Photocopier

Posted on May 23, 2022 by Tennyson

Vampire Owl: I remember taking the photocopy of the Vampire Deed of Blood.

Vampire Bat: It is originally called the Nocturnal Crimson Deed.

Vampire Owl: That reminds me of the movie, Nocturnal Animals.

Vampire Bat: Do you remember the other Indonesian movies we had watched?

Vampire Owl: Yes, two of them – Impetigore and Gundala.

Vampire Bat: They were some very interesting flicks with a divergence.

Vampire Owl: Yes, one horror film and a superhero flick.

Vampire Bat: It took us some time to watch another Indonesian movie.

Vampire Owl: Well, we can’t watch them all, right?

Vampire Bat: We never get to watch enough of them after the arrival of corona virus and the following warning.

[Gets a blueberry cake and three cups of Wayanad tea].

What is the movie about? :: Suryani (Shenina Syawalita Cinnamon) is a college student who is also part of the theatre group at the campus, named Mata Hari. After the performance, she returns home to a very strict father and a mother who is always working, far away from the city. At home, she finds out that their performance called Medusa et Perseus in the Student Theatre Festical was accepted for the Asian Student Festival in Kyoto, Japan; her father asks her to focus on her studies. There is a party at the house of their leader Rama Soemarno (Giulio Parengkuan) to celebrate the triumph, but her father does warn her against it, especially related to consuming alcohol and wearing revealing dress. Another girl, a senior named Farah (Lutesha) also asks her not to go to the party, and advices her to instead focus on getting the scholarship that she had always wanted. She feels that Farah is saying so because he was kicked out of the theatre group. The group also finds the suitable sponsors for their flight tickets to Japan.

So, what happens with the events here as we just keep looking? :: The party feels more wild than she had expected, and forgetting what her father had told her, she decides to have the alcohol, even though not without difficulty in drinking it for the first time. She also forgets the earlier decision to leave the party before it gets too late, as she enjoys a lot under the influence of the alcoholic drinks. In the morning, she wakes up very late, and arrives for the scholarship interview on the next day just in time. But she is embarrassed in front of the interviewers who had checked her social media, which had her pictures of drinking alcohol and enjoying the party. Even though she has good scores and attendance, they reiterate to her that drinking alcohol and attending late night parties are not Indonesian culture; they are looking forward to give scholarships to students who set good examples and not those who could go on to become nuisance for the society in the future. They also added that instead of doing work within her department which was Computer Science, she was wasting time with theatre. She had also attended the interview in party wear, and has to walk out of the room humiliated.

And what more is there for the girl in trouble right now? :: The teacher asks her to join the class only after paying her fees, which she can only do with the scholarship. Back at home, she comes to know that her parents had received the message that her scholarship was terminated due to inappropriate conduct. Her father throws her out of the house for breaking the religious laws by drinking alcohol, and tells her that everybody knows about it now, as some guy was carrying her back home, knocking on each door on the way to know her residence. That had caused a big mess in the neighbourhood as it was three in the morning, causing humiliation to the whole family. He asks her to leave and spend time in repentence. The leading performer of the theatre, Anggun (Dea Panendra), the party host Rama (Giulio Parengkuan) and the group leader Tariq (Jerome Kurnia), are all ready to help her, but nobody knows what exactly happened in the drunken state and who uploaded those pictures of her being drunk at the party. Now, she has to find it out herself, can she?

The defence of Photocopier a.k.a. Penyalin Cahaya :: Photocopier nicely goes through the adventure from the beginning to end, keeping us curious, and as a part of the whole mystery that is happening around here. Shenina Syawalita Cinnamon nicely goes through the role of the desperate student hoping to prove to everyone that she didn’t do what she was accused of doing, also desperate to get her scholarship back. The feeling of a curious as well as a sad and depressed girl is always there. Lutesha plays the next person to be of interest here, and her role is also worked out with quality. Dea Panendra as Anggun and Jerome Kurnia as Tariq remain strong parts of the work too. Ruth Marini and Lukman Sardi who plays the protagonist’s father are strong with the emotional side. There is no questioning the movie’s emotional strength as much as its strong elements of mystery, which seems to be almost impossible to solve, unless passed on as hallucinations or with a high dose of luck added here and there. Giulio Parengkuan and Chicco Kurniawan also have their moments.

Positives and negatives :: This is one of those movies which could have actually gone darker with its contents – instead it chooses the safe path. It still has its dark side hiding in plain sight, but strong enough. There seems to be a certain amount of hesitation in taking the risks with this film too. The movie has its fine setting in different parts of Indonesia, and this is a tale which could be put in the worlds of a few other nations too. With a few red herrings, it makes one feel that the innocents and the culprits and vice versa, while also making one wonder if there is actually any mystery about all of these or if it is already in the head. In a movie which feels close enough to reality, you won’t expect this many twists and turns, but there are many, and most of the characters here are not really what they seem. The movie talks about privacy in a world of mobile, CCTV and hidden cameras as well as the factors working on physical and mental health. The movie ponders on life, friendships, trust and betrayal at the same time. Still, there is the question about the uploading of the photos in social media that remains – the film seems to be too abstract about that.

How it finishes :: This is the third Indonesian movie that I am watching, and there was a certain interest in watching such a movie during our earlier trip to Bali too. This is that kind of a movie which doesn’t want us to skip forward even if it is not that quick – we do feel the need to be part of it. The negative effects of social media and lack of safety during night parties are the two things that this movie adds along with the interesting investigation that goes on here with the thrills and twists. It is also a reminder that people and things around are not the same as what we think they are. The movie reminds us that nobody is safe, and not everything that you hear from the most trusted people are true. Well, we know that those who are too rich and influential always gets away unless facing someone of a similar or higher status – in the case of celebrities, we have seen how people get away with everything. Well, not with Photocopier, as it does have the power of many. As it follows a realistic route, there is no stopping it from being something we can connect at points.

Release date: 8th October 2021 (Indonesia); 13th January 2022 (Netflix)
Running time: 131 minutes
Directed by: Wregas Bhanuteja
Starring: Shenina Syawalita Cinnamon, Lutesha, Chicco Kurniawan, Dea Panendra, Jerome Kurnia, Giulio Parengkuan, Lukman Sardi, Ruth Marini, Mian Tiara, Yayan Ruhian, Landung Simatupang, Rukman Rosadi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Gundala

Posted on August 1, 2020 by Tennyson

What is the movie about? :: In a world of corruption, poverty, exploitation and income inequality, people struggle to keep their lives going forward despite working so hard throughout the day. None of the hardworking people earns enough to provide to their family members. A number of factories in the city make their workers continue their jobs under terrible conditions without paying them much. A boy watches as his father leads his co-workers in protests against the low wages of the factory where they are working, leading to violence beginning between the people and the security guards employed by the corporates. But the workers bribed by their bosses kill the leader, much to the dismay of the son who witnesses the sequence of events. The worst is that the boy is also struck by lightning and develops a fear for the dark clouds and rain – along with the same, his mother who had left for the city also doesn’t come back, leaving him to live in the streets with no hope to pay the rent for the house. There, he is regularly attacked by other street children.

So, what happens with the events here? :: The boy who is consistently beaten up for trying to help others, finds a helper who teaches him how to defend against others, an advices him to stay out of others’ business, and in a world like this, not minding one’s own business can get the person into big trouble. Even though they decide to catch a train and leave the place, the boy is not able to get to his teacher who boarded the train as he can’t run fast enough to reach the train’s door. Many years later, Sancaka (Abimana Aryasatya) works as a security guard as well as a part-time mechanic in a printing factory, while trying to keep away from trouble as much as possible, due to his experiences during the childhood. But when the girl living next door, Sedhah Esti Wulan (Tara Basro) and her little brother are threatened by a group of thugs, he interferes and throws them away from the apartment. Later, the thugs retaliate as a group, and after beating him up, throws him down from the top of a tall building.

And what more is to follow in this superhero world? :: But Sancaka is hit by lightning on that rainy day, and he awakens, even healing himself completely with the power of the lightning which had struck him. As he saves the helpless Wulan and her friends in a market from the same thugs, she asks him to join her as well as the many poor people who are under threat from the thugs. But things are not that direct as it would seem there. A legislator and crime lord named Pengkor (Bront Palarae) has everything under his control in the lower level of the city, with a gang of orphans under his command. He knows each and every crime which has happened in the city, and is planning to come up with something huge to create chaos and destruction in the city. With a scar and a limp which he had from his childhood, he would stop at nothing to hurt anyone who stand against him. Sooner or later, Sancaka will have to become Gundala, while his friends including Wulan who is falling in love with him are also under threat. Can he live up to the expectation and be the symbol of hope for everyone?

The defence of Gundala :: We have always been in need of superheroes, especially those who are not from Hollywood, especially not from Marvel or DC. We have always loved Shaktimaan from our childhood, and so the need has always been there. With Avengers finishing the job, and the biggest superheroes Iron Man and Captain America out of he equation, we are always looking for possible alternatives. We can gladly say that this is indeed one, and this time, we have a realistic one in a believable world, with less use of powers and more of martial arts. The action is all done in very well, and there is enough of it, especially when we consider this as an origin story. The dystopian setting is also really well done, and we get to be with the people who undergo the struggle against those people who forces them to stay at the lowest level. In one way or the other, these people are having their own Batman, but with some superpowers – maybe he is a little bit of Captain America with the ideology he later develops, but these are all nicely evolved, and developed to fit our interests here.

Positives and negatives :: This is not to be checked out like you do for those big CGI filled movies like Avengers and the others, because of its existence closer to realism. It has to be noted that Gundala Putra Petir was also the first comic book adaptation in the nation, and it dealt with the same superhero in 1981. Indonesia is supposed to have a superhero movie franchise like Marvel Cinematic Universe (MCU) called the BumiLangit Cinematic Universe (BCU), from what we read about them, and with one more superhero introduced with our main hero, we can be sure that there will be more to come in the next few years, even though the Corona Virus delay could still be there. We haven’t really been aware of the same, but there are some fine superheroes who could come to be big screen, and it would be nice to watch them all, just like we had supported the heroes of Marvel and DC. If they are to be like our hero here, we can be sure that all of them can feel close to our lives than the extra dose of metahuman-alien stuff that Hollywood has been providing with the CGI. Here, the nicely created world works with minimum CGI, and connects so well.

Performers of the soul :: Tara Basro played the protagonist in Impetigore, and she is here too, as the actress who has just turned thirty and also got married this year, brings another fine performance to her credit. As we look at it, we know that she is also supposed to play a superhero which she is to become in another movie in the franchise. She has already done enough to prove here as the Hollywood style scream queen, and here, her existence in the action movies seems to be able to provide the same wonderful effect – we would need to see her as the superhero soon enough, along with other popular names who are to be part of the upcoming projects of this franchise’s universe. Abimana Aryasatya is a solid superhero here, and he makes the Indonesian Batman in Jakarta City instead of Gotham City, taking on crime and saving innocent citizens. He makes us go through his emotions and ideology as we wealk his path. We also have some strong villain with Bront Palarae being very much menacing, along with assassins including Kelly Tandiono, Asmara Abigail, Hannah Al Rashid and others. Ario Bayu whom we had seen in Impetigore is also here, making an impact.

How it finishes :: This movie comes from Joko Anwar, who is the same director that brought us, the high quality horror thriller named Impetigore. Even though this movie belongs to a completely different genre, we can see the director’s skills at work yet again. We have known many superheroes already, and this one is based on the Indonesian comics character Gundala created by Harya Suraminata in 1969 – it is nice to know that we do have more of superheroes with variety in store. It is always great to have some home-grown superheroes, but not like that ridiculous thing called Krrish which doesn’t feel Indian, original or really heroic in any way, but Shaktimaan type are always welcome. Indonesia has achieved that so well, and this movie is also fine work, not just as an entertainer, but also in many other ways, as this is more than your usual superhero movie. After my last visit to Bali, this is the closest that I have managed to get to loving Indonesia, and we are to fall in love with Indonesian movies if there are more films like this one. After all, this one stays closer to the values of the common man that even the Dark Knight could ever do.

Release date: 28th August 2019
Running time: 123 minutes
Directed by: Joko Anwar
Starring: Abimana Aryasatya, Tara Basro, Bront Palarae, Ario Bayu, Rio Dewanto, Lukman Sardi, Fariz Fadjar, Aqi Singgih, Marissa Anita, Hannah Al Rashid, Asmara Abigail, Daniel Adnan, Cornelio Sunny, Kelly Tandiono