It Feeds

Vampire Owl: It should not be it, for it should be a he or she.

Vampire Bat: I am sure that they are not talking about vampires.

Vampire Owl: Who feeds better than vampires these days?

Vampire Bat: Who follows better? Then it should be “It Follows”.

Vampire Owl: What is there to follow for us?

Vampire Bat: We follow art, and we further follow beauty beyond exceptions.

Vampire Owl: You still think that there is beauty in this world of chaos and destruction.

Vampire Bat: The beauty of chaos cannot be taken out of the equation.

Vampire Owl: The vampire elders have always absorbed power out of chaos nodes.

Vampire Bat: Chaos nodes have powered the vampire animation for centuries.

[Gets a parippu vada and three cups of Coonoor tea].

What is the movie about? :: Cynthia (Ashley Greene) is an experienced psychiatrist who is also able to see into the minds of her patients, identifying the exact problem, as she basically walks inside that world of their minds. Through these special skills, she has solved a number of problems faced by her patients, some of them actually clueless until meeting Cynthia. Her daughter Jordan (Ellie O’Brien) is very much supportive of the same, and she comes across a girl named Riley (Shayelin Martin) who comes to visit Cynthia as advised by Agatha (Juno Rinaldi), a friendly woman who was cured by a visit. But the girl’s father Randall (Shawn Ashmore) also arrives all of a sudden and takes her away, asking Jordan not to be bothered about her, but not before Cynthia has a quick glimpse of a creature that looks from under Riley’s shoulder. Jordan talks about Riley, and how she was talking about someone who always accompanies her, but is only visible to her, and when Cynthia says that she saw something, she asks her to help her.

So, what happens with the events here as we just keep looking? :: The Creature (Brooklyn Marshall) reminds Cynthia of a troubled past, and the attempts which had made her husband commit suicide after they had gone after such supernatural troubles. Even now, Cynthia has been very careful, even with her psychiatric journeys so that nothing goes out of control and comes back to her, causing trouble to her family again. Therefore, she rejects the possibility of helping the girl who seems to be too much affected by some terrible force of darkness, an entity belonging pure evil and chaos. Still, Riley’s claim that a supernatural entity has been feeding off of her, makes Jordan determined to help the girl at all costs. She goes to meet Agatha despite Cynthia’s warnings, and finds the address of the girl and her father. But soon, she finds her tied up firmly to a chair, not able to move any part of her body at all. Her jacket is removed, and as the girl places her hands on Jordan’s shoulder and upper arm, she sees the creature for the first time, touching her, and burning her body. Now, can she escape from this family and the creature that seems to be also feeding off her?

The defence of It Feeds :: The wraith-like entity with an extremely creepy burnt skull and long fingers is visually terrifying enough to keep haunting people in their nightmares. The creature on its throne is a majestic visual of a demonic rule that could cross over from its world to the human lands. The looks are as much disturbing as a terribly burnt corpse which has come back alive without much of the body left. At the same time, the movie explores trauma, fear and healing of wounds of the past while emotions run right through, as the creatures becomes unable to feed on any of them from the past and present. The continuous present of the dark lighting makes sure that something is going to happen all the time, while tense scenes during the supernatural and sudden scares from out of the world keep the horror going for the fans. The situations outside this world are nicely created and there is a certain amount of quality related to the same. With the available elements, the movie has managed to be worth the time.

The claws of flaw :: The movie does not feel like original, as elements of other movies seem to have come across here to become this film, the combination of many things, not many of them coming up as an innovation, even when there was the chance to take this further. The content here seems to rather less, and some of the moments seem to be there just to point to the jump scares. The nice poster surely gave the feeling that there would be more around here with horror level to be increased much more. Then, there are times when movie losses its connection despite having ideas active here and there. The characters also show the tendency to overdo things. The movie also seems to end up with the negative idea that helping people without second thoughts is not always the best thing to do; but that being truth is not to be avoided. The world remains uneven, and it would not go on to become a movie that we could remember for a long time; Amazon Prime Video is just the platform that will make this one something for which people will be interested.

The performers of the soul :: Ashley Greene leads the way really well here as the determined mother who is looking forward to save her daughter, even though she is not of that power throughout the movie. Still, the one who catches our attention more is Ellie O’Brien, who plays that character who tries to save lives, but is helplessly caught in trouble, tied up, attacked by the creature, and even buried alive – tough moments indeed, but she manages the same really well. In the end, the mother-daughter duo scores even further with the creature facing them, and a moment with creepers which does not strike like the Evil Dead trees, but does just enough there too. Shawn Ashmore also brings more strength to the cast, and there is also a certain amount of emotional weight which also gets added here as he scores as the father figure who listens to nobody while trying to be the big protector against all odds. Juno Rinaldi and Mark Taylor in smaller roles makes impact, despite not staying on for more. Shayelin Martin as the child with a haunting on her, does very well too.

How it finishes :: The movie is your usual horror movie which works with elements of many other movies, but the one which uses what is available effectively enough. It holds the ground as a good atmospheric horror with solid acting and creepy visuals which increases its effectiveness, but the story feels generic without more to be said about it and without doubt, predictable enough to make sure that it does not raise the level enough to be remembered for that long. When you have movies like Evil Dead, Sinister, Insidious, The Conjuring, The Nun, Annabelle and others becoming big things with the quality associated it with, one would find it strange that a movie like this which establishes the premise so well in the beginning and catches our attention could do only this much. Well, we cannot always have enough with a big start, but for this one, that was expected. After all, it is recommended with some of those better movies when on Amazon Prime Video, and more people would surely watch it there.

Release date: 28th March 2025
Running time: 102 minutes
Directed by: Chad Archibald
Starring: Ashley Greene, Shawn Ashmore, Ellie O’Brien, Juno Rinaldi, Brooklyn Marshall, Mark Taylor, Shayelin Martin, Julian Richings

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✠ The Vampire Bat.

Days of Future Past

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The X-Men Legend :: The legend of X-Men starts in the theatre with the 2000 movie X-Men, made better by X2: X-Men United later, and undoubtedly ruined by X-Men Last Stand with whatever they managed to do with just one mutant character, Jean Grey. That was supposed to be the ending of X-Men watching for me, and there the director had changed, but the one who director the first two X-Men movies are now back with X-Men: Days of the Future Past. X-Men Origins: Wolverine and X-Men: First Class were really good and the latter was rather an impressive flashback to the origin of the first mutants with a nice background of the Cold War, while The Wolverine was a little bit of let down even as it can still be considered okay enough under most of the circumstances. With this franchise from Marvel, we get a movie which has been around with more than nine out of ten rating in imdb and ninety four percent critical rating in rotten tomatoes, something which not many superhero movies could achieve. So this was indeed a movie not to be missed, and a even my delay of one day was depressing for me.

What is it about? :: The story goes quite some way into the future, as there are non-metallic robots which are hunting the mutants as a result of years of human research to find a solution to the mutant existence. At the same time, the robots have also managed to go beyond its instructions oppressing the humans as they are the source of mutants coming into existence later. As Kitty Pryde (Ellen Page) has the ability to project a person’s consciousness back to the past and warn others, a group of mutants surivive, including Professor X (Patrick Stewart), Ian McKellen (Magneto), Wolverine (Hugh Jackman), Storm (Halle Berry), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Blink (Fan Bingbing), Warpath (Booboo Stewart), Bishop (Omar Sy) and Kitty herself. As they are pretty sure that they will be caught soon, they decide to use Kitty’s ability to send Wolverine back to 1973 to stop Mystique (Jennifer Lawrence) from murdering Bolivar Trask (Peter Dinklage) who invents the robot assassins whose idea and a captured Mystique’s DNA will be used to create the killing machines in the future as the dead man becomes a sort of martyr. So, can Wolverine do well enough?

The defence of X-Men: Days of the Future Past :: The beauty of this movie is how it has managed to work on its story with its powerful connection to the other X-Men movies, and as this is set in the future, this has a little bit to relate to every other movie of the franchise, especially X2: X-Men United, X-Men: Last Stand and X-Men: First Class. The whole thing is nicely managed here without causing any disruption to all that have already been established in those previous movies. Even with the lesser amount of action sequences, they have done what all were there very nicely, with the robots fighting the mutants, a battle which could have used a little more smartness, but they are visual treats even if one-sided for the most part. The presence of the character Quicksilver is a boost too even when limited to one fight. The movie gets on with its world quite fast too, making sure that the boredom that can cause by explaining about the characters is not there, and if there is the need to know more, the viewers can watch the other X-Men movies. Now, with the time space continuum altered, may be some of the incidents of the movie never happened or might not happen, may be that can give scope for a difference sequence of events in upcoming X-Men movies.

The claws of flaw :: The 3D makes an attempt to prove itself unnecessary as the movie progresses; the positive side was only in the beginning with the credits. The movie also drags in the middle, with a lot of dialogues rather wasted. The thrills that is supposed to be there from the beginning works at a weaker level through the movie, as there is not enough action in between to support it. Except for the action in the beginning and the end related to the robots where the mutants lose in all cases, there is no real impressive battle except for a little Magneto trick and Quicksilver show. The special effects should have been used better and there should have been lots of action, but they have sacrificed those elements just to add some drama. Still, it is not different from most of the usual superhero movies, especially the X-Men related ones. The characters don’t seem to get into the situation much, and there is rather too much confusion between them. This one should tried to bring more thrills and action from the material that they had, and in the case of mutants, they should have put their powers to use more frequently and efficiently, but that is not there. Then they decided to get rid of Quicksilver who scored so well, and that is a shame.

Performers of the soul :: If someone has to be applauded from his first appearance to the last, it has to be Michael Fassbender, as he is the one who stands out in this movie, making his character the one to look out for. James McAvoy has his moments, but this younger version of Professor is rather impressive only in moments. Jennifer Lawrence shines as the unique mutant Mystique and it was great to watch whenever she was there, but the question would remain if there could have been more in a movie which is based on her and the whole thing is dependent on her actions. Hugh Jackman is once again the Wolverine with style, but this version is rather passive, without that recklessness and anger that we identify the character with, and that was disappointing. Seriously, why would the Wolverine be not aggressive? It is a shame that Anna Paquin’s Rogue was just a cameo, she was one of my favourites with Nightcrawler who is again missing. Evan Peters’ Quicksilver might impress more than many other mutants in just the few minutes that he is present while Nicholas Hoult’s Beast becomes less significant. Meanwhile, Ellen Page and the rest of the mutants of the future present has limited presence compared to those of the past.

Soul exploration :: The movie continues to deal with the basic mutant problem with the human fear for the unknown and the alienation of the other that follows. The end-point of all of these is holocaust, by exaggeration of things which might seem to project the possible extinction with more power than ever. Once again Trask Industries becomes what Stark Industries wasn’t in The Avengers and related movies, being the dark force of science and technology against the one that powered Iron Man. Just with words re-arranged, this industry once again asks the familiar question for those essays at school – “technology: boon or bane?” I thought they were finished with that, but this question might always remain with the technology being an advantage only for the rich and the need to go to space rather than saving Earth. The questions that should be evoked might be about the results of changing the past. It is impossible to change it, but even if it is changed, how will the future respond? Are some things always supposed to happen, no matter how hard we try to change it? Yes, everything seemed to work well by the end of the movie, but how can we be sure about that until a sequel comes to light?

How it finishes :: This franchise might have finished with X-Men 3: The Last Stand, but it didn’t, and came up with two successful origin movies for its most popular character and also created another success without him in the form of X-Men: First Class. The movie also leaves the franchise with endless possibilities to go towards many directions. The destruction of a timeline or rather the disruption of the same can effectively trigger a reboot or many other movies in between. It might seem like a risk, but there are lots of things that it can achieve for a superhero franchise. You might wish to finish watching the other movies of the franchise before watching this one. Then there is always the presence of someone like Jennifer Lawrence who transforms not just like Mystique, but also like Katniss Everdeen becoming Raven – now the question remains, will this change of the past which makes her not an assassin land her somewhere else than not with Magneto? May be with X-Men or as a neutral? How surprising can it be if she is also part of that same school of Professor X? There is a lot to expect from another X-Men movie, that is for sure.

Release date: 23rd May 2014
Running time: 131 minutes
Directed by: Bryan Singer
Starring: Hugh Jackman, Jennifer Lawrence, James McAvoy, Michael Fassbender, Anna Paquin, Halle Berry, Ellen Page, Nicholas Hoult, Peter Dinklage, Ian McKellen, Patrick Stewart, Shawn Ashmore, Omar Sy, Daniel Cudmore, Evan Peters, Fan Bingbing, Adam Canto, Lucas Till, Booboo Stewart, Josh Helman, Mark Camacho, Evan Jonigkeit, Gregg Lowe

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@ Cemetery Watch
✠ The Vampire Bat.