waterways – Movies of the Soul

Vampire Owl: It is a small world, isn’t it? We are now watching a French movie.

Vampire Bat: We have watched and reviewed movies of thirty-one languages.

Vampire Owl: Yes, the last language to be added being Filipino.

Vampire Bat: Those were also the movies which required our attention.

Vampire Owl: Yes, we should actually go for more Filipino movies.

Vampire Bat: Here, the French movies are actually among the biggest categories of foreign language films to be reviewed.

Vampire Owl: Yes, after Korean and Spanish, and just more than Russian.

Vampire Bat: I believe that these would make more than half of the foreign movie collection here.

Vampire Owl: I have seen that the most read foreign movie review here is still of an Italian one.

Vampire Bat: Yes, the one named Don’t Kill Me with fine flesh-eating zombies reminding us of those undead beyond the border.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A famous marine researcher who is worried about climate migration, Sophia (Bérénice Bejo) and her team have been studying the shark species and the changes that come across them while also checking the garbage which has been spread around as a patch four times the size of France. The focus is near the Great Pacific Garbage Patch and search narrows down on Lilith, a shortfin mako shark which was tagged by them some time ago. They end up seeing similar female sharks hunting together as a pack, which feels quite unusual. They find the shark named Lilith, but also finds out that it has grown in size and is now double the creature it used to be, and makes Sophia wonder what has changed in the oceanic environment. As it des not seem to be aggressive, the team tries to take a sample, only to find it killing her husband and other divers. Sophia jumps into the ocean to hunt it down, but becomes entangled in a net and is dragged into the depths of the ocean, and even though she could break free and come up, there are injuries sustained due to severe alternation of pressure underneath.

So, what happens with the events here as we just keep looking? :: Three years later, Sophia is still scarred by that incident for which she blames her own calculations, and works in an aquarium in Paris, explaining to the visitors about the oceans of the world and the marine life that inhabits it. She comes across Mika (Léa Léviant), and environmentalist who is looking forward to saving marine life which has been hunted vigorously by greedy humans, and also has a group that tries to do the same all around the globe. She tells her that the tracker which was set on Lilith is still active, and that the shark has travelled all the way from the Pacific Ocean to the River Seine of Paris. As it is not a freshwater creature, she feels that the shark might end up dying underneath the city if it is not found and diverted to the ocean. The police officer Adil (Nassim Lyes) who had found shark bites on a man found dead in the river, and hopes that Sophia can help him to kill it, but just like any other environmental and animal lover who do gives least value to human life, Mika switches off the tracker on the shark, leaving any human near the river prone to death.

And what more is going to happen with the shark right there in the river? :: Sophia knows how devastating the shark can be, and is reminded of her dead husband. Mika remains a third-rate animal lover who does not care for human lives, and stands by her idea that sharks do not attack without a valid reason, but Sophia knows better. Mika is still too good in making emotional pleas to save the shark as if she really means it. But for some reason, she is infatuated with just one shark and not bothered about anything else. She wonders how dare they try to attack that shark and not vice versa. She feels like a student who skips classes regularly for some environmental indoctrination as she is beyond logic. Her friend Ben (Nagisa Morimoto) who realizes that Mika is an environmental extremist who cannot be reasoned with, decides to meet Sophia and tell her that the shark even has underground sewage access. At the same time, Sophia and Adil request the Mayor of Paris to postpone the upcoming triathlon which would invite a large number of athletes to the area. The mayor refuses as billions of euros have already been spent on the event, and it is necessary for a build-up to Olympics. Now, one wonders what can happen next and who all will die.

The defence of Under Paris :: The movie manages to be a thrilling journey with a shark under water and people not realizing its danger. The most satisfying moment of the movie is the death of the one activist who brought all these upon humans and other living beings by unleashing an apex monster adaptation of the original shark. Even though human extinction is not that bad a thing for nature conservation, this one was a nature terrorist, and seems to be taken right out some people whom we regularly find on the media. The character shows the activist who lives without doing any other job, and seems to be interested in being in the spotlight and show face in the videos all the time. This one is surely not like the dedicated people working for environment, not looking for reels and selfies. The fear element is always present in the waters, and you keep wondering who is going to get the worst of the shark attacks. The shark attacks are all effective, and the final moments take the terror to the next level. In the end, we see that there is no hope left at all, unless there is that powerful a sequel which changes everything like a fantasy dream of wonderland. Bérénice Bejo and Nassim Lyes make a good team at the same time.

The claws of flaw :: The movie could have focused more on the shark rather than those activists, with more movements within the shots of the city to induce further fear. Due to the lack of any thinking people among those who are looking for conservation, a good message is lost. Just feeling that others are responsible for stealing dreams of the younger generation and doing some nonsense in the name of saving nature and oceans would never even come close to being somewhat sane. There could have been more chilling visuals of the shark hunting, and also more action in the ocean instead of just switching so quickly. The catacombs and sewers could have a scarier world in store for us. Paris could have also had more stylish shots to support its glamour, after all, everyone wishes to visit the city one day. The movie has been rather less known in this part of the world, and that is a disappointment because there is more appreciation to come for tales of shark horror with Netflix widely used.

How it finishes :: Among the European movies featuring sharks as the main nemesis, this one surely has maintained a space for itself. It will surely have a sequel, as the ending seems to suggest that the sharks have spread all over the world with oceans connecting to the rivers and lakes, and with the ability to live in saltwater as well as freshwater. The second part is surely going to be grand, like an alien invasion A Quiet Place or 10 Cloverfield Lane, with people having less areas to find shelter, as flooding could also follow. Well, we know how the Resident Evil films defined survival, and let us see how far this franchise can go. This first movie sets the tone nicely, and we know that there is much more to come. In the movie, we find that things go much similar to how real-life situation would go, with all these activists and the authority acting as if they know everything, until the world around them collapses due their acts of foolishness, and it is their own people that suffer, even though they would not live long enough to witness the same. This could indeed be the revival of the shark-themed movies, even though it might not become as good as the first Deep Blue Sea, which extended the Jaws mode really well and 47 Meters Down up to an extent.

Release date: 5th June 2024 (Netflix)
Running time: 101 minutes
Directed by: Xavier Gens
Starring: Bérénice Bejo, Nassim Lyes, Léa Léviant

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<<< Click here to go to the previous horror thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

What is Battleship? :: I have to admit that I had no idea that this was an alien movie mostly based on the sea before I went on to watch it. Yes, I found out that a Hollywood movie has released in the local theatre which would cost me absolutely no travelling charges and just the fifty rupees for the ticket, and wasted no time in looking for the plot synopsis or the reviews. Convert it, and it is not even one Unites States Dollar – too good for a movie with Hollywood effects. Thank God for the cheap tickets even in those multiplexes. Well, let me tell you that this is a confused movie, as it clearly wonders what is is supposed to do and why it is exists. In the meaningless or rather absurd world that it creates, the movie wonders what is it doing. But there is lot of entertainment in store in that world. If people can make Krrish 3 a superhit, why not this one? Always a better science fiction story than Krrish 3 – with better graphics, better story and a lot more. The best thing is that nobody really comes up and gives it a four out of five.

The Setting :: I always loved Battleship as the guessing game that it is. In spite of reminding me of that very old game called Minesweeper which I played while my computer lab hours of Plus Two, it was fun enough and may be one of those few games which I could just win by making some of the most stupid guesses. I didn’t know how to play the other games including Hearts, Solitaire and Backgammon and my only hope was to install Pinball or Allen Border’s Cricket – those were the days of floppy games, the memories keeping me nostalgic. So here comes Battleship as a movie, and I wondered how is it related to the game? May be because the makers were trying too much of a guessing game about the success of this movie, or may be our hero’s guess work has finally paid off and the alien invaders are defeated. There is indeed a lot of strange happenings in the movie, and I would like to guess that the aliens too guessed after having their own guessing game, may be named “Starship” – yes this has aliens and the military, and lots of battleships from both sides.

What is it about? :: Alex Hopper (Taylor Kitsch) is an undisciplined U.S. Navy officer who is in love with Samantha Shane (Brookyln Decker) who is the daughter of Admiral Terrance Shane (Liam Neeson) and our hero is just steps away from being discharged from the navy. But sometimes good things come in the form of an invasion and the best things come in the form of an alien invasion, that too concentrating in the ocean, thus giving him that opportunity to be the alien war hero. Well, five alien spacecrafts arrive, thanks to the curious Earthling cats trying to kill themselves with their space programs and their attempts to communicate and travel to the other world. The Navy fleet comes in contact with an alien fleet and gets most of their forces destroyed. With most of the people dead and Alex Hopper being the next person on charge, he has to take on the aliens with whatever crew he has left (which obviously includes Rihanna’s character) while his girlfriend who is with a U.S. Army veteran tries to take on some other aliens in another way.

The defence of Battleship :: It is better than the other two alien movies which turned out to be success at the box-office in the earlier years, Skyline (2010) and Battle: Los Angeles (2011), but this wouldn’t be that much of a box-office success, mostly due to the higher budget and secondly due to it coming later, after Cowboys and Aliens as well as The Darkest Hour, none of them creating that big impression which the alien movies needed. I don’t think that none of these movies are bad though. Well, I would say that this one needs to be watched just for its action sequences, well-designed alien spacecrafts and weaponry, the special effects and the well-designed alien creatures. We could take the virus-logic of the 1996 Will Smith movie which they decided to name Independence Day and most of the audience accepted the movie which one of the worst climaxes that anyone could think about, and so thinking more about this movie is vain, and one has to accept this one for the effort that was put into it and all that has worked.

The claws of flaw :: There is good design, but that mostly leaves the alien ships as transformers of the ocean (but still having their own style), and the movie concentrates rather too much on the navy which is rather an overdose which one could have avoided. They could have had it, but with lesser emphasis on the awesomeness of that navy or rather decreasing the screen-time. Yes, the name of the movie is Battleship, but it doesn’t mean that you have to praise battleships and show them again and again making us feel that it is the hero and the characters are not important at all. You have someone like Taylor Kitsch and someone as awesome as Liam Neeson, but where is the focus? On the battleships of humans and aliens. May be it can have a big basket to keep its collection of cliches. When a movie tries to claim that it is adapted from a game like Battleship, what can you expect? They can’t even copy the cutscenes or dialogues! Why water? Because they want to show battleships a lot!

Performers of the Soul :: Taylor Kitsch is there playing the protagonist (the one which is human), but doesn’t have that good a role which could prove his abilities, and is still good with the character. John Carter was awesome and his performance was great, and another thing that I appreciate about him is that he is ready to do a sequel to the movie which might be highly unlikely due to its previous box-office performance. I am proud of thee and Lynn Collins. He deserves better than this, just like John Carter deserved a lot more. I really don’t know why they had Rihanna in the movie, and it is a question better left unanswered. Brooklyn Decker has her presence, but one has to think that she wasn’t really needed in this movie, and this so much pales in comparison to how she has been in Sports Illustrated. Another question is that how could they waste an actor like Liam Neeson is such an insignificant role? Ra’s al Ghul and Jean Veljean should dislike that, and I am not even going to Oskar Schindler.

How it finishes :: Battleship is more of an excuse to make another alien invasion movie and get some box-office collection from it. People can watch it to stare at Brooklyn Decker, but it also gives us some reasons why the third movie of Transformers was not that good (as if the second was of any good). This movie also has the CGI and special effects which rival that series, and has Brooklyn Decker instead of Megan Fox and the other lady who was there for the looks. Battleship will not be a movie franchise like Transformers, and this might be the last time we see such an alien movie based on the ocean, but this movie can surely provide us with a lot of entertainment as long as one chooses to watch it. This is still a better movie than Transformers: Revenge of the Fallen and Transformers: Dark of the Moon – if you ever come across these movies at the same time on television, watch this one; has more logic, common sense, style and even better characters and story than the mis-adventures from Bay, and not to forget the use of graphics and the right use of special effects on the explosions and stuff.

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Release date: 18th May 2012
Running time: 131 minutes
Directed by: Peter Berg
Starring: Taylor Kitsch, Alexander Skarsgård, Rihanna, Brooklyn Decker, Liam Neeson, Tadanobu Asano, Jesse Plemons, Adam Godley, Gregory D. Gadson, Peter MacNicol, John Tui, Hamish Linklater