prophecy – Movies of the Soul

Vampire Owl: We have not been reviewing many Portuguese movies.

Vampire Bat: We have only managed one, and it was not out of Portugal either.

Vampire Owl: I am sure that Bacurau will still count as Portuguese.

Vampire Bat: Yes, Brazilian movies are in Portuguese, so it counted.

Vampire Owl: So, this is the first Portuguese film from Portugal we are reviewing.

Vampire Bat: Yes, this is indeed a milestone too.

Vampire Owl: Yet we have so many Spanish movies here.

Vampire Bat: Some of these Spanish movies were true classics.

Vampire Owl: I hope that this one will inspire us to watch more Portuguese films.

Vampire Bat: Well, we are immortal and can watch them all.

[Gets a paneer masala dosa and three cups of Wayanad tea].

What is the movie about? :: Edward (Carloto Cotta) has been looking to find his family as he has always felt without roots. One day, his girlfriend Riley (Jack Haven) provides him with a DNA test kit. The results reveal more about his birth, and that he has a twin brother, Manuel (Carloto Cotta) and also their mother named Amelia (Anabela Moreira) who live in a small village in Portugal. Edward and Riley travel to the huge villa in the middle of the woods so that he can finally feel like having a family. This is a strange, but an emotional reunion. But Riley feels that there is something wrong, as the locals are hostile to them, and both the twin brother and the mother seem to be hiding something. There seems to be not much of interest being talked about, and Amelia looks and acts strange. She even hears something weird from outside the room where Manuel and Amelia are found sleeping together in a bed, making her question the kind of family which seems to exist in that seemingly perfect building.

So, what happens with the events here as we just keep looking? :: Riley notices a strange bonding between the brothers that feels unnatural, even though they are seeing each other for the first time, and Edward was once not really sure about the meeting. Riley tries to uncover the secrets that seems to plague the villa, and feels that Amelia has some supernatural powers and is part of a ritualistic system of which Manuel is also a member. The mother-son relationship is not what seems to be from a distance. Riley’s growing realization is also supported by nightmares which seem to come to her at regular intervals. The question remains if she knows this particular world within the woods well enough and whether she can escape from it. Edward seems to be ready to remain there as part of the family, but he is also having his own dose of hallucinations. The people of the village seem to hope that they will leave soon, as if it is the right things to do. Will there be escape or will there be death?

The defence of Amelia’s Children a.k.a. A Semente do Mal :: The world has been nicely built here, and finding the roots itself was a starting which seemed to mean much more than what met the eye. This idea of discovering a long-lost family through DNA testing, only to find something supernatural associated with it, makes the whole thing interesting. The mixture of psychological with the supernatural elements gives it much more depth. Then there is the setting, the atmosphere that does a fine job. The building itself has something like we ha in Crimson Peak to add to the structural fear, even though this is not that much of a scary architecture, and never is an attempt to made to elevate the level to such a world of fear. The creepiness is always present, even they do not really come to the front. The premise has already done most of the work here. The presence of a witch provides the much-needed boost to a world which has started off well. The ending, even though not that deep into the situation, leaves us with a scope for a sequel to expand this better.

The claws of flaw :: The struggle of long run-time seems to plague this movie even though it is not long at all. There might be a little bit too much revealed early, and that might have plagued the later run and might have kept it running without much happening to create an impact. The twist should have been kept better hidden with red herrings or at least by deviating to something less important. It seems to stretch due to not trying to do well enough with the content and let everything unfold – even the leading performers seem to be left on their own rather than their characters undergoing anything. The mood seems to be mixed here, as the strongest element of supernatural horror often losses the way. The main lady character should have been the central point, and the one who should stay scared and attacked, but she seems to have a run without that big sense of danger. She does not become that big a scream queen as the usual elements of horror, and even that of slasher remains largely forgotten when dealing with her character.

The performers of the soul :: The performances are pretty good, but not much when we consider the possibilities of the horror. This is a world of scares, and the usual do not satisfy the environment that much – The Well had realized the same in Italy, but in Portugal, that blending is paused due to the lack of pace which seems to plague the characters as if it is an old award movie where not enough happens to provide the performers with scope. Carloto Cotta does quite well in the two roles, even though it is nothing out of the box, and not much expands. Anabela Moreira does well to manage the strangeness present there, while Alba Baptista who portrays her younger version does the same perfectly – she has the looks and expression to bring the strangeness of a mortal immortal. Jack Haven does a fine job, but does not seem to try that hard. There is a certain amount of predictability in the work and the journey is just accordingly, nothing more or less. The same is also applicable to the final moments when there is nothing grand in the performances, but just enough, as if playing by the safe side.

How it finishes :: Amelia’s Children could have been a classic, but it chooses not use that many scares even though it is in a village with woods and a strange villa in the middle of all – this could have been horror unleashing itself, but the movie holds itself back. The same is also done in the last moments when this could have come with a shock, but chooses to go for the unexpected. The titular character wanders in the old form too much, and the young form would have been nice if appeared at least in hallucinations often. There are moments when the mother could have been young, and there are situations when fear could have had many different faces, and even darkness could have been used better. Yet, the movie keeps us interested, thanks to the mystery that prevails throughout its run. There is always the feeling that something bigger is to come and that it is going to be a shocker, and it is that feeling and the existence of terror ready to be unleashed keeps us going. It was never going to be The Conjuring, The Nun, Annabelle, Insidious or Sinister, but manages to do enough.

Release date: 18th January 2024
Running time: 91 minutes
Directed by: Gabriel Abrantes
Starring: Jack Haven, Carloto Cotta, Anabela Moreira, Alba Baptista, Rita Blanco

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: Wells are some fine containers for the supernatural.

Vampire Bat: We, vampires are not people of the wells.

Vampire Owl: The demons can stay in the well though.

Vampire Bat: Even werewolves and zombies do not mind. But we do.

Vampire Owl: Can a well without water serve as a coffin during daytime?

Vampire Bat: A coffin needs to have a lid at all times.

Vampire Owl: I believe that Dr. Frankenstein can arrange that.

Vampire Bat: I knew that it was his idea only.

Vampire Owl: I do not see how great men like Frank bro cannot have such ideas.

Vampire Bat: Such villains always have similar ideas.

[Gets a kadai paneer puffs and three cups of Vagamon tea].

What is the movie about? :: Lisa Gray (Lauren LaVera) is the daughter of a renowned art restorer and they run a famous firm which is known for their expertise in the field and operates in multiple countries. One day, she gets a very significant assignment from a small village in Italy where a wealthy aristocratic family living in a castle-like mansion has a damaged painting which needs to be restored in a very small amount of time. Her father Mr. Gray (Giovanni Lombardo Radice) forces her to take the assignment as he cannot travel that long and their company is in desperate need for funds – a failure there would leave them bankrupt, and at the end of their art restoration journey. The painting is owned by Emma Malvisi (Claudia Gerini) who seems to be too charming and beautiful for her age. On the way, she meets two American biologists Madison (Courage Oviawe) and Tracy (Taylor Zaudtk), along with their guide Toni (Gianluigi Galvani) who are traveling to a nearby campsite located in the woods.

So, what happens with the events here as we just keep looking? :: Lisa is asked to restore a centuries painting that has been damaged in a fire, with almost nothing visible. She begins work on the painting, and is forced to speed up, as the contract signed by her father promised that the job would be finished in two weeks, despite her feeling that it would take more than a month. The painting starts revealing demonic figures which also appears in Lisa’s dreams which turn into nightmares. Emma’s teenage daughter, Giulia (Linda Zampaglione), gives Lisa some warnings about the paintings despite acting unfriendly. Emma assures her that it is just a personality disorder and the girl has too many fantasies due to which she could not stay in the school. Meanwhile, Madison, Tracy, and Toni are attacked by an unknown figure and are held captive in cells surrounding a well. There seems to be something sinister going on in the area, and can Lisa and her newfound friends survive this terrifying reality filled with terror?

The defence of The Well :: The Well is that movie which has come out of nowhere to make the perfect Gothic impact, and open that world of ancient horror taken into the medieval and beyond. The terrifying reality which the Gothic and the Dark Romantics provided in the past with its classic elements comes alive again, and we keep thinking about that world of supernatural chaos yet again. The demon is also nicely done and the painting is something like no other. The curse of the past coming to haunt in a medieval castle with secret passages and traps never gets old, no matter how much the modernity comes upon us. The imagination of our age can work well with the Gothic of the past – hence proven. The darkness with that kind of lighting which inspire further horror is also to be appreciated. This one becomes an inspiration to travel to Italy, becoming the one location that horror fans would prefer in Western Europe like Romania in the eastern side. I would travel to Eastern Europe any day, but Italy and Spain would be in the list if there is an extension; after all, I am also a vlogger now.

Positives and negatives :: There would always be people questioning these types of smooth horror movies, especially as it does not bring that inescapable terror. The castle could have even added more horror, and the well could have been further terrifying, despite us feeling the Gothic strength all the time. The fear elements keep gripping us, and we know what Italian movies can do right from Don’t Kill Me with the zombies, A Classic Horror Story with its gore-fillers, Security with the thrills, among the others. Well, this one requires a sequel like The Conjuring, Annabelle, The Nun and Insidious had, and such a setting is added to the ending, even though forced – the scope is a lot there to be taken. Even though a lot of people might have missed the movie – even I never really heard about it, the release of the movie on Amazon Prime Video with Hindi audio is surely going to help. In the world of modernity where nothing is a sin, let this one remind one of the presence of evil and its ability to take over in an environment which seems perfectly not supernatural.

The performers of the soul :: Lauren LaVera is someone whom we remember from Terrifier 2, and it was one fantastic performance from her in a slasher movie that kept us immersed there – the last fight with the clown was epic. There was the note that she began as a body double for Anya Taylor-Joy and others in that memorable psychological thriller Split – this reminds us that we had the seen the girl somewhere before too. She continues her great work in this particular movie, as from the beginning, we know that this one would make a fine scream queen and can continue the great job to more movies of horror too. She goes through the scares, slasher situations and nightmares in a convincing manner. The next significant candidate for the scream queen role is Taylor Zaudtke, who has also done a fine job with the girl who tries to escape from the evil, and is too terrorized at times. Claudia Gerini’s work is solid and we feel like she is part of that aristocratic world all the time. Linda Zampaglione as Giulia does not fall behind in doing the same either. The rest of the supporting cast also contributes pretty well.

How it finishes :: There might be no better place to shoot a Gothic horror film than Italy, which seems to have the settings that would keep us horror fans enlightened with the older medieval buildings of its past as much as the Renaissance structures. The Gothic never got such close its soul in horror movies like we have here, with a medieval castle, mysterious painting, secret passages, underground dungeon, hidden traps and darkness that shines like the light of the moon with a haunting past. If there is a perfect Gothic world, it should be this one, and the other one would be Guillermo del Toro’s Crimson Peak which kept breathing Gothic till the end. This one remains scary, entertaining, and as mysterious as any such movie should be. We know that there is more than what meets the eye from the beginning itself, and we enjoy the same. When you feel that horror is losing its strength, we get transported to this world, and that is indeed something great – we enjoy our existence in such a world of old model horror awakened again.

Release date: 1st August 2024
Running time: 92 minutes
Directed by: Federico Zampaglione
Starring: Lauren LaVera, Claudia Gerini, Jonathan Dylan King, Yassine Fadel, Gianluigi Galvani, Taylor Zaudtke, Courage Oviawe, Giovanni Lombardo Radice, Linda Zampaglione, Lorenzo Renzi, Melanie Gaydos, Stefano Martinelli, Toni Pandolfo