Pacific Rim

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The fictional stories concerning the aliens from outer-space have always been with us through those books, movies, cartoons and comics right from the childhood. Alien, Predator and Event Horizon were among the best feeders of outer-space horror. It was just a few weeks ago, that the audience accepted the friendly neighborhood alien in Man of Steel, and the same space travel thing was explored thrice in the last few months, with Star Trek: Into Darkness, Oblivion and the weaker of the group, After Earth. Well, this time, from the depths of abyss comes the alien creatures, not from the sky, but from underneath the oceans to the above world. The first choice of looking for alien life form was always beyond the stars, which is actually quite surprising. For the common man, it should not have been so, but unfortunately they have been loaded with ideas of life on other planets by science even as the fact remains that they have never seen any of these planets or stars in the way they are taught in the school. I would have preferred not to study the same and choose only art and literature, but unfortunately, education is clearly biased towards science. What this study of science does is that it unintentionally makes religion the more believable thing around for the intellectuals of the highest class. It is on a blind faith of technology and scientific extremism that the concept of space aliens are based on, and it is this same thing that Guillermo del Toro has annihilated here; not that it was not done before, but this time, it is in the form an incredibly powerful spectacle.

Del Toro’s work has always come up with beauty in horror, and this movie is no exception. The movie plunges into the depths of the theme of alien invasion and comes up with that pure awesomeness which The Avengers missed by some distance and Transformers: Dark of the Moon missed by quite a million light years. This is what Transformers should have been, but unfortunately that series lost all the good things with the second and third parts of the movie. Pacific Rim shows how a fighting machine should be. From the man who gave us Pan’s Labyrinth, at least this much was expected, and he has delivered it, with fantastic power which would make this the movie of the year so far, and may be even the best science fiction action move in two years. I didn’t really free myself from his Hellboy II: The Golden Army when I went to see this one, thanks to the television channels; and not to forget Blade II. There is one warning though, as this is not recommended for the movie cynics – they are the kind of people who will dislike this movie and come up with weird unimaginative reasons which are less significant than the smallest robot’s toe. If this movie can’t leave a smile on your face by the end, there is no doubt that such people belong to the Kaiju group, as the monster sympathizing kids who can’t bear to see their little dinosaur things losing to robots.

The movie takes the viewers to the future, when the planet is under attack by Kaiju, a name they call for the gigantic monsters continuously emerging from a portal beneath the ocean. After a number of attacks and destruction, the humans understand that it is not going to stop. To combat these big monsters, all the nations unite and use all their remaining resources to create the giant robots called Jaegers, each controlled by two (or more) pilots whose minds are joined by a neural bridge, as it would be too huge for two of them. But,The plot follows Raleigh Becket (Charlie Hunnam), a former Jaeger pilot who had lost both his machine and his brother while fighting. He is called out of retirement by Stacker Pentecost (Idris Elba) and is teamed with a rookie Mako Mori (Rinko Kikuchi) in a last effort to defeat the monsters. At a time when Jaeger program is being decommissioned, and walls are built to protect the cities from the monsters, there is chance for one final attempt on closing the portal and saving the world with only four last robots remaining. As the monsters continue to evolve and adapt to the methods chosen by humans, the survival of both the man and the machine was becoming difficult, and with bigger and stronger monsters coming up, and the robots only getting older, the situation had turned clearly in favour of the monsters who are found to be controlled by minds and on a mission to colonize Earth.

Charlie Hunnam and Rinko Kikuchi gives the movie that right dose of memory, as they give to their giant machine in the story. Idris Elba gives a powerful performance throughout the movie. There is no romantic side to this story, and the feelings are of brotherhood and respect rather than some silly emotions of infatuation. The rest goes to the robots, except for some funny scenes. The movie is a fantastic visual treat, as if a wizard has combined his powers with a sorcerer of the other world. This is not a dark movie, as that ghost has currently gripped every story which is detached from the real world. There is beauty even in the monsters and the destruction that takes place, something which Transformers and The Avengers missed out on the artistic side. There is pure poetry in motion throughout the sequences involving the robots and the monsters. They are all beautifully done, with each minute detail given importance. There is even detail on the tiny insects which feed on the monsters – not that tiny when the humans see them though. The fight scenes are powerful and stylish, with 3D coming to the aid at the right moments. The cynics can stop asking scientific questions about the invasion as the creatures come out of portal underneath the ocean and not from underneath Earth in its literal sense. It might be surprising that just a portal answers so many questions, and in this case, it does. Another thing to be noted is that times flies throughout this movie, and one gets too busy with the movie that it goes unnoticed.

This is obviously different from Guillermo del Toro’s Pan’s Labyrinth and Hellboy and therefore it is a crime to expect the same kind of thing here, even as there is the clear “del Toro tag” throughout the movie. Each and every detail of the robots and the monsters is to be looked at, for they are not simple giant robots and gigantic monsters. Gipsy Danger, the old model which saves the day differs considerably from Crimson Typhoon, the three armed robot with three pilots. The Russian robot Cherno Alpha gives another feeling at the mean time, and Striker Eureka comes up with its robotic structure almost the exact opposite. Coyote Tango, piloted by Stacker Pentecost has a lesser appearance. Even the monsters are never the same, as some of them can spit acid, some of them can fly, and some of them can move at lightning speed – none of them looking the same. The climate, and the whole setting of the fights also seem to assert this powerful detail which has been running through the movie. Another point is the use of collective memory, as a shared group of memories, only this time, it is really what it means literally. There is that world of shared memory and shared folders which we found easier to attach with the computers and electronic devices – it has such a powerful significance; and such a thing would solve the differences and save the world threatened by humans.

One question shall haunt me for a long time though; to watch this movie two or three more times or to be so satisfied with this spectacle that I take a break from watching movies. There are moments which can make one feel that it is the ultimate satisfaction, and as long as science fiction movies are considered, this is close enough to the same. There are all the morals and the inspiring factors in place, but there is no preachy side to this one. The moments to watch out for should be I. The first battle between Gypsy Danger and a monster (just because it is the first fight), II. The return of Gypsy Danger to the field (that moment of sudden appearance), III. The battle in the air (when the sword takes over), IV. The final underwater climax battle (from the moment the first monster strikes). There is no forgetting the use of ship as a weapon during that moment of awesomeness. This could be better summarized by saying that the movie has a very good beginning and a fantastic last fourty five minutes. It takes you to another world, where these monsters are real, and they can be beaten. There is inspiration, and there is the ability to keep you on the edge of your seats; there is the message of never-ending hope and the assertion of faith and belief. Along with that there is the rain and the water of the ocean which seems to have a purifying effect in 3D. The movie has a lot of trust and sharing of other’s memories going on, which points a lot to the current world. So what can we expect from a possible sequel than pure awesomeness? This one was a safe bet for me though, as there is one director who has never come close to disappointing me, and he is directing this movie.

The fact remains that Pacific Rim will continue the winning run of Warner Bros, and the reason for its success at this part of the world should be the trailers and the posters at the multiplexes which does nothing less than being impressive. Another thing is that the early reviews have all been very positive, and those which are negative, I wouldn’t call them reviews, as none of them has come up with any valid argument to not recommending this movie. It is a known truth that people love some random human being in a metal suit as they have appreciated Iron Man, and they also love robots, considering the huge success of Transformers with nothing much to offer in the last two movies of the series. Pacific Rim has both of them, and with the right people to handle the same. Considering the kind of audience the movie attracts, the only movie which can give some challenge is The Wolverine, as the release of White House Down next week here won’t change a thing, thanks to Olympus Has Fallen. R.I.P.D. and The Conjuring will attract only selected viewers, and RED 2 has a chance of making lesser impact than expected here. Then there would be The Smurfs 2 which would take not much of the audience of this movie away from action. The movie would stay in the theatres here till August unless The Wolverine comes up with a miracle, or there is an influx of Hindi and Malayalam movies of high quality.

Release date: 12th July 2013
Running time: 132 minutes
Directed by: Guillermo del Toro
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman, Robert Maillet, Heather Doerksen, Burn Gorman

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@ Cemetery Watch
✠ The Vampire Bat.

Fast and Furious VI

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Fast & Furious 6 is many things, and when we take two of its major components alone, the good old Destruction Derby has met Need for Speed once again, and whatever was left undone in Fast & Furious 5 a.k.a Fast Five is accomplished here, and that too in a magnificent fashion. If you are looking for logic, this isn’t the movie for you, but still it is as close to reality as possible considering its genre. Well, your reasoning and the strict principles of validity are rarely correct in a world of complete chaos. The elders of evil are the perpetrators of this chaos which is hidden enough from those who lacks the eyes to see, and sadly that includes a lot of people. When someone looks for truth through something as incomplete as science, there is this chaos which will finally devour the world into a black hole of inhumanity and cruelty to nature which started a long time ago. There is this lack of faith which might make watching this movie further difficult. Well, there is not always a perfect definition for everything and not every theory is qualified enough to called by that name. This perfection of logic itself is a lie, as it can never be attained. In that case, this movie is pure imperfect logic which makes a powerful impact.

How did it feel to wake up at another part of the universe in Star Trek, a few weeks ago? Well, this is not another universe, but it is still a new world of absolute mayhem. This world will have no aliens, but it can still give enough alienation to the common man, which should be another reason for its success. For series which I had least interest in, has developed into something which I can’t resist, thanks to Fast Five. I had thought that I was done with it by the fourth of the series, but as we all know, good things do come to those who wait. No, I do not belong to the group of the new age procrastinators group. I do whatever I have to as early as possible, but as long as the things which are not under our control are concerned, I shall wait without losing faith. When one understands that most of the things are not of your control and the world you know needs waiting, as John Milton had said in On His Blindness, “They also serve who only stand and wait”. So, there are times when you have to take that leap of faith, and believe – those are the moments when logic goes to its grave and you get the much deserved reward for waiting with undisputed, incomparable faith which is a quality of you. Still, never leap into the wrong place, for it is a sin even from a movie watcher’s perspective.

Here, we come back to the two major components again, as Destruction Derby was one of the first of the computer games I ever played, and Destruction Derby 2 followed. That vehicular combat game based on the sport of demolition derby, the collisions, destruction, damage, and all the mayhem that followed. The defensive style and taking calculated risks were two things we had learnt from this game. Still, we never ended up finishing this game which was second only to Road Rash in popularity among us. It was a welcome change from those never-ending driving simulations, a hybrid. The same is the case of our movie, which successfully accomplishes its role as a combination of more than one thing; the first thing being vehicular combat and mayhem. The second one is Need For Speed, which has very little to contribute to this game, except for one race which didn’t even go and get completed in the right manner. But still, it is the base of everything, the reason why I ever cared about the first few movies of the series in the first place. It was never the most influencing game of my gaming life, but the Brooke Burke inspired Need for Speed: Underground 2 and Need for Speed: Most Wanted changed many things including my superior love for action and strategy games. The time spent by me for the latter was so much that I had to retire myself just one step before finishing the game, as the second best, in order to continue my search for more games.

The story progresses somewhat like this: Following their successful Brazilian heist in Fast Five, Dominic Toretto and his crew of expert criminals have retired and living in different parts of the world. Brian O’Conner and Mia Torreto has a kid, and Dominic Toretto has retired to a life with Elena Neves. Meanwhile, Luke Hobbs and his new partner Riley are involved in the investigation of an unexpected attack on a Russian military convoy. They find a new group of professional criminals led by a man called Owen Shaw responsible for the attack. Hobbs requests the help of Dominic with a new photo of his former girlfriend Letty Ortiz, who was supposed to be dead. Dominic gathers his crew together and they accept Hobbs’ mission in exchange for a pardon for all of their past crimes so that they can finally go back home again. During their first encounter with the gang, Letty arrives to help Shaw, and shoots Dominic thus helping Shaw in escaping. Later, she is revealed to be suffering from severe memory loss. Later, Dominic battles Letty in a street racing competition and later explains her past to her, but there is nothing remembered and she leaves. The complicated situation demands the capture of Shaw and the return of Letty to the extended family where she belongs. The two things will demand more than just a car race or a fist fight, and even shooting has its limitations – only extreme destruction can solve it.

Vin Diesel is back as Dominic Toretto a.k.a Dom, and there might be so many occasions that he is back again. Other than being Riddick, he has been Xander Cage and Hugo Cornelius Toorop, both having inferior status, and Riddick being a little lesser compared to the popularity that Dom has brought him. Well, the good old Dom remains the same, and whatever told of him will bring no surprise nor new information in a fast and furious world which continues to conquer the world. Elsa Pataky plays his love interest for a short period of tension free time, after which Michelle Rodriguez’s Letty Ortiz takes charge. It is from then, that Gina Carano as Riley takes charge. They have such a fight which might have been made to parallel the Vin Diesel – Dwayne Johnson fight of the fifth movie, but this one is a little behind. Still, it is one of the highlights of the hand-to-hand combat side of the movie, a side which is of lesser significance. There is a lot of power involved in the battles involving the two women, and there is no doubt that there has been a lot of effort put behind it. Brian O’Conner, the former FBI agent continues to be cool with Paul Walker at the helm. Gal Gadot as Gisele Yashar has a sad end, but not without a cause nor without showing her dose of heroics. Jordana Brewster as Mia Toretto has a lesser involvement with this mission, as she is left behind on the Spanish island with the kid.

Luke Evans as Owen Shaw scores as the villain, but compared to what Dwayne “The Rock” Johnson had achieved with his hunt for the protagonist, this is a little far behind. The Rock was undoubtedly the main attraction of that movie, and in this one, he has a slightly lesser, but a more positive role to play. Still, there is no shortage of action scenes for him, and he has only got better. We can still know what he is cooking, and it is pure action whoever he is against. He is rightly considered one of the greatest professional wrestlers of all time, and he gets closer to more glory in movies each and every time he is there. Tyrese Gibson and Chris Bridges are there for the fun part as usual, and so is Sung Kang. Well, still not everyone gets out of the movie, a clue which is already given in this review, and it surely can’t be the crowd favourites Dom or Hobbes. If such a thing had happened, this would have been a fairy tale action adventure mayhem, one of the first of its kind with such a plot and cast. For a movie which can work very well even as a stand-alone version, as it is powered by everything an action movie can dream about; the more appropriate question would be what it should have had, and there is nothing much, as long as its genre is concerned.

The one-liners work and so does the escapist fantasy world which has been provided. The action sequences are breath-taking, which includes the group of cars take down a battle tank as well as a huge airplane trying to take off. There are enough twists, not of high quality, but still deserving a few claps. The movie’s two hour plus is more of a positive, but still, there were more expectations from the trailers. The most significant scenes of the movie are those shown in the trailers, and thankfully they are quite long. But there could have been a few more scenes to support them. There is no shortage of the memories of Ocean’s Eleven and its sequels. Still, it defies death, and for those extremists and fundamentalists, defies logic. Laws of Physics? What is a law but what you feel? There is nothing like that to create unnecessary logic in this movie. Well, Physics was pure evil and I knew it during my school days. The only thing worse was Mathematics. The fact is that this series will continue to rule the theatres. It has released here a day before the world-wide release and who wishes to let go of such a wonderful opportunity? The stylish and powerful action which keeps one wishing for more and the answer comes in the form of Jason Statham who seems to assure a sequel as the villain who brings a new game to the scene. It makes sure that the vehicular combat shall live on! This is not to be missed by the fans of the franchise at any cost, as the impact on the big screen is that intense.

Release date: 23rd May 2013
Running time: 130 minutes
Directed by: Justin Lin
Starring: Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Paul Walker, Jordana Brewster, Gal Gadot, Gina Carano, Luke Evans, Elsa Pataky, John Ortiz, Tyrese Gibson, Chris Bridges, Sung Kang, Rita Ora, Jason Statham (cameo)

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@ Cemetery Watch
✠The Vampire Bat.