Jocelin Donahue – Movies of the Soul

What is the movie about? :: The terrifying events in the haunted Overlook Hotel which formed the movie The Shining has passed, but Danny Torrance (Ewan McGregor) hasn’t taken himself out of it completely. When he was a child and lived with his mother Wendy Torrance (Alex Essoe), he had the worst of the visions, but could manage to lock down the the spirits from the hotel in an imaginary space in his mind with the help of Dick Hallorann (Carl Lumbly), a benevolent spirit from the hotel which continued to help him, even after many years. As the hotel had closed down after the incidents, the ghosts, if let out, would try to feed on his psychic ability, his “shining”, as they are left with no other options. He is also warned that he should only keep his ghosts there, and not the memories. But this doesn’t go well for Danny with his life, as he gets to a new low with alcoholism, as it seemed to help him suppress his pysychic abilities, and he decides to escape from this lifestyle.

So, what happens with the events here? :: As he moves to a new town, a much smaller one, he finds a good friend in Billy Freeman (Cliff Curtis) who was also an aloholic, and sponsors him with a job and a place to stay in. He makes new friends in a group meant for the alcoholic survivors, and manages to begin as an entirely new person there. He becomes an attendant for the elderly, and becomes known as Doctor Sleep, as he helped the old people to die in comfort as they reached the end of their days, with his shining. He also begins receiving some messages through telepathic communication from Abra Stone (Kyliegh Curran), a young girl who seems to have a shining which might be more powerful than anyone ever lived during his time, as she reaches him from a long distance away. Her parents are afraid of her abilities, but manage to raise her as a usual child, due to her skills in hiding her shining in front of others outside, including school. Danny and Abra continues to make connection by telepathy.

And what else follows with the happenings? :: It is then that the True Knot, a group of psychic vampires led by Rose the Hat (Rebecca Ferguson), who extend their lives towards immortality by the psychic power of young children, gets short of the much needed essence, and decide to go on hunting all around the nation. With the shining essence which serves as the steam for their existence facing a shortage, she and her partner Crow Daddy (Zahn McClarnon) adds the teenage psychic Snakebite Andi (Emily Alyn Lind) to her group, as she has an expertise in cheatign people, and because they can use their skills of manipulation. They turn her into a psychic vampire after feeding her the steam of Violet (Violet McGraw), a young girl whom they murdered, and had stored her essence for later use. While the group finds another boy with shining, and brutally murders him while feeding on his essence, Abra finds them, and she comes face to face with Rose, an act which sets the vampires on her trail. Danny feels the need to save her, but can he fight this centuries old cult of vampires?

The defence of Doctor Sleep :: There is balance being maintained in Doctor Sleep, as instead of getting into horror, which was the easiest step, the movie chooses to build each character really well. The case of the mind is nicely told, and we understand what each character is going through, and at the same time, we know their worlds really well. Unlike The Shining, the movie has different people and different world coming together, and we see the minds too, in an adventure which seems to be so well-designed to suit the taste of more than one kind of audience. That doesn’t take away the horror elements from Doctor Sleep, as they are present, and so are those thrilling moments. The different settings used by the movie, from the outskirts to the hotel with the spirits, are really good. The final fight scene of the movie is brilliantly worked out, and Rebecca Ferguson shows mastery out there as the psychic vampires rise above the blood-thirsty ones here.

Positives and negatives :: There was a challenging task ahead for the director here, to keep the movie close to the 2013 novel by Stephen King and the 1980 movie which deviated from the Stephen King novel – it was a difficult task, but it seems to have been done with some extra care. But the movie would have done better if it had followed the 2013 novel, because the younger audience who watch these movies more do not care that much about a 1980 version, and some others might have forgotten about the movie – if it had shortened its length and had stayed close to the 2013 novel version, there was chance for better success for this flick which didn’t come close to staying in the theatres as much as we wanted. The number of release centres which it had managed were also less, and it didn’t reach some towns at all. The movie might feel too long for some, but unlike some of other adaptations from novel which turn out to be too long, this one doesn’t drag.

Performers of the soul :: Ewan McGregor nicely makes the character a favourite, as we get to know the child from shining shown as the adult, and he fits in very well. Rebecca Ferguson plays the antagonist here, and this is one villain that you don’t need to miss, as he works this one towards perfection. When you are in a horror movie, there are antagonists which you imagine, but not this one, as she plays another character whom we get close to, someone who is not the usual evil prey. Most of the audience know her the best from Mission: Impossible – Rogue Nation and Mission: Impossible – Fallout; she was also there in the science fiction horror in space, Life. The Swedish actress would be someone perfectly suited for thrillers, whether action thrillers or horror thrillers, and we see her becoming the character in such a way that we can’t separate her from the antagonist. Kyliegh Curran as the girl with the most shining is solid, while Emily Alyn Lind adds a beautiful evil charm.

How it finishes :: It is not easy to come up with something like a perfect sequel after a long period of time, like thirty nine years after a movie releases. If you have watched It, you know that the sequel came in just a few years, and the second chapter never really came close to being as good as the first one. Pet Sematary, with its sequels and reboots have also just managed to be good enough. But Doctor Sleep, the sequel of The Shining has excelled in doing the job. It is indeed a shining sequel, and it might be the best, a movie can have as its sequel, especially a psychological horror film. Even Hannibal couldn’t get such a sequel, and we know where The Ring franchise went. The Conjuring had the best one as the first movie, and so did Insidious. Therefore, what Doctor Sleep has achieved with one of the best movies of the year is something that we need to appreciate. Here is one psychological thriller you shouldn’t miss even in the name of Corona virus.

Release date: 8th February 2019
Running time: 181 minutes
Directed by: Nicholas McCarthy
Starring: Ewan McGregor, Rebecca Ferguson, Kyliegh Curran, Cliff Curtis, Emily Alyn Lind, Zahn McClarnon, Carl Lumbly, Jocelin Donahue, Bruce Greenwood, Robert Longstreet, Alex Essoe, Carel Struycken, Zackary Momoh, Jacob Tremblay, Henry Thomas, Bethany Anne Lind, Catherine Parker, Violet McGraw, Selena Anduze, Met Clarke

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@ Cemetery Watch
✠ The Vampire Bat.

It was in 2011 that we were treated with one of the “different” horror movies in the name of Insidious which was partially copied to Hindi by Bollywood’s last sequel to Raaz. Now we have its sequel, in the same year as two horror big-shots release, including The Conjuring and Carrie. Never before did more than one horror movie release here in the same year, and I almost thought that this was never going to release, just like The Chainsaw 3D, Evil Dead and The Haunting in Connecticut: Ghosts of Georgia. But here we are, with this sequel, even as the original never released on the big screen here and we had to strive to get to it. It didn’t release on that original date of a Friday the 13th though, as it just released here on a Friday 15th, about two months later. Its trailer had reached here long ago, and was well received by the audience who had a great experience with The Conjuring which itself had delayed – all three horror movies releasing late here – something with the censor board or looking forward to their performances in other parts of the world before the risk is taken here? May be they underestimate the audience quite a lot. They can end their devotion to the series if there was any, and look for cheap gore.

After a small flashback into the childhood of our major father character during the time of his encounter with the Lady in Black, the Bride, the movie takes over the story from where it had left off, with Elise (Lin Shaye) dead, and the demon from the other world taking over the body of Josh Lambert (Patrick Wilson). There is a lot of mystery over the death too. With Josh doubted by Renai Lambert (Rose Byrne) and his children, Lorraine Lambert (Barbara Hershey) goes to visit Elise’s friends and partners in finding the supernatural after feeling strange occurences in the house and even seeing a woman in white. The same mysterious woman knocks out Renai after abducting their little kid for a few moments. The piano playing by itself is just one of the strange things occuring in the house. Lorraine meets up with Carl (Steve Coulter), one of the old friends of Elise, who is another paranormal investigator using his dices to contact the spirits from the other world. Through the dices, after contacting Elise, they find out that they will know something from Our Lady of Angels hospital where Lorraine used to work as a nurse during her young days.

There Lorraine remembers the story of Parker Crane (Tom Fitzpatrick), a patient who committed suicide by jumping from the top of the hospital, as he appeared to her after his death. They are guided to his home, and they soon find out that the spirit which is leading them might not be of Elise at all, and it is not a good one nor is it friendly. They come across the story of a serial killer and his mother who used to terrorize him throughout her life as well as after it. It becomes clear to them that Josh is possessed and not himself, even as the detective couldn’t find him guilty of the murder of Elise. Renai and the kids are in danger, and so are they themselves. There are only a few ideas left for their survival, and one of them might be to drug Josh and bring the original person back to his body; the other one might be to find him in the other world itself. With time running out, and a serial killer ready to come back to this world through Josh’s body, this time more powerful than before, can they make the right decision and succeed or does the demon killer take charge start its killing procedure?

So where does the sequel stand in front of the original? I would consider it as slightly better than the original, even as most of the critics seemed to have found it negative if not average. I was surprised by the same though. The movie has an unsettling atmosphere supported by a truly phenomenal settings which has been used to support the same, and give us a truly paranormal feeling. The tricks to scare the audience might feel a little repetitive, but are used in the right manner with correct effects. Yes, it i genuinely scary, and undoubtedly scarier than its predecessor. There is the presence of more scary moments and it explains most of the things which were left unexplained in the first, and also contributes to the horror of the same. The spirits are pretty much good both in the real world and the other. The Lady in White and the Bride in Black are just two of those figures which rule the screen. There is nothing like the man possessed though. Insidious: Chapter 2 undoubtedly becomes the next best horror movie to The Conjuring here, and it is still insignificant as there are only two English horror movies released here. Yes, it is effective and undoubtedly very creepy and successfully scaring people. But do not watch this if you are not a horror fan or you are pseudo-horror fan who says that this isn’t enough for “the great ME” – the things pride can do to you, my dear vain man.

Patrick Wilson is the star here, and he plays the astral traveler possessed by the demon with so much ease. We can see his transformation as he becomes more and more of the demon who has taken over his body. He seems to be a person perfectly fitting horror movies – loved his performance in The Conjuring too. He was a gifted spirit walker, but is now kept out of his body by the demon, both roles well done. There is a little bit of The Shining’s Jack Torrance in him for sure. Rose Byrne has a sweet and innocent screen presence, and Barbara Hershey is no stranger to such things, tracing back to playing that victim of supernatural sexual liasions in The Entity – her presence itself is a real boost to the movie. Jocelin Donahue plays Lorraine’s younger self to perfection, and Lin Shaye’s Elise is very good, and her younger self played by Lindsay Seim is no different. Leigh Whannell and Angus Sampson as Specs and Tucker provides the comic relief which is very less throughout this serious movie. Tom Fitzpatrick’s villain is strong and ruthless, yet made scary more by the visual imagery and effects rather than anything else, and so is the case with Danielle Bisutti’s Lady in white, or the Mother of Crane. The kids have limited role this time, and are no longer the focus of the movie.

Thanks to James Wan for giving us this fine sequel, the third of his brilliant horror collection beginning from Insidious and going through The Conjuring. It is very much a necessary sequel and it only adds to the value of its predecessor even as it doesn’t reach above The Conjuring. None of the two movies of the series are to be looked at alone, as they perfectly compliments each other, adding something which perfects the other. There has been nothing wrong with the badly reviewed horror flicks of the year, The Chainsaw 3D, The Haunting in Connecticut: Ghosts of Georgia, and this one – but the critics choose to devalue them for almost no real reason. They can’t understand that the Lady in White or the mother was mentally not right. I wonder why would they feel bad about people in the other world being white, and how the people in this world are able to fight with the demons in the spectral world. People are looking for strange questions while it is not the movie that makes sense, but their questions. They can’t find the answers, but it doesn’t mean that they can take the creativity of the viewer as a big zero, for nowadays it is the common arts graduate who has the right imagination. But still, The Conjuring might be the horror movie of the decade if we consider The Cabin in the Woods as not just horror.

It is the season of demons, that is for sure – just because of one thing, that Krrish 3 has been given four out of five by some strange people. Such acts of evil has forced me to keep the rating of this movie a little higher than I intended to. There are weird people in this part of the world who rate the movies of their language high, and the others low – and some of them follows the foot steps of those who reviewed it from America and Europe, but in that case, one has to consider the fact that what third rate movies like Krrish 3 would get if they review the same would be zero out of five if no negatives are allowed. So following their rating for English movie is pure hopelessness as long as they are going to rate horrible Bollywood movies with a consistent four out of five just because it has superstar sons acting in it or the same will make the pathetic fan-boys and girls incredibly happy. May be they can learn something from the Malayalam movie critics who give a maximum of three out five for the best movie of the year. Our world will only get better when the demonic fans disappear and all actors are considered as equal performers – hope Insidious could do that.

Release date: 15th November 2013 (India); 13th September 2013 (US)
Running time: 106 minutes
Directed by: James Wan
Starring: Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Barbara Hershey, Steve Coulter, Leigh Whannell, Angus Sampson, Lindsay Seim, Jocelin Donahue, Andrew Astor, Danielle Bisutti, Tom Fitzpatrick, Michael Beach