Tag Archives: Iberia

Artificial Justice

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Vampire Owl: This seems to be the next thing after artificial intelligence.

Vampire Bat: Humans seem to be addicted with their machines.

Vampire Owl: Well, they are the only ones they trust.

Vampire Bat: Human distrust among themselves is valid.

Vampire Owl: Our 12th Man Dr Frankenstein has warned us about the same.

Vampire Bat: Mr Frankenstein has not been a doctor since birth.

Vampire Owl: This is not about him being a scientist or doctor.

Vampire Bat: He is just not a source to be trusted.

Vampire Owl: His judgements have been seventy five percent accurate.

Vampire Bat: Humans might still come up with ninety nine percent with their machines.

[Gets a paneer uthappam and three cups of Mattupetty tea].

What is the movie about? :: In most courts of Spain, an artificial intelligence system called THENTE 1 has been serving as an aid to judges, as an analysis of the files and the expressions as well as way of talking of the accused are considered. Even though the system seems to be near-perfect, veteran judges like Carmen Costa (Verónica Echegui) trusts her own intuition and experience to make the final decision. She even goes against the system which predicts eighty two percent chance of a hacker committing the crime again, and sets the man free despite the suggested denial of freedom. Her belief in Artificial Intelligence is rather limited, as she even distrusts the medical analysis about her showing her as not fit enough to undergo pregnancy, and every time ends up aborting the fetus due to her declining health. Concerning the future of artificial intelligence, the CEO of THENTE, Alicia Kóvack (Alba Galocha) had been regularly trying to meet Carmen who was trying to avoid everyone, while government pushed for artificial intelligence to replace the judges.

So, what happens with the events here as we just keep looking? :: It is on the same night that Alicia meets with an accident, as the artificial intelligence which was installed in her car deviates the vehicle to avoid another car which was stuck on the middle of the road, leading to her death. A grieving Carmen is told that the artificial intelligence took the decision to deviate her car into the side to save the lives of two people who were in the other car, as a direct collision would have killed all three of them, and that this action saved two lives, and almost saved Alicia who died in the hospital. The government starts strongly pushing for the use of artificial intelligence as a substitute for judges in the form what was called artificial justice. Carmen is invited to work on the further development of the project, making sure that it is flawless. Alicia had noted down in her will that Carmen had to approve the whole thing before being implemented. This leads to Carmen doubting a bigger conspiracy behind all of these. Is Alicia’s death and the upcoming election related to this artificial intelligence implementation and more?

The defence of Artificial Justice :: The movie focuses on exploring the role of Artificial Intelligence in one’s everyday life, focusing deeper on how well the artificial ones can deliver justice. It asks how much the control can be provided to the machine, at a time when there would be the control of multi-national companies if there is such a programme. There is the idea that there would always be something which the machines cannot predict, including the nature of people and the changes that come across them, as the need to judge people by past would be more complicated than ever. The idea of having an artificial judgment instead of a human judge would leave so many things unattended as shown here, and so would anything driven by a machine which would consider some lives to be less important than others under some circumstances. The idea is nicely thought about, and the arguments are put in here nicely, as the feeling of unknown danger and mystery runs through here with slow thrills making impact.

The claws of flaw :: The pace of the movie keeps going down at times, and its inability to raise itself by the end of the flick makes it questionable as a thriller with a motive. The struggle of the movie is always present, and even when the main character is swimming or driving, the problem seems to be of the movie rather than of the character. The deep exploration of situations is not there, as the movie keeps on looking only at the ideas on the surface and keeps jumping from one to the other like a really irritated Tarzan or Mowgli. The ending feels too rushed, and in world where an escape would be impossible, a Joseph-type ending would have done perfectly alright, but we do not see the same with this one. There needed to be some emotional strength to support the efforts of the dead characters, but the movie just shows too much indifference to its characters that the viewer would feel that the real machines are the people in there among which some of them just dies like computers being shut down by others.

The performers of the soul :: Verónica Echegui handles the weight of the situation here really well. Her performance reflects the mood of the movie, and she remains solid even when movie shows some struggle. The calmness that she shows when facing all adversities, reflects the character very well, and there is a certain amount of freshness about her. Alba Galocha is the one person whom we miss during the journey here, as the character is gone too early, but we know that there was a lot more she could have done here if the role carried on to the end. She has the looks that would the present Spiderman as his girlfriend, seemingly a perfect choice in a battle against Mysterio or any other classic villain. The looks seem to keep making her feel younger. Tamar Novas makes it work and Alberto Amman adds on with his performance here. The villainy here is smooth and working from the background in an effective manner, as shadows seem to haunt. The supporting cast is also pretty good as we look around.

How it finishes :: Artificial Justice raises some interesting points while going through a journey that we would remember due to the questions which have been asked, and the so many answers which could be received. The lost point here is that it fails to develop on the same, and end well, with the finish going through such a struggle to even prove that it is the end, and there would be no more similar finishing points to follow. The ending is not just open-ended, it also provides nothing to the audience who have been waiting for a grand finish like in those usual science fiction tales with a grand underlying message. The conspiracy was huge, and that big ending was required. But with a fine beginning and with suspense and danger around, the experience of the movie remains good, even when the pace is reduced at times. There is the struggle, but we get most of the thriller that we wanted from this one. The Spanish thrillers have had the guaranteed thrills at least at the minimum for some time as far as internationally known movies are concerned.

Release date: 13th September 2024
Running time: 98 minutes
Directed by: Simón Casal
Starring: Verónica Echegui, Tamar Novas, Alba Galocha, Alberto Ammann, Lúcia Moniz, Paula Morado, Santi Prego, Ledicia Sola

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@ Cemetery Watch
✠ The Vampire Bat.

Apocalypse Z

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Vampire Owl: Are we going to watch the end of the world again?

Vampire Bat: We are never tired of watching it.

Vampire Owl: Would this be like World War Z?

Vampire Bat: Well, there is never really a shortage of movies showing the end.

Vampire Owl: How beautiful can the end of the world be?

Vampire Bat: I would say that it would be a life with less anxiety and depression.

Vampire Owl: Train to Busan showed a lot of anxiety.

Vampire Bat: It was lessened with Peninsula, right?

Vampire Owl: You know where Resident Evil stands.

Vampire Bat: Still, not all sequels of Resident Evil stands at the same level.

[Gets a paneer puffs and three cups of Sikkim tea].

What is the movie about? :: Manel (Francisco Ortiz) and his wife Julia (Iria del Río) returns home after visiting his sister Belén (Marta Poveda) and her husband Mario (Oriol Ruiz), and meets with an accident on road while losing focus during an argument about having children. Following the incident, he leaves the town and lives in isolation with his cat. Due to the same reason, he does not care about a new virus called TSJ which has spread around the nation and even outside the continent like COVID-19 pandemic of 2020. Then, the one thing which is not said in the news is that this particular pandemic differs from the corona virus and would cause people to turn into flesh-eating zombies. The whole Europe has been under attack and going down for some time, and the Germans had already evacuated Berlin. As Belén’s family is evacuated to the Canary Islands, Manel tries to join them, the government closes the borders, and declares a general state of emergency which cancels all the flights and leaves people where they are.

So, what happens with the events here as we just keep looking? :: With no option to join his sister and brother-in-law, and having all routes closed, he promises her that he will stay there safe and within the house, only to lose all internet and communications soon enough. While going out to collect supplies, he finds out that people are quickly turning into zombies, and finds even police officers turning into zombies or killing themselves to escape from the terrible fate. Running out of supplies and while searching for food in nearby homes, he comes across an old lady named Gabriela (Amalia Gómez) who has also run out food herself. They help each other, as she knows where he could find the food and he get them with relative ease. Soon, they are able to intercept a radio transmission which has a message from the survivors who feel that they would be evacuated soon and it is safe where they were staying. This provides hope for both of them, even though Gabriela is not sure if she would survive the journey.

And what more can follow in a zombie-infested world? :: Gabriela understands that she would only slow him down and could end up being a burden, and commits suicide when Manel comes to get her on the next day. This leaves him and his cat to go through the journey to the place which might be a safe haven. With the cat Lúculo, and with a diving suit and a speargun for defense, Manel barely manages to escape from a zombie horde, but finds all larger boats either taken away or unusable. After finding a little zombie toddler, he is only able to use an inflatable dinghy to travel to his destination, with all roads taken over by zombies. On the way, he finds a few Russians who asks for his help while on the way and offers him a cabin to stay in their big boat. But Manel feels that the Russians are not that straightforward as they claim to be, even though the only person in the ship who can speak Spanish denies his suspicions. Now, it seems that it would not be that easy to get away and reach the new place which is claimed as a safe house. Can he somehow do what he has been planning to?

The defence of Apocalypse Z: The Beginning of the End :: Some of the most interesting foreign movies which I have watched were in Spanish, and the movies like The Platform has always gained the attention of a wider audience. As the main character grapples with the zombie-powered societal collapse and fights to reunite with his only family, this movie remains strong both as an emotional as well as terrifying one, with an adventure that keeps us going. The man’s survival from a tragic loss makes this another journey of a flawed character who wishes to finally get back to his family from that self-inflicted solitude. All those real‑world COVID-19 pandemic responses like acts of selfishness which are not limited to panic buying, along with those lockdowns and quarantine that we have experienced will keep us close to the movie’s reality, for it does not give away the fact that there are zombies involved until quite some time into the film. The terrifying elements do follow, and they are pretty much effective along with the emotional side.

Positives and negatives :: There might be similarities to the other titles dealing with similar topics, and it is not easy to come out of that feeling that we know what would happen, and it is know how this would keep going. Yet, powered by the performance provided by Francisco Ortiz, the movie rises above the usual expectations. One cannot help wondering how well the Spanish movies have managed to keep its side strong, no matter what kind of a genre it deals with. The support is really good too, even from the kids and one cat. There is a certain amount of realism when the zombies are shown, as they also seem as much desperate as humans for food, seemingly emotional too, unlike the usual mindless displays. It is also based on the novel by Manel Loureiro, and how much this one stay close or deviates from the original, is something we can only understand from the fans of book. The heartfelt zombie film seems to be appreciated enough to bring more viewers to the same on OTT.

How it finishes :: We are never short of some fine zombie movies, and the apocalypse is something we can never stop waiting for, whether in fiction or in reality as an inevitable fate. There is a fine journey through the world affected by the terrifying zombie reality which is slowly destroying the world as it is known. The terrible situation is shown with a fine scary side as much the emotional moments which makes this one a thriller drama as well as part of the genres of horror and adventure. This movie becomes another addition to that fine list. The ending makes sure that a scope for sequel is there to be taken, and from what is heard, it is there to come soon enough. Among the movies about the end of the world, it seems that the Spanish has managed to get on a higher level. We can have many similar movies to follow, but in between the earlier movies and those which are to come, this one has maintained some fine class while keeping the entertaining side high enough.

Release date: 31st October 2024
Running time: 118 minutes
Directed by: Carles Torrens
Starring: Francisco Ortiz, José María Yazpik, Berta Vázquez, Iria del Río, Marta Poveda, Amalia Gómez, María Salgueiro, Yuri Mikhaylychenko, Oriol Ruiz

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@ Cemetery Watch
✠ The Vampire Bat.

Killer Book Club

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Vampire Owl: This would be an interesting book club.

Vampire Bat: You mean to say that there are new book clubs in the castle.

Vampire Owl: Who reads that many books these days?

Vampire Bat: Well, I do read many of them.

Vampire Owl: I am sure that you do not count as an external reader.

Vampire Bat: I do take external book club cards.

Vampire Owl: You can read all the best horror books in the castle.

Vampire Bat: I would read these books like a non-vampire would do.

Vampire Owl: So, it is a fine method to be scared of vampires too.

Vampire Bat: I do not see why we should not be scared of ourselves.

[Gets a butterscotch cake and three cups of tea with kulfi].

What is the movie about? :: Angela (Veki Velilla) is a college student who wishes to be a critically acclaimed and popular writer, now trying to write her second work. Her professor Antonio Cruzado (Daniel Grao) who used to help her with writing seems to have an infatuation with her, and makes advances to her. As Angela’s friends come to know about it, they suggest that they get back to him, and for the same, they choose a killer clown prank which would leave him scared enough for the rest of his life. The group which includes Sebas (Alvaro Mel), Nando (Ivan Pellicer), Sara (Ane Rot), Rai (Carlos Alcaide), Virginia (Priscilla Delgado), Eva (Maria Cerezuela) and Koldo (Hamza Zaidi), plans the whole thing perfectly after sending a fake e-mail to Antonio. But the prank goes terribly wrong, as they end up causing him to fall down from the top of the building and get impaled on the spear held by a statue of Don Quixote below, leading to his instant death.

So, what happens with the events here as we just keep looking? :: Even though their instant reaction is to blame Angela for what has happened, they decide to keep all of these a secret and make a promise that they would never talk about this to anybody. The very next day, as everyone comes to know about his death, the popular opinion is that he committed suicide as his wife had left him, and the police also goes with the same conclusion, leading them to believe that things will get back to normal. But soon, they find out that a masked killer clown is stalking them, and wishes to take them down one after the other as the person wears the same mask as they were wearing. After murdering each person, the clown would write a chapter about the brutal death and post it online, and the readers also have a chance to vote on who will be murdered next. The readers do not have any idea what this is really about, as the original names are provided. The group decides to stop this madness from continuing, but has no idea about whom to suspect. Is this a silent stalker or someone among them?

The defence of Killer Book Club :: Slasher horror movies are welcome to bring new serial killers into a world of chaos in which humans have never hesitated to kill one another. There have been more classic slashers being produced in almost every language these days, even though Hollywood have come up with less interesting ones in the last few years. This one is based on a book, which means that it has promises to keep for the readers. The visuals are really good, and the setting feels like the right one, including the dark corners inciting horror and the architectural beauty that stays alive. The statue of Don Quixote comes as a fine reminder for the connection between the movie and literature, as the horror itself comes from writings here, and the publication of books and online content remains a priority throughout the film’s run-time. This also remains a short movie, as the run-time works to its advantage. The final twist over the twist remains interesting, and the power of mystery has run through this quite well without giving away the chance at predictability.

The claws of flaw :: Killer Book Club might feel like too similar with many other titles, and following the formula, but not well enough to elevate the same. There are enough murders happening here, but none of them creates a terrifying or divergent impact which could have made the environment better. The scares are not that much present as we would have wanted. A killer in a clown mask can achieve wonders – you know what the clowns do, whether in It and its sequel or in Terrifier; the horror in such cases is of a different level, with blood and gore assured. But this one seems to take the safer route, and the need to take the less travelled path among the diverging roads is not taken into consideration here. You are left with the feeling that there could be more, from the early stages itself. You keep looking for more, but that extra ingredient never really arrives. With the scope for a sequel still there, we can hope that this will arrive later.

The performers of the soul :: Veki Velilla leads the proceedings in the movie, and makes the scream queen who is intended to survive till the end, but has the realization that this has been caused due to her for some other reason, which makes the character more determined. She blends into this situation really well, from the author who has a certain amount of writing block to the girl who wishes to survive in a world of chaos created by an unknown killer. Priscilla Delgado remains a notable presence here too, and contributes to the whole thing even when least expected. Ane Rot and Maria Cerezuela also add to the interesting scream queen list here, and one would love to see them in more of similar flicks. Alvaro Mel and Ivan Pellicer become the main male performers here, and they remain important from the beginning to the end. Daniel Grao, even though present for only a few minutes, also leaves an impact. Carlos Alcaide and Hamza Zaidi also comes in as required. For most of us audience, these new names will be staying.

How it finishes :: Killer Book Club seems to be derived from other slasher horror movies that we have known for a long time, with Scream and The Cabin in the Woods being a few of them. The non-English movies were not far away from such inspiration either, as Poland’s Nobody Sleeps in the Woods Tonight and A Classic Horror Story in Italian along with the Indonesian Ivanna are some of the examples. Here, in Spanish, we have a similar work of slasher horror. The group of friends from a college being murdered one after the other, especially after doing something they were not supposed to do, comes as nothing new. But this one also maintains the entertaining and thrilling side well enough with the final twists to keep things interesting. You are always looking for more addition to slasher horror, as they have not been that easy to create effectively during this time period. Based on the Spanish novel El Club de Los Lectores Criminales by Carlos García Miranda, the films becomes another interesting adaptation which brings us back to watching Spanish movies again on Netflix.

Release date: 25th August 2023 (Netflix)
Running time: 90 minutes
Directed by: Carlos Alonso
Starring: Veki Velilla, Alvaro Mel, Ivan Pellicer, Hamza Zaidi, Ane Rot, Priscilla Delgado, María Cerezuela, Carlos Alcaide

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@ Cemetery Watch
✠ The Vampire Bat.

Nowhere

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Vampire Owl: We have always loved nowhere.

Vampire Bat: No place is nowhere for vampires.

Vampire Owl: The witches live in the middle of nowhere.

Vampire Bat: Nowhere is a myth. They live in the very next territory.

Vampire Owl: It is not the same with the Witches of the North.

Vampire Bat: They live in the north. It is why they are called so.

Vampire Owl: The north has always been the true nowhere.

Vampire Bat: An addiction to nowhere can be dangerous.

Vampire Owl: Do you expect demons of nowhere to come through the portal?

Vampire Bat: The portal leads to nowhere as there is no such a place.

[Gets a choco-vanilla cake and three cups of mint tea].

What is the movie about? :: A dystopian situation has emerged in Spain after a global crisis causing shortage of basic necessities, and the new government in the country turning completely totalitarian in nature. Mia (Anna Castillo) and Nico (Tamar Novas) decides to make an escape from the country due to fear for their unborn child, as children, elderly and pregnant women were targeted by the military who tries to eliminate whoever becomes a burden during a time of resource shortage. The decision is to escape to Ireland in container taken on a cargo ship, and for the same, they use every resource that they have with them including money and gold. But they are separated on the way and are left inside two containers with Mia’s container attacked, leaving her as the only survivor. Nico’s container is left outside the city with nowhere to go. Her container gets on the ship after some difficulty, but it falls into the sea as a storm strikes. The container slowly fills up with water, but she manages to keep the process slow with what she can get.

So, what happens with the events here as we just keep looking? :: The container has some materials, but nothing to keep her and the unborn child alive until help arrives. After some difficulty she has contact with Nico who promises to come and help her even though he does not know how. All the other containers have already perished under the sea, taking many people with them. The government continues to take measures to make sure that nobody escapes from the lands or turn against the government with regular checking, which halts the progress of Nico considerably. There would be no revolution coming up to change things around, and there are only a few democracies left in the world. She soon gives birth to a daughter on a stormy night. Injured and weakened like never before, she feels the desperate need to find help from anywhere. At the same time, she realizes that Nico is severely injured and there is no hope for him to come to her, as time runs out for all three of them, and there might also be another storm coming soon.

The defence of Nowhere :: We have the feeling that there is something extraordinary about this movie at times with the work done behind it as much as in front of the camera. The realistic take makes the feeling of danger have more effect, and we keep hoping for the protagonist to do whatever it takes and make it to the end. The visuals within a small world with the support of graphics work so well, and the fear feels so much real with one fine performance in the lead. The movie leaves us with the message of never giving up, and always having hope for a better future. As the husband tells her wife, he would always love her more on the next day and the dialogue is a reminder that those are the better coming days that we need to look out for, in a world of chaos and destruction as humans descend into hatred and ultimate evil. After all, an end of the world scenario after a totalitarian government has not been that distant a probability. We all know that we are quickly moving towards that end.

The claws of flaw :: Nowhere had infinite scope to be the classic that we have all been waiting for. This could have been something of epic proportions. It does not go that long, as we look at it. There is a certain amount of drag here, and it could have been a better movie with the length reduced. The opportunity to create a spectacle is also avoided in the process. When we are dealing with hope trying to inspire further, there should always be something bigger in scope. These are the time when people expect more from survival thrillers, as there have been many of them, from The Shallows to Meander, as different situations have come to us in the last few years testing human willpower to survive. In this particular movie, the protagonist would seem to have the least chance for survival, which makes us wonder if this would be more of a fantasy rather than anything else. The ending also seems to have just meant to finish the job with the required survival.

The performers of the soul :: With Anna Castillo and Tamar Novas as two names that we see everywhere among the cast, and with the former left to deal with the whole thing, there is no doubt about the fact that performances need to come from one side. With her around, the danger and the struggle seem real. Living in a floating and slowly sinking container while at the middle of the sea seems like an idea easy to talk about, but would not be that easy to work with. Tamar Novas also seems to be playing a main character in the beginning, but only have the voice to work with in the later stages. His character seems to be as expendable as the others around there after the first few minutes. It can be seen that Tony Corvillo has a fine evil presence there. During these times, one would wonder if sea is also a character, always listening to the probable victims and taking whoever it can. The container is also more like a living thing that provides life to what lies inside.

How it finishes :: If we keep looking, it is evident that Nowhere basically comes out of nowhere to make an impression. It is the title which most of us have not heard about, but all of a sudden, we feel that we should have heard about it earlier itself. If we read the synopsis of the story in this movie, the same is evident as we develop that sudden interest. This is not something new for the Spanish movies which never ceases to amaze us especially when least expected – there have been many examples for the same from The Platform to Adios, and from Cross the Line to Two and The Wasteland. But it could have still been more of a classic that would stay forever with its content. We can consider this partially as an opportunity missed, and still creating enough impact to become a movie that would be much talked about. The effort here is to be appreciated the most. This is not an idea which is easy to execute, and the result of the effort can be seen here. If you are going to start with good Spanish movies, this will be a fine start.

Release date: 29thSeptember 2023 (Netflix)
Running time: 109 minutes
Directed by: Albert Pinto
Starring: Anna Castillo, Tamar Novas, Tony Corvillo, Irina Bravo, Lucia Soria, Edu Bulnes, Mariam Torres, Victoria, Teijeiro, Mary Ruiz, Antonio Buil, Paula Roy, Jose Lucena, Saorla Wright, Kaabil Sekali, Andrew McGurk, Tonu Sureda Luther, Victor Boira

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@ Cemetery Watch
✠ The Vampire Bat.