Tag Archives: Keira Knightley

The Woman in Cabin 10

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Vampire Owl: I hope they are not talking about Cabin 10 in the castle.

Vampire Bat: We do not have cabins here. We have resting places.

Vampire Owl: Okay, then it should be Resting Place 10.

Vampire Bat: I also do not think that there is the number 10 in the castle.

Vampire Owl: You mean those young vampires cannot count?

Vampire Bat: No, we start with the number 13. It is our lucky number.

Vampire Owl: You mean to say that you do not count downwards either.

Vampire Bat: Then, we will have to stop at zero or one.

Vampire Owl: Dr. Frankenstein usually counts through the negatives.

Vampire Bat: Mr. Frankenstein does things in the most ridiculous ways.

[Gets a Milk Bikis biscuit and three cups of Munnar tea].

What is the movie about? :: Laura Blacklock (Keira Knightley), known in the field of journalism as “Lo”, is one of the best-known figures of investigative journalism, and is recovering from the trauma of witnessing the death of one of her informers, and her co-workers keep asking her to take a break, at least a short one so that they could come back stronger. As she could not be completely out the job, which she never wishes to be, she gracefully accepts an invitation from terminally ill billionaire named Anne Bullmer (Lisa Loven Kongsli). She is asked join her and her husband Richard Bullmer (Guy Pearce), along with their extremely wealthy guests, on their high luxury superyacht which is sailing to a fundraising gala in Norway. She is never really out of the journalism job, as she has to write about the Bullmers’ new charitable foundation while she is there, and get it to the public through the media. Laura finds this to be a good break from the office for a change, and is offered the best of amenities.

So, what happens with the events here as we just keep looking? :: There she meets Ben Morgan (David Ajala) again, a fellow journalist and photographer who used to be her lover, and has been assigned to cover the programmes with his camera. Dr. Robert Mehta (Art Malik) who is also on the ship to help Anne, feels that she does not have much time due to the spreading cancer. While trying to avoid Ben, Laura ends up in the cabin numbered 10, and sees a blonde woman, but the meeting is short-lived. But when she feels that there is someone who fell off the ship, and drops of blood from a distance, she feels that the lady in that cabin might have fallen off, but Captain John Addis (John Macmillan) assures her that there was nobody in the cabin, and it has been empty all the time. But she is sure that she saw someone, but everyone assures her that it could be the trauma. She also feels that she was pushed into the swimming pool, and that someone wrote something on her bathroom’s glass when she was naked and taking a shower, as if someone is keeping a watch on her all the time after talking about the cabin 10. Now it remains to be seen if she is hallucinating or if there is something more sinister around.

The defence of The Woman in Cabin 10 :: The sense of mystery remains central to the main idea of the movie as it keeps us guessing, even when the pace is not that much to be taken here. The cast seems to be rightly suitable for the movie, as we see them rising above the simplicity of the movie here. The luxury yacht setting works well to build atmosphere even though there is not much focus on the facilities of the ship as it could have been done. The contrast of emotions facing different realities going between what is seen and what is not, goes on well. The movie remains suitable for the OTT streaming, and as it released directly to Netflix, it does feel like the right one for the platform. Based on the 2016 novel by Ruth Ware, this is one movie which seems to keep that kind of a mood, even though that freedom to visualize could have meant more. The setting that provides the view of the luxury yacht keeps working well, even though that much focus is not provided there. The twist is pretty good even though revealed easily and without providing a powerful impact when it is known.

The claws of flaw :: The movie is just too slow for this kind of a run, and it often seems to walk slowly with utmost care. The drag is felt on so many occasions, and there is nothing much to keep us interested in between, as we just keep moving around without the real sense of danger or any kind of fun, making this one not dark, but rather dull in between. This one surely needed at least some moments of terror or some classic visuals – after all, we have such a good-looking luxury yacht, and the makers could show some parts of it so that those who might never travel in one can enjoy the beauty; that could make the whole thing more interesting. The failure of the movie to do anything special and instead go on a path as if to bring that final suspense and twist which comes in as end nears would not make a movie become a favourite, even with some fine performers around. The movie does need to know itself more as much as its audience. After all, we are all looking for something extra in a movie.

The performers of the soul :: The movie gets the advantage of having Keira Knightley around at the top. As we have always known, even after these many years, she is one performer whom we have trusted to do the job. Her presence itself is an assurance that the tale will go on well with the support of fine performances that will automatically come. She provides a true reflection of what happens on the ship. Guy Pearce also stays solid in a very serious role as we see multiple character depths on him, while David Ajala adds on well, and is a more relevant character than one would think about. Art Mallik adds a certain amount of depth to the whole thing. Gitte Witt can be seen adding some more good work too. Other performers like Gugu Mbatha-Raw, Hannah Waddingham, John Macmillan, Paul Kaye, David Morrissey, Kaya Scodelario, Pippa Bennett-Warner, Daniel Ings and Christopher Rygh add on further. Lisa Loven Kongsli’s smaller role is notable than one would think. There are not too many characters with that much of a depth for us check in detail with the performances.

How it finishes :: The Woman in Cabin 10 is that kind of a slow thriller with its suspense and thrills coming on slower and slower as the finish is near. There is no denying its ability to bring the suspense and twist and keep it thrilling as the end comes, but the way in which it does the same cannot be interesting to many people. I have found this one to be something of interest, but not by that much. I would not deny the fact that I have been looking for the secrets to be unveiled as the movie progresses, but remain surprised how it ended just as if it had to end, for there are many more things that could be done. For now, this seems like a movie meant to go be identified as a thriller, but not done without that much of an effort – if this was a Malayalam movie, it would have identified as a drama movie, with some extra additions becoming part of it. As it is on Netflix, it would not hurt to watch it when there is spare time, and come up with some explanations on how it could have been better, and enjoy the journey as much as it can be, without too much of expectations to go with it, for we will survive.

Release date: 10th October 2025 (Netflix)
Running time: 95 minutes
Directed by: Simon Stone
Starring: Keira Knightley, Guy Pearce, Art Malik, Gugu Mbatha-Raw, Kaya Scodelario, Daniel Ings, Hannah Waddingham

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@ Cemetery Watch
✠ The Vampire Bat.

Pirates of the Caribbean 5

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Vampire Owl: I have some problems with these dead men.

Vampire Bat: I am pretty sure that you don’t even know them.

Vampire Owl: Maybe, but I don’t understand why they come to the conclusion that dead men tell no tales.

Vampire Bat: It is quite a common saying in the human world, as I have heard.

Vampire Owl: But we are dead, and we tell stories.

Vampire Bat: We are the undead. It is a different case. Even in the movie, the undead exist.

Vampire Owl: I am sure that they can tell a few tales too.

Vampire Bat: Do you prefer the subtitle to be Salazar’s Revenge?

Vampire Owl: Revenge is so common, so dull. It is not that sweet as it used to be. I would prefer to wait and achieve greatness, which would be my revenge, which is not really the direct revenge.

Vampire Bat: Let them keep the dead men and their tales then.

[Gets the tickets with cardamom tea and french fries].

What is the movie about? :: Henry Turner (Brenton Thwaites), the son of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) works on a warship belonging to the Royal British Navy which has been after the pirates who have been plaguing the ocean around the Americas. It is an eventful journey, with pirates being around now and then. During one of such journeys, when they are chasing a pirate ship, they go right into the Devil’s Triangle, known more to the modern world as the Bermuda Triangle. Henry tries to prevent the same, but rising against the captain’s order makes his talks and action something resembling mutiny, and he is imprisoned in a cage. But it is not the pirate ship that they found inside, but something resembling a wrecked ship, and the undead in the form of sailors led by a man known as Captain Salazar (Javier Bardem) attacks them, and kills everyone except Henry who is asked to deliver a message to Captain Jack Sparrow (Johnny Depp), about death coming after him.

So, what happens next? :: Meanwhile, Jack is trying to rob a newly opened bank with his pirate gang, but in the end, they lose all the money, and he is left behind in the process. Henry who survives the attack of the undead pirates after being left behind by Salazar, is captured by the British, and branding him as a coward and a traitor, they plan to execute him. It is during that time that he comes across a young woman named Carina Smyth (Kaya Scodelario) who was sentenced to death for witchcraft, but had escaped at the same time when Jack was going through his robbery. She is also captured while trying to contact Henry, but he escapes when the attention is on her. The curious Carina also intends to go to find the Trident of Poseidon which Henry has been looking for, as it is supposed to have the power to free his father from the curse. Jack, who is left with nothing in the sea, also gets caught after drinking too much. The British decides to execute the witch and the pirate at the same location, at the same time, by hanging and by the guillotine.

And, what is to follow next in the seas? :: With the help of Jack’s former crew, Henry manages to help both Jack and Carina escape, and they get back to the sea in search of the trident on Jack’s small ship, Dying Gull. Carina has the map that would lead them to the same, which only she can read with her skills. With Salazar and his undead crew managing to escape from their dark captivity, and the undead captain assigning the grand pirate Captain Hector Barbossa (Geoffrey Rush) with the duty of finding Jack after some threatening, Jack and his new friends have more than one trident to look out for. Salazar’s main objective is to kill Jack, but he wouldn’t hesitate to kill or destroy anyone or anything that he finds on his way, and with the Royal Navy as well as Barbossa being no match to him and his army of undead, how would Jack, Carina and Henry manage to escape from the clutches of the evil which is ready to be unleashed all around the waters?

The defence of Pirates of the Caribbean: Dead Men Tell No Tales :: There is entertainment in store in Pirates of the Caribbean: Dead Men Tell No Tales, that is for sure, and we have the same with the support of some nice visuals, and the 3D is pretty much okay. The undead sailors and sharks are all nice, and the locations contribute to the same so well. The comic side is at its best with the scenes of execution of two protagonists, a big bank robbery scene and the jokes regarding the job description of the heroine – other than that, there are a few working here and there, fine enough to keep the ship floating. Johnny Depp still has a lot of the sparrow in him with nothing much changing about the character we have loved for so long, and Kaya Scodelario is a lot welcome addition to the same, coming right out of The Maze Runner and its sequel, The Scorch Trials. Javier Bardem and Brenton Thwaites also becomes fine additions to this adventure, and they all contribute to making this movie good, even though it is still the least interesting movie among all the five flicks that make this franchise.

The claws of flaw :: The fans of the Pirates of the Caribbean franchise might have surely expected something bigger with Pirates of the Caribbean: Dead Men Tell No Tales, and it would leave them thinking why this one hasn’t evolved even after such a long gap with no pirates in the seas. There could have been more magnificence with the horror here, and something even bigger to end the movie with. The forced cameos bring no surprise and it can be said all the time. We wanted more of everything considering how long it took to come up with this sequel. Here is even Jack Sparrow not becoming the one whom we had waited for so long – the comic side is good, but we end up thinking if the character itself was needed, or some other pirate could have been enough. A stronger tale could have also helped, because this one seems to be a story written just to bring this movie to light, and get more money at the box-office in the name of the brand – the effect of having the pirates is coming down, and the makers have to be careful, for this is not even an animated movie like the Ice Age movie series.

How it finishes :: Even with some fun in store, one has to think that Disney is using the Pirates of the Caribbean franchise too much in the same way, trying to make more and more money out of the same. It has been fourteen long years since Pirates of the Caribbean: The Curse of the Black Pearl released, and it has been six years since the last movie of the franchise, Pirates of the Caribbean: On Stranger Tides released – there are two sides to the same, for most people should have forgotten how things have been going on in this movie, and there is also a lot of people who have wished to see something or anything related to the pirates on the big screen. If more of the same thing is needed to be repeated, this is the movie that you should go for, as nothing new or special makes its way into this movie. You can watch this one to have more of pirates, but you can’t expect it to bring anything new – for experimentation seems to have left this franchise with ease, and being more creative is no longer the visible option for the makers.

Release date: 26th May 2017
Running time: 128 minutes
Directed by: Joachim Ronning, Espen Sandberg
Starring: Johnny Depp, Kaya Scodelario, Javier Bardem, Brenton Thwaites, Kevin McNally, Geoffrey Rush, Martin Klebba, Orlando Bloom (cameo), Keira Knightley (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Everest

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everest.

Vampire Owl: We have always been beyond Everest. There has been a certain amount of satisfaction with the Carpathians among our people.

Vampire Bat: I don’t think so. We are just happy with what we have, and are too immortally old for a new adventure.

Vampire Owl: Yes, but still we are very much satisfied.

Vampire Bat: We are mostly free from desire and ambition which are human qualities; but we are never completely out of it before we live among them.

[Gets the tickets and some caramel popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1118-everest-movie-review

Based on the Mount Everest disaster of 1996, Everest tries to become that disaster movie and thriller which the audience would love to watch. There has been something special about the disaster movies as almost every movie of the genre has created some impact, no matter who all have acted on it and not depending on the time of its release; people have always been interested in such themes. As it is based on that deadliest season on Mount Everest during its time of happening, it had enough strength to create something commercially positive even before the release of the movie.

The story takes place in March 1996 when climbers arrive at Lukla and then at the base camp to conquer the big one, Mount Everest. Rob Hall (Jason Clarke), a guide for the mountaineering company “Adventure Consultants” with his clients including Beck Weathers (Josh Brolin), Doug Hansen (John Hawkes), and Yasuko Namba (Naoko Mori), is trying to do this while Scott Fischer (Jake Gyllenhaal), the guide for another trekking firm “Mountain Madness” attempts the same with his own team. Things seem to go fine until some unfortunate twists of events happen, and with a blizzard striking when least expected, they are surely in trouble. It turns out that this journey is the last for some of them.

Everest is less of a movie and more of an experience, which means that the effect of this movie can vary significantly for the audience depending on what they are looking for in a movie. This experience is kept as realistic as possible, lacking in exaggerations and going through what seems to be more or less of the real-life situations. It is not really something on the lines of an action movie, and never does it try to overdo the stuff. The result is that there is no special stylish ingredient here. But the tension and the thrills are nicely boosted, and there is also some good emotional strength here. There also exist a lot of such moments, and they relate to the audience really well.

The shots of Everest become another amazing addition to this movie which uses them to perfection. The snow and the danger combines together to create the desired effect on the audience, thanks to the way in which the shots are taken. The viewers are given a nice opportunity to go through a ride through the route which inspired a lot of adventurers and has claimed many lives. Maybe they could have added more shots from the lower areas of the mountain too. The 3D is mostly not needed though, except for a few moments, one has to wonder why it had to be added. As this is kept more realistic, the opportunity to use the 3D is limited quite a lot.

The movie also feels a little long, even when it doesn’t extend much more than two hours. It is because there is not much of a story about it, and it is the experience of the adventure that Everest depends on. The beginning also has a certain amount of drag caused by early dialogues and the delay in getting into action. But as the movie is based on a true story and close enough to the truth, the difficulties are kept to minimum. The movie explores two sides of the same incident; disaster for one side and survival as well as adventures on the other side. There are no human heroes and villains here as it becomes the “humans against nature” story.

The performances are nothing less than terrific, lead by Jason Clarke and the moments with Keira Knightley might surely be the most moving moments in a disaster movie. One does hope for more of Jake Gyllenhaal and Sam Worthington even though they make something good out of their presence on the screen. The cast works smoothly, and Josh Brolin has the next big moments with the snow, survival and the family members. As these characters make their way through the snow, the viewers give the full support, and they also do shed a few tears on the loss of life, while the great mountain with the support of Mother Nature manages to have the last laugh.

Even though Everest doesn’t bother much on the plot, it has used its biggest strengths, of visuals and of emotions to the full extent. By the end of the movie, along with feeling sad for those depressing moments of loss, one also wonders about the cost of adventure and also on who wins in the end, whenever there is the feeling of need for the conquest of nature and its elements are concerned. Everest is a direct movie, and it doesn’t preach or try to add something that will send the viewer to deep thinking, but it still lingers on one’s mind with its emotional strength and what it has brought to screen as a realistic experience.

Release date: 25th September 2015 (USA); 18th September 2015 (India)
Running time: 122 minutes
Directed by: Baltasar Kormákur
Starring: Jason Clarke, Josh Brolin, John Hawkes, Robin Wright, Emily Watson, Keira Knightley, Sam Worthington, Jake Gyllenhaal, Thomas Wrigh, Martin Henderson, Elizabeth Debicki, Naoko Mori

everest

@ Cemetery Watch
✠ The Vampire Bat.