Jacob Elordi – Movies of the Soul

Vampire Owl: I have been informed about this particular movie.

Vampire Bat: I know who told you about this.

Vampire Owl: There is no reason why Dr. Frankenstein would not approve of this movie.

Vampire Bat: Anyone named Frankenstein do not count as the real one.

Vampire Owl: He is the vampire certified version of a true scientist.

Vampire Bat: Too many versions for most of us to comprehend.

Vampire Owl: The demons have also approved of the same.

Vampire Bat: When did you start asking the shadow demons about anything?

Vampire Owl: They have provided a telepathic connection to the vampire blood bank.

Vampire Bat: Your friendships these days have become too questionable.

[Gets a chilli porotta and three cups of Vagamon tea].

What is the movie about? :: In 1857, a significant crisis arises when Horisont, a Royal Danish Navy ship sailing for the North Pole becomes caught in ice, and something unexpected also gets added as they find blood all around with signs of some brutality. Captain Anderson (Lars Mikkelsen) saves an injured Baron Victor Frankenstein (Oscar Isaac) who is caught in the snow and is attacked brutally by the Creature (Jacob Elordi) which shows no signs of backing down despite everyone of the crew trying their best, as it seems almost impossible to stop from unleashing unlimited chaos. The humanoid creature demands Victor’s surrender while destroying everything on the way, but ends up going under the thin layer of ice, bringing relief to the crew, as Victor begins to tell his story. Victor explains to the captain that he is not attacked by some random abomination from another world, as he admits that he was the one who created the Creature and recounts the events leading to this particular creation.

So, what happens with the events here as we just keep looking? :: Victor remembers having a strict and abusive childhood due to his father beating him for even the smallest mistakes in his studies, as Baron Leopold Frankenstein (Charles Dance) wanted his son to be a surgeon like him, an expert in medical science like himself. He had married Victor’s mother for convenience and money, and nothing else – she dies with the birth of the second child, William Frakenstein (Felix Kammerer), who quickly becomes a father’s favourite, but Victor keeps mourning his mother and hates his father for what he feels like hesitation to save her life. Fueled by the hatred towards his father and indifference towards his young brother, Victor becomes a brilliant, but arrogant surgeon obsessed with curing death through science, based on the words of Leopold which meant nobody could defeat death. After years of trying to achieve the impossible, he is expelled from the Royal College of Surgeons of Edinburgh for reanimating corpses, which every major member of the society considered a brutal sacrilege.

And what more could happen here as the arrogance and pride would have more to do in a world of chaos and meaninglessness? :: With all hopes seemingly lost, Victor is approached by an arms leader and billionaire Henrich Harlander (Christoph Waltz) who is impressed by his presentation and the movement on the face and arms of an animated dead body, offers Victor unlimited funding and an isolated Gothic tower in the middle of nowhere to continue his experiments, seemingly with his own sinister plans about life, death and afterlife. After successfully gaining the maximum of his, as well as William’s assistance in developing his laboratory out of nowhere, Victor also becomes interested in a young lady named Elizabeth (Mia Goth), Henrich’s niece and William’s fiancée. She appreciates his efforts towards greatness, but does not like his nature at all, with him seemingly lacking in morality and becoming more and more greedy without concern for anyone around him. Victor keeps running out of time as Crimean War breaks out and Henrich is on a hurry, but what is the best he can finally achieve here?

The defence of Frankenstein :: The movie is a visual stunner, and it is the first thing that we notice about the movie. The Gothic world of the film keeps us completely immersed in the same, as we are never out of the architectural beauty and the use of colours, along with the images of the archangels, and the spires that point to heaven as much the scientific equipment which also create an impact. The dark tower is symbolic of the overreacher, with our hero continuing to be the hero that seeks more, like many others that we know, most significant name among them being Doctor Faustus. Guillermo del Toro’s Crimson Peak kind of effect continues here, as the Gothic world would always remain safe with him, not just with the darkness and the sinister alleys, but also with the colours, red being one of the most beautiful one as always, this time with that guardian angel imagery staying further in memory than the rest. This one is surely a more sensitive and emotional take on the original story, which have felt rather basic and rushed compared to some of its fine adaptations of later times. The film takes the creature out of its tough shell and shows it as a sensitive and intelligent being trying to help people, and also seeking love and belonging, without which, it changes; the same is depicted smartly.

Positives and negatives :: Oscar Isaac manages a good job with the character which is a little bit overdone for our liking. Mia Goth makes a good presence, but is not used that much as she should have been – A Cure for Wellness was the movie that used her the best, and then there was X; in this movie, she seems to be in the background like a conscience in mind. The last one and half movies are the ones which keep us so much interested, after those beginning stage, for there is so much strength there, leading to that finish, which makes one satisfied with that finish. The one hour after the first ten minutes or so have a struggle, and the pace also struggles. The movie is too long and stretched feeling is there, often also adding unnecessary elements; not all deviations are good either with theme elements going the wrong way in the process. Christoph Waltz’s character will surely catch our attention again, and Charles Dance continues to impress in a short period of stay. Felix Kammerer and David Bradley will also keep us interested in the world, which had a grand beginning with that fight in the snow.

How it finishes :: We have always had a fine dose of Frankenstein stories along with the original one which has kept going strong and inspiring so many derivates including Victor Frankenstein, I, Frankenstein and that guest role in a tale Castle Transylvania and its sequels. This one is another fine deviation which works, and is incredibly beautiful with the world – still, it could have been much better when we think about Guillermo del Toro as the director who brought us some of the most classic versions of myths and legends from the fantasy Pan’s Labyrinth to the full action Pacific Rim. This is that kind of a world where he makes his characters thrive, which would be a reason for the audience to expect more. The critical opinions have surely been positive, and as Mary Shelley’s ideas get expanded through a different path, we would still miss the horror, and despite an attack in the early stages of the movie, there is not much to bring the fear to us. As the monster and the creator are forever, this one would also be for long, as we ponder over the dangers of uncontrolled use of science, loneliness and rejection and above all – responsibility of creators for their creations, which some of the new age parents really need to understand instead throwing children to society, teachers, friends and relatives.

Release date: 7th November 2025
Running time: 150 minutes
Directed by: Guillermo del Toro
Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Krammerer, David Bradley, Lars Mikkelsen, Charles Dance, Christoph Waltz, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Ralph Ineson, Burn Gorman, Nikolaj Lie Kaas

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: So, how deep is the water?

Vampire Bat: Maybe the water is not really deep at all.

Vampire Owl: A vampire shall not check the depth of any water source.

Vampire Bat: You mean not even the rivers of blood?

Vampire Owl: I am not really fond of dried up blood.

Vampire Bat: Those have now become the plains of blood.

Vampire Owl: I have heard that zombies have rivers of brains.

Vampire Bat: It is a myth. In that case, they wouldn’t be desperately searching for more.

Vampire Owl: All horrors surely go deep.

Vampire Bat: There is already the presence of enough horror in the depths.

[Gets a vegetable samosa and three cups of white tea].

What is the movie about? :: Vic Van Allen (Ben Affleck) and Melinda Van Allen (Ana de Armas) are a seemingly normal couple living in a small town, Little Wesley, Louisiana. They also have a daughter, Trixie Van Allen (Grace Jenkins), but are not in love anymore, at least according to Melinda; yet they stay together. Melinda has many lovers though, and she maintains different relationships without deserting the family of which she continues to remain a part. Many people in the neighbourhood as well as their babysitter Chelsea (Juliet Brett) do consider them to be strange, but they go on with their regular lives with ease. Her new lover is Joel Dash (Brendan C Miller), who is forced to leave the party which they attend, after Vic tells him that he had killed one of the former lovers of Melinda. It feels like a believable story as the person had gone missing a long time ago. Kristin Peterson (Rachel Blanchard) from the neighbourhood tells him that now everybody has heard about that tale of murder. But people around him wouldn’t believe that, as they have known him for very long as a nice and forgiving person.

So, what happens with the events here as we just keep looking? :: While Vic seems to like a woman named Kelly Wilson (Kristen Connolly), but not thinking further about it, Melinda’s next lover is Charlie De Lisle (Jacob Elordi), who works as a piano teacher. But during a party, he is soon found dead in the house’s swimming pool, and Melinda suspects Vic of murder this time, as he had shown signs of being jealous, and was the last person to come out of the pool where they were celebrating. Kelly tells Vic that her husband Don Wilson (Tracy Letts) keeps telling everyone that Vic murdered the man by drowning him in the pool, and he also talks to Melinda about the same. Kelly also apologizes to him for her husband who comes up with some crazy theories, and he is concerned about the previous murder which Vic talked about too. Melinda and Don had even hired a private investigator named David Ricigliani (Joel R Martinez) who pretends to be a psychotherapist, but Vic is smart enough to figure him out. But that only increases the tension which is already present around there. How would the family go on from here?

The defence of Deep Water :: In the beginning, the movie might seem to follow a regular pattern, and might end up as a usual erotic thriller, but soon we come to know that this will not be the same. The movie picks up pace and brings the clues that we will be up to something divergent soon, and it is only a matter of time until we know that things are not really what they seem to be. If this was Deep Blue Sea or Dark Water, that would been another case – we have a combination of those movie names which seem so familiar. As this is based on the 1957 novel of the same name written by Patricia Highsmith, there is the material already set to go. The change from the plot of the original work is also something to be appreciated, because the movie adaptation changes seem to work perfectly for the leading cast, especially related to how things come together so well – otherwise, the proceedings of the movie wouldn’t have provided a meaning in the end. Then, you have to love the weirdness here, and it is never boring.

Positives and negatives :: The movie could feel like a little bit too long as it takes its own time to make things move through the path of a thriller, a psychological thriller. The leading man might feel to be the stoic one in the beginning, but people would find it the hard way that he is exactly not that. It could have chosen the full serial killer mode at some point of time, but it chooses not to go that dark in its tone. You do have Ben Affleck right at the core then, and he brings the special element as one would have hoped from him, even with that lack of interest shown in the beginning. Then there is Ana de Armas, this time with the black hair, has more than one surprise almost every time – she goes on around here with such vivacity which is unmatchable. With them around, one can look out for the psychological thriller as much as any other genre. You think that you know them, and their world – but this is not the universe where the predictable keeps happening, and deviations around here are going to keep you interested.

The performers of the soul :: Ben Affleck basically has a role reversal from what he had gone through in Gone Girl, and this time, as he would take a few actions related to the future of their marriage. He was also a favourite Batman for me for sure, and the roles to remember seems to come from him when least expected. Ana de Armas whom most of us know the best for her role in the Keanu Reeves starrer Knock Knock, surprisingly seems to have got younger and more beautiful here, and manages to go through this particular role with perfection. The Spanish actress who was also part of a Bond movie earlier, seemed to blend into this role as if it is custom-fit for a grand performance from her. It is evident from the very first moment when she is seen, and then right after the first party. Grace Jenkins who plays the daughter also has her own little moments. Kristen Connolly who is best known for The Cabin in the Woods also has a nice short role in here. At the same time, Tracy Letts plays the man of many doubts really well.

How it finishes :: Deep Water feels like one strange psychological thriller which takes the divergent path, the one which is not often explored this well. The emotions go strong and weird and you come across that kind of a couple who cannot be considered normal in any sense, even for the standards of some of those strange films. When you have much more than what meets the eye, it is more about the minds than anything else. With much less of a predictability factor, the movie is a fine work on the psychological side, as you keep looking forward to what happens next. Last year, Amazon Prime Video had The Voyeurs as one of the biggest exclusive releases, and this time after Kimi, this one stays a step ahead. As most of us continue the trend of not going to the theatres anymore, this release in the OTT platform adds to the interesting list of movies that we have watched at home. After all, home is the best place to watch movies these days, as we avoid the Corona virus as well as those overpriced petrol prices, parking fees and food.

Release date: 18th March 2022 (Amazon Prime Video)
Running time: 115 minutes
Directed by: Adrian Lyne
Starring: Ben Affleck, Ana de Armas, Grace Jenkins, Kristen Connolly, Tracy Letts, Dash Mihok, Dash Mihok, Jacob Elordi, Lil Rel Howery, Brendan C Miller, Jade Fernandez, Finn Wittrock, Michael Braun, Devyn Tyler, Michael Scialabba, Jeff Pope, Paul Teal, Juliet Brett, Damon Lipari, Joel R Martinez, Jaren Mitchell