Kismath

kismat

What is the movie about? :: The movie tells the love story of Irfan (Shane Nigam) and Anita (Shruthy Menon) in the coastal town of Ponnani, in the district of Malappuram. Irfan is a twenty three year old Muslim boy from a rich and influential family that has big businesses running in the town, and he doesn’t have a full-time job after dropping out of engineering course; neither does he tries to get one. Anita is a twenty eight year old scheduled caste Hindu girl who is financially not sound, and is a research scholar at the nearby college. They meet after Irfan’s modified motor-bike hits Anita’s mother who was crossing the road. He gets her to the hospital and takes care of her until her relatives arrive. Anita and the other relatives are hostile to her in the beginning, but she understands that there is no mistake on his part. Irfan continues to visit them until her mother discharged from the hospital.

Where are things heading for? :: They see each other on more occasions later, and he also helps her with the project which is related to the mosques of the town. As they realize that love has blossomed and it won’t be supported by anybody in their respective families due to the difference in religions, social status and the negative age difference, they decide to go to the police station for protection. But what they don’t realize is that the police is an integral part of the society, and it doesn’t exist separate from the people of the town which includes their own families. Sub Inspector Ajay C Menon (Vinay Forrt) is not the kind of person who likes to move that much away from the society that he lives in; he refuses to be divergent – he doesn’t approve of this relationship for the same reason. The same is the case of ASI Nair (Sunil Sukhada), as they call for their relatives to arrive at the police station. Now, what happens next means trouble for the young couple.

The defence of Kismath :: The two big movies with similar theme of forbidden love, Thattathin Marayathu and Ennu Ninte Moideen were taken over by the commercial side, and the next talked about flick with inter-caste love story, Annayum Rasoolum was just hours of drag that made us hate the protagonists – it was only when the heroine died in the end that we were relieved, but then too, things were of not much of a purpose. But Kismath has this in control, with fine visuals and depicting usual incidents in a realistic way – there is also a realistic ending. As it is well-executed, we feel the emotional depth, and the two protagonists go straight into our hearts. This one has a five plus years older heroine, and so things were going to be more difficult, as we can see in the proceedings of this movie. We not only get into the lives of the protagonists, but also into the lives of the people of the particular town.

Claws of flaw :: Even though not as slow as the slowest movie in this century’s Malayalam movie list called Annayum Rasoolum, this one is also somewhat slow, which will make it difficult for a good number of entertainment loving fans to stay with this one. There are also the two protagonists who have no job of their own, trying to oppose the families to which they are attached, which was sure to have terrible consequences – a case of bad thinking from their part. It is also strange that even if this movie says that it depicts the life of real life people who faced a situation like this, there is no mention of what happened to them in the end – we never knew such a situation from the news, and so we do wonder how things went with them after watching this movie. The songs are also not that interesting, and a little more of the town outside the police station would have brought more for this movie. There was more scope for this love story, as you will realize when watching it.

Performers of the soul :: Shruthy Menon has the biggest role of her career, and she does her job really well – there is just a controlled performance here, which she does without the emotional overdose which the movies like these tend to have. Shane Nigam, son of Abi, whom we know from earlier movies and has been a popular mimicry artist, is also in control here in his first lead role in a movie – it is interesting to note that he made his acting debut as a grown-up in Annayum Rasoolum which has a similar theme to deal with. The director, Shanavas K Bavakkutty who is also a debutante, has made this one work smoothly, throughout its run. Alencier Ley Lopez continues his form, while Vinay Forrt has the most noticable role, and he does that with ease becoming the Sub Inspector character. Sunil Sukhada is the next one we notice at the police station.

Soul exploration :: This movie is different, that is for sure. It is not an entertainer like the other two movies with similar settings, Thattathin Marayathu and Ennu Ninte Moideen which presented the Hindu-Muslim love stories, and neither is this one like Annayum Rasoolum which was so boring and slow that one would have wanted to jump of a cliff instead of watching that one for three hours – yes, the lesser run-time comes as a boon for this movie, and as it never tries to be funny or stylish, we are without those terrible marketing strategies. What we have here is surely closer to the lives of the common people. We are also able to connect to the protagonists better, and feeling their pain is easier because they are just common people who are confused about what to do when both their families don’t agree to their marriage. So, they go for the option that seems to be safe for them, even though they are not that much informed about how things would go from there.

How it finishes :: Kismath has tried and has become the movie that Annayum Rasoolum should have been. It is solid in what it does, and even when not that fast, manages to be not dragging like Annayum Rasoolum had been. What works for Kismath differently is that it is less of the romantic tale, and it is more of the consequences of love, for what comes after the love story is the trouble, and what they suffer. It is fate or rather the destiny that has awaited the lovers for a long time – it is more of going towards that uncertainty with certainty. This is the kind of movie that you need to watch if you like to go through a simple, yet emotional experience without the melodrama and unnecessary commercial aspects – this is love without those colours, and this the “kismath” that could await more than one person if done without thinking about society, as people will be like that only – there is no change coming.

Release date: 29th July 2016
Running time: 103 minutes
Directed by: Shanavas K Bavakkutty
Starring: Shane Nigam, Shruthy Menon, Vinay Forrt, Alencier Ley Lopez, Sajitha Madathil, Surabhi Lakshmi, P. Balachandran, Sunil Sukhada, Anil Nedumangad, Vijayan Karanthoor, Jayaprakash Kuloor, Binoy Nambala

kismat

@ Cemetery Watch
✠ The Vampire Bat.

Guppy

guppy-1

Vampire Owl :: Oh, you mean the Vampire Guppy.

Vampire Bat :: There is no Vampire Guppy. Fishes don’t become vampires. None of us are interested in water including you.

Vampire Owl :: But all I have been hearing about in the last few days is related to the great bath.

Vampire Bat :: That is just the blood bath. Fishes don’t live in blood.

Vampire Owl :: It is really unfortunate. We could have used some fishy help. There are already too many things fishy with the humans.

Vampire Bat :: Still, we can watch this movie. I have read that this is one of the better human movies.

Vampire Owl :: If it is a better movie, I am sure that most of the fan-boys and fan-girls haven’t watched it yet.

Vampire Bat :: Yes, it is universal law; the quality and the fans won’t go together.

Vampire Owl :: Which is why good movies need us.

Vampire Bat :: Yes, we watch more good movies, and it is our superpower to differentiate between the best and the worst of them.

[Gets three cups of tea with jackfruit chips].

What is the movie about? :: This the tale of a boy named Michael (Chethanlal), who is known to everyone as Guppy, as he has a collection of the small fish called guppy and earns money by selling them to the customers in need. The boy has one dream, that of buying an automatic wheel chair for his mother (Rohini) who can’t walk after the stroke she suffered with the death of his father. The death of his father left his mother on the wheel chair, and she never let him go to the sea which took the man. The seaside village has people who admire his hardwork, and tries to help him in achieving his dream. The two people supporting him the most are Paappan (Alencier Ley Lopez) who runs a shop where Guppy also works, and Lalichan (Sudheer Karamana) who provides him the help needed to grow and sell the fish from the village office where he works.

So what happens next? :: Everything remains simple in this beautiful, scenic village by the side of the sea. The boys are all after Aamina (Nandana Varma) who is the grand daughter of the man who works at the railway gate (Sreenivasan), but the man makes sure that nobody gets to see her by covering her face with a purdah. The boys are happy spending their days in the usual way though – there is nothing special happening as life goes on as has been for a long time. But things don’t go well for him as an engineer Thejus Varkey (Tovino Thomas) comes to the his village for constructing a railway bridge. From the beginning itself, the boy and the engineer doesn’t like each other, and a certain rivalry begins between the two. Both are determined not to yield to the other. The story goes on to tell us how the differences go and how things get for the two.

The defence of Guppy :: There is a certain amount of artistic feeling that we get with the visuals of this movie, and how the incidents are set in motion. Remember Ernest Hemingway’s The Old Man and the Sea and Riders to the Sea? There is something special with the movies with this type of setting as long as they are done well enough; there is the struggle, there is the hope and there is the attempt to survive. The relationships and emotions are just on another level, even when the special situations are not attempted. There is no clear protagonist and antagonist here, and no hero and villain to be exact, as we see the flow of emotions making people do things which they wouldn’t want to do on another occasion. There is something so poetic about the life and situations here, and we move through the same, with some beautiful shots of the sea and the shores, along with some nice music.

Claws of flaw :: The characters might not seem that well developed for everyone throughout the movie. There are some of them who are there just for the same of being there. One might notice that there is a little bit too much time taken to get us into the whole thing. There is also a certain amount of drag in between, and the movie is a little bit too long for this kind of a subject. Going at a better pace would have made this movie feel even better. The number of songs could have been reduced for the same reason. The ending might not satisfy everyone, and there are things that the viewers won’t be clear about – the movie leaves one with enough to guess and more to think about. The key is to get the connection with these characters in the movie, and only after that can one get the full feeling of this movie – therefore, this movie needs its own thinking audience.

Performers of the soul :: All of us will notice how amazing a performer Chethan is with this movie, even though it is not the first time that he has brought the surprise right to us. He excels with those emotional moments, and this is more of a controlled performance which raises no questions. Tovino Thomas is not far behind here, as this character simply adds to his wonderful works, as he scores throughout this movie. There is no shortage of skills here, as we see him in this new avatar. Alencier Ley Lopez and Sudheer Karamana are there to bring some fine support to the cast. Rohini is there to add to the same, and Sreenivasan brings even more here. Sreenivasan’s role is of the most significance after the main characters too, and he remains comfortable throughout the flick. Noby Marcose adds some fun here, and the director of Maheshinte Prathikaram, Dileesh Pothan is also present in a notable role.

How it finishes :: Guppy goes through to tell its viewers the need for forgiveness. As long as that quality can get all the needed attention, life gets better. But the first kind of people whom we need to forgive are those who are yet to watch this movie. It is never too late to watch and support good movies, and with its well-designed world, Guppy provides us with more than just good times. We remember that Annmariya Kalippilaanu was another such movie that too many people missed! Guppy is the kind of movie which has the moments which will stay with us for long. It is close to the heart, and it is more about how life goes on, and how things change for the good and the bad, and Guppy shows us that it is never about being restricted to black and white, good and evil – it is more like being different people and going through our lives to get to the other end. But there is the need to be good to others, to forgive mistakes to make things better for everyone.

Release date: 5th August 2016
Running time: 158 minutes
Directed by: Johnpaul George
Starring: Tovino Thomas, Chethanlal, Sreenivasan, Rohini, Alencier Ley Lopez, Sudheer Karamana, Dileesh Pothan, Sudhi Koppa, Noby Marcose, K. L. Antony Kochi, Poojappura Ravi, Nandana Varma, Chempil Asokan, Bijitha Bhanudas, Vijayan Karanthoor, Antony Kochi, Devi Ajith, Vijilesh

guppy

Btw, do watch Pulimurugan if you haven’t yet!

@ Cemetery Watch
✠ The Vampire Bat.