Tag Archives: war

Rogue One

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Vampire Owl: The title of this movie has already made me think about Rogue Two.

Vampire Bat: It is the problem due to thinking too much about sequels. I don’t think that there will be another Rogue, as this is supposed to be a spin-off standing alone.

Vampire Owl: Some movies have too many sequels anyway. I can’t even remember when I first heard about Star Wars. Maybe we should see the rings and live only for seven days, so that the memory works better.

Vampire Bat: It is something that goes beyond centuries for humans, so I have heard.

Vampire Owl: But it hasn’t been that much known throughout the world, I wonder why.

Vampire Bat: Well, even Star Trek became popular only in the last few years – before that they had copied the same to make Captain Vyom.

Vampire Owl: Yes, I remember that it had such an uncomfortable timing that I ended up missing the food provided for many wedding, betrothal and house warming functions for watching it.

Vampire Bat: But, during those times, we never knew the original.

Vampire Owl: Star Wars was more popular than Star Trek during those days.

Vampire Bat: Now, there is the twist – everyone we love around here loves Star Trek more.

[Gets three cups of breakfast tea with a piece of orange cake].

What is the movie about? :: Galen Erso (Mads Mikkelsen), an expert in weapons research is hiding on a planet, away from the dictatorship called Empire and its sinister motives which include but are not limited to enslavement of people. Orson Krennic (Ben Mendelsohn), who is in charge of the weapons research for the Imperial Military Force finds him and forces him to build a superweapon called the Death Star, which is capable of destroying planets from a long distance away, thus giving supreme power to the Empire. While his daughter is saved by the wanted rebel and an extremist Saw Gerrera (Forest Whitaker), his wife is killed by the Empire in the conflict. Galen is left with no other way, and is forced to go with Orson to provide his expertise, while Saw and his forces continue to resist the Empire which only grows stronger and stronger with time, while the rebels focused on newer methods to take down the Empire.

So, what happens next in the movie? :: Years later, a cargo pilot of the Empire, Bodhi Rook (Riz Ahmed) turns to the side of the rebels, as he brings a message from Galen to Saw, and he is captured by the extremist rebels. Meanwhile, Jyn Esro (Felicity Jones) who is a prisoner of the Empire, gets rescued by a rebel officer, Cassian Andor (Diego Luna) who takes her to the rest of the rebels, and there, they convince her to find more about her father and the Death Star so that they can make good use of the information; their true intention is to kill him though. They will be joined by a re-programmed droid from the Empire, a blind but skilled warrior Chirrut Imwe (Donnie Yen) and his fighter friend Baze Malbus (Jiang Wen) who would have more than what they could handle on a normal day. Can they figure out Galen’s message, find him and stop the Death Star before it begins destroying the rebel bases, or even the planets on which they stand? Is there hope against the Empire which stands so strong?

The defence of Rogue One: A Star Wars Story :: Despite it not becoming that much of a popular thing here, this movie continues in the path set by its predecessors in the franchise, and does the same thing again, and provides the entertainment beyond the known world. Well, Star Wars is something that doesn’t age, and can go on to make more and more sequels, and shall continue to become success for many years to come. The message about rebellion continues, as the dictatorship also continues to do what it has been doing. The nostalgic feeling should work for those who had grown up watching Star Wars – those VCR and VCP days had more than one cassette of this franchise, with the first Star Wars, The Empire Strikes Back and Return of the Jedi; these used to be the special movies which looked too good, but not many people had watched them. The visuals and the special effects are too good, and you are going to love the final battle scene for sure, with all the splendour. Well, a stand-alone spin-off Star Wars movie is good to keep you strong while waiting for the next flick.

The claws of flaw :: The lack of popularity of Star Wars around here has hurt the possibilities with a lot of people no aware of how this series is progressing; about where it all began, where everything is going, and who all are these people, you wonder – well, not many people who have watched those earlier Star Wars movies are there to watch the newer flicks in the theatres, you know, and a stand-alone spin-off will only confuse them. Well, if people are confused about this, you can’t blame them, and they can only enjoy parts of this one in that case. Also, the one point to note is that there is not much of a change or variety in proceedings in this movie, as this becomes more Star Wars, rather than bringing a new special element. Star Wars: Force Awakens was certainly a better movie than this, and it seemed to try to be something by itself unlike this one which goes on and on with its usual stuff. Also, its attempt to work on the nostalgia that we have for this movie works not that much with the audience here. The emotional side is rather weak.

Soul exploration :: Well, Star Wars has always been about the rebellion against the dictatorship, as we had felt a long time ago. But during those times, the need was not this strong, and with a lot of things forced on us for no meaningful reason, one has to wonder if we are all the rebels against that part of the society which steals our individuality from us, for which new rules are made; when rules are not really made for people, and it is just for a certain group of people, we wonder if this situation in Star Wars is not so different from what we have now. There is so much hate in the world that hope seems too far away, as far as the stars are. Star Wars also has the message of hope, and battling against all odds. But how strong is everyman against the troops which are controlled by fascism which threatens to destroy not just worlds, but also the idea from the minds of the people? Star Wars movies keep bringing that hope in one way or the other, against the mighty Empire which would call for fake patriotism and not rebellion, but revolution happens in one way or the other.

How it finishes :: As it is clear for many people, people in India are not really much of fans for the Star Wars franchise, even though I remember having watched the series, and becoming interested in the same – I was among a few people who did, for Star Wars surely had no takers in the schools, tuition classes or even among the cousins. The presence of some of the Star Wars games was what helped me further to keep the interest alive, and while those earlier games had the Jedi Knight hero, there was also Star Wars: Galactic Battlegrounds which provided the feeling of playing Age of Empires II: Age of Kings again. Even though it keeps making so much money in the United States, and maybe also in Europe as well as other English-speaking nations, it would have to try hard to make it work better in India for better collections – but you never get bored of watching a Star Wars movie as far as I am concerned, and I have enjoyed watching this one too. We await the real sequel of Star Wars: Force Awakens, Star Wars: The Last Jedi releases with Daisy Ridley and John Boyega after this one from the director of Godzilla. So, may the force be with you.

Release date: 16th December 2016
Running time: 133 minutes
Directed by: Gareth Edwards
Starring: Felicity Jones, Mads Mikkelsen, Diego Luna, Ben Mendelsohn, Donnie Yen, Alan Tudyk, Jiang Wen, Forest Whitaker, Jimmy Smits, Genevieve O’Reilly, Anthony Daniels

@ Cemetery Watch
✠ The Vampire Bat.

1971: Beyond Borders

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Vampire Owl: It has been some time since the last war movie had released.

Vampire Bat: You remember that Kandahar with the same character in the leading role was released in 2010.

Vampire Owl: And the last movie with soldiers at border in Picket 43 of 2015.

Vampire Bat: The director did act in Anarkali and Action Hero Biju after that though.

Vampire Owl: I have been looking forward to our own war here though.

Vampire Bat: You mean to talk about expanding the vampire territory beyond the current borders.

Vampire Owl: Yes, you know that it has always been my patriotic intention. The zombie minions are trained for the same.

Vampire Bat: They are trained, but that doesn’t supply the brains.

Vampire Owl: We are buying them at the Goblin Market at fifty five percent discount.

Vampire Bat: That explains the never-ending preparation for war.

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is the movie about? :: Colonel Mahadevan (Mohanlal) is fighting with the United Nations troops in Georgia. There, his team saves the lives of a group of Pakistani soldiers who have also been fighting for the United Nations. After some friendly chat, Mahadevan invites the Pakistani troops to their battle honours day, an invitation which they seem to accept. While the programme is going on, it is revealed that Mahadevan’s father, Major Sahadevan (Mohanlal) had fought a battle against the Pakistani commander’s father, Mohammed Akram Raja (Arunoday Singh), in the 1971 Indo-Pak War for Bangladesh, and it had resulted in the death of the commander on the losing side. There is also more than that happened during those days of war, and we see Sahadevan narrating the same story to his grandchildren accompanied by his wife, Parvathy Sahadevan (Asha Sarath).

So, what happens next? :: Sahadevan is going through a holiday and some fun time with his friends at his hometown, when the news about the war reaches him. He decides to leave early before the telegram arrives, much to the dismay of his wife, son and all others who hoped for his presence there for a longer period of time. The same is the case of many other soldiers, especially Sudharshan (Krishna Kumar) whose father is extremely ill. The path ahead seems to be difficult for his team, as this is not the usual war for territorial gains, and the presence of a strong enemy force at their area makes things tougher – but there are some brave, tough and patriotic soldiers who are there with him for support; Lieutenant Chinmay (Allu Sirish) and Captain Aadhiselvam (Sudheer Karamana) are two of such men whom he meets and has his attention very soon. But Mohammed Akram Raja is determined to win this war and go home – well, so is Sahadevan.

The defence of 1971: Beyond Borders :: The movie’s best action sequences involve one with the battle tanks, and another one which has the two commanders going at each other in the end, even with the extra punch of heroism making both sequences strange at times – heroism without intelligence is not a quality that a hero should go for, and that makes one less a hero and more of a daredevil. The visuals are really good here, and there are some touching moments, which successfully make one feel for the troops as well as bring a certain amount of patriotism to keep the flame strong enough. The scenes of war deserves the appreciation, as it only gets better these days; yet there is the feeling that each of them could have been better. As it is said in Sir Walter Scott’s Lochinvar, “So daring in love, and so dauntless in war” – these are the qualities that determine the two main characters here, and after the deep consideration that war is meaningless, they will fight to death for their respective nations, obeying orders. The intention here seems to be good, as well as true – just not enough of the best application of ideas.

The claws of flaw :: There is that feeling of having seen all these before, especially with three movies already with Mohanlal playing the main character – Keerthi Chakra, Kurukshetra and Kandahar, along with the Prithviraj Starrer Picket 43. Except for having Mohanlal instead of Prithviraj, this one is surely closer to the last one, giving the idea that you can’t blame it on the enemy country, and it is all because of war. So, in one way or the other, it is patriotism which is responsible for the deaths of many people in more than one nation. Even in the opening credits, there is that long narration which won’t seem to make much of a difference as we go through the movie that touches not much of the same. The movie also doesn’t maintain the pace all the time, and there is too much repetition in store. The heroism displayed in this movie is also overdone, especially considering the fact that it tries to prove that this is all for the nation rather than being personal. The stereotypes also keep rushing, and we see an emotional side dependent on the same with less battle plans and too much lost between the meaninglessness of war and patriotism.

Performers of the soul :: Playing two characters, the son and the father, Colonel Mahadevan and Major Sahadevan, this one has been made for Mohanlal yet again. Major Mahadevan is not a character that Keralites as well as other Malayalam movie lovers will forget for a long time, and this one goes back to bring the prequel tale. This is no tough job for Mohanlal who controls this one, even though the father character is certainly inferior to the son – there are too many sequences which just seem to contradict the situations here for him. Allu Arjun’s younger brother, Allu Sirish also makes his Malayalam debut in this flick – there has been no shortage of dubbed movies of his brother getting success here, and lets hope that this will follow up with more from him; here he surely has our attention. But it is Arunoday Singh who leaves the best mark here – he shines as the Pakistani commander, and could use more of such roles with material to perform. All the female characters are left with not much to do in this movie.

How it finishes :: There has been some great success for Malayalam movies recently, most prominent ones among them being Mohanlal starrers themselves, Pulimurugan, Oppam and Munthirivallikal Thalirkkumbol, all three belonging to three different categories of action, thriller and drama respectively. Prithviraj’s Ezra had also went on to become the highest grossing horror movie of all time in the industry. Then, here is the war genre being explored yet again by Mohanlal – Major Ravi combination again. With The Great Father doing great job at the box-office, and the movies like Take Off staying there due to the excellence in making, 1971: Beyond Borders was to face some competition, but during this holiday season, it could stay there for some time easily – it is sure to do that for sure, and has the usual ingredients need for a movie in this genre, but there was always the scope to make this a better movie; this chance has been missed.

Release date: 7th April 2017
Running time: 135 minutes
Directed by: Major Ravi
Starring: Mohanlal, Arunoday Singh, Allu Sirish, Renji Panicker, Sudheer Karamana, Devan Asha Sarath, Priyanka Agrawal, Srushti Dange, Neha Khan, Saiju Kurup as Gunner Nathan, Padmaraj Ratheesh, Zoya Zayed Khan, Pradeep Chandran, Krishna Kumar, Manikuttan, Shafeeq Rahman, Sudhir Sukumaran, Kannan Pattambi

@ Cemetery Watch
✠ The Vampire Bat.

Take Off

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What is the movie about? :: Sameera (Parvathy) is a divorced nurse who is trying to work hard in the local hospital and pay the debts of her family, as well as ensure that the studies of her younger sisters are also dealt with. She was formerly married to Faisal (Asif Ali), and has a child, but they were separated due to problems in both families related to her work as well as the differences in way of seeing things. Shaheed (Kunchacko Boban) who works as a male nurse in the same hospital, is in love with her, and is hoping to marry her if she agrees some day. Both of them are expected to go to Iraq for work soon, and in that way, earn a better salary. Sameera finally decides that it is better for her to marry Shaheed and move on, as he is also moving to Iraq, and her relatives would make her get married to someone else anyway; at least she finds Shaheed as a good person and he is in love with her.

So, what happens next? :: After marriage, Sameera gets pregnant, but they soon have to move to Iraq and join the new job. They have heard that the place is not that safe, but there are other nurses who work there and earn a good salary. It is the year 2014, and ISIS has launched itself into the major cities of the nation. It is at the same time that Sameera’s son Ibrahim a.k.a Ibru (Master Eric) comes to live with her. Their location, Tikrit, as well as Mosul where Shaheed had traveled to with the military, all are under attack despite the repeated assurances that the army of the country will keep them safe. Sameera is shocked when she realises that Mosul is captured by the extremists and has become impossible to reach on phone. She approaches the Indian ambassador to Iraq, Manoj Abraham (Fahad Faasil) who assures her that he will do his best to find her husband.

And what is to follow between the chaos and destruction? :: It doesn’t take the ISIS long to take full control of all significant landmarks in the city of Tikrit with the military falling and later becoming a non-existent force there. The militants also make it inside the hospital and keeps the nurses as hostage. Shaheed is still in Mosul, captured by the militants there. But Manoj is determined to rescue and bring all these people back to India in one way or the other. For the same, he works with Ranjan (Prakash Belawadi), his superior officer as well as Jayamohan (Prem Prakash) who is a rich Malayali businessman with many connections in the Middle East, especially Saudi Arabia, Kuwait and Bahrain. With the External Affairs Minister of India and the Chief Minister of Kerala in contact with him, he will try a plan which is claimed to be risky by more than one person, but is considered to be the best option to bring the nurses home by Manoj himself.

The defence of Take Off :: The movie is based on the captivity of forty six Indian nurses by ISIS, and their evacuation by the Indian government, which was one of those celebrated events and a major achievement for the nation – it takes a lot of effort to recreate and add something extra for the creative and cinematic side, and still keep it simple and real. The director has succeeded in doing the same here. The movie has nicely handled the situations of war, and also related to the hostage crisis – with terrorism to be worked with here, things could have gone different ways, but all goes well in this movie; we see balance and maturity in everything here. The emotional side is also strong, and things are kept realistic as well as interesting at the same time, a quality which has been only fakely attributed to certain movies these days.

Positives and negatives :: The first half of the movie is more about the family drama, with the final few minutes getting the protagonists to reach Iraq, with the terrible disaster of a war waiting to happen. From there, it is a thrilling adventure, and the movie works as two here. This movie is visually geat, and also has some nice music as well as background score to go with the same. The movie, despite not trying to bring anything out of the box, got all of us interested, with how this tale is told, and how the characters feel simple and real as the common man who wishes to make money for their families while protecting the same. Even with its smaller budget compared to the Bollywood movies like Airlift which deals with the evacuation of Indians too, Take Off can easily give a fine competition – in simple words, it is surely better than the Bollywood movie dealing with this. There is a better re-imagination here for you to watch.

Performers of the soul :: There is no shortage of interesting performances here, and Parvathy manages to keep her character at the right place, even living through the war on most of the occasions. The different stages of life of her character are nicely portrayed, and this is sure to bring more and more applause as the movie runs in the theatres and will be watched by more followed the highly positive opinions – following Charlie and Ennu Ninte Moideen. Kunchacko Boban has a controlled performance here as he once again plays a character who will appeal really well for the family audience, after Kochauvva Paulo Ayyappa Coelho. Then there is Fahadh Faasil who arrives in the second half, and steals the show – there are so many moments for him as he goes strong after Maheshinte Prathikaaram once again, and the last few moments are undoubtedly his. The child actor Eric is also too good. Prakash Belawadi, Prem Prakash, Asif Ali and Alencier Ley Lopez also catch our attention with their smaller roles.

How it finishes :: We had the Akashay Kumar and Nimrat Kaur starrer Airlift directed by another Malayali, Raja Krishna Menon, which had dealt with a similar crisis and somewhat same kind of situation which released in 2016 and had received many positive opinions. While Airlift was based on the 1990 Iraqi invasion of Kuwait, this one is based on the 2004 ISIS invasion of Iraq. Both are about evacuating the Indians left in the nation torn by war, and both has the patriotism as well as the final success that goes with the same – both have also received a lot of critical acclaim, and has been in the news even before the release. The comparisons maybe many, and it is certain that what we need are movies like Take Off and Airlift which deals with the situations related to common people who struggle anywhere in the world, and it is also significant how realistically their tales are told. This is the best movie of the year so far, as it joins C/O Saira Banu, Alamara and Honey Bee 2 which are running in the theatres stronger than the rest.

Release date: 24th March 2017
Running time: 139 minutes
Directed by: Mahesh Narayan
Starring: Kunchacko Boban, Parvathy, Fahadh Faasil, Prakash Belawadi, Asif Ali, Prem Prakash, Alencier Ley Lopez, Parvathi T, Anjali Aneesh Upasana, Master Eric, Joju George, Sidhartha Siva, Devi Ajith, Divya Prabha, Prashant Nair, Rukhsar Rehman

@ Cemetery Watch
✠ The Vampire Bat.

Airlift

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What is the movie actually about? :: The movie is based on the world’s largest civil evacuation of all-time, the act which was about rescuing a huge number of Indians stranded in Kuwait during the Iraq-Kuwait War when Iraq forcibly occupied Kuwait and made it the nineteenth province of Iraq. Due to this evacuation process, Air India is in the Guinness Book of World Records for the most number of people evacuated by any of the civil airlines. The movie begins by saying that the characters are fictional and are inspired from a real incident. There are two real-life heroes who played a big role in helping the Indians in Kuwait to get them to evacuation though, as it is mentioned in the end of the movie – Mr. Mathews and Mr. Vedi who are shown during the final credits as the messiahs in reality.

So, what happens in the story-line of the movie? :: Ranjit Katiyal (Akshay Kumar) is a very successful businessman in Kuwait, and has good relations with the rich Kuwaiti people and its government. Despite his roots in India, he never really identifies himself as an Indian being one of the richest men in the city. He is living a happy life with his wife Amrita Katyal (Nimrat Kaur) and their child. Everything has been going in his favour until Saddam Hussein orders the Iraqi invasion of Kuwait. The soldiers consisting of even young boys with hatred for the nation which they have just conquered, wanders around causing chaos and destruction as all evil becomes legal as long as it is committed on the people who are now living under their guns no matter the ethnicity. Facing such a situation, Ranjit has to make more than one decision not just to save his own family, but also that of many other Indians.

The defence of Airlift :: The movie’s highest point is the climax and the ending – I am telling this before talking about anything else because it was so well executed and it could bring that wind of patriotism flowing in the right direction. The truth is that we feel such a patriotic feeling which is not forced, but it just gets into us and makes us feel amazingly good and proud to be Indian. A movie like Airlift was in need because Bollywood needed to have something as real as this, keeping the heroism, despite restricted to one person being kept as close to reality as possible. The protagonist’s return journey to his roots is something that we will all cheer about too – there is always something about your nation, your people and your your culture; it never really leaves you. I do have my doubts about the new generation, but somewhere, you are still part of your roots. The camera shots surely add to the total effect too.

Claws of flaw :: There is no chance to find this movie as a perfect one, even though it could have been that with some more attention. Some of the characters could have been used better, as you look at them not really contributing that much as you would have wanted them to be, as a situation like this could never be about one or two people being the heroes all the time. I would have loved to see an effort which was a lot more combined. The characters could have been better developed, and some of them are just there to be present or to go through all these. There are also some problems in the middle, and pace often gets to a lower level. A little more focus on the war could have also done better for this movie. I believe that a movie like this can also do without the songs. There was also a little bit of hurry to finish the movie by the end. Also remember that this is no entertainer for the usual fans.

Performers of the soul :: Akshay Kumar provides us with another realistic movie with a touch of patriotism an year after Baby released. Two of my favourite Bollywood movies of last year had him, with Brothers being the other flick. As of now, it seems that 2016 will be no different. We can confidently say that this movie will be among the best of the year, and I am not surprised that Akshay Kumar is once again the person to deliver the same. Well, this is movie does rest on his shoulders all the time because it is so much centered on his character. He makes thing work amazingly well here. Nimrat Kaur provides him the support. Lena has kind of a noticeable role here too! The other performer is actually the situation itself. The rest of the cast actually don’t need to do that much as one would expect for a situation of life and death; maybe it could have used them better, but it works as of now.

Soul exploration :: We have watched a good number of movies with patriotic elements in them. But when we look at this particular movie in comparison to that, this is one of the realistic and the most righteous display of the same. Patriotism in its purest form is one of those qualities which one can be really delightful about, and without any doubt, Airlift has that without preaching. This certain quality is what makes Airlift an interesting watch for all Indians both in the nation and living abroad. This is where the movie keeps scoring. If Airlift doesn’t touch your soul and make you think as an Indian no matter where you are, I don’t see any other movie doing the same. It is rightfully the movie for the soul, and you will feel the same during its run-time.

How it finishes :: Bollywood’s fine run this year continues, as Airlift follows Wazir and provides Bollywood with that boost for the beginning of the year which works nicely with the intellectual side as the industry takes another break from those huge silly entertainers. The advantage of having the popular actors performing in movies like these is that these better flicks get releases at most of the theatres. It is quite a necessity considering how many mindless movies Bollywood has been coming up with. The movies like Airlift are a lot in need, and it is a must watch without doubt. If there are movies which cent percent deserve to be in the one hundred crore list, Airlift can also be considered one of them. I don’t know how the usual audience will consider this movie, but if you don’t support this movie, it is your loss as well as that of Bollywood.

Release date: 22nd January 2016
Running time: 124 minutes
Directed by: Raja Krishna Menon
Starring: Akshay Kumar, Nimrat Kaur, Feryna Wazheir, Lena Abhilash, Inaamulhaq, Purab Kohli, Kumud Mishra, Prakash Belawadi

airlift

@ Cemetery Watch
✠ The Vampire Bat.

The Shaman

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Premise of The Shaman :: For thousands of years, men have undergone vigorous training to become the Shamans. These well-trained people have traveled into the other world, finding and healing the souls of people. In the beginning of the twenty third century, they are no longer the healers, but mankind’s deadliest weapon, as there is more that they can do during a war. The year is 2204, after seventy three years of continuous war and destruction. There is a long battle going on between The Atlantic Alliance and The White Federation and the world is in chaos. According to the Shaman’s school of thought, every creature or object has a soul. As the Shamans go into the other world known as the Netherworld and convert or destroy the souls of their enemies’ huge battle machines, both sides come up with defensive strategies against the Shaman attacks.

What is it about? :: These intelligent machines are widely used for battles during the times, and they are the toughest opponents which are better to be dealt with indirectly, as direct confrontation is leads to too many casualities. As a Shaman called Joshua (Danny Shayler) tries to convert the soul of one enemy battle colossus which has destroyed about two thousand men, this one is ready for him. The soul of the colossus (Susanne Wuest) knows that he is coming, and has read information about him. Joshua has a troubled past which can be used against him if known. In the other world, the machine will use his own strength, the manipulation against him. He will have four minutes to deal with this machine or he will die with the troops and his squire Lene (David Sayers). Can he come up with something special here?

The defence of The Shaman :: The short film gets you into the story right in the beginning with an introduction and some interesting information about the premise – it makes sure that we have the idea what is to come next. Then, we are introduced into the movie’s story-line related to the Shaman called Joshua and his battles. There are some stunning visuals to go with the story. The visual splendour is the kind of thing which can challenge those big Hollywood movies, as the futuristic world devastated by wars will immediately catch your attention – the explosions add to it. The idea is no different as it is worth making a full length movie which runs for at least two hours. There is strength in the core, and we can be sure that it can be developed into big movie, and we can only hope that if it does, it releases at this part of the world.

How is The Shaman special? :: The Shaman has a special place among the short films, and it is one of the best which I have watched. As Hollywood comes up with too many remakes, it is always nice to see a new idea instead of bringing the same thing again and again. The idea which is used in this short film is also something which got a lot of potential. There is absolutely no dull moment in this one, and you are completely into the idea of Shaman, soul, Netherworld and the connections being made. The Shaman has that kind of a universe which can be developed a lot. There can be a prequel as well as a sequel in the form of full length movies, because the theme will catch the audience attention with ease. The science fiction fans are sure to love the basic idea and its development.

Soul exploration :: This is my first attempt at reviewing a short film, and The Shaman is a good flick to start doing the same. Throughout this movie and as the film ended, I was hoping that this was longer, even as a short film, I wished for at least ten to fifteen more minutes. When the idea is great and it also looks fantastic, I would wonder why one won’t want the movie to go on for a very long time. You can watch the trailer of the movie below to understand what this short film is going to be about. I am sure that you will find it an interesting trailer, and it gives a nice idea about what the movie is about. It should have you interested to watch the complete short film which is shared in the end.

Performers of the soul :: There are two characters who get most of the attention, and there are three who are the main characters – the Shaman, the Squire and the Soul of the Colossus. The performances in The Shaman were actually very good, especially with Danny Shayler who plays the titular character and Susanne Wuest who plays the Soul of the Colossus. The sequence between them is well done, which is why one would want to have them again if there is a full length movie getting made. A more detailed sequence between them would do a longer movie a lot good, and it will be the first thing I expect along with the tales of the Shaman as a person. David Sayers as Lene also does a good job here. We can be sure that the talent does exist here, and there will be more to come if there is a full length movie.

Further details about The Shaman :: The Shaman premiered at the New York based Tribeca Film Festival earlier this year and was also screened at many other film festivals around the world. The trailer of the movie had over four million views on Youtube. The whole movie is now available on Youtube to watch, and has subtitles in English, Russian, Spanish, German, Japanese and Chinese. It is also online on Vimeo as of now and was also selected into the Vimeo Staff Picks. It was also featured in Short of the Week. The movie has a rating of 7.5 on the IMDb, and it is surely ahead of most of the short films that you watch these days. It is mentioned as one of the best short films of the year, and one can be sure that it is deserving of that description. You can watch the full short film at the Youtube link below and come up with an opinion.

Release date: 17th November 2015 (Online); 18th April 2015 (Premiere)
Running time: 17 minutes
Directed by: Marco Kalantari
Starring: Danny Shayler, David Sayers, Susanne Wuest, Edmund Jäger, Adam Thomas Wright, Anton Noori, Stefan Bernhard, Samuel Jung

@ Cemetery Watch
✠ The Vampire Bat.

Picket 43

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Vampire Owl :: Is this the right time for a patriotic movie?

Vampire Bat :: Surely it is. We had harthal just a few days ago and observed another bane of our nation. After a negative thing for the nation, this is our chance to reclaim the good things.

Vampire Owl :: So after lots of harthals giving losses of thousands of millions of rupees, we can always gain patriotism by watching movies?

Vampire Bat :: May be movies like this will help. Lets watch and know more about it.

Vampire Owl :: Will such movies make the common man any better?

Vampire Bat :: People only take what they want. So, I doubt it.

Vampire Owl :: Still, they are all patriots on three days an year and if that Team BCCI or Indian cricket team wins the World Cup.

Vampire Bat :: Yes, but when there is the need to do something for the nation, it is to be seen if what is preached can be practiced.

Vampire Owl :: This is the season of Facebook patriots and social workers.

Vampire Bat :: And lets see what Picket 43 brings to the season.

[Gets the tickets].

What is it about? :: Hareendran Nair (Prithviraj Sukumaran) is one of the Indian soldiers who are posted at Picket 43, an area on the border which has seen regular ceasefire violations, and has also lead to the death of a number of soldiers from the Indian side. With the last soldier murdered by the militants, the place becomes something to be talked about a lot among the soldiers and Hareendran Nair is the latest person to be posted there, alone except for a dog with him. As his superior officer Vinaya Chandran (Renji Panicker) denies him leave to go back to his lover to marry her or to support his ailing mother, he is left with no option but to stay at the hostile area. The Pakistani soldier on the other side keeps shooting on regular intervals until a change is made, and another soldier Mushraff (Javed Jaffrey) comes for service. Hareendran and Mushraff becomes friends and the latter promises the former that no militant will come through his picket to attack India as long as he is alive.

The defence of Picket 43 :: The power of patriotism is once again on display here, and this is one of those movies that we need to watch now and then. This might also be our director’s second best movie after Keerthi Chakra that has come after a long time. The movie is also about friendship and that too beyond borders and all kinds of obstacles,as humanity thrives without limitations. There is also mutual respect and love for one’s country which are proclaimed again and again. It also makes things clear that friendship has no limits and it can be made with ease if needed in the presence of a good heart. There is an idea given about the hardships that the soldiers suffer and the sacrifices that they make to serve their country, keeping their personal choices away to keep the citizens safe. The beauty of Kashmir is well captured, as the snow covered world as well as the green side are equally amazing, even as the white side suits the working of the movie better. The shots at Picket 43 are the best of the movie.

The Claws of Flaw :: The family drama and romantic side are completely out of place. It is good that they mention that it is love, and otherwise it would have been really difficult to find any romance there – almost everything shot in Kerala remains clear negative and was not needed. Even the shots which were supposed to be in Pakistan should have been better taken with more imaginary power instead of just going through that Malala-Taliban model idea which needed not much thinking. The focus should have been even further on the friendship and talking about their philosophies about life and what they think about war, and how the two nations could go into a better relationship. Well, those who are expecting a Tango Charlie model philosophy and a powerful anti-war ideology are going to be disappointed. The heavy non-linear narrative style might also depress a few. The songs are also not that up-to the mark. The final shooting scenes also go into heroism, something that was not supposed to be part of this movie. Being slave to the clichés is sometimes a fashion, isn’t it?

Performers of the soul :: Prithviraj Sukumaran shines in the movie as the Indian soldier guarding Picket 43; he excels in those emotional scenes and nicely manages the lighter moments too. He is there throughout the movie, and there is not much time in the movie without his presence, and we can safely say that this is his movie. The next big character, and among the two really significant characters is the Pakistani soldier played by Javed Jaffrey who steals our hearts from the other side. May be he was chosen because he played a Pakistani soldier in the war satire which was War Chhod Na Yaar. Whatever be the reason, he has done an amazing job here. Both of them get some nice dialogues, and a few memorable lines too. Then there is the dog which is a cool addition to the movie, even as there was more scope for things to be added with the pet. Renji Panicker is also good. Prithviraj’s love interest has a forgettable outing here, and so do most of the characters of Kerala episode.

Soul exploration :: Picket 43 links friendship, patriotism and sacrifice together to make an impact, and these are major elements of this movie. The first one is the major theme of the movie which also asserts humanity and hopes for peace, so that there could be humans who no longer hate each other for no real reason – friendship beyond boundaries is the factor at the core. Patriotism is present here and there, but I have felt better of the same with the other running movie from Bollywood, Baby. The use of patriotism was expected and in the beginning and end, it is even more strong – but it is still not a core element. The sacrifice element is also in abundance, and it is not just for the country, but also in the name of friendship and honour, thus the sacrifice element joining the other two together. May be the forced happy ending was not necessary. Even the dog becomes a symbol another friendship here, even as it has no role in the other two elements.

How it finishes :: Releasing on the Republic Day weekend, Picket 43 is doing a nice job at the theatres along with Mili, not really being a mutual challenge as the themes are entirely different with the two, bringing no comparisons into the question. It is also the right time for the release of this movie. There is no better time to get the best results at the box-office. What needs to be appreciated is the effort to take a movie like this, all the way from the South to the North, and using so many themes in it. The same thing seems to be rewarded nicely by the audience, and it was also the movie which has had most number of screens having shows. Yes, Major Ravi is back with this movie. Lets hope for peace and no war, and also pray for a bright future in the relationship between the two neighbouring nations which still have hope for better relations. May God bless our soldiers and may goodness and humanity thrive among chaos and destruction.

Release date: 23rd January 2015
Running time: 103 minutes
Directed by: Major Ravi
Starring: Prithviraj Sukumaran, Javed Jaffrey, Renji Panicker, Sudheer Karamana, Kannan Nair, Haresh Peradi, Angana Roy, Anu Mohan, Anshu Sharma, Sreerag Nambiar

picket43

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✠ The Vampire Bat.

Guardians of the Galaxy

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GOTG (1)

Vampire Owl :: But we were expected to have watched Guardians of the Galaxy last week, right?

Vampire Bat :: Yes, but with Hercules being postponed for some dumb movies, this also seems to have been delayed.

Vampire Owl :: So Teenage Mutant Ninja Turtles which was to release this Friday should release next weekend.

Vampire Bat :: And movies like Lucy will go missing.

Vampire Owl :: We have a long life-span. We can wait, may be it will release many months later.

Vampire Bat :: Yes, with immortality having its glitches.

Vampire Owl :: Are we going for Into the Storm?

Vampire Bat :: May be no?

Vampire Owl :: Fine, I thought I would need that for the owlification list.

Vampire Bat :: It does have more shows, even as critics have annihilated it.

[Enters the movie hall].

What is it about? :: Twenty six years after he was abducted from Earth by space pirates, Peter Quill (Christ Pratt) steals an orb for which many others are making similar attempts. His successful stealing of the item meant that there was a huge bounty on him set by the leader of the space pirates, Yondu Udonta (Michael Rooker) and an assassin Gamora (Zoe Saldana) is sent after him by Ronan (Lee Pace), a member of the scientifically advance war-loving race called Kree. Two bounty hunters – a humanoid tree Groot (Vin Diesel) and a genetically engineered raccoon called Rocket (Bradley Cooper) are also after the man who stole the orb, but a complicated fight with Gamora and Quill leads them to prison from where they come up with a plan, and supported by Drax (Dave Bautista) who is looking for revenge against Ronan, break out of the prison. They would initially look to sell the device, but after knowing how dangerous it is, they will have to join forces to save the galaxy against the man who look forward to destroying it, as he take the orb from them.

The defence of Guardians of the Galaxy :: This movie is all about the entertainment, and there would have been no doubt about that one. It is that fun ride which makes one laugh, go through the thrills and also add some emotions to the same. The characters are superb, and they remain interesting and most of the situations become further interesting due to them, and each has some special characteristic, and belong to a different species. That should remind us gamers about Mass Effect, one of those awesome games set in space, with the need to save the known universe from a group of alien invaders known as the Reapers (without that much detail and other stuff). But this movie is light and without the complications, and there it scores with the common audience. The visuals are great too, with the spaceships and awesome gadgets being used, and the world of space nicely using the power of technology to its advantage, and 3D is pretty much effective too. The computer-generated stuff rarely gets this good, one has to admit. You won’t need the super-powered heroes for this one!

The claws of flaw :: Guardians of the Galaxy has pretty much a predictable run with what is has, and it remains what we usually see. The movie has a lot more to do before it establishes itself completely, and I would guess that the same would be done in the sequel which is supposed to come out in 2017. There is a lot of background to be established, and this movie is without much power in its plot. The movie could have taken a few more minutes to establish a better universe and work on the worlds that exist within the same. The galaxy could have been better known before there were guardians for the galaxy, and these guardians themselves are misfits and outlaws who turn heroes, something which we have seen so many times. It has a good amount of silliness, which does work with its universe of aliens and spaceships, but not without them. This one has a long way to go before becoming something like the game Mass Effect with its character and universe. There is a lot of thinking to be done.

Performers of the soul :: Chris Pratt makes his character impressive, no doubt about that one, but the one who struck me more was Zoe Saldana as the green lady Gamora. She was blue in Avatar and was in space before in both Star Trek movies, and here she is green, and she plays that character to perfection. Dave Bautista makes a very strong appearance here, and his quiting WWE drama was rightly for this movie’s promotion – and it is good to see him having such nice role which suits him, along with making another comeback to WWE some time later. Interestingly, there is also a funny side to this tough character. Bradley Cooper and Vin Diesel gives voice to the two other guardians, and Cooper’s Rocket might be the fan favourite in this movie with the funny lines and the interesting moments. Karen Gillan’s Nebula came up as another surprisingly interesting character. Lee Pace’s Ronan is a strong villain, and makes a powerful impact, but the character Thanos leaves us wishing for more which could come to us in an upcoming sequel.

Soul exploration :: The movie is all about saving the world from the evil forces, and there is not much to think about it in a complicated manner. There is the orb which gives great powers and the most evil of them all wishing to take control of it to cause destruction and chaos all around. The heroes are all former outlaws who have lost something and are not really good or bad, but capable of goodness. The movie is sure to leave the audience happy and with no signs of disappointment, and there its success lies. If you have loved The Avengers, there is not much doubt about falling in love with these heroes who are in no way super with their powers, but do take their chances. They make up a strange team and become the guardians, and with a little expansion of the world that was in this movie, that too in detail, would work wonders for this franchise in the next entry of the franchise. That should be the masterpiece.

How it finishes :: Into the Storm has more shows, but Guardians of the Galaxy should surely hold strong in this part of the world in the absence of Teenage Mutant Ninja Turtles which is yet to find its release here. The demand for disaster movies is not that much as it used to be, and storms come nowhere near things like the end of the world and global destruction. The found footage category doesn’t add anything positive either to an already dying genre of movies which has nothing else to offer other than destruction. But Guardians of the Galaxy belongs to that immortal genre which can prove interesting even after a lot of repetition added to it. Because of the same, Marvel gets another movie and a beginning to another franchise which they can use nicely as the success of The Avengers has been repeated here, even as this one doesn’t seem to be good enough to break those records. This is another big superhero movie indeed, and that too in space.

Release date: 8th August 2014 (India); 1st August 2014 (US)
Running time: 122 minutes
Directed by: James Gunn
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Mikaela Hoover, Glenn Close, Benicio del Toro, Ophelia Lovibond, Gregg Henry, Peter Serafinowicz

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✠ The Vampire Bat.

Dawn of the Apes

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Dawn of the Planet of the Apes (1)

Vampire Owl :: You mean to say we are going for an ape movie.

Vampire Bat :: Or Humpty Sharma Ki Dulhania.

Vampire Owl :: I would rather watch monkeys all day than watch a new Bollywood Romance.

Vampire Bat :: I already watched that Humpty Dumb though.

Vampire Owl :: This is why your choices are always bad.

Vampire Bat :: It was because the local theatres were showing it for a change.

Vampire Owl :: Still, you decided to commit suicide.

Vampire Bat :: Unless you are suicidal, it is impossible to watch a Bollywood movie these days. Movies like Madras Cafe and The Lunchbox comes once in a blue moon.

Vampire Owl :: I hope our current venture is not like that.

Vampire Bat :: Humpty Sharma Ki Dulhania makes you strong enough to watch anything! It was that bad!

[Enters the movie hall].

What is it about? :: The human testing on the apes had resulted in them getting smarter and escaping from the human world creating another civilization of their own, based on some newly discovered values. Meanwhile, the virus which was developed by the humans has caused their own downfall and they are on the brink of extinction with cities destroyed and with the lack of resources, fighting one another as they have done for centuries. A group of genetically immune humans who have survived the virus are living in a guarded tower not too far away from the abode of the apes. As their power source seems to disappear, they hope to find enough power from the dam which is located in the lands of the apes, hoping to make the hydro-electric power plant work again. Even as they convince the apes and everything seems to work so well with the city ready to get enough power, we come to know that there are people on both sides who want a war due to the heavy distrust that exists of the other species, and it is only a matter of time till a war breaks out. The extinction of one race might soon begin.

The defence of Dawn of the Planet of the Apes :: The movie’s biggest point is its relationships, between apes and creatures of the same kind, humans and their own kind, apes and humans between each other and their attitude as a whole. The emotions are dealt with nicely in a believable manner as we would expect them to be. The movie also shows the evil of war and how it makes both sides dumb and thirsty for blood forgetting all the good things which can happen if there is peace. The story is a little bit more inclined to the ape side this time though. The visuals are impressive, especially that of the post-apocalyptic world and concerning the detail of the different types of apes. There are also some good action sequences related to the ape life. It successfully tests the loyalties of the the audience as it goes through the lives of apes and humans just come into it. The movie also talks about the fear of the unknown or the other, the rising hatred for the outsider just because he or she is just different.

Claws of flaw :: The incredibly long named Dawn of the Planet of the Apes is rather too slow a movie. It is never really in a hurry to progress through anything, whether it is the original story-line or the sub-plots. It takes its time and makes sure that the audience gets the feel of everything ape and post-apocalyptic human before getting things complicated and it is not a bad thing for the people who are watching a movie of the franchise for the first time, but not so much for the rest of the people. It does go along predictable lines at times, and the story of one ape trying to kill the leader of the pack to become the new chief was much expected, and a war was always on the cards, nothing out of the box with these species. The humans were always coming in for some reason, and there was always going to be the hatred for the other species. Other than the main characters, the human side is also weak and its civilization also on the losing side. James Franco and Freida Pinto are being missed here too in this continued world.

Performers of the soul :: Jason Clarke has a wonderful presence here, not something which matches James Franco, but rightly suitable for the situation of this movie. Keri Russell is also there, and it is surprising how good she looks after this many years, and she has done a wonderful job as the lady lead – liked her a lot since Bedtime Stories. Gary Oldman plays the typical human with the fear and hatred for the other and branding them as just animals who can be killed for the good of the humans. But nothing matches the strength of the ape characters as the focus is on them. Andy Serkis’ Caesar has more strength and emotions than any human or ape around as this character gets a lot better as a worthy leader of the gang. Toby Kebbell as Koba has the physical strength powered by his experiences, and Nick Thurston as Blue Eyes has a powerful emotional side like nobody else. Karin Konoval as Maurice, the orangutan is once again in the centre of things. This nice characterization of the apes make sure that there is something big coming up in the next sequel, like the 2001 version of Planet of the Apes which was huge in its ideas.

Soul exploration :: Dawn of the Planet of the Apes comes with a strict anti-war message which runs through its veins like blood. It is to be noted that it is the apes who don’t go to war like the humans even as they are less civilized. They value peace, but the twist is that it is them who starts the war which humans wanted. If we look into our world itself, we can see that it is not just side which is hungry for war, and if there is retaliation, it should mean that the colour of blood is not the same on all sides. As it is evident with almost all the people who talk about a war, the colour of blood changes according to which person they are supporting according to their religion, caste or race, and this is the same thing which is shown in this movie. Apes don’t kill apes as they would say, and humans want to kill apes because they are outsiders and a threat. Unfortunately this prejudice of “our people” exists among humans, and thanks to their influence, the same thing begins to exist in apes. A war is a war, and it causes the shedding of blood of the same colour on both sides, and if the deaths are less on one side, it wouldn’t mean that those who lost more men or buildings are better. There will always be someone who begins the war and innocents who suffer.

How it finishes :: I have always felt something special about the 2001 Planet of the Apes and it would remain my favourite movie of the series. I haven’t written on it yet, but it is still special for me. I would love to see a connection between that movie and this one, may be with General Thade traveling back in time to meet the apes of this franchise giving them the much needed advice which would indeed change the planet into something really of the apes – this could lead to the final situation in the end of that movie which can justify the ape planet. It would bring Mark Wahlberg back which would be pretty awesome. It was one movie which deserved a sequel with its potential. But other than that, our movie has nicely continued the story of the first movie, not failing like most of the sequels that we face. Compared to Rise of the Planet of the Apes which serve as an origin story, this works as a wonderful story of survival and that too not just for one kind of species. The movie is surely going to do well considering the opinion that it has generated and the lack of any big opponent challenging it. This is indeed the time of the apes.

Release date: 11th July 2014
Running time: 131 minutes
Directed by: Matt Reeves
Starring: Andy Serkis, Jason Clarke, Keri Russell, Gary Oldman, Toby Kebbell, Kodi Smit-McPhee, Judy Greer, Jocko Sims, Kirk Acevedo, Enrique Murciano as Kempt, Kevin Rankin, Keir O’Donnell, Terry Notary, Karin Konoval, Nick Thurston, Doc Shaw

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✠ The Vampire Bat.

Madras Cafe

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It is not that often that we see spy movies which keep close enough to reality rather than the James Bond model with stylish action and a display of superior skills and strange, unbelievable gadgets. In that case, this movie has successfully resisted its temptation to be another Ek Tha Tiger or Agent Vinod with all the super-stylish espionage with a romance tone always ringing a bell in the background. A few people might find it difficult to keep away from the usual pattern, but not Shoojit Sircar who continues his success of Vicky Donor. This was actually a week which was plagued by the absence of good English or Malayalam movies, and therefore the choice had to be Madras Cafe, but not before suffering from the Malayalam movie Olipporu. What came to my mind when I heard about this title was Kerala Cafe, the 2009 Malayalam movie which was quite a landmark, and such a matching title is nothing less than inspiring enough to watch the movie, not only the positive reviews and the good personal opinions which has been gathered by this movie so far.  Its message is simple – that in the case of each and every war, it is the civilians who suffers the worst on both sides, and it is the terrible loss of human life and property that is the ultimate truth.

The movie is set mainly in India and Sri Lanka, and the action also shifts to the United Kingdom, Singapore and Thailand on occasions. So the movie is a political thriller as well as an espionage action flick with all the eyes on that defining moment in Indian history. It is the story of Vikram Singh (John Abraham), an Indian Army special officer in the backdrop of the Sri Lanka Civil War. He is appointed by the Indian intelligence agency to lead the covert operations in Jaffna just after the Indian intervention there didn’t really work out. He travels to Sri Lanka leaving his wife Ruby Singh (Rashi Khanna) at his abode at Cochin, and comes across Jaya Sahni (Nargis Fakhri), a British journalist of Indian origins. As she is there for humanitarian concers, Vikram is there for the Indian causes, and their paths meet consistently. But their world is still not that apart and their objectives are not that different in the end. The result is not just the uncovering of all the conspiracies which runs behind the scenes, but also finding all those people who work for the other side, and finally discovering a plot to assassinate a former Prime Minister of India.

This is undoubtedly one of the best roles of John Abraham so far. The most significant thing about this role is that our hero is completely out of his comfort zone except for those shooting scenes which comes quite often. He is still there to fit in, as the perfectionist covert operations officer, the loving husband to a lovely wife and a true patriot whom his department deserves rather than the other way around. He is tactically superior to almost everyone around even as his impact is limited due to the huge amount of backstabbing and treachery which is involved among his own people. Still, he is perfectly human and doesn’t come up with the typical John Abraham show as one would expect from the hunk. But this one is a more realistic, and the much need performance from him, a lot above what was expected. He has taken over his role as the leading actor with what was needed just like his role as the producer. There might surely be the people who are to find it difficult to agree to that statement, but it is proven, and John Abraham is back.

Nargis Fakhri’s Jaya Sahni, a British journalist and foreign war correspondant in Jaffna has a significant role in the totality of investigation, but not that much of an imposing screen presence. She looks beautiful, determined and adamant throughout the movie as a character who might have almost worked a miracle on the events. She is the daredevil, the exact opposite of Rashi Khanna’s Ruby Singh – the worried housewife who is troubled by the absence of her husband who disappears in Sri Lanka and is later consistently under threat. She still has a lovely debut though, opposite one of the most stylish actors in Bollywood, and does her part well. Siddharth Basu’s Robin Dutt is an outstanding performance which adds to the rating of the movie by a good margin. The others have also done well making this movie a very good combined effort which is brought together by its working of the plot, the narrative style and the effort of the director.

How often do we get such good political thrillers? The Malayalam movie Left Right Left was one of those political flicks which seemed to make a powerful impact. Well, this one is clearer in its vision, as it takes no sides and passes absolutely no real judgement. Its viewpoint is the same as that of any neutral person watching the movie. To add to it, this time there is the espionage element – it is present at the right dose, and not at all glorified or exaggerated. Nobody is killed in slow motion and no hero takes on a large group and throws bodies in all directions like a freak of nature. There are also no bloody songs or retarded emotional nonsense of dumb romance, as this one keeps its world alive in reality rather than in a romanticized pandemonium. But people might still prefer the wrong movies which makes absolutely no sense and at the same time, has not even that ability to inject nonsense at the right dose. What would happen to the real good movies then? That is a question which can be answered only by the statistics which show more of a world deserving depression.

3 Idiots, Chennai Express, Ek Tha Tiger, Yeh Jawaani Hai Deewani, Dabangg 2, Bodyguard, Dabangg, Jab Tak Hai Jaan, Don 2 and Ra One are the highest grossing Bollywood movies according to Wikipedia. This clearly leads to the loss of faith in humanity and the need for the end of the world is asserted in a brutal manner. Unless movies like Madras Cafe, Go Goa Gone, Table No. 21 and a few similar ones have some spot in that list, there would no justice served. Well, they can add Malayalam movies like China Town and Maya Mohini to that list of pure nonsense which grossed the highest. Rowdy Rathore, Ready and Agneepath follows in the high-grossing list, and that adds to the need for a quick destruction of the world. The restoration of hope in this generation and the movie-watching people of this world can happen only after having a look at the final collections of Madras Cafe, something which could be fine, but nothing exceptional.

The movie is still slow, and that might be a bad thing for some – but the slow rhythm of the movie still can conquer some other hearts. There was so much of details and information being showered upon the audience and this slower pace might have helped it to blossom – come with the brains this time, for you have watched too many mindless movies which made no sense and scared the world’s best nonstop nonsense. We already had successful slow thrillers in the form of Memories and Mumbai Police, and it is time a slow political thriller takes its place among the best movies of 2013. It took me some time to watch this one only because of the horrible attack of the movie Olipporu and my fears on being not able to understand the political scenario in Hindi. But that went really smooth, and the whole thing was very impressive, ending with Rabindranath Tagore’s lines “Where the mind is without fear and the head is held high…Where the mind is led forward by thee into ever-widening thought and action into that heaven of freedom, my Father, let my country awake.”

Release date: 23rd August 2013
Running time: 130 minutes
Directed by: Shoojit Sircar
Starring: John Abraham, Nargis Fakhri, Rashi Khanna, Siddharth Basu, Ajay Rathnam, Prakash Belawadi, Tinu Menachery, Agnello Dias, Piyush Pandey

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✠ The Vampire Bat.