Dark Phoenix

Posted on June 5, 2019 by Tennyson

What is the movie about? :: In the year 1992, when a space mission seems to be in trouble, while facing a solar flare, the X-Men lead by Professor X a.k.a. Charles Xavier (James McAvoy) decides to help the humans, and once again prove that mutants and humand are to co-exist. But it is a risky mission, as the plane is ready for a journey into space. But the team including Jean Grey (Sophie Turner), Nightcrawler a.k.a. Kurt Wagner (Kodi Smit-McPhee), Storm a.k.a. Ororo Munroe (Alexandra Shipp), Quicksilver a.k.a. Peter Maximoff (Evan Peter), Mystique a.k.a. Raven Darkholme (Jennifer Lawrence), Beast a.k.a. Hank McCoy (Nicholas Hoult) and Cyclops a.k.a. Scott Summers (Tye Sheridan) go on the mission despite having the doubts. The situation seems under control as Nightcrawler’s teleportation and Quicksilver’s high speed seems to be enough to finish the job.

So, what happens with the events to follow? :: But it is revealed that there is one more person to be saved, and they decide to go back. With Jean holding the space shuttle together, Nightcrawler takes the remaining person out, but is unable to take Jean back as the solar flare covers her. But he is able to recover her body after that, and surprisingly, she wakes up. The X-Men are hailed as heroes by the public, and the bond between humans and mutants gets to be stronger. But there is something different about Jane after that incident. Hank finds her energy to be beyond comprehension, crossing all borders. Scott also feels that there is something different about her. At the same time, Raven is not happy about Charles leading the mission to a point from which a return becomes near impossible; she feels that making a future with the deaths of mutants won’t be fair.

And what more is to happen? :: Jean seems to unleash herself at a point, and collapses. Unable to get into her head for the first time, Charles uses the Cerebro machine, and with it at high power, finds that the bad memories that he had shielded in the mind of Jean, are now out in the open, and she won’t be the same again. With memories of her distant past coming back to her, Jean leaves, and the X-Men follows here – they won’t have anything positive to find there though. Her actions there would turn both mutants and humans against her, with no chance to return to the previous state. At the same time, certain aliens from outer space have also reached Earth, searching for the Phoenix Force within Jane. They are lead by Vuk (Jessica Chastain) who serves as the leader of this shape-shifting alien race, called D’Bari. This would lead to time running out for Jean, before she could be herself again.

The defence of X-Men: Dark Phoenix :: The action sequences surely score with this movie, and so does the visual beauty. The action on the train in the final moments are among the best so far in any X-Men movie. There are also a few others which offer something similar. The special effects are used well, and we see the mutant powers being used nicely. CGI is used nicely by the movie, as the desire for another superhero movie after Avengers: Endgame has been provided in the form of X-Men: Dark Phoenix. The path that the movie takes seems to be interesting, and ready to bring further twists, even though this might be the final movie of this film with these characters in the main roles. The premise is a wonderful one for sure, even though the movie doesn’t really use the same to the best of effects. It has also released in India earlier than the original release date, and it should serve the movie to get better collections here.

The claws of flaw :: The movie is unable to prove to be better than X-Men: The Last Stand which was the movie which dealt with the same story thirteen years ago, and still managed to better at that time. It was not a fantastic movie in any way, but it had somehow managed to do better, not just with its story, but as a whole – it is only with the final moments of action that this movie holds more power. The titular character is also not explored in the right way, as her being all-powerful just goes too much beyond the border, as we get tired of the same quickly. We also know what is to happen with this tale, and how the same person does the job in the end is ridiculous – this is where the previous Dark Phoenix movie served better, with weakness in between the all-powerful; think about Superman without the idea of kryptonite there, and it is easier to understand. The movie also slows down in the middle, and the emotions go weak on a number of occasions.

The performers of the soul :: Sophie Turner from the Game of Thrones fame, has been an interesting addition to the film series – we see her continuing her form at a number of moments, but not as a whole, as things get repetitive. We wouldn’t get to see her as we had seen her in the popular television series, with the avatar itself being different around here. It would have been nice to see her as the earlier and more vulnerable Jane better. Jennifer Lawrence is completely wasted in her short stay there, and there is nothing that she does except for coming up with some unnecessary dialogues. The one who comes up with some of the best moments is Michael Fassbender, who shines as Magneto once again, rising above his good friend and leader of X-Men – James McAvoy who plays the leader is a weakened figure going too strange this time. Alexandra Shipp and Nicholas Hoult come up with pretty good job here. Kodi Smit-McPhee is memorable, while Jessica Chastain and Tye Sheridan are not.

How it finishes :: There is something about X-Men that we have always loved, going back to the childhood memories of watching that animated series. There is not much of a reflection of the same around here though, as the level has certainly come down from the predecessors X-Men: Days of the Future Past and X-Men: Apocalypse – it can’t even stand against the single mutant centered tales which came earlier, like Deadpool, Deadpool 2, The Wolverine and Logan. But it is enjoyable up to an extent, thanks to the action sequences where the mutants go for the full scale display of their powers. We are not going to miss the X-Men after this as we already miss Wolverine, and so lets watch a movie of the series one more time, and enjoy the good parts, while we will also have The New Mutants releasing next year as an extra addition. It will have Anya Taylor-Joy and Maisie Williams as young mutants, making it something to look forward to.

Release date: 5th June 2019 (India); 7th June 2019 (USA)
Running time: 114 minutes
Directed by: Simon Kinberg
Starring: Sophie Turner, Jennifer Lawrence, James McAvoy, Michael Fassbender, Nicholas Hoult, Tye Sheridan, Kodi Smit-McPhee, Alexandra Shipp, Evan Peters, Jessica Chastain

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@ Cemetery Watch
✠ The Vampire Bat.

Wrath of the Titans

Posted on December 7, 2013 by Tennyson

✠ It was in 2010 that my favourite movie based on Greek mythology released, in the form of Clash of the Titans – but I have to admit that I haven’t watched many movies based on that mythology. The 2011 version, Immortals was strictly okay. Even as my love for Greek mythology goes as far as my childhood with such stories easily available in a local version in the nearby library, the love was extended to something better in the first half of the 2000s with that city building game called Zeus: Master of Olympus. Despite the similar games Pharaoh and Caesar III, this was the game which stole my time, and the fact that it was based on the mythology helped, just like in the case of Age of Mythology. Wrath of the Titans is that sequel which falls somewhat behind from its predecessor, and has not many things to boast about. Otherwise, it could have come up with an extraordinary box-office performance, that is for sure.

Count Dracula: You had to watch that? I heard that the gods die in the movie. I couldn’t stand that after watching Immortals. They call themselves immortals and they die, isn’t it the same case with Wrath of the Titans? I guess I am the true immortal of this world, and about the other dimensions, I shall speak not.

Vampire Bat: Immortality is losing soil right from underneath its feet. The main culprit is the use or rather the abuse of vampire mythology in the works like Twilight. The ridiculous glorification of immortality has lead to at least some people having a certain feeling against it, and it seems that Immortals and Wrath of the Titans have tried to hold onto that aversion towards immortality by killing those gods who were supposed to be immortals. Now the gods die and random pale teenagers with bad teeth lives forever with strange pacts, ideas and a love story which should qualify as the wonder blunder of the world.

Count Dracula: I am glad that you didn’t call them vampires. Yes, they are blood suckers and not vampires. They belong to a breed of mosquitoes. They are also indirectly killing not only the vampire franchise, but also many others, and the Greek mythology is also one of them. I won’t even talk about the other group walking on four legs. It is beyond hope, but still what is it in Wrath of the Titans?

Vampire Bat: This movie’s incidents happen many years after the events of the first movie, as the gods keeping on losing power and they almost lose control over the imprisoned Titans until Ares and Hades turns against the other gods and make the process complete. Zeus is captured and kept a prisoner as Kronos slowly awakes and Poseidon dies. The other gods are not even in the fight, as Hephaestus is the only one who is there to show himself. If you are looking for gods, you better play the game Zeus: Master of Olympus.

Count Dracula: I have never seen that horrible gods as those in Immortals. In that movie, when it was known that Luke Evans was Zeus, I thought that he was just a crazy guy who lived in one of those caves. I would rather not see them if I have to witness them like that. I would still miss Aphrodite though. They could have also had Athena and Artemis, as the only divine creature I liked in Immortals was Isabel Lucas’ Athena. I wondered how it would have been if Freida Pinto played an immortal.

Vampire Bat: We don’t even get to see Gemma Arterton, as her character is declared dead. Alexa Davalos is also missing, as Rosamund Pike becomes Andromeda, something which doesn’t seem to fit as a whole. Sienna Miller or Rachel Nichols might have been a better choice as this time the lady is more of a warrior princess rather than the damsel in distress. My imagination of Andromeda is completely destroyed by this movie.

Count Dracula: Well, if you consider the destruction of the images in my mind caused by Immortals, there will be too long a list. They are all trying to deviate from the mythology that we have read. Even Percy Jackson was closer to mythology than the so called mythological movies. Why would you even watch a movie based on mythology after such a setback?

Vampire Bat: The special effects are excellent, and what it misses out on the story, it tries to make up with the graphics and the action sequences. May be some of our literature postgraduates can come up with a better story than this one which has quite a useless Zeus and Poseidon, a more wasted Hephaestus and a strange Ares along with a Hades with clear psychological problems making it almost impossible for him to do the right thing or even the wrong thing. Perseus and Andromeda doesn’t even seem to belong to the world. It is still that visual extravaganza that you can watch on the big screen.

Count Dracula: It has Sam Worthington as Perseus, and that should be its best advantage. One can guess that without even going near that movie. Whenever he is there, one can feel that there will be something there to look out for. I am not an Avatar fan, but if someone can save a movie with his presence even without many people of a land knowing the name of the actor, it is him.

Vampire Bat: Yes, he does save the movie just like Perseus saves the world. Rosamund Pike also does the same, not as Andromeda, but more as a warrior princess or a fighter queen who has come to aid whoever tries to save humanity. Ralph Fiennes and Liam Neeson are given what might be their worst characters ever, and why would they need these two to play those characters is so strange. May be as the characters are like that, these two were needed to make it any good. This is such a shame that monsters of this movie saves the day for the viewers while the gods ruin the same – the exact opposite of what happens in the movie.

Count Dracula: I would rather like the movie for being what might be the last movie based on Greek mythology for a very long time. Everyone needs a dose of Greek mythology, not considering Percy Jackson which is a different take. The love for monsters is a thing of this age. This is an age of no faith, and people tend to like monsters more than gods and pretend that they don’t believe in both. Trust me when I say this from my experience – it is not in human nature to be good, and without civilization, they are nothing. It is the beliefs and the faith in God that keeps them good, and the bad are only those who deviate from faith.

Vampire Bat: I agree, as there is no pillar for faith in this age. I have to struggle with my set of beliefs very often because there is always an attempt to brainwash people into believing that there is no God, and there is no evil. People are denied the chance to live in faith, and we are glad to be part of a nation which has more faith in the supreme power than any other. The weakening of the gods with the loss of faith of humans is a parallel to the recession and the financial problems which Europe and America have faced due to the loss of faith, and the nations with faith are improving. Without faith, you are nothing – even Zeus was nothing.

Count Dracula: Exactly my thoughts. I am a man who has seen almost all wars which you have studied about. None of those wars were actually religious wars. There were just people who lost faith in God and went for material achievements. They never conquered anything for God. They did it for themselves and to enjoy their life on Earth. I have seen into their mind and they had only “Carpe Diem” in their mind. Most of them didn’t really believe in me, and it is such a shame. I lose my confidence when they loss faith in me. Then I can only transform into a little toothless black cat!

Vampire Bat: That comparison is one of those things which I could find. Hades is more like the devil, feeding from the fears of man, but he is also that fallen angel whom Milton told us about. We would love to see such a movie being made based on Paradise Lost, and the fact that the Bradley Cooper’s portrayal of Lucifer will no longer happen is such a shame. The movie could have taken the movie experience to greater heights, something which Noah might succeed in a limited manner. But nothing like angels and demons fighting a war and their leader delivering those speeches. Not even Kraken, Chimera, Cyclops, Minotaur and Kronos together could have stood a chance.

Count Dracula: They can rather develop an original mythology based on my life. Yes, I have fought my battles and my tale has one of the best stories ever, which can be developed into a mythology. I know you would still rate this high enough, and I might also do the same, even with that knowledge that this is an unwanted sequel.

Vampire Bat: Yes, it shall get a 70/100 for its special effects, 3D, the leading actor, use of whatever mythology they can, the action sequences, the monsters and bringing a different idea on gods and ending the franchise for good. That will be good?

Count Dracula: Yes, I think it is. Well, it is time for me to go to the Goblin Market and sharpen my fangs. Good bye, my brother in fangs.

Vampire Bat (to himself): Wrath of the Titans is a lot like its predecessor and it has only a few new things. If this movie was the first of the franchise, the whole thing could have been better, and as a stand-alone version, this scores better. There is a lot of monster stuff for the fans of Greek mythology stories, but that hasn’t really helped, and that much we can easily figure out from the way the responses have been.

✠ Wrath of the Titans will not improve your impression about movies based on mythology, and it won’t make you better with greater knowledge of Greek mythology. Don’t consider it your spark-notes, but watch it for the visual treat that it has to offer with special effects and action sequences. Also, look out for the labyrinth. Lets hope for Hercules: The Thracian Wars to be great, even as it is more of a comic based adventure rather than having a strong base in Greek mythology. We might need a lot more than just a random mythological story to come up with a perfect demigod story. There is the need for a lot more, and the lack of popularity of Wrath of the Titans is no real surprise. For now, we can adjust with this movie, and compared to Immortals, this is a much better choice, and scores as being among the best of its kind (mostly due to not many movies of the kind being released).

Release date: 30th March 2012
Running time: 99 minutes
Directed by: Jonathan Liebesman
Starring: Sam Worthington, Rosamund Pike, Ralph Fiennes, Liam Neeson, Bill Nighy, Édgar Ramírez, Toby Kebbell, Danny Huston

@ Cemetery Watch
✠The Vampire Bat.

Percy Jackson II

Posted on September 1, 2013 by Tennyson

In an overwhelming desire to find myself fair about this movie, I have to confess that I watched The Mortal Instruments: City of Bones right after watching this – it was a back-to-back movie adventure separated only by the desire to have lunch and the need to travel from one mall to the other. If you don’t need to know more about it, and the two movies in relation to each other, you are free to skip the first two paragraphs, an offer of escape from comparisons which includes this paragraph. In a simple comparison of no great intellect, our reviewed movie is more of a follower of the Harry Potter pattern, with a world for the demigods away from the original world, with its major base on magic and the individual and collective inner strength and righteousness which they exhibit while facing big powers; but the second movie has more similarities with Twilight, with a female protagonist who is just a boring ordinary girl who is introduced into another world which is hidden among the known human world and is once again caught in a triangular love between herself and two other guys, both belonging to different species.

So the other fantasy movie of the day has a good amount of Constantine, Underworld and surely, the most of dominant of them all, Twilight. To make it look more of a formidable power, it has added the horror elements, and there was demons, vampires and werewolves, the three creatures whom we never thought would come along in herds in the same movie, an absurd improvement on Underworld and Twilight which has surely backfired, despite of the presence of the lovely leading actress who can act incredibly well, Lily Collins who has done a great job. But with a little visual effects, horror and action, the movie runs out of gas. It is there that Percy Jackson scores. The two movies were released on the same day here, along with We’re the Millers, and the advantage would surely go with Sea of Monsters, as it doesn’t come with an “A” certificate unlike the others, and it is in 3D. The theatres seem to have realized the same too, as they have put more shows for the movie, and it is the only English movie in more than one theatres this week.

Even as it is difficult to set aside the great performance of the beautiful Lily Collins, lets leave the absurdity which was the half-baked bad mixture of all the fantasy works ever produced, which was The Mortal Instruments: City of Bones, and move on to the movie of the week, which is Percy Jackson: Sea of Monsters. Our movie doesn’t deal with forbidden love and has no apples or people with bad tooth unless they are monsters. May be that should be reserved for Twilight copies, and there might be a time when the apples begin to keep the viewers away rather than the doctors. The best thing about Percy Jackson is that it sticks to the basics. It takes the legends from the Greek Mythology, but it maintains a formula which is not at all ambiguous and more true to the core. It doesn’t rely on anything strange or unnecessary to give temporary satisfaction with any teenage fantasy which doesn’t go well with the plot and the flow of the story. It doesn’t try to give pleasure to anyone suffering from the withdrawal symptoms, which is mostly a Twilight withdrawal rather than from the intellectually superior Lord of the Rings or Harry Potter series.

Percy Jackson (Logan Lerman) no longer seems to have the popularity that he might have had with him getting back the lightning bolt, saving both the Olympus and the world, and such great stuff which were to become legends. Clarisse La Rue (Leven Rambin) is his constant rival to glory, as she beats him in almost all the competitions. As Luke Castellan (Jake Abel), announces his plans to destroy Mount Olympus by bringing back Kronos from Tartarus and sends a mechanical bull to attack the demi-god camp after poisoning Thalia Grace (Paloma Kwiatkowski) who is the tree which defends the camp with a magic forcefield. Even as Annabeth Chase (Alexandra Daddario) is the one who finds out that the Golden Fleece could heal and restore the tree, Clarisse is sent to retrieve the artefact much to the dismay of Percy, Annabeth and Grover Underwood (Brandon T. Jackson). But the trio decides to follow the team led by Clarisse, and they are joined by Percy’s half-brother Tyson (Douglas Smith), who is a cyclops. They also have one prophecy and a group of rogue half-bloods supported by a Manticore, and one big cyclops guarding the fleece to deal with.

With no denial of credit to one Lily Collins who had tried in vain to restore order among chaos and absurdity in the other fantasy movie, lets move into our characters. Logan Lerman leads the team as Percy Jackson, a demigod and the son of the God of Ocean, Poseidon. He was there in the 2011 version of The Three Musketeers, and here is he is again, and it surely seems to be a familiar territory for him. It is a honest performance from all angles. Brandon T. Jackson as Grover Underwood makes sure that there is no dull moment in the movie, along with Douglas Smith as Tyson the Cyclops. Most of the funny moments of the movie are from these two, and they are really good, and never inappropriate. Alexandra Daddario plays Annabeth Chase, the demigod daughter of Athena, the Godess of Wisdom, and this is one supporting character that you will remember for a long time, despite of the romantic angle kept away in the movie completely. She does have that look too, of that intensity which is kept in check by the heavenly wisdom. She was that good in Percy Jackson & the Olympians: The Lightning Thief too, and continues the good work.

Leven Rambin is Clarisse La Rue, the arrogant, hot-tempered daughter of the war God, Ares – always looking for combat, and at at the same time finding Percy a threat to her supremacy. After seeing her in The Hunger Games as the District 1 tribute, and the strong contender Glimmer, there was a certainty, that she was going to be great in such roles, and here she is, leading a group of undead who served her father Ares. As the story progresses, her character turns out to be more dynamic, along with adding to the funny as well as the action elements of the movie. There is the suiting depiction of the contrast between the daughter of this God of War and the Goddess of Wisdom. There is no point where the two are similar, and being the daughter of the great War God, she shares nothing in common with all the others out there, with Paloma Kwiatkowski’s Thalia Grace, of the demigod daughter of Zeus still pending. Jake Abel’s Luke Castellan, the demigod son of Hermes is a continuation of what was there in the first part of the movie. Nathan Fillion’s Hermes is a short, but effective presence which stays throughout the movie.

Percy Jackson: Sea of Monsters has taken over at a time when the book-based fantasy novels are on the decline. The Mortal Instruments: City of Bones has proved to follow the path of The Host, and clearly stay with Twilight. The Harry Potter series have finished and Lord of the Rings and Narnia are taking a slow path. There is the need for something similar to fill in, and here is Percy Jackson. With its superior and appropriate 3D effects and the well done action sequences supported by the visual imagery, there is no loss of moments spent for watching this movie. There are also the funny lines, but it denies itself a big chance to take some risks, as it follows the conventional path, never to stray away from it. But, there is a huge amount of honesty in this path which is without any ambiguity, and there is absolutely no attempt to complicate things. The whole thing is kept simple, and as the endoskeleton comes from the Greek Mythology and a little bit of the Harry Potter series, this is a bankable movie which most of the critics need to stop overthinking. It is time to have some fun and at the same time, recollect those days of learning the Greek Mythology.

Release date: 7th August 2013 (United States); 30th August 2013 (India)
Running time: 107 minutes
Directed by: Thor Freudenthal
Starring: Logan Lerman, Alexandra Daddario, Leven Rambin, Brandon T. Jackson, Paloma Kwiatkowski, Jake Abel, Stanley Tucci, Nathan Fillion, Douglas Smith, Anthony Head, Robert Maillet, Derek Mears, Aleks Paunovic, Missi Pyle, Yvette Nicole Brown, Mary Birdsong