Olympus Has Fallen

Posted on April 6, 2013 by Dr. Tennyson

There are a few characters we find difficult to forget. One of them might be that NYPD detective John McClane makes more than just an impact in a Los Angeles skyscraper. It was Die Hard and spanned four sequels, the last one being the most critically panned edition. The first of the series was one of those movies which ruled my childhood, and what Olympus Has Fallen managed to do is to remind me of that one. It is not really a bad thing, as Die Hard never really had a deserving sequel, and this one could have been the closest to being the same. There are terrorists of different nationalities, the setting and the type of building vary by a heavy margin and both the hostages and the redeemer are different, other than that, there might seem a similarity in style and the attitude of the hero in both these movies. With the support of the new technology and the experience gained by the new age movie makers, this one has almost become a worthy successor, not just by the skills, but also by divine providence. This movie’s story is actually an opportunity to die hard, not just for the redeemer, but also for the terrorists – both sides have their own chances, as they have chosen to take the risk.

The name was the first thing to catch my attention. There is something “fallen”, long time after I hear that word, for the second movie of Transformers had it in the name, and so do we hear it relating to the fallen angels of the firmament. But it is not someone who has fallen this time, for it is something. Just for a moment, forgetting the fact that Mount Olympus is also the name of a mountain in the Washington state, lets go to the other Mount Olympus whom we are more familiar about, the highest mountain in Greece, hailed in Greek mythology as the dwelling place of the Twelve Olympian gods of the ancient Greek world ruled over by the most powerful God of thunder and lightning, Zeus himself. According to the writing of the legendary writer Homer, Olympus was that great and divine that it was not shaken by winds nor was wet with rain, and never did snow fall upon it. So it was said about the abode of the twelve; Zeus, Hera, Poseidon, Demeter, Athena, Dionysus, Apollo, Artemis, Ares, Aphrodite, Hephaestus and Hermes, and here we have another Olympus, another seat of supreme power, the White House of the United States.

The hero of the story and another form of John McClane is Mike Banning (Gerard Butler), the lead Secret Service agent assigned with the United States President Benjamin Asher (Aaron Eckhart) whose wife dies in an accident – an incident which Banning fails to prevent even as he manages to save the President’s life. Eighteen months later, Banning works at the Treasury Department, not separated by the scars of the incident which blinded his senses. But he is still not separated from his skills. His office is not too far away from the White House and lives a quiet life with his wife Leah (Radha Mitchell) after being demoted. Meanwhile, during a meeting between the heads of the United States and South Korea, Korean-led guerrilla forces, aided by some people from the inside itself, launch a perfectly planned air and ground attack which surprises and even shocks the defence and leads to the capture of the White House. The ease with which they achieves this rather surprising, and the deaths which occur in this assault, especially of civilians is more of a thing of terror than strangeness.

Asher and several top officials are held hostage in the White House bunker, where the South Korean prime minister is killed by the same terrorists. The attack has been lead by Kang Yeonsak (Rick Yune), a wanted terrorist wishing for a reunification of Korea. He wishes to force the United States army to withdraw from Korea. He also wants to detonate all of America’s nuclear weapons in their own soil and destroy the country by turning it into a nuclear wasteland, but for this, he will need a few access codes, and in achieving this, he will go to any limit, murder being just a simple thing of no significance. Meanwhile, Banning manages to get into the White House, and begins his own mission of saving the President’s son who might be somewhere in the house and murdering the terrorists one by one before finally rescuing all the captives including the President himself. It is his miracle and his second chance given by fate on the way to redemption, his chance to become another John McClane, into which this character successfully transforms into. In the objective, he is aided by Allan Trumbull (Morgan Freeman), the Speaker of the House and the Acting President through earphone.

Gerard Butler is at his best since his King Leonidas of 300; as he improves upon Gamer & unleashes the new action hero who is likable to most of the audience if not all of them. Mike Banning is the new John McClane, and there is no point in the movie where you can doubt it with full heart. He saves the day, and his world as well as of others, and he is alone in this job. He looks vulnerable on so many occasions, and is still strong throughout. He had his ups and downs in life and career. He has more courage and love for action than anybody else – he wishes to die hard. Radha Mitchell’s role as his wife is limited, and Morgan Freeman’s role is not that much as expected considering the posters. Rick Yune’s villains is successful without doubt, not in the mission but with the audience. Aaron Eckhart’s President works quite well. The best thing is that there is no silly romance, and even the screentime for married couple discussing future is pretty much low. There is no slowness in the movie, and even when the situation seem to calm down, there is a certain amount of thrilling factor ready to explode.

The movie can be termed as unrealistic and violent as most of the others of the same genre, but there are limits which the movie hasn’t crossed, those which have contributed to the success of this movie for the common audience. Still the dose of patriotism and CGI might be a little high. The action and the blood reminds one of more than one first person shooters of the 2000s, for I shall not speak about 2010s and what is to come later. But, this is no computer game – still, the destruction is immense, not just with the bombing and shooting, but also with the two people of fearlessness on both sides, of good and evil, of saving and destroying. There might be less memorable dialogues in this one considering what one should be expecting, but the avoidance of unnecessary dialogues also contributes to the success of this movie, for it rests on Gerard Butler’s character as what he is, rather than what he pretends to be, and what he appears to be. In that case, he is better than John McClane, even if not more interesting for the masses. The fall of the Olympus is one thing and the rise of the titan is another, and that titan in Butler as Banning, for he has to achieve what the Olympian gods couldn’t, not by fighting them or himself, but by saving his own Olympus from the common outsider enemy.

As the upcoming movie White House Down also seems to deal with the same theme of a takeover of the White House, one has to wait and see which one ends up being superior. But for now, Olympus Has Fallen keeps the title of being the movie which has taken this theme to new heights. Even as it is more of a Die Hard happening in White House, there is no point where this can be seen as a thing of lesser energy or imagination. There has been no creativity which was left in the gutters with this movie, as it had that impressive style of taking the audience by surprise, at least in this part of the world where this is to be considered as a highly under-rated and a not much screened movie. The presence of the new 3D version of Jurassic Park and G. I. Joe: Retaliation‘s hesitation to leave might be the main reasons. But as even Life of Pi hasn’t really left some of the theatres here, there is surely no surprise about. But the fact remains that it is time these movies get their due, even if they are not hyped enough and has no stars who are popular enough in this part of the world.

Release date: 22nd March 2013 (USA); 5th April 2013 (India)
Running time: 120 minutes
Directed by: Antoine Fuqua
Starring: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Cole Hauser, Ashley Judd, Melissa Leo, Dylan McDermott, Radha Mitchell, Rick Yune

@ Cemetery Watch
✠The Vampire Bat.

Rise of the Guardians

Posted on April 4, 2013 by Dr. Tennyson

There was a movie of the late December 2012 which belonged more to 2013 than 2012, and as the 2013 Movies List does include a movie which was released in the previous year, but was watched in the theatres later, including this story of the wonderful guardians and getting another special, honorary position for it shall do no harm. This might have arrived earlier in the United States, but in India, it came late for good – for Christmas, which made the occasion even better. This animated movie tells a story about the popular characters of the ancient beliefs, here referred to as the Guardians – Santa Claus, Tooth Fairy, Easter Bunny, and Sandman, who are forced to enlist a much less interested and not-so-caring about the world, the seemingly selfish Jack Frost due to the advice of the Man in the Moon, to stop Bogeyman from immersing the world in darkness and change all the dreams of children into nightmares, with the first step being the destruction of all sources of belief, faith and hope. The movie is supposed to be based on the American author William Joyce’s The Guardians of Childhood book series and the short film The Man in the Moon by Joyce and Reel FX.

The spirit of winter, Jack Frost is raised from a frozen lake by the Man in the Moon with superpowers, but he is unseen in the world and shall remain so as he is not believed in, and all of his memories from his former life are gone. Only his name is known to the world and to him. Jack Frost has been popularly known to be the personification of frost and cold weather and his roots might be in the Norse or Anglo-Saxon system of beliefs. The most well known presence of Jack in literature might be in L. Frank Baum’s The Life and Adventures of Santa Claus. This work by the author of The Wonderful Wizard of Oz might be the closest depiction of this character to the one in the movie. The other depictions can be left behind for now, and the stress is to be kept in what he is in the movie. He is a playful spirit who is hidden from the sights of people as he is not believed in, unlike the other guardians. But he plays pranks with the kids and lives as mysterious spirit with control over snow and ice. He is haunted throughout the movie with an identity crisis and his sadness and anger is not just because he is not seen by others, but also because he doesn’t know who he is, or his purpose. It is as if he never existed and never makes a difference.

It is the Man in the Moon who changes that life, for he instructs the Guardians to induct Jack Frost as a new Guardian in order to combat the threat of the powerful Bogeyman. There would be the question who this divine presence might be, and the answer could not be restricted to just one. It is just the moon that is shown, and there is the divine power which never hesitates to show the signs. From raising Jack Frost from the dead, to giving him his extraordinary powers and making the spirit a Guardian – all these is planned by that supreme power. But the person never speaks or make a direct impact on the world below on Earth, and it is with silence that the man speaks, most of the time. He is both the observer and the decision maker. His impact is not temporary, but permanent, and his power is not easily visible, but hidden. He might be one of those images and faces you see on the moon every day. He is surely no Neil Armstrong or Edwin Aldrin. As one finds it easy to believe what the science say about moon and all the details about it without being seen, it is not that hard to believe in a man in the moon – it is simpler and more believable than all the theories of science. May be that round thing you see every night on the sky is not really a natural satellite, but just some random lie invented by science just to make a good fictional story out of a white dot of heaven, and so might be the solar system, galaxies, meteors, comets, planets and whatever they might be.

As we now know that there is no moon as the science describes it, lets go to the next big character, the Bogeyman, also known as Pitch Black – the king of nightmares all set to become the emperor of all dreams, both good and bad. Wasn’t he the one nocturnal creature whom you feared without hesitation during your childhood? Didn’t he force you to look under the bed each and every time you wake up? No it rarely happened to me, as I had chosen to fall on the floor and sleep at times. Meanwhile, our villain is a strong and powerful one who has become better and meaner as he is powered by the fear of the children, and his nightmares cover all the good dreams of the world. His strives not on belief of love, but belief of fear. He feeds on the fear and thus on the souls of his victims, creating better nightmares every time. His aim is to destroy the Guardians one by one, by first getting rid of the faith and belief of children in them. He chooses them one by one and with his ever-increasing power driven by the dark horses of fear, he goes through his mission of darkness and pure evil which was hidden under an underground bed for a long time.

The Easter Bunny is the angry young man of the story and the short-tempered star of the Guardians – in simple words, and in ancient beliefs, that one rabbit bringing Easter eggs. This one is not the cute little one though, as he is a fighter who is always ready for action. He is not that friendly with Jack Frost in the beginning either. Well, he still brings the Easter eggs, and so that should be okay. Our Santa Claus, also referred to as North, is the more likable of characters, with his tattooed arms and funny dialogues. He is more of the leader of Guardians and he lives as a happy old man in his castle in the North Pole with Yetis and Christmas Elves. He has all he needs for Christmas including the flying reindeer driven chariot, and the gifts. He would deliver the presents, including toys and candy to all of the nice children in the world, as long as he can keep the Bogeyman away. As the movie was released just a few days before Christmas in India, the importance of Santa is further more – well, he is the most well-known of the team for sure, and the only one who can claim to be known enough might be the Bogeyman, and Easter Bunny can only claim the third place.

Then comes the Tooth Fairy, the mythical tooth collector. She is half human and half hummingbird and is assisted by a large number of little fairies who are just like herself, only incredibly small. According to the popular beliefs (which I came to know about only a decade ago) when a child loses a baby tooth and places it beneath the bed pillow, the Tooth Fairy will visit while the child sleeps, replacing the lost tooth with a small gift. Here in the movie, she collects the children’s teeth, and they hold their most precious memories during their life on Earth. She also has the role of storing them in her palace to return them when they are needed the most. She and her minions have an instant liking for Jack and his teeth. But her palace is the place which is first attacked by the Bogeyman who finds the memories very interesting. Well, I have always wondered where the dentists keep all those tooth which are taken out. May be they are given to the tooth fairies. I wonder if they keep that half-a-tooth of mine which was broken while eating “Chakka Varuthathu” in a special bottle. The Sandman is the next Guardian – according to the legends, the one who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep. Here he does not speak, but communicates through sand images that appears above his head. He is the exact opposite of Bogeyman, as the master of all good dreams.

These are our five guardians, one villain and the one divine element. Other than destroying evil, what the movie suggests is the importance of belief and saving the magic of childhood, both being destroyed by modernity. It tells the need for the power of wonder, faith, hope and belief in an artificial world where it is slowly, but surely disappearing, and are replaced by a void which can be filled by the wastes of hell, as inferno’s own dumping yard where no recycling of souls or bad deeds takes place. The machinery of the movie is without rust, as the magical 3D and beautiful animation tries the best to keep it working and to make this my favourite animated movie watched in a theatre – no disrespect to Kungfu Panda, but this one hit me better, in a good way. The Polar Express did a good job in re-affirming faith and belief, and Rise of the Guardians have done the same in an even better way. On first look, this might seem to be for kids, and there is no denying the fact that it could be a combination of X-Men and The Avengers for kids, but one can’t also deny that there has never been a more suitable animated family movie which is enjoyable to people of almost any age – not to forget the philosophical undercurrent which has its morality element running.

Release date: 21st November 2012 (USA); 21st December 2012 (India)
Running time: 97 minutes
Directed by: Peter Ramsey
Starring (voice): Chris Pine, Alec Baldwin, Hugh Jackman, Isla Fisher, Jude Law

@ Cemetery Watch
✠The Vampire Bat.

G.I. Joe II

Posted on March 30, 2013 by Dr. Tennyson

There are only a few things which bring people back to their childhood on a magic carpet made of collective unconciousness and the dreams one carry over to adulthood on the clouds of absolute wonder. G.I. Joe: The Rise of Cobra was in no way a failure in doing the same, but with G.I. Joe: Retaliation, it has come closer to being one of those few things. The first one had all the uninteresting characters who tried to be smart, with the exception of Storm Shadow and The Baroness. The second one would surely be more interesting even as the total improvement is just too slight to be considered improved. There is nothing extraordinary in the movie, but the way in which they have treated the ordinary is significant. Here, one can see the power of the old G.I. Joe toys which forms the essence to every kid who has grown up now, living their childhood through these toys. This is the hidden strength of powerful memories which lie beneath the movie and seeks to be called upon from the abyss. From the seemingly ordinary world of the grown ups, this one takes the life of the adult back to the past and then back to the future with its power of the “toy” characterization which is more of a powerful raising of the toylines.

It would not be a big surprise for many fans if it is said that The Rock/Dwayne Johnson as Roadblock runs the show around here. The Rock has always been coming back with power. With him, is the hero of the movie Die Hard, which makes this movie caught between a rock and hard place – that place which is hard enough to die. The role of Bruce Willis is smaller, but still very important and effective in the movie. He still gets to hold many guns and shoot enough people to make an impact. Meanwhile, The Rock is the leader, after the death of Duke (Channing Tatum) – that moment of dead Joes which calls for retaliation over the retaliation of the Cobras over the Joes. The Rock remains the WWE Champion and here also he reigns in what he does the best. He is the new addition to the list and he has done so much to his character which makes Roadblock the undisputed leader and the champion of all the Joes of this movie. His character has made his intentions clear right from the beginning, and remains the nearly unstoppable character till the end, still not deprived of the chance to be beaten up and almost getting killed; without that there would have been no fun inside him. He is also the one who gets to have the final touch in saving the world from total disaster and a Cobra commander with that wonderful destruction plan.

Lee Byung-hun as Storm Shadow should come next, and not Snake Eyes or Flint. He is that character without whom nothing is possible; there would be an eternal void in the lives of both sides also himself – on this occasion, that absence would cause more disaster to the Joes rather than the Cobras. He was undoubtedly pure evil in the first movie, something which I would have questioned without even a single proof. The question of good and evil is twisted in this sequel, and the roles would become more complicated with a few revelations. He is still not a person to be the right part of the Cobras nor the integral part of the Joes. His truth lies somewhere in between, which is not that comprehensible to both sides. For this time, Snake Eyes (Ray Park) and Jinx (Elodie Yung) figure it out more than the rest as they are all driven by the same motive, the quest for revenge and the need for finishing off what they started. The battle between Snake Eyes and Storm Shadow which looked good enough to continue until eternity would come to an end here, not with one of them dead, and surely not with both dead. Still, the revenge belongs to Storm Shadow, my favourite right from the childhood, and that is something I would be glad to remember.

Adrianne Palicki as Lady Jaye, has more to do other than being the love interest of Flint and being the attractive one whose beauty supports the missions in a less significant manner. She is the tough person, the shooter who shoots – well, what else should the shooter do is a question pretty relevant, but she is the accurate one around here; and may be even tougher than most of the Joes out there. She finds out that someone is impersonating the President and also uses her beauty and charms for moving themselves closer towards the ultimate destination – in that casem she scores on two occasions. Still, she is no femme fatale. Yet, her speciality is mentioned as Covert Operations in the toy series. The way in which this character has eclipsed the weaker Scarlett from the previous movie is a powerful sign of what to be expected of a possible sequel. For now, there is no suitable replacement for this one.

Flint is more or less Duke himself, or may be the new Duke with a new girl friend who is taller and stronger. It was actually not possible to see the difference in the beginning. Snake Eyes remains the same, faceless and not that interesting a character, even as there is always a certain amount of hype surrounding him. The addition of Jinx to his team might have given the character of Snake Eyes, a chance to be a little more interesting, but not too much. Jinx is never a weak character, but pales in comparison to Lady Jaye, but both are of a better status than Scarlett of the first movie. Ray Stevenson as Firefly makes that powerful impact right from his entrance though, on that bike of destruction which would make the Ghost Rider proud. It should be the most stylish moment of the movie, as long as some shots of The Rock and Adrianne Palicki can be considered a little short and not of style, but of brutality and beauty respectively. He continues to be the one perfect villain any hero wishes to fight, until he gets to face Roadblock for a second time. Still, could have had more character development.

The story continues where the first movie had finished, even as there is no mention of a number of characters from that one – Zartan has impersonated the American President and the G.I. Joes are framed for stealing warheads from Pakistan and are almost exterminated, before Roadblock, Flint and Lady Jaye manages to survive and make their way back to the United States from their mission in Pakistan. Meanwhile, Storm Shadow and Firefly rescue the Cobra Commander from the maximum security prison. Snake Eyes and Jinx successfully capture Storm Shadow while recovering from his injuries so that he can answer for the murder of his uncle. But Storm Shadow reveals that Zartan is the murderer and he was only a victim of the situation. The three join forces with the Joes in a final attempt to stop Zartan from his attempt on total domination with the help of the Cobra Commander. He invites the world leaders to a summit where he forces them to submit to him by destroying London and threatening to cause further destruction. Once again, it is upto the same people to save the day, and this time, it is going to be a little more fun.

G.I. Joe is many things at once, other than being a movie and also close enough to being a video game – and the most powerful of them all is nostalgia. I had my first contact with the G.I. Joe action figures when I was in the Primary School, and that was the reign of Storm Shadow, Cobra Commander and a few others whom I might fail to name now, but will still remain the earliest of the best choices. This movie has provided a return, and with its superior action sequences and okay 3D scenes, there is a peek into the past which not only brings back the action figures, but also the world that I missed. It is a well-made time machine which can make its way to the past if directed in the right way. It is something which generates more subjectivity in a grown up kid than most of the other things. The more significant question might be if it takes anything back to that world along with bringing something into the present – these questions make G.I. Joe immortal in the mortality, and closer to the adult world of total uncertainty.

Release date: 28th March 2013 (USA); 29th March 2013 (India)
Running time: 110 minutes
Directed by: Jon M. Chu
Starring: Dwayne Johnson, Bruce Willis, Adrianne Palicki, Lee Byung-hun, D.J. Cotrona, Ray Park, Jonathan Pryce, Ray Stevenson, Channing Tatum, Arnold Vosloo

@ Cemetery Watch
✠The Vampire Bat.

Django Unchained

Posted on March 23, 2013 by Dr. Tennyson

The Vampire Bat knew only one Django and was planning to give him knighthood for being such a wonderful coffin-dragger. It would have been an awesome feeling to have one’s own coffin. What about the awesome graves where he could have worked with the Ghost Rider with a stylish motor-bike or a horse-on-fire burning bright? This bat has always dreamt about those coffins, graves and wastelands along with ghost towns. But he could get none of them in this one. Still, there were those strange horses which were not really on fire. May be this new breed of horses could go to school and end up as smart toothless people. Well, they would still be highly vulnerable to being shot by the new Django who can shoot like a gun’s ghost in a human-spirit form who has come back to seek revenge. The number of vengeful spirits never seem to throw the Vampire Bat into that bloody abyss of nonstop boredom, as he had so much of those intolerant revenge stories that he could see only one side of this world which is full of evil and supposed-to-be-evil followed by glorified revenge full of blood and scattered body parts which might have brought the most evil vampire and the most stupid zombie into that Ring girl’s well of eternal shame.

What the Vampire Bat had was a Mango Icecream so that it could rhym with the movie, and that was indeed a success and would later prove to be an even better experience than the movie itself. The movie starts with the shots of several male slaves being chained and transported to work in a possible plantation which run on slave labour. Among the slaves is Django (Jamie Foxx), who has been sold away from his wife, Broomhilda (Kerry Washington) – a name which the Vampire Bat heard as many things other than this certain one. They encounter Doctor King Schultz (Christoph Waltz), a German dentist and a bounty hunter in the shades of an abandoned area on the way. After getting rid of the trouble from the slave owners, Schultz offers Django his freedom and a reasonably good payment in exchange for helping him track a number of people whom he has been tracing as part of his hunt. After they find and hunt down the targets, Schultz continues with Django as they do the same work. During this period of time, Schultz trains Django in the art of bounty hunting and on using a gun with efficiency.

After collecting a number of bounties and surviving with ease, they go on to free Django’s wife Broomhilda, whose current owner is Calvin Candie (Leonardo DiCaprio), the charming and stylish, but cruel owner of a plantation in Mississippi. They come up with a certain plan to make a big offer for one of the slave fighters of Candie, who fights till death, a offer which he can’t refuse. This catches both the curiousity and attention of the slave owner and he immediately agrees. But the seemingly flawless plan which was so close to success is shattered as the expressions of the two lovers raise the suspicions of Candie’s loyal and senior slave, Stephen (Samuel L. Jackson) who finds out that Django and Broomhilda know each other very well and that the sale of the slave fighter is just a trick meant to hide another big plan which lies beneath. This is where all the fun ends, and the death of Schultz would leave the Vampire Bat with nobody to root for. From this, the age of boredom begins. There are stupid shootouts and ridiculous explosions, with the presence of “the people of the night cooling glasses” and “the strangest of the strange horses”. The nonsense would reach a new level and ends with a ridiculous smile.

Well, Django’s “D” is silent, as he himself mentions, but the movie is anything but that. There is lot of violence and I am pretty much confident that there is the presence of even more violence around as the Censor Board has surely tried hard to make this PG-13 and give it an 18+ Adult rating in India. Django Freeman is evil, not by choice but by circumstances. He has so much body count that would make Count Dracula and Lestat de Lioncourt retire and beg for mercy from a dead wood elf with no teeth. Meanwhile, Doctor King Schultz is of lesser evil, as he works with his white man’s guilt to save one man, and to save the man’s wife, he loses his life. Now, that should balance his life and make it rather neutral or a little aligned to the side of good. But Django is away from redemption. He chooses the path of revenge without remorse, and thus the path to hell and may be even compete for a hell-hot cup of tea from the hands of the devil. He is highly hostile to anyone of another race, the only exception being the man who saved and trained him; he is also hostile to one person of his race, the man who is loyal to the people of the other race. That brings such a huge equation of race into the situation – bombarded to be exact.

Jamie Foxx’s Django is a very good potrayal, even as the character is at no point likeable – he has done well to make it so. There lies his success of showing the forced evil. Christoph Waltz winning the Academy Award for the Best Supporting Actor would be no surprise to anybody who has watched the movie. His character rules the movie, with the witty dialogues, action and lots of fun. He provides some of the best lighter moments, and also does the serious side with an incredible amount of mastery. Leonardo DiCaprio comes up with the power of extreme evil which seems inherent in the character. He should still be remembered for his Inception and Shutter Island, but this one also comes up with a memory leaf. Samuel L. Jackson hasn’t really fallen behind, as his character makes a powerful impression. Kerry Washington also contributes in the expected way, making this a movie of performances rather than anything else. It is here, in the acting department where the movie scores the most, followed by the one-liners which creates a great first half only to be made powerless by the second part of the second half and the climax scenes.

As far as Quentin Tarantino is concerned, this is still inferior to Kill Bill and Inglourious Basterds. Those stand a few Petronas Towers higher than this one. But there is no shortage of blood and violence here too. One has to wonder if these movies should belong to a new bloody genre. There are too many killings and in many sequences, blood and gore has the upper hand and humanity becomes mere spectator in chaos and brutality. There is no sympathy or empathy throughout the movie, especially when the guns take over and spits hell like fire-breathing dragons. Still, its treatment of the racism and slavery could have been better if it was done in a more realistic fashion. Well, not all movies can be “the art”, and this is that moment when the grand wish was to focus more on creating that entertainer which could gross a lot rather than something which could have made humanity aware of the truth. But this shall make the waves, even as not in the way it should have, if thought about from a righteous side – a sad movie for humanity indeed, as even movies like Hostel and Saw knew what was good and evil. Well, one can say that Django Unchained is a true torture porn of the worst level.

The more important of the questions might be about which kind of audience this movie targets. They are surely not for the intellectuals nor for the faint-hearted. The next doubt would be if this is a story of the revenge of a certain race or the story of a pure hearted man of one race helping the man of another race and even facing death in that process. This is surely no respectful treatment of anything, but for the mindless fans with its weird style, glorified violence, senseless admiration and huge historical twists, this might be a treat. There might be disrespect (to which side – or to both?), and there might be too much easiness, but as far as I know, this is a little too much to take as a movie treating such a subject. Satire? May be a little bit, not that much – can we really separate the reality of tragedy to have that feeling? In simple words, one race shedding the blood of others and vice versa – colouring the walls with shades of red is not what I wished for; I would have agreed to the same on some other occasions, but not on this. The movie came to India kind of late, and I am not really unhappy about it, as watching this one late has had its advantages – to hear about it and disagree on many occasions. There is the first half which gave hope, and what follows is not of expectations, and therefore clear thumbs down for the second. Another thing – beware of a drag and length.

PS: My rating for this movie has come down a lot since writing this, but I am not bothering to bring it down just because I don’t want to think about this again. I wish that I had asked only to the right people before watching this movie!

Release date: 22nd March 2013 (India); 25th December 2012 (United States)
Running time: 165 minutes
Directed by: Quentin Tarantino
Starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson, Walton Goggins, Dennis Christopher, James Remar, Michael Parks, Don Johnson

@ Cemetery Watch
✠The Vampire Bat.

Oz the Great and Powerful

Posted on March 10, 2013 by Dr. Tennyson

L. Frank Baum’s The Wonderful Wizard of Oz almost had the status of a fairy tale even as it was more of a children’s novel which came later. May be this belief was strengthened more by those children’s books which placed the story with Cindrella, Snow White, Rapunzel, Goldilocks, Red Riding Hood and the rest of the team with goodness and happy endings. The story of the adventures of a young girl named Dorothy Gale in the magical land of Oz was not read separated from Alice in Wonderland at that time. A scarecrow, a rusted tin woodman and a cowardly lion had made faithful companions not only to Dorothy, but also to many readers. There were three witches then, and when we come into the movie, we will have three too. The 1902 stage play and the 1939 film adaptation can wait for now though, as Oz the Great and Powerful has come up, and serves to be a kind of prequel to the real story which has been read and liked for such a long time. Thus it serves as a source of exile before the exile, if not an escape into to a world of fantasy which preceded Dorothy getting lost. The magical land of Oz not only provides a world of witches, wizards and talking animals, it is also the ultimate point of escapism which this movie makes sure of.

Welcome to the movie and the world of Oscar Diggs, the magician who calls himself the great and powerful even as he is mostly a trickster and a fraud. As a con artist and a circus magician, he hasn’t really earned much, and never did he reach anywhere near his ambition which stays close to someone like Thomas Alva Edison. But all of these would change when he is sucked into a cyclone with the balloon in which he was travelling, while finding a way to escape from the trouble which he caused by himself. But as the balloon breaks apart and he faces death, Oscar wishes for another chance and promises God that if he survives the situation which is so close to death, he will transform himself and become a good man. The scene until this was shown in black and white, as if to reflect his own colourless life. But as he reaches the magical land of Oz in his wrecked balloon, the screen changes into colour as if his whole life has been painted with the beauty of different attractive colours. The land of magic and sorcery comes to the scene and the world of treachery and lies make way for the colourful spectacle of Oz to which our own Oz has entered by accident.

The first one whom he meets is the witch Theodora who explains to him that he is supposed to be a great and powerful wizard by the name of Oz supposed to descend from the sky, save the land of Oz, and become their new king. They encounter Finley, a flying monkey whom Oscar saves. Finley pledges a life debt to Oscar and promises to serve him in whichever way possible. Another witch and Theodora’s sister Evanora guards the throne of the dead king. She sends Oz to steal and destroy another witch Gilda’s wand after which he would be given the throne and all the riches of Oz. Oscar and Finley travel to the Forbidden Forest to find and steal the wand from the witch, and on the way, they save a little girl made of porcelain. At the location, they find Gilda and comes up against a revelation which changes the direction of the story. The illusions and delusions of the world of witches would become more clear. The roles would be interchanged and the twist of fate takes a leap over the minds of the characters. It is at this point that the real action begins.

James Franco’s Oz is surely not a wizard, but a magician and a man of tricks. He never convinces the audience that he has become a role-model until the final stages of the movie. Dorothy Gale wouldn’t have had a good time with that Oz of the first half of the movie. Still, his change is slow and mostly unpredictable. He continues his methods of tricking and seducing, along with his pessimistic hope – something of the strangest character for such a long time. He wishes to get that treasure at the end of any rainbow, in this case – a kingdom and its unlimited riches. Still, to put this character into the dungeon reserved for the evil – that might not be fair, but if there is a place in between, a grey world for the intermediate ones, that would serve justice in a better way. His inclination was never towards pure evil, and it changes for somewhat evil to good, even as he can never be said to reach a status of pure good. But how many of the people of Oz would reach that status would be a question to talk about. There are times when Oz is more like another John Carter, but my fear about the possibility of watching some random movie named something like “Aliens vs Witches/Wizards” would keep my mouth shut.

The eternal conflict between good and evil continues in the land of Oz as anywhere else and so will one’s personal struggle with lies/greed and truth/morality. The black and white beginning, as it passes away begins the world which is a wonderland. The wonder starts and ends with the three witches, Theodora, Evanora, and Glinda – even Macbeth had three witches for sure, but this case is different. The fact is that one of them is pure good, another one pure evil and the remaining one, neither here or there until she is forced to take a stand supported by her emotions. Didn’t we have the three fates in mythology? Well, these three might have worked with the same title for our hero. Well, even the wizard of Oz needs and origin in a world where even Wolverine has his own origins as a movie. One has to feel that it is perfectly timed, to release after Hensel and Gretel as well as Jack the Giant Slayer. The movie has risen over these two and has developed another children’s story into a world of unexplainable beauty. Thus the justice has been done to the original Oz.

One has to say that Mila Kunis, Rachel Weisz and Michelle Williams, as the three witches controls the movie. Among them, Rachel Weisz creates that much needed magic which has powered the movie beyond its original strength. The character of Mila’s witch might be the strangest, and it is the one witch who is more unpredictable than the rest, but still not creating that impact which it should have. Finley the Flying Monkey provides the laughter element with his dialogues, and when he talks about monkeys, bananas and stereotypes, there is not a soul in the theatre who didn’t laugh. Almost all the lighter moments has the monkey somewhere around. The china girl made of porcelain also adds to it. She is the second true friend whom Oz makes in his new world. She is more like a little kid made of flesh and bones rather than a talking miracle. The combination of these two with the protagonist takes the movie to another level of good combination.

No, there is no messing up of the classic, even as flaws exist. The land of natural wonders in 3D which is so unnatural – when helped by the beautiful CGI creates an unforgettable experience for the audience. It might not be easy to remember the special effects used in such a good manner for a long time. May be only Avatar 2 could make me say the same thing again. With the characters who are never flat, and the plot which never loses its steam, Oz the Great and Powerful establishes itself as a worthy prequel which would make Dorothy Gale proud and asking for more prequels over prequel. It establishes with the help of the new technology that there is no place like Oz. Alice had gone to a wonderland, but it was not Oz, and that was surely a big miss for her. The battle between goodness and evil shall continue as none of the witches not the wizard meets the end as the movie finishes. The door for a sequel is thus kept open with the evil ones fleeing the scene, thus creating hope for evil even through a happy ending – and we shall wait for what is to come.

Release date: 8th March 2013
Running time: 130 minutes
Directed by: Sam Raimi
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Abigail Spencer, Bruce Campbell, Tim Holmes, Zach Braff, Joey King

@ Cemetery Watch
✠The Vampire Bat.

Jack the Giant Slayer

Posted on March 2, 2013 by Dr. Tennyson

Back in the childhood, there was a story which featured in a lot of books, a fairy tale “Jack and the Beanstalk”. But the adventure had not met its end at that time; now, after the return of Red Riding Hood, Snow White and Hansel & Gretel to the new movie world, another fairy tale comes back to life in a different manner – our legend this time goes like this “Fee Fi Fo Fum, ask not whence the thunder come; For between heaven and earth it’s a perilous place, home to a fearsome giant race; Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow”. The original one was “Fee-fi-fo-fum, I smell the blood of an Englishman, Be he live, or be he dead, I’ll grind his bones to make my bread”. The difference between the fairy tale and the movie doesn’t end there, for Jack is not someone who steals anything, but a hero and the defender of his realm. He never even takes anything to or from this world to the other. But he is still a boy from the farm and he kills some giants (two to be exact), just in defence though.

“Fie, foh, and fum, I smell the blood of a British man” would be the words of Edgar in William Shakespeare’s King Lear, but it might be better suited to the giants. Did those giants bother you in your childhood dreams and convert them into horrible nightmares? Where they your nightmare creatures? If they were, this is the time to redeem them. The giants haven’t really got their evil image running, as gentle giants tend to become more popular. But with giants, you never know and here it is proven; with gentle Jack and not-so-gentle giants who love to eat humans more than anything. Jack is just a simple farm boy; he is no Jack Sparrow and surely no Jack McClane. But what he does would change his life forever. From his fear of heights, or the fear of falling as he himself would call it, the man without any noble blood would rise to save the kingdom and the world of the humans from an invasion of the man-eating giants and also marry the beautiful princess to become the next ruler. If there is something like destiny, Jack has the best experience of it; if there is fate, it belongs to Jack; and as this fairy tale itself belongs to him as his own story, this is a fact which would be easily known.

Jack, the son of a farmer and Isabelle, the daughter of the king are shown to listen to the same bedtime story about giants and their invasion of human realm as the result of the creation of a gateway with magical beans in the form of a huge tree as part of an attempt of a few monks to reach heaven by the use of sorcery. The battle was clearly in the favour of giants an mankind could have faced extinction before a group of monks could create a crown which could let the wearer control the giants and force them to go back to their world. The connection was severed and everything went back to normal. Most of the people believed the story to be just a random legend, but both the kids believed in it. Ten years later, Jack has lost his parents and Isabelle is a wandering princess. The king’s right-hand man and adviser wishes to own that crown and re-link the two worlds unleashing an army of giants which he could control. His attempt to steal the remaining beans lead to a monk giving them to Jack before being captured and killed.

Meanwhile, the princess keeps wandering away in search of adventure and ends up in Jack’s house looking for shelter from the heavy rain. Their conversation is cut short as one of the beans get wet, it starts working and sprouts into a huge tree taking Jack’s house and the princess with it. Jack is thrown out of the house and is later found by the king and his soldiers. So our orphaned farm boy Jack has to set off on a quest to rescue a princess by climbing the huge tree to the middle world between the land of man and the land of God. But he would not be alone, as he is accompanied by the king’s best soldiers as well as the treacherous adviser who is looking for a chance to be in the world of giants and also the king’s most loyal leader of the royal knights. They would be in not just unfamiliar territory, but also a land infested by the world’s largest cannibals. An addition to this trouble would be the fact that the adviser has taken the crown with him to prepare the giants for the invasion of man’s world. The crown has its own power, as it is made out of the heart of a fallen giant of the former invasion.

The movie resembles Hansel and Gretel: Witch Hunters in many ways and it has a richer story, but too predictable and longer than need; it also has lesser 3D effects an weaker CGI compared to the witch-hunting action-horror fantasy. The horror element is als quite weak and there was the need for the darker elements in such a story. Instead this one is chosen to be watched by almost everyone, instead of giving it the power of horror and terror which it deserved. In the end, it continues to be a fairy tale with a happy ending; for they lived happily ever after and the tales of the giants continued to spread, creating new versions. Still, it scores over the lesser fairy tale re-builder which was Snow White and the Huntsman and is on level with Red Riding Hood in many ways. But then too, the effect created by the giants fails to grow like that seed; it could have reached the top with wings, but it decided to crawl underground and keeping itself safe. One has to wonder if the Twilight effect has completely destroyed the power of awesomeness in fantasy.

There is Nicholas Hoult, the Beast a.k.a Hank McCoy of X-Men: First Class who has blended into the character with no mutant-effect provided to the character, and Eleanor Tomlinson as the beautiful princess Isabelle never creating a question about a better cast; the same is the case of Stanley Tucci as Lord Roderick – the villain; not really the scariest one around, but still perfect for the way in which the movie has progressed. Ewan McGregor’s Elmont, the leader of the royal guard, makes that right character for a fairy tale adventure filled with action. As a whole, it is a perfect situation, but still the movie doesn’t rise as is should have; it is as if change was much less suited to this movie than the rest. But, with slight improvements, this could have made this genre, something spectacular, but such a thing was not to happen. The need to be on the safe side has locked this one – it has prevented the movie from going average or below average, but the same thing has prevented it from rising above the horizons from its own genre.

So this is where the Vampire Bat has started off for the month – one Jack, a princess and a large number of giants. The choices were many, especially among Malayalam and Hindi movies, but the decision to go for the classic fairy tale resurrection was not a bad idea. It has delivered; not completely in the way the Vampire Bat had expected it to, but surely in a way which didn’t disappoint him at all. He could just escape into it from a world which had much less for him. The vampire bats getting eaten by giants with bad teeth and foul breath might not make such great news, but still it would be an honour for him. The expectations are still there, if not for giants, it should be for awesome movies; and there is no rest for the Vampire Bat, nothing this world is aware of. There is still the need to be there for the right movie, something as good as Celluloid; that would make this a significant year if such an experience would happen in the first half of the year.

Release date: 1st March 2013
Running time: 114 minutes
Directed by: Bryan Singer
Starring: Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Ian McShane, Bill Nighy, Ewan McGregor

@ Cemetery Watch
✠The Vampire Bat.

Die Hard V

Posted on February 24, 2013 by Dr. Tennyson

We had a hostage situation in 1988 on screen; that was what Die Hard brought with itself – one of my favourite action movies of all time and may be something superior to most of the rest when I first watched it. When they took over the airport in Die Hard 2, this sequel was not something which could have failed, and it didn’t. Actually, there were moments which made this one seem to try and overtake the first. Then came Die Hard 3, which did the exact same thing as Transporter 2 did to The Transporter – it brought the level of magnificence down from the firmament; still distant from being the worst imaginable sequel, for it became a lesser thing only due to the power of the first two movies. It took the series twelve years to come back as Live Free or Die Hard – not a bad return for something which seemed to have disappeared long ago. It was quite certain at that moment that we hadn’t seen the last of the series, and here we have Die Hard 5 a.k.a A Good Day to Die Hard. May be John McClane is forever; like the T-virus. But a virus infection would make another bloody story – and the same is the case with an immortal McClane; therefore, lets keep that away.

John McClane is back; this time in Russia – the man with his own style of facing everything, from near-death situations to almost-life situations. He is the man who is always in the middle of a crisis, whether it is a complicated family problem or an extremely simple shoot-out which might even include helicopters and fighter planes. He is specialized in being at the wrong place at the wrong time, and it might be something hereditary. The one thing that the viewer could be sure about, is that his character is not that far away from a superhero status. He faces his villains with more confidence than the superheroes – one simple thing which has to be kept in the mind before watching Die Hard V. Well, there are not many other heroes of this calibre – Arnold Schwarzenegger’s The Last Stand made me think about intentionally feeling otherwise, but one has to come to the conclusion that McClane belongs to another genre; a similar but another area of interest. Our men of the video games, featured in the movies Hitman and Max Payne, might have a shot in future though.

The scene has shifted to Moscow. The name of the villain is Yuri Komarov – brings to me the memories of Boris Pasternak’s masterpiece Doctor Zhivago with its Yuri Zhivago and Komarovsky. Other than thinking about these two names which strike a similarity with this one name, there is nothing to be mentioned about this movie related to the Nobel prize winning novel and its critically acclaimed movie adaptation by David Lean. No, that was not even a comparison but something which caught my attention. The other villain is named Viktor Chagarin, not a name I am going to identify with some other character of another work. It is in the battle between these two, that the hero’s son Jack McClane is caught. John McClane who has not been in touch with his son for years, makes a visit to Russia to get him out of trouble – or in his words, he goes on a vacation to Moscow. Jack had ended up in prison, but escapes with Komarov. Even as the father and the son never seems to get along in the beginning, they slowly begins to work together and solve the problems.

The son turns out to be a CIA agent (his father would address him as the 007 of Plainfield, New Jersey), and his undercover operation would turn out to be a lesser twist than what Komarov and his daughter Irina would have to offer for them. Fortunately, there is no twist over twist, like that one Bollywood movie, Race 2. Still, to take the story to another level (or to a rather strange idea which could have surely taken a better twist) action would soon shift to Chernobyl, Ukraine; uranium, radio-activity and weapons. There are some twists and betrayals coming close to creating an impact, but most of the time, what saves the movie is its action scenes and the one-liners. There is enough fun and mindless action to keep this running. The McClane family problems would surely be solved in the end. Jack had said that “We’re not a hugging family” before the first half, and one knows that the family is united by the end, and can guess that “the hugging problem” might be solved before a possible Die Hard VI.

Bruce Willis stands strong as John McClane. He has continued with his “everyman” action star who seems to be drifting away a little from that status. One can only remember K’naan’s lines “When I get older I will be stronger, they’ll call me freedom, just like a wavin’ flag” – something which I heard a lot during the 2010 FIFA World Cup run of the Spanish Armada; McClane is just like that, for he has only got stronger with the age. But the doubt might be about his strength and durability which is reaching a new level with experience of old age, something which reminds me of those video games. That takes away that one McClane of the earlier century who was more vulnerable and prone to errors. The age has surely caught up with McClane, but it has had a positive impact on him, both physically and intellectually. Expendables 1 and 2 had similar impact on its characters, and as Bruce Willis played one of them, one has to doubt if that element has stayed as far as Die Hard V.

Yuliya Snigir looked extremely good out there, but should have had a better role to play in this one; as her character couldn’t create that impact which one of the two main antagonists could have come up with. The twists basically revolved around her, and there was mystery surrounding her until the Chernobyl scene, but the character of Irina had to suffer due to the action-centered approach to the movie. Actually, one has to wonder what has been there for the character in the movie- a typical one-dimensional character, a title for which even John McClane might be suitable someday. There is nothing wrong in the performances, but there is that absence of three-dimensional character elements throughout the movie. Even among these confusions, the best part of the movie was undoubtedly the car chase scene, and it powers the experience from the beginning. The end-action might be a little overdose, but still not unsuitable for the style of the movie. The support of good special effects make even the ordinary action scenes worth a watch.

We surely miss that skyscraper; also that airport. But still, Die Hard series would stay alive. When John McClane says that he is on vacation, it is a fact. This is a vacation which is slightly below the quality of the other movies of the series. But still, there are gun-shots everywhere, and high-speed car chases end up in heavy destruction of property, and even the flying machines join the action. So, in simple words, this is his vacation. If that means that there is even better to expect when he is out of vacation, that would be quite a treat. Die Hard IV was an improvement from Die Hard III and therefore, there is no shortage of expectations which can be put on the shoulders of this series. Even if one might have the tendency to call it a dumb action movie, I would say that it is just because it belongs to that genre and it has performed its duty. There was Expendables 1 and 2 along with many others which could have deserved that title in an even better way. Come back, Die Hard; come back stronger.

Release date: 13th February 2013 (USA); 22nd February 2013 (India)
Running time: 97 minutes
Directed by: John Moore
Starring: Bruce Willis, Yuliya Snigir, Jai Courtney, Sebastian Koch, Radivoje Bukvić, Cole Hauser

@ Cemetery Watch
✠The Vampire Bat.

Hansel and Gretel

Posted on February 7, 2013 by Dr. Tennyson

We have had the darker versions of fairy tales, one each in the last two years – Red Riding Hood in 2011 and Snow White and the Huntsman in 2012. The latter getting better reviews than the former was a strange a thing just like this one getting negative reviews – this is astrange world for sure. The one thing which might be agreeable to the fans of all three movies might be that none of them really made an impact on the critics like they did on the box-office. While Amanda Seyfried lead the way in the former, it was the antagonist Charlize Theron who made the impact in the latter. But, here comes Hansel and Gretel, which surely is a much better watch; and a clear winner as a creation of dark fantasy.

It did remind me of Abraham Lincoln: Vampire Hunter, but our good re-telling of the old fairy tale happens to do better by a long way. Then once again, the critical reception might favour the wrong movie even as it is marginal. But trusting someone else who doesn’t know your taste is the worst mistake you can do. I almost made the same mistake, but I could see beyond it, as Ghost Rider 2, the worst Hollywood movie to reach the theatres of India in the last two or three years had more approval than some of those above average movies. This might have been a little long introduction, but it was strange to see that the shows of Hansel and Gretel were cancelled and I had to wait for days to watch it. Therefore, forget the critical ratings; and may be ask your friends who share your interests, and go for the movie.

The Grimm Brothers had given the world the story of two kids who outsmarted a witch; a story which was one of my favourites during childhood. After saving themselves from an abusive step-mother and the evil witch, these children do live happily ever after, as I can recollect. It is absolutely correct until the death of the witch in the movie too. But then comes the “living happily” part, which is a little existential in character. They are witch-hunters – professional ones; one of them is diabetic and the other one is later found to be a ” ” (it is a twist and there will be no spoiler here). But still, they might have found fun in doing their job – it is athletic and they get good payment for it. There is the possibility of ending in a witch’s cauldron or simply as a corpse, but considering what people do these days for attention, I would say that witch-hunting is not that horrible unless that witch got too many fans on facebook. Vampire bats do that often in the dreams.

Jeremy Renner and Gemma Arterton are the grown-up versions of the awesome little ones, who have dedicated their lives to fight the evil: to save the world from the broomstick-riders who fly better than some of the airlines. Hansel and Gretel start the latest adventure by preventing the town’s Sheriff Berringer from executing a young woman who is accused to be a witch (has the same name Mina – reminding of Mina Harker) after the siblings were hired by the mayor to find and bring back a number of children believed to be abducted by witches. Berringer hires his own men who are killed by a powerful witch, Muriel in the dark woods. The one who is left alive doesn’t last long with a curse for the hunger of crawling things.

Hansel and Gretel discover that the witches are preparing for the notorious ritual of Blood Moon, which requires sacrificing six boys and six girls with certain peculiarities. The town is attacked by Muriel and her minions, which include a troll Edward (never away from that name from Twilight, but the fans can forgive the appearance of this troll). Now the witches have enough children to sacrifice for Blood Moon, but they need something else (which shall not be revealed to break the suspense) and the remaining question is whether the witches succeed in the ritual which would make them almost invincible. The twists include the truth about their step-mother who was not really evil, the mystery about Mina and the last ingredient of the Blood Moon ritual which would change the siblings’ idea about witches and witch hunting.

This story might sound too familiar and not that awesome to follow, but it is made better with the movie’s great CGI which is one of the best. The 3D effects make it one of the best horror-action experiences through the glasses with bullets, explosions, arrows – all coming towards you in frequent intervals, as well as the dark beauty of the atmosphere which catches you out of the screen. Right from the opening title scenes to the ending credits, it promises and delivers the same. Famke Janssen does remind one of her role as Jean Grey / Phoenix in X-Men III: The Last Stand, but she is surely better as Muriel. The witches look much better than in any movie released in the last few years, and the variety in them brings the culture element into the play – they are not the same. They are incredibly detailed to be just side-kick witches. Their screams create that fear element even when they are not on screen.

The most conservative, horror-hating, gore-fighting people of the pseudo-realistic world needn’t watch this movie though. Let the wonderful action sequences and breath-taking fights be missed by you. The 3D and the CGI can treat the deserving eyes. There are times when one has to cease being intellectual, and what is science but full of contradictions and uncertainty? Therefore, why be against a movie of magic and fantasy saying that it is not real? There is thousand times more chance of this happening than anything of the Twilight series. But the fact is that you don’t even realize why you are in this world; none of us do. Our life is in the hands of the greater power that guides us. So don’t be judgmental on this one, for this is not there to be judged by some superior intellect which goes to Moon or Mars and search for water – this is there to be enjoyed, supported by imagination. This is not a product of perfect reasoning power supported by some random theory; this is not simple every day life – this is dark fantasy. I love action-horror movies and I feel this has only strengthened the genre.

Release date: 25th January 2013 (USA); 1st February 2013 (India)
Running time: 88 minutes
Directed by: Tommy Wirkola
Starring: Jeremy Renner, Gemma Arterton, Famke Janssen, Pihla Viitala, Thomas Mann