies.

Vampire Owl :: We are going to make Dr. Victor Frankenstein proud by watching such movies.

Vampire Bat :: And we have Vanessa Kirby as the central character.

[Gets three cups of tea with bananachips].

What is it about? :: The story set a long way into the future, as technology has gone beyond human expectations, transforming lives as well as combat. Captain Bukes (Thure Lindhardt) and his team of marines are off to a training facility in a remote island. They are joined by Mills (Vanessa Kirby), a human who is genetically enhanced by robotic technology, being part of one of the many types of machines and hybrids who are supposed to replace the human soldiers later. The idea is simple, to finish off the machines which were designed by Mills and get out of the facility, as she herself will observe the whole thing. The soldiers don’t really trust Mills, and hesitate to consider her as one of them. But they trust themselves to go through this training with ease, as the opponents are just mindless machines who have always been there as part of the programme.

So what happens next? :: Even though things seem easy in the beginning, soon they find out that the machines are copying their battle style, and are learning how to counter the human soldiers, using the human idea against themselves, and steadily becoming the superior force with better skill acquired through the experience of fighting with the marines. This no longer remains a training programme, but a battle for survival, as there are more effective killing machines on the island than they had imagined. So, with marines getting killed one after the other, what are the chances of them completing the training or at least getting out of the island? What role does Mills play in this newly declared war, and on which side does her loyalties lie? Where did this simple training programme go wrong and how can the marines make their last stand with machines everywhere?

The defence of Kill Command :: The movie has great CGI; it was rather unexpected for a lesser known movie which seems to be made from a lower budget. It is the kind of movie that you can watch instead of all those high budget movies which keep coming for you, with almost nothing inside them other than the repetition of what we have been seeing for many years. The machines look really good and environment including the surroundings and the insides of the buildings are all nicely designed. There is also a lot of action going on here. There are some nice thrilling moments with the machines around, and you can look forward to a big adventure. This is also a short movie and things go on smoothly throughout its run, leaving no boring moments behind. The acting is also good, and there is something special about how it turns out on the screen – you see even a few nice scares to go with it.

The claws of flaw :: There will be similarities to be found when in comparison with other movies, with its central idea. A better treatment of the same subject could have been done with more entertainment and further twists. This one often takes its progression straight, taking things for granted, and not making the best use of everything. There is also a certain amount of predictability that comes in, and it hesitates to go as the movie progresses towards the end – a better finish would have also been nice, as everything seemed to be moving towards the big final moments, but that never really happens. There are the nicely designed machines, there is the partially machine character, there is a special environment which can bring mystery and horror, and also a lot of action, but all these are not used to create the maximum impact, which would have raised the level of this flick.

Performers of the soul :: The best of this movie are its machines; we will get to love how they look and work. This whole thing can be compared to one big video game that you might have played during your childhood – there is that kind of a feel throughout this flick. The cast includes mostly unknown names as far as people in this part of the world are concerned. The best among them, and the one who leads the way as the protagonist, is great to watch – Vanessa Kirby who has played Estella Havisham in the BBC version of Great Expectations, makes her half-human, half-machine character work with ease. Genetically enhanced characters or cyborgs are not really the best characters had to be that good, and I would consider this particular one to be another memorable mixed existence. The rest are there in support, which they manage well.

How it finishes :: Kill Command is that kind of a movie which can create a great video game out of itself – it is like a perfect setting for a First Person Shooter, especially one featuring some arena battles following games like Unreal Tournament and Quake III Arena. As a sci-fi action thriller, it makes a nice impact, even without trying too hard. With the kind of material that exists here, I would want to have a sequel, and I am pretty sure that it can surpass this one. Kill Command provides you with that feeling that some nice sci-fi movies can be made without the big names and those huge action sequences that destroy everything around. Just a few machines, some people and a remote location is enough to make the whole experience better with some nice CGI and performances, as long as the resources are used nicely. I would consider this movie to be a fine addition to those simple, but effective sci-fi movies – this is no Ex Machina, but still a fine work.

***This is the 300th movie review on this blog!!!

Release date: 13th May 2016
Running time: 99 minutes
Directed by: Steven Gomez
Starring: Vanessa Kirby, Thure Lindhardt, David Ajala, Bentley Kalu, Tom McKay, Kelly Gough, Deborah Rosan

killcommand

@ Cemetery Watch
✠ The Vampire Bat.

Byzantium

byzantium (1)

The vampires who keep coming :: Ever since Byzantium released, I have been looking forward to watching the same, and it is only much later that I had a chance. May be Byzantium is not a movie for everyone or most of the normal people, and the multiplex owners seems to have realized it even before the movie had any chance to grace the theatres – I guess they would have done the same with Interview with the Vampire: The Vampire Chronicles if released in this decade without Tom Cruise and Brad Pitt. My desire for a good vampire movies has rarely been given wings and neither did any possible werewolf love, thanks to the pathetic creations like Twilight and Mortal Instruments which have used the supernatural beings in a terrible manner, forcing me to abandon any thoughts of watching movies with vampires in it – saying no to vampire stuff was never that easy before. There was also Vampire Academy: Blood Sisters which seriously contributed to the same (it at least had the stunningly beautiful Zoey Deutch, unlike the Twilight series), only turning itself to a funny movie whenever it was really serious. Then I had to watch Byzantium, and that made me come up with a few points why I loved this wonderful movie.

1. Byzantium is the best vampire movie after Interview with the Vampire: The Vampire Chronicles of 1994, belonging to the same class as the 2010 movie Let Me In (or Let the Right One In) and slightly better than the less appreciated movie of 1997 – Vampire Journals.

2. Byzantium is a good thing to have if you did accidentally put your head into Twilight or Mortal Instruments, as it has that ability to bring you back to love the supernatural and the vampire yet again; thus the antidote you will need.

3. The movie stands right between Let Me In and Twilight, with a romance that has a teenager falling for the very old teenage vampire girl, but with all the creepiness of the former, and no bloody exaggerated romance like Bella vomits on Edward Cullen.

4. The bloodsucking is given a new dimension with the use of nails, while we have been looking at bites all the time – coming from the same director who gave us Interview with the Vampire: The Vampire Chronicles, I was expecting something new like that.

5. The story has two female protagonists, a mother and daughter who are vampires who are always on the run, and mystery that surrounds them if unfolds in such a beautiful manner that you can’t stop thinking about it.

6. There is a code among these two vampires, as one of them only feeds from the weak and the dying, sending them to eternal joy from the world of pain, and the other one feeds on those who attempts to take advantage of the weak.

7. There is no turning the other into vampire by biting, and the vampirism of this movie is something that is gained by being prepared to sacrifice one’s life – only by being ready for death can one achieve eternal life – now that is no usual evil vampire stuff.

8. The use of flashbacks is beautiful, and they come up with something every now and then as the story of the present moves on. It is never without its captivating ability, and the background story is a big boon for this one.

9. Saoirse Ronan is an awesome young vampire who has complications with her mother who never ages, and makes them go around the world. Her words and the pain that she narrates with it, are striking; and then there are her eyes and the way she stares.

10. Gemma Arterton as Clara Webb is wonderful with her ability to survive, from being the subaltern among all due to one bad decision of her life, she keeps making the right decision, and supported by her beauty and charms, she thrives; looks more beautiful than ever.

11. Jonny Lee Miller’s Captain Ruthven is a as close to a dreadful villain as possible, one who unfortunately for the viewers, is not seen in the present, but with those flashbacks, he is responsible for all that the mother and daughter are now, a man of pure evil.

12. Sam Riley’s Midshipman Darvell also has a certain amount of charm, being the man who could have avoided this plight, but was not given the opportunity by the young lady. This depiction shows him as a man in pain and helplessness which he tries to hide.

13. The movie has a haunting atmosphere right from the beginning to the end, and there is no real happy side to it. There is some brutal telling of the story which is dark and with abiding sadness, but still not that horror or tragedy that one would expect.

14. Byzantium is incredibly powerful in its dealings with the supernatural as well as the human side. It has a huge darkness element in each of its characters, which is surely more than any sign of goodness we see in this movie.

15. There is a river of blood which flows down through a waterfall and meets the sea, while birds make strange sounds a fly away, as dark clouds fill the sky – that moment of transformation which is an awesome moment of visual splendor.

16. The movie has successfully captured the feeling of being alone and different with the daugher, and that of being mistreated and punished for no crime of oneself with the mother, and there is so much beauty in how it is shown.

17. There is a certain amount of contrast being made, with the humans and the vampires, with all the humans in the movie being either good and weak or evil and strong, just the vampires being in the middle of all these with no specific side.

18. The cinematography is too beautiful in this movie, and every time we look at it, we see a beautiful world created with a suiting surrounding, and lovely looking people around, as the two leading ladies steal the show.

19. The past and present comes together, and when it is finished and the mosaic is complete, we have a finished product which is nothing less than a poetry which we were told to complete during our school days.

20. I quote from the movie: “My story can never be told. I write it over and over, wherever we find shelter. I write of what I cannot speak: the truth. I write all I know of it, then I throw the pages to the wind. Maybe the birds can read it“.

The final Vampire Bat touch :: I believe many of us might have thought that there is nothing new to come up with the vampires, unless Anne Rice gets younger and come up with some new book or Suzanne Collins moves into some kind of futuristic vampire science fiction story. But this movie proves otherwise. Even with slight drag and often lacking in big surprises, this exquisite movie successfully battles the popularity of stupid vampire romance for teenagers, and leaves us hoping that it had a better release around the world. Neil Jordan once again scores, this time, without the help of a novel. Well, how can one expect the Vampire Bat not to like a vampire movie which has some intellect and imagination associated with it? *Meanwhile, I have reached twenty posts of the story @ The Divine Epic (http://divineepic.wordpress.com/) and I hope you all can have a look my fiction work 😀 As I have separated the story into four separate timelines, I believe that it will be easy to follow if you click on each timeline and read the story instead of going ahead right from the beginning to last post 😉

Release date: 28th June 2013
Running time: 118 minutes
Directed by: Neil Jordan
Starring: Saoirse Ronan, Gemma Arterton, Sam Riley, Jonny Lee Miller, Daniel Mays, Caleb Landry Jones, Maria Doyle Kennedy, Warren Brown, Thure Lindhardt

byzantium copy

@ Cemetery Watch
✠ The Vampire Bat.