humanoid – Movies of the Soul

Vampire Owl: Do you remember those days when we watched alien movies and believed in them? Those were the wonderful days with alien fear, right?

Vampire Bat: We still do not deny their existence. Aliens are the kind of creatures who are not limited to any shells.

Vampire Owl: So, we are going with the parallel world theory. We might end up finding some interesting creatures that we are not aware of.

Vampire Bat: We already have that discovery of the shadow world, and so this is also possible.

Vampire Owl: It was discovered by Doctor Frankenstein, right? Isn’t the great scientist responsible for all the great inventions and discoveries?

Vampire Bat: It was discovered by the vampire scouts, not that fake doctor.

Vampire Owl: The scouts just discovered the portal, and Mr. Frankenstein discovered the rest.

Vampire Bat: It was actually a work of fiction on real discoveries.

Vampire Owl: You should know that the shadow demons come from a portal to another planet.

Vampire Bat: Well, these are surely not the same kind of aliens.

Vampire Owl: I have known these aliens since the first movie too.

Vampire Bat: People seem to like the second, but for me, the first scores the best.

Vampire Owl: And the newer versions – Prometheus and Covenant.

Vampire Bat: I would not deny their strength either.

Vampire Owl: So, we will trust them to do well again. As they have always done, making us more and more interested in the franchise which has so many secrets to unveil and worlds to witness.

Vampire Bat: Which is why we take the struggle to find the theatres showing this film.

Vampire Owl: I hope they show this is in more theatres.

Vampire Bat: I am sure that this will survive and go through a long run.

Vampire Owl: Even with those Onam releases coming up?

Vampire Bat: Well, we only a have a few Onam releases this time.

Vampire Owl: So, the biggest names are not releasing their films?

Vampire Bat: That is indeed a surprise, but I feel that they are not.

Vampire Owl: So the biggest Onam release would be ARM: Ajayante Randaam Moshanam.

Vampire Bat: I do not see why it should not be. The fantasy movies also deserve to have their due, not just in the form of magic realism.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a classic indeed and there are not many people who can patiently wait for another sequel.

Vampire Bat: This is why I always trust this franchise. This is indeed a science-fiction marvel that continues from its base so well.

Vampire Owl: The aliens in the such a terrifying atmosphere within a space station serves well.

Vampire Bat: Well, we have the castles and they have space stations and ships. You remember the movie when Dracula actually visited a space ship, and was considered an alien species from a much far away planet.

Vampire Owl: Yet, we are scarier, with a certificate attained from the nearby cemetery.

Vampire Bat: Yet, being in space with nowhere to go brings the terror further.

Vampire Owl: The performances have been really good too.

Vampire Bat: Well, science fiction seems to bring better monsters than the Gothic these days.

Vampire Owl: The monsters from outer space got their merits.

Vampire Bat: The terror brought by the ruination of humans works every time whether as demons of space or of the graves.

Vampire Owl: This time, there was so much of details with the outer space as much as inside. The world has managed to get its due.

Vampire Bat: The terror of infinity of space never ceases to amaze us.

Vampire Owl: Well, the idea of hell might me somewhere in space.

Vampire Bat: You are going back to the good old Doom game.

Vampire Owl: And also its movie adaptations.

Vampire Bat: You were not that much of a fan of those particular adaptions. You were always against games being made into movies, even though you did not considered the same vice versa to be that much a negative thing.

Vampire Owl: Well, these genres are all mixed, and we see the demons in space, gods in space, aliens in mythology and humans everywhere.

Vampire Bat: The human imagination is basically everywhere these days. You look at them imagining the impossible, the beautiful and the absurd, all coming out of the same brain that fails to stop being creative, sometimes even for the wrong reasons.

Vampire Owl: How many aliens did you count? How many were killed by those guns? Did too many of them manage to escape.

Vampire Bat: They come in hordes, like the zombies and werewolves, as if a witch or sorcerer is controlling them with a magic wand.

Vampire Owl: There are still some repetitions and reminders of earlier movies.

Vampire Bat: Yes, they still work effectively enough. Movies like these would require some repetition as these are the right elements that make the franchise better.

Vampire Owl: In a world where viewers fear humans more than monsters will this work well enough? Do they count as scary enough in comparison?

Vampire Bat: Well, with so many effective scares, yes. They keep the franchise going, strong and sharp as they are intended to be.

Vampire Owl: This has surely worked well with the scares for me.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest night of the week].

This is the third YouTube video dealing with film review. The movie has been reviewed as part of a vlog below, and with the YouTube Channel Scholar Nomads gaining the advantage, there is always much more to be said.

Release date: 23rd August 2024 (Theatre)
Running time: 119 minutes
Directed by: Fede Alvarez
Starring: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

What is it about? :: Bluebook is the most popular search engine in the world, handling more than ninety percent of the internet user search. It is one of the most powerful companies in the world, and maintains a certain amount of control over the internet. Caleb Smith (Domhnall Gleeson), a programmer working at the same company, wins a one-week visit to the home of the CEO of the same company. Nathan Bateman (Oscar Isaac) lives in a secluded building surrounded by greenery, an environment providing beautiful views and assuring separation from the busy life of the cities where the search engine offices are based. The only other person at home is a maid known as Kyoko (Sonoya Mizuno) who doesn’t understand English and just does her job.

So what happens in this environment? :: So, this home of the CEO is actually more than what meets the eye. One would have guessed the same considering the fact that he has almost no contact with anyone else. He has a secret, and the place is more of a secret research facility than a house. He has developed something which needs to be tested, and Caleb is the man to administer the test to a special humanoid robot with Artificial Intelligence. This robot named Ava (Alicia Vikander) develops a good friendly relationship with Caleb, but it seems that she is a lot more than what he knows about, and there is a long history behind the robot and also beyond her. There are things that will be uncovered in the environment, but not many facts can go outside that world.

The defence of Ex Machina :: An intelligent science fiction movie takes form as Ex Machina, as it slowly, but steadily moves on to become more and more interesting, from a rather normal beginning. It has the good looks right from the beginning as the scene shifts to a world close to natural beauty. There, the insides of the home are also well done. There is elegance all around, and then we see the robot with the Artificial Intelligence and we feel that it might be the best we have seen with the design. Then, things go on to become rather tense, a feeling which comes along with the intellectual and creepy side going forward together. Sooner or later, this one asks you about whose side you are on, and most of the time when facing the question, you will have no answer; but you might not need to take sides – you can grab the messages instead. Then there is Alicia Vikander as the lady robot who will simply take your breath away with her performance; not human or robot, she is right there as the Artificial Intelligence.

Positives and negatives :: The other two main actors, Domhnall Gleeson and Oscar Isaac do their job really well. In this movie, you can see no action sequences or frightening scenes on screen, making this no sc-fi action and absolutely no sci-fi horror. But it is still a thriller and a drama, filled with messages in the core. A certain slow pace in the movie never really feels as we are too much interesting in the situation that is presented in this movie; sometimes one feel that it makes us more restless and unsettled. But whichever way the movie takes the turn, it keeps working so well. It keeps us engaged in the flick, and keeps providing us with those moments to memorize and think about. The twists in this movie are not heavily presented, but they are all result of some very clever work. As it moves towards a more haunting side, you will feel that this might be the best science fiction movie made without much of a heavy budget.

Soul exploration :: There are many messages in Ex Machina, and they can affect different people in different ways. Most of us are familiar about the Latin term “Deus ex machina” which means “god from the machine”. As I missed that during a literary quiz programme and this one will stay on my mind forever. It refers to a plot device by which a seemingly insolvable problem is solved all of a sudden by an unexpected thing – it is often a rather convenient method. Here, the title should mean “from the machine”. The movie deals with the insides of a machine here, with how the Artificial Intelligence makes the change, and brings something more out of a machine than what was expected of it. The one difference here is that it is the human who plays the God.

More soul exploration :: The problem in the movie arises from the human playing the role of God. He thinks that he can be in control all the time, but he just can’t do that. There are limitations to his abilities, and there are a few people who don’t really deserve to do such things. Man is no God and with power and money corrupting the brain, morality and any compassion takes the backseat. The robot here is not just a symbol of the specific character here, but that of a lot of people in the world who have restrictions imposed on them. Only a few people get lucky, and the rest are enslaved in one way or the other. The rich and the influential ones play God while the rest are made to be obedient robots. But if there will be change, and it might all be about one moment, just like Ava’s case.

How it finishes :: Ex Machina is the directorial debut of the man who wrote screenplay for 28 Days Later, Sunshine and the cult flick and favourite 2012 action movie Dredd. Here, we are provided with more questions than ever, about where humanity begins and ends, what is consciousness and how it can be defined, the influence of technology and its control over us, the limits which should be established – and many more. It is not something which you can hope to get with this much clarity as well as simplicity from the Hollywood movies. What this movie reminds me about is the 2011 Spanish psychological thriller movie, The Skin I Live In (La piel que habito) starring Antonio Banderas and Elena Anaya. Ex Machina leaves one with a similar feeling; there is no visible horror and moments to make you scream, but it provides that special unsettling feeling.

Release date: 10th April 2015
Running time: 108 minutes
Directed by: Alex Garland
Starring: Alicia Vikander, Domhnall Gleeson, Sonoya Mizuno, Oscar Isaac, Symara A. Templeman, Elina Alminas, Gana Bayarsaikhan, Tiffany Pisani, Claire Selby, Corey Johnson