Om Shanti Oshana

Posted on February 7, 2014 by Tennyson

The type of movies: There have been so many “types” of movies in 2014 with just one month of the year over. Even as love has been the repetitive theme in most of them, there have been lot of difference in the type of love which were portrayed in them, and one has to admit that London Bridge had the best love story among them; but the year has only started and the other significant release was just the badly received Salala Mobiles. There was also a movie 1983 which clearly said that no kind of love, including the love towards one’s lover, siblings, parents or wife is important or significant at any moment, as all of them can be abandoned and each can be disrespected just for pure selfishness and enjoyment based on a random sport called cricket. Now, here comes Om Shanti Oshana which actually has another cute and funny love story in store for you. Yes, we watched it First Day First Show, and we were actually planning to do this when we watched 1983 last week – but this time, we could actually watch it and finally be happy about watching a Malayalam movie FDFS after a long time, for the last Malayalam flick I last watched early morning on the first day was Olipporu.

What is Om Shanti Oshana about? :: Exactly a week after our First Day First Show hopes were derailed by that strange flick which was 1983, we made the attempt again, this time with Om Shanthi Oshana. The movie tells the story Pooja Mathew (from her perspective), as she lives her life riding motorbikes and hating anything about cooking. As her cousin sister Julie Francis gets married to man whom she think is not good-looking enough, she feels that she should find the right man before her parents get her married to a rich man giving a lot of dowry. Even as she feels that she should be interested in a good-looking boy Yardley Avaran whose father and her father belongs to the same profession and are of the same financial status, she falls for another man, Giri Madhavan who is a kung-fu master, a farmer, a social worker and a former communist after seeing him on a few occasions. Even as she is aware of the difference in social status and religion, she decides to go after him. She makes more and more opportunities for them to get closer, but he doesn’t seem to be in a mood. But she doesn’t give up, can she?

The defence of Om Shanti Oshana :: The attempt of this movie to tell the story of love completely from a girl’s perspective is kind of new in Malayalam movie, and the way in which they have done it here has to be applauded (even the cupid in the movie poster is female). The movie has a lot of funny scenes, especially involving Nazriya and her dreams and affection for his dream man. Her love for motorbikes and movies add to it. The movie is more funny throughout, and there is nothing really sad happening – even a heart attack is told in such a way that it ends up funny. The youth should like it, that is for sure. The movie actually moves in its path with relative ease, as it is a road which has been traveled and repaired regularly in a different way. Well, this is actually that simple story which has been powered by some good direction by Jude Anthany Joseph. The movie’s use of old songs, old movies and old incidents is another nice addition. There is absolutely no dull moment in this movie. The song “Kaattu Mooliyo” is sweet or rather cute, and “Mandaarame” is also fine, but might not stand well enough without the funny visuals.

The claws of flaw :: The movie takes the usual path, even as the roles are reversed. You might have heard such a story in reverse so many times. It also comes with nothing like big surprise in the climax, except for, may be small, but beautiful add-ons. This is actually the inverse of Thattathin Marayathu when the boy was looking for a way to gain the girl’s love, but here, it is the girl who is after the boy. If the boy was dreaming about the girl and looking for ways to get to him in that movie, here the girl has a lot of plans going on about gaining the boy’s attention and love. It is a cliche which has been put in reverse gear an allowed to roll down a hill. It is an innovate stereotype in Malayalam movies, but is still the same. For this kind of a story, there is the need for exaggerated events which lack logic, even this necessity is still kept within the limits here. You can also feel that some of the scenes are repetitive, and a few incidents should be dealt with more seriousness. But this is how it should work, because this is how it has turned out to be, if there is any doubt about the same, ask the crowd!

Performers of the soul :: The whole movie is Nazriya-centered, as if she becomes the sun and the rest are planets. Nazriya Nazim has her best ever performance in this movie, even as there is doubt created at times. The whole universe of the movie has her at the centre, right from the moment her character is born. Her Pooja Mathew is not just another girl, as her best friends always tend to be different from her. She rides a motorbike, detests cooking and has her way in doing things which makes her parents feel that she should have been a boy. As she appears almost every minute in the camera due to the narrator being herself, there was a lot dependent on her performance, and she has delivered indeed. Even as her earlier release of the year, Salala Mobiles failed to impress, she has made a fine comeback here. She has come a long way since her debut as the leading actress in Maad Dad. Lets hope that it will only get better for her as the date of her marriage to the most versatile young star in Malayalam movie industry gets near. This is one of those rare movies in which the leading lady gets so much attention, and I am sure everyone loves that it is Nazriya who is the centre of attraction.

Other performers :: Nivin Pauly as Giri Madhavan gives a powerful performance standing on the other side, as he becomes the one to be wooed unlike what usually happens, and what had been shown in Thattathin Marayathu. He is a socialist, master of martial arts and a humble farmer, the three faces of one man which he performs to perfection. He received claps almost throughout the movie for his portrayal. Renji Panicker did a nice job, in a role which would have been usually done by Lalu Alex (remember Chocolate, Niram and many others). Aju Varghese as David Kanjani does his third best funny role after Malarvadi Arts Club and Thattathin Marayathu. He has a strong comic existence which keeps coming again and again as he plays a kind of fraud character. You have to love how they used the sequence of war just to show what kind of thing he did to his trusted friend. Vineeth Srinivasan has a minor role as Dr. Prasad Varkey, but still one which received claps and affected the story in a special way – almost the same can be said about the role of Lal Jose up-to an extent.

How it finishes :: The movie finishes strong enough, but not as powerful as how it began. The first half is surely superior to the second. It never has any troubled waters to travel, as the path is set through a controlled body of water; therefore it goes on and on with no challenges. It’s success is not a mystery though, as we know how much people have been waiting for this one. Even as we had gone for the early show, it was almost full and we just managed to get the tickets. Nivin Pauly’s movies always had something to cheer about and he is becoming more and more the crowd favourite, same being the case of Nazriya. There is going to be the rush of youth in the weekend, and as this is rather a clean movie with no bad language or anything, this should enjoy the same success of Thattathin Marayathu if not better, unless some big movie comes up, gets rave reviews and capture the screens.

Release date: 7th February 2014
Running time: 140 minutes (estimate)
Directed by: Jude Anthany Joseph
Starring: Nivin Pauly, Nazriya Nazim, Aju Varghese, Vineeth Srinivasan, Renji Panicker, Vinaya Prasad, Akshaya Premnath, Oshein Mertil, Harikrishnan, Lal Jose

@ Cemetery Watch
✠The Vampire Bat.

Men in Black III

Posted on November 29, 2013 by Tennyson

What is MiB3? :: It is the third movie in the Men in Black series which comes as quite a surprise as the first movie released in 1997 and the second in 2002; now with fifteen years gone after the first movie and ten years passed after the second, one would easily think that the series based on Lowell Cunningham’s The Men in Black comic book series might have been done and can return only as a reboot or a perfect remake. But what happened in 2012 was indeed surprising as the alien-dealing protectors of the Earth has returned once again – five years between the first two movies, and ten between the second and the third, and Mathematics doesn’t favour a fourth, but I am not the one who would believe in numbers. One thing about which we can be sure as long as this series is considered, and it is that the movie was a hit even before it was released – I would have been surprised otherwise, and the men dressed in black has scope for even more sequels.

The Setting :: Men in Black (M.I.B) is a top-secret non-government agency that deals with extraterrestrial alien invasions, connections and refugees. It keeps the details of all the aliens who come to Earth and helps those who wishes to make a living on the planet, and at the same time fights any possible alien invasions or other kind of threats to the planet (May be they know about Superman’s presence too). The agency operates from an underground base of operations about which not even any of the world governments or spies are aware of. MIB agents use certain kind of devices called neuralyzers to wipe out the memories of the witnesses who have seen or felt any kind of alien presence, and thus keep their secret alive and away from being noticed. Agent K (Tommy Lee Jones) and Agent J (Will Smith) are the top operatives for this organization and our protagonists once again, with another adventure which comes from outside Earth.

What is it about? :: Boris the Animal, the last of the alien species called Boglodites which consumed all planets in their path, escapes from a prison in moon. He is seeking vengeance on Agent K, who had shot and separated his left arm and imprisoned him in the year 1969. It is seen that one day, K just vanishes and there is no clue about him – it is as if only J remembers that he existed. He finds out that J died in 1969 and Boris the Animal as well as the whole species of Boglodites remain free and ready attack Earth. As it was K who came up with a shield to safeguard Earth and annihilated the Boglodites, it is found out tht Boris went back in time to murder K and thus make sure that he kept his left arm as well as his freedom, along with his race with all the power. Now J has to travel back in time at a time when time-travel is illegal and thus risky, and stop the current age Boris from uniting with the Boris of 1969 and killing K as well as saving Earth from the invasion.

The defence of MiB3 :: Well, this third movie of the series is almost as good as its predecessors, just trailing by may be a few points. It has a lot of fun, and works right as an action comedy. There are also the good special effects an nice CGI, even as there is nothing spectacular, nor there is the need for much. It is one of the best alien comedies too, and as a movie which doesn’t take itself seriously, it scores correctly. It also has a good number of aliens in store, not that you haven’t seen them already, but for those who might have not, and also for those who might have forgotten these two gentlemen in black, there was that “setting” section. Its combination of science fiction with comedy and the introduction of time travel makes it a fine combination of things. There are also those gadgets which looks interesting even if they belong to 1969 which is more of our 2069 in one way or the other. Like it, because even Batman comes only in black, or as they say in that Lego Trailer, very very dark grey.

The claws of flaw :: There is usually a curse associated with the third movie of the series, as they might not be the best of the franchise – I expect such things to happen in case of another sequel to Taken, and it has already happened with Blade 3, Alien 3, Species 3, Jaws 3 and a lot of other movies which you might recollect with a few seconds of thinking. Don’t think like that, for this one survives. But after waiting this long, does this get any better? The answer would be no. And does this offer anything new other than time-travel added? Once again a big no. Couldn’t they have come up with something other than time-travel for this third movie? I did think about it with no answers. There is no new addition or interesting stuff to suit the age, and there are moments when one wonders which direction this is going. Add Alice Eve’s hairstyle to an alien world – thats shocking indeed. The characters of Boris and Griffin were a little less interesting compared to the potential they had.

Performers of the Soul :: Will Smith has another one in his pocket, and a lot of us remember him as Agent J. He goes through the movie with ease, just like the previous movies of the series. Tommy Lee Jones is fine with the time when he is there, as his younger version is played by Josh Brolin who perfects the character. So, there are obviously three of them this time, and joining them is the present version of Agent O (Emma Thompson) and the lady’s 1969 version played by Alice Eve whose hairstyle shocks us to that extent that we wonder if she is actually an alien. But they are both good at what they have been doing in the movie, especially our older version. Jemaine Clement as Boris the Animal is good, but not that awesome a villain as one was expecting. Michael Stuhlbarg’s Griffin add more funny dimensions, but there was scope for more with that character. There is also that twist in the end in which all the cast do a wonderful job.

How it finishes :: Men in Black 3 tries to extend the range of the series, and is successful in it. But with the lack of innovation and repetitive stuff, one has to wonder how far the franchise can stay alive. There is always the Will Smith factor to save it though. He doesn’t seem to age much, and he has the energy in him to bring more out of Agent J. May be one of the later movies in the series can come up with our favourite moment in an alien movie history, and as Griffin says, “unless this is the one where…” – as long as there is scope for aliens, there is hope. This one had no particular aim or reason for existing in an year in which The Avengers and The Dark Knight Rises were always supposed to rule and become the movies of the year, along with a Hobbit and a Bond dropping in. It does finish tenth in the list of highest grossing movies of the year, but I would rather be surprised that it grossed more than the movies like Prometheus, Dredd and John Carter by a big margin. For now, it is yes for Men in Black 4.

Release date: 25th May 2012
Running time: 106 minutes
Directed by: Barry Sonnenfeld
Starring: Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Nicole Scherzinger, Michael Stuhlbarg, Bill Hader, David Rasche, Emma Thompson, Alice Eve

@ Cemetery Watch
✠The Vampire Bat.

We’re the Millers

Posted on September 7, 2013 by Tennyson

It was a delayed entrance that this comedy movie made to the theatres here and there was a bigger delay in me watching the same. Percy Jackson: Sea of Monsters and The Mortal Instruments: City of Bones had taken over the last weekend, and it was necessary that I had to wait, and therefore I did and took this pill of comedy which is We’re the Millers. The Hangover Part III was the last full-time comedy of this nature which I had watched in the theatre last. Now, here is this movie which overtakes the final movie of a series of a solid fanbase even with its highly predictable setup which comes up with no surprises or moments of absolute brilliance. It is more of a disadvantage of that movie rather than the capability of this movie. But the difference in rating is negligible and the effect is also not that much of a variation, as you can check right here: https://moviesofthesoul.wordpress.com/2013/06/01/thehangover3/ except for the well-known fact that it was The Hangover, and was to be respected for the first movie of the franchise, which was just another Dude, Where’s My Car? if we look at it with eyes uncovered of the glorified mist.

David Clark (Jason Sudeikis) is a drug dealer of a smaller level, a chronic bachelor and still a happy one until he is robbed of his money and stock, on a night of stupidity. His boss, a rich drug lord and gangster Brad Gurdlinger (Ed Helms) forces David to smuggle marijuana from Mexico to the United States in order to clear his debt to be him as well as gain some good carrier fee. As he is known enough as a drug dealer and one man crossing the border is going to be more suspicious, he hires a stripper named Rose (Jennifer Aniston) who is having heavy financial difficulties and loses her job, an arrogant runaway teenage punk girl named Casey (Emma Roberts), and his eighteen year-old neighbor Kenny who is afraid of kissing a girl (Will Poulter) to pose as a typical American family called the Millers travelling in an RV, with that random family name he came across. They are a strange group, but still manage to get through into Mexico and also get the needed goods from a Mexican drug-hold, despite almost getting shot by the gangsters and being caught by the Mexican police.

Due to the presence of a heavy load of marijuana on the RV, the automobile breaks down. They are helped by a family called Fitzgeralds whom they had encountered at the border, and it consisted of Don (Nick Offerman), Edie (Kathryn Hahn), and Melissa (Molly Quinn). As they take the Millers’ RV to a repair shop, Kenny falls further for Melissa. It is then revealed that Don Fitzgerald is a DEA agent as he comes across his badge and the gun. After Edie seems to be highly interested in Rose, and Melissa finds out Kenny kissing both Casey and Rose (as they were trying to teach him the same), a holy mess breaks out and despite the husband and wife being reluctant to leave them, they finally get to the shop only to be greeted by the real drug lord whose package they had been carrying over. But they try to convince him that they are not a real family, and Rose is a stripper, as she strips down to her underwear and do some pole-dancing and attacks him with a steam vent which sets them on the escape route with an angry drug lord and his men behind them. As they try to settle their differences, they are followed by one of the most dangerous gangs and it is to see if they can survive and finish their mission, earning the much needed money.

Jennifer Aniston who seems to look better and better, steals the show in this movie, as the stripper and still the caring supposed-to-be-mother. I haven’t watched many of her movies, and the only one I can remember right now, is Bruce Almighty, possibly because the genres of the films she acted in rarely was part of my to-be-watched list. May be I could find a few more of the movies with her in them, sooner or later. The absence of big male leading actor is solved by her presence, and even as this is more of an opportunity for her to get into her character and look awesome. But it is to be noted that her acting skills as a comedy actress also gets its due, and she never looks out of place and even her character’s job in the movie seems to help her performance highly. She has her charm working out throughout the movie as she triumphs in what she does. Most of the better moments of the movie has her as part of it. She is the biggest star in the movie, and the next one is Ed Helms, the Stu of The Hangover franchise with quite a small screen presence. He comes, make a short impact and then makes small appearances.

Jason Sudeikis as David Clark makes a good central character, and he has his own good moments in an everlasting screen presence. He remains funny throughout, as his dynamic character evolves from the drug dealer who keeps seeking money to a responsible father-to-be. Will Poulter’s Kenny Rossmore is undoubtedly the funniest of all characters in the movie. He is instantly likable even with all the nonsense that he come with up with, adding to the funny side of the movie. Emma Roberts as Casey Mathis, and she provides the right dose of energy or the lack of it at the right moments, creating the much needed contrast with Kenny on one side, while also with David on another side. She is the bad kid, a strange and never caring girl who ran away from her home due to small differences. Nick Offerman’s Don Fitzgerald and Kathryn Hahn’s Edie Fitzgerald are the next funnier characters. Molly Quinn as Melissa Fitzgerald has a cute, beautiful, innocent presence throughout the time she spends on screen. She might even be the best-looking person around in the movie. Tomer Sisley is a fine Mexican drug lord and Matthew Willig makes a good henchman.

The strength of this movie is its cast, as one might expect even before watching the trailer of this movie. But the question remains if they could have had a better, less predictable plots with not much of the repeated comedy scenes. Some of them are too silly and stupid for the common movie watcher who has had a long season of watching comedy movies. It might be more than just okay for the viewers from this part of the world, as adult-comedy is not something you get to watch in theatres too often here, and even if it does attack the big screen or the television channels, there are more to cut than to show, making the whole thing a lot more shorter than what it really is. Jennifer Aniston surely had some of her stripping and pole-dancing cut from the totality, and there has been a lot of dialogues by both the male and the female lead which has been removed. The movie surely felt quite short compared to its total running time given in the internet, but one can also think that it was more because it was funny and entertaining enough, with subtitles to make sure that none of those terms are missed by the usual audience who don’t get to see movies of this genre every day, every month or even every year.

The Heat and Grown Ups 2 hasn’t come to our theatres, but The Hangover Part III had quite a good time here. We’re the Millers also had quite an okay time here, but Jennifer Aniston can’t create that much of an effect here and there all the collection this movie makes here comes from the trailer which was shown before Indian movies, and that trailer was pretty good rising the bar of expectations. The fact that Percy Jackson: Sea of Monsters is having a better word of mouth, and still staying on to have more shows, and Riddick coming to make an impact with a superstar who is loved in this part of the world, the only hope for this movie is to fill the void which The Conjuring might leave next week after scaring enough people. But that might also be filled by new releases in different languages, as the Onam celebrations are coming up and families shall flock into both the normal theatres as well as the multiplexes, not for adult-comedy, but for the family movies, mostly in Malayalam followed by Tamil and Hindi in that order. So the time of this movie has almost ended here, but it has surely created enough impact outside here. For now, I hope that they don’t steal from this movie to make a road trip flick in the form of a Hindi or Malayalam movie, as a whole or in part, as that won’t be tolerable at all.

Release date: 7th August 2013 (United States); 31st August 2013 (India)
Running time: 110 minutes
Directed by: Rawson Marshall Thurber
Starring: Jennifer Aniston, Jason Sudeikis, Emma Roberts, Will Poulter, Ed Helms, Nick Offerman, Kathryn Hahn, Molly Quinn, Ken Marino, Matthew Willig, Tomer Sisley, Thomas Lennon