Pennu Case

Vampire Owl: I had seen so many vloggers talking about this movie.

Vampire Bat: The movie surely had some extra hype.

Vampire Owl: But it surely did not do that well in the end.

Vampire Bat: I think that it was not really sure about its own genre.

Vampire Owl: More people are talking about it now after the release in OTT.

Vampire Bat: It is Amazon Prime Video, and so there will be more talks.

Vampire Owl: Well, there is always that talking in the moonlight.

Vampire Bat: You know that vampires cannot walk or talk in the sunlight that well.

Vampire Owl: Still, we always talk better than humans.

Vampire Bat: Humans are the kind of people who talk with wars through weapons of mass destruction and unlimited chaos. Ask your best friend, Mr. Frankenstein or just phone Uncle Dracula himself. Even the Vampire Monkey has written an essay about it.

[Gets a paneer tikka and three cups of Sikkim tea].

What is the movie about? :: Rohini (Nikhila Vimal) is finally caught after years of committing a certain serial runaway bride scam, in which she had cheated many men whom she had married and left right after the wedding day with all the money and ornaments. She was not caught by the police, but by a group of men who were cheated into marriage and left behind, led by Thomas (Irshad) who had started a WhatsApp group for those who had suffered insult and loss of money. They made the way into the wedding function of Subhash (Aju Varghese) who had felt that after so many years of waiting for a suitable alliance, he had found the right bride for him, whom he considered to be too beautiful for his standard, and thus a lucky find. Rohini in this avatar and a new name seemed to be the sweet and understanding village girl that he was looking for. But this arrival of the former husbands and the following fight, which was further followed by police intervention had ruined his hopes by a long way.

So, what happens with the events here as we just keep looking? :: But this was never really the end as others like Vijayakumar (Ramesh Pisharody) and others also follow with their tragic story of being married to Rohini, known by Sindhu at that time, at another point by the name Susan and many more on a long list. The case goes to the Circle Inspector of Police, Manoj (Hakim Shahjahan) who is also on the verge of a wedding about to be cancelled, and he becomes determined to solve this case, in which he feels that there are so many others also involved – planning such big weddings all around Kerala would be difficult for just one person. As he had brought disgrace to the police department due to a video which became viral during a protest, this is seen more as a chance rather than anything else. His police station had not seen any big cases being solved, and his fellow workers also join him. But his superior officers do not trust him, and Rohini’s husbands already keep asking about getting their money back. Can he do the job in time or will someone else get all the glory?

The defence of Pennu Case :: The idea is interesting as much as realistic as we have heard about news of similar things happening in this part of the world multiple times, and with the laws favouring the female, the women who cheated men in this way might have found it easy to get away without that much of problems. By showing the same here, humour also comes into the picture with some fake tears helping the woman to keep everyone on her side. The comic side of this movie does not try to do too much, as it goes through a rather smooth pattern instead of being loud and dumb – the simplicity of humour with usual kind of people all around, makes an impact – the choice of cast also working in its favour here. The movie remains light-hearted, never really going to the dark side, which would be even closer to the truth, and lurking around the corner to avoid an emotional drama of terrifying shades coming in. The length works in favour of the movie as this content goes through exactly that much time it required, at less than two hours.

The claws of flaw :: The movie remains quite a slow one, and the flashbacks could not do it any favour as we try to follow it. In the middle, it seems to have been going in a predictable manner, losing some strength in between. The predictable backstory just escapes with that twist in the end, as otherwise it was traveling towards a certain doom. The idea of not giving seriousness to the situation by the end might also feel somewhat strange, as one would still feel that this certain act of crime and evil is considered funny more because the suffering person is male and the criminal is female – the psychological depth and impact as well as emotional consequences are not really there to be taken due to the world staying surface level, even though it would not be the case in real life as far as victims who go through these are concerned. One would also feel that some characters were given the evil image a little too much, and that the red herring had gone too much beyond control. The investigation could have also been engaging rather than just seemingly following the procedure because there is not other job.

The performers of the soul :: Nikhila Vimal keeps the movie together as the main character who is right there in the middle, working through different roles that the character plays within the movie, with all the varieties. Her character should have seen with the shades better rather than showing so much less outside her own narrative. Hakim Shahjahan’s police officer remains a strong presence throughout the movie, as he is the one determined character that we also support, and even after that twist, his character would have something to offer if there is a sequel made in a better way. Meanwhile, Aju Varghese is there creating a silent impact throughout the film while Irshad was the one who made the final initial impact. Ramesh Pisharody also scores when he is there, even though for a shorter time period. The popular content creators whom we see around social media platform, Jayakrishnan Sreekumar and Sreekanth Vettiyar can also be noted from here, and we see that they are so good in their work in the movies, despite the small roles. P P Kunhikrishnan, Shivajith and Praveen Raja also scores. Anarkali Nazar should have had a bigger role though.

How it finishes :: The movie had created quite an impact online even before its release as the vloggers had it covered well. The serial marriage scammer bride has been part of news for quite some time and had taken rounds in the social media, which makes the whole thing feel more real than ever. It takes some skill to weave a divergent story out of it instead of going through a drama – the twist makes sure that everything comes together and some of the problems in between are solved well. The humour exists smoothly right behind without affecting the story which thrives on flashback narratives getting connecting to the original timeline. The social satire is also present with those small, enjoyable moments and situational humor coming out of nowhere. The movie has taken the necessary steps to keep its world working and get to that twist, without which the tale would have been relatively weak, and the predictability is thus removed. It could have surely been better, but it works well as a humour-twist divergence as of now.

Release date: 10 January 2026
Running time: 112 minutes
Directed by: Febin Sidharth
Starring: Nikhila Vimal, Hakim Shahjahan, Aju Varghese, Ramesh Pisharody, Irshad, P P Kunhikrishnan, Hari Pathanapuram, Praveen Raja, Shivajith, Sreerekha Rajagopal, Aami Thasnim, Sandhya Manoj, Ranji Kankol, Shukkoor, Abin Bino, Anarkali Nazar, Danesh Koliyatt, Jayakrishnan Sreekumar, Sreekanth Vettiyar

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Akam Puram

Vampire Owl: Why does the title sound to me like Inside Out?

Vampire Bat: It is more like Inside Outside.

Vampire Owl: You mean to say that the insides could be outside, and vice versa?

Vampire Bat: Are you referring to mind being outside the body?

Vampire Owl: Yes, such things are possible with meditation in a coffin.

Vampire Bat: I have heard that Doctor Frankenstein has developed a method to separate body and mind.

Vampire Owl: I am sure that the volunteer would have lost both his mind and body if Frankenstein was involved.

Vampire Bat: You are being too judgmental about someone who cured you of zombieness.

Vampire Owl: Dude, it was a temporary thing. I was going to be okay in a few minutes.

Vampire Bat: Anyway, this one requires none of these things.

[Gets some potato chips and three cups of Ceylon tea].

What is the movie about? :: Udayan (Sarath Das), a policeman, reaches late to report to his senior officer (Prem Lal) as he goes to pray at the nearby temple. As time is running out for them to present a murder convict (Arun Punalur) to the district court, the senior police officer is furious. But Udayan tells him that he has had no time at all, as his mother is not well. It is her birthday, and usually they all go to the temple together, and this time, after leaving his mother to the care of his sister, he had to go to the temple alone, and pray for her well-being. He remembers how his rich relatives have been hesitant to help, or even look in their direction after the demise of his father, after which his mother had been taking care of him and his sister. Now, she is not well, and he is sad about not being able to be there at home to look after her due to this special duty which has come up because of someone else taking leave for personal reasons.

So, what happens next in the tale? :: The senior officer tells him that it is quite natural with their job, and it is their duty of presenting this man at the court in time that should matter the most – otherwise, they could be suspended, or transferred to somewhere far away; in that case, he wouldn’t be able to take care of his family at all. It is then that Udayan gets a call from his sister letting him know that their mother’s condition became critical, and she is admitted in the Intensive Care Unit of a nearby hospital. Udayan begs his senior officer to take a turn and go to the court after seeing his mother, to which the officer reluctantly agrees. But now, the question remains if they can reach their destination in time. Also, there is doubt if Udayan’s mother could be saved – the uncertainty is there at both sides, and the convict also has something to say about it contribute to the situation. Will at least one of the two things end well for the two cops on special duty?

Soul exploration 1: More than one responsibility in life :: It is the nature of our world that when we have a job, we will be blamed for not doing enough at home, and when we are at home, we are blamed for not being good enough to get a job. It is like not getting a girl for marriage when you have no job, and having no leave for marriage when you have the girl – it is that kind of a world. In this situation when we have to keep working, there is no hope to do our duties well enough, as the balance is so difficult. Yes, there are some people who have it easy as they lie, cheat and steal their way to the top, for the common man, maintaining this balance is eternally difficult. We see the same reflection of difficulties with the protagonist of this movie too, as he struggles to keep up things. Then there are those relatives, who are useful more for the blame game than anything else.

Soul exploration 2: Life running through a busy world :: One can’t predict or judge in a world which is rather too busy. There is nothing that will go according to plan, and the line between good and evil gets rather thin. When nobody has any time for anyone, as we see the protagonist having no relatives to take care of his mother – they are rich, but they don’t have time for their own people, and they pretend to like people only to make money. We see how much lies are being told these days just to make money, and one would wonder if such liars have any honour. But what makes us lovable for the friends and relatives is money, and these days, nobody really cares how you got the money and property if you have them. Well, it is a modernized, mechanical world build out of money, isn’t it? Who wants good qualities? There are parents who will get their daughters married to any fake person if he got money.

How it finishes :: Akam Puram directed by Abhilash Purushothaman is another interesting short-film which makes one think about the harsh realities of life, as one can’t help wondering how it could be any better with the same. We all live in a world which is full of uncertainties, and often when we look at the lives of others, we wonder how different it is. Supported by the performances from a good cast lead by the popular serial artist Sarath, this successfully catches the interest of its viewers, who are made to realize that no matter how hard one tries, there are few things that will never change, and it is the difference between each person in their though process, and their priorities – it is often due to how they were brought up, but as we all know, the only thing that doesn’t change is change itself. Also read the reviews of those movies which are in theatres right now, Thrissivaperoor Kliptham, Varnyathil Aashanka, Clint, Sarvopari Palakkaran, Chunkzz, Kadam Katha, Sunday Holiday and Thondimuthalum Drikshakshiyum.

[Walks into the balcony with another cup of tea].

Vampire Owl: I have had similar experience with one of the vampire convicts.

Vampire Bat: You were assigned to transporting convicts?

Vampire Owl: Yes, those guilty of the bloody terror.

Vampire Bat: I believe that it was called blood terror.

Vampire Owl: Yes, during those times, I was working as an apprentice with the vampire imperial guard.

Vampire Bat: You are a soldier? You never mentioned it in your resume.

Vampire Owl: It is because I was dismissed for failure in transporation of convicts.

Vampire Bat: So, how many days did you work with the vampire imperial guard?

Vampire Owl: One day, one job, the end.

Vampire Bat: What a beautiful case of one day’s work.

[Walks into the silence of darkness].

Release date: 14th January 2017
Running time: 15 minutes
Directed by: Abhilash Purushothaman
Starring: Sarath Das, Prem Lal, Arun Punalur

Watch the movie Akam Puram here:

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thondimuthalum Driksakshiyum

What is the movie about? :: Prasad (Suraj Venjaramoodu) and Sreeja (Nimisha Sajayan) are in love after a certain misunderstanding between them. Living near Vaikom at a village where the caste feeling is high, both are at trouble due to Sreeja’s father and relatives being fully against the marriage and threatens them. The result is that both of them runs away from the place after their wedding, and goes to a remote place in Kasargod where they have bought some land and a place to stay, hoping to get into agriculture. But it turns out that there is no water available there, and things once again takes a twist. They decide to get a loan against her gold ornaments, but her necklace ends up being stolen when in the bus, messing up with their plans. This theft was committed by a man known by the same name, Prasad (Fahadh Faasil) whom Sreeja had seen devouring it to escape being caught with it.

So, what happens next? :: So, the KSRTC bus driver, conductor and the travelers join to take the man to the nearby police station. It is more of a remote area, which doesn’t have leaves too many options for the police than to wait, as Sreeja is certain that the man had stolen her necklace and the thief tells the police that he has stolen nothing, and is working at a road-side eatery making porottas. But when the police asks for an id, he has none, and so they decide to keep him at the police station and wait. With no other option left, the couple also has to wait to find a way to find the necklace from him, as nothing could be proven otherwise. The police officer in charge of the case, A.S.I. Chandran (Alencier Ley Lopez) assures them that the thief is a smart one, but he solves such cases all the time, and will get them their necklace. So, who is the smartest of them all – is it the thief, the couple or the police officer?

The defence of Thondimuthalum Driksakshiyum :: The question of Dileesh Potham brilliance rises again, and we can see that there is something about it everywhere that fuels this movie. It is a fine narration that takes the story to another level, as we have the perfect example on how to make simplicity so interesting. Thondimuthalum Driksakshiyum is once again an everyman movie like Maheshinte Prathikaram, and those elite classes will not get their due here – there is almost no person in this movie who can be put into that “rich” category, which brings us the real movie for the people, which has never been the self-proclaimed “local” movies. The humour is also working, and they are also based on simple things of life – still there are twists. Once again, we see that the visuals are nice, as you know who in charge of them with the camera. The music is good, with “Kannile Poika” nicely visualized. There is the message hope and forgiveness, even though they are not readily visible.

The claws of flaw :: The movie might feel a little bit slow and a little bit dull at moments of the first half, as we expect it to be fun-filled entertainer like Maheshinte Prathikaram which had absolutely no moment which will make us doubtful. The emptiness that you feel in between, and the repetition that might seem to occur are also certain to be seen. You do feel at times, that this has a little too much of a remider of Action Hero Biju – so, if you don’t like that movie, there is a chance that Thondimuthalum Driksakshiyum will not be that interesting to you too. The story also doesn’t have that much in it to talk about, as things are rather simple, and the whole thing is focused to particular places. If you are looking for the usual kind of a movie, this will not claim to be one, which might be a good thing for a few, and not an interesting thing for some others. There could have been a bigger punch by the end, which is not there.

Performers of the soul :: Fahadh Faasil has his second movie running in the theatres at the same time, as Role Models is already there, having released for Eid with Avarude Raavukal and Oru Cinemakkaran – his earlier movies were Take Off and Maheshinte Prathikaaram, and it has been a fine run which continues into this movie too. Fahadh’s work, no matter how good or bad a movie is always something to look forward too – after all, this one is really good. There is a certain balance in his work, and even the simplest emotions from him brings the claps from the audience – the thief’s smiles score big. Suraj Venjaramoodu brings a performance which brings him back to the “fortress of seriousness”, with a full role rather than what he had in Action Hero Biju – he even has the romantic side to explore nicely. The National Award Winner for Best Actor in 2013 is the hero in this one, even though the term has less potential in a realistic story having no heroism.

Further performers of the soul :: Nimisha Sajayan makes a good debut with this movie too, as her work is simple as well as memorable. We see her taking it further with some realistic emotional scenes. It will be nice to see her in a different performance in one of the upcoming movies, and I remember having read that she has signed for another movie already. The next memorable character in the movie is played by Alencier Ley Lopez, who plays the police officer again after Njan Steve Lopez, and combines forces with Fahadh Faasil and Dileesh Pothan once again after Maheshinte Prathikaaram. You remember Vinay Forrt becoming the officer in control of things in Kismath where almost everything happens in the police stations – Alencier gets to do the same, but he has another mode on with Thondimuthalum Driksakshiyum. There is also the presence of some lesser known faces, who all do a fine job – it seems that the right ones are chosen for sure.

How it finishes :: We have all known what Dileesh Pothan is capable of, with his Maheshinte Prathikaaram, the National Award for Best Feature Film in Malayalam and also for Best Screenplay. The same combination of him with Fahadh Faasil returned here, and as expected there is something for us to be impressed, as we were waiting with expectations being a lot high. The movie with a realistic side will always have more for us than what any of those big superstar movies possess. It is the same realization that makes a lot of people to arrive at the theatres on a rainy day, defying all odds to get a ticket for this rather simple a movie – even the advance bookings have been even more. When the first movie was a success, the second movie has become a bigger challenge, as he has to match the glory, and here, with his brilliance continuing, Dileesh Pothan has kept Thondimuthalum Driksakshiyum working, even though not as much as Maheshinte Prathikaaram.

Release date: 30th June 2017
Running time: 135 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Suraj Venjaramoodu, Alencier Ley Lopez, Nimisha Sajayan, Soubin Shahir, Shince Mathew, Jithin KC, Vettukili Prakash, Sreekanth Murali

@ Cemetery Watch
✠ The Vampire Bat.