guardian angel – Movies of the Soul

What is the movie about? :: George Peter (Siddique) is the rich and notorious don of the area who is known to run the family business as well as criminal activities of the city and its surroundings with such energy and enthusiasm that he doesn’t hesistate to kill even police officers according to his will, the latest of them being N Sreenivasan (Kishore) who dared to arrest him in front of the public. When a new investigating officer Easa (JD Chakravarthi) is appointed in his place with Issac (Suraj Venjaramoodu) to assist him, the hunt for the mafia ruling the city gets stronger. It is then that the headless body of George is found along with his right-hand man, brutally murdered. Then the man who mediates between two rival gangs, Patrick (Kalabhavan Shajohn) is also shot by someone. This brings trouble with gang wars ready to break out.

So, what happens with the events to follow? :: With George’s brother Marco Jr (Unni Mukundan) coming to the scene, and Francis Davi (Sudev Nair) from the opposite gang trying to have his own vengeance, the police department is kept on his toes. All these seem to point to one man, doctor of the nearby Starcare hospital called Mikhael John (Nivin Pauly) who seems to have a long story to tell about his family and how it came across George. He is the man who seems to be responsible for the death of George and Patrick, but the question remains about what Marco Jr will do about that, with going to police and assuring law and justice, not being an option for him. Easa and Issac will be happy to see the rival gangs fighting each other, or someone murdering the gangsters, but how long can the police department keep away from the scene? Will there be vengeance and can there be justice?

The defence of Mikhael :: The movie is high on style and action sequences, but one can note that it never really goes too far, as it keeps away from elements like flying villains, hero who knows everything before it happens, and all. The music is mostly good and at times excellent, with very few exceptions that we can notice. There are those mass elements, but they are kept in control unlike The Great Father and Abrahaminte Santhathikal which had the same director’s hands firmly on them in one way or the other, or Masterpiece which had so much of the same – the heroism as well as the whole story itself is far more believable, and has better and smarter twists with this one. The thrills are present all the time, and the emotional side works pretty well. The visual style is very nice, and the same rises above the rest. The dialogues are powerful, and Mikhael is a movie that doesn’t hesitate to come up with some moments which are above a normal movie in the industry.

The claws of flaw :: There are times when style gets over substance in this movie too, as The Great Father and Abrahaminte Santhathikal also did. We also see too many similarities with former, with a school being at the centre of attraction, and one girl who is dear to the protagonist – fighting for her becomes the priority for the protagonist. The slow motion could have been reduced, and the interest in sunglasses for some characters continues to be strange. The first half also takes some time to get into the main idea, and we also see the presence of predictability here, with the protagonist and antagonist coming close to facing each other. The ladies don’t have much to do in this movie either, except for the girl who sets everything moving. You can see that some moments were added just for the sake of adding them, and inspirations from foreign movies are certainly there.

The performers of the soul :: It is up to Nivin Pauly to rise and stay at the top, and he manages to do that well – still, his best moments were when his character was a family man, with vulnerability, but it was surely nice to see him in a different avatar, extending what he showed in Action Hero Biju. He does show that he is good at them all, and in a movie which has substance rising over style will surely have him shining better. There are the two qualities of Michael shown by Christina Rossetti with her poem on the angels – service & strength, as doctor & martial arts expert here. One the other side is Unni Mukundan who plays the main antagonist towards the end, and we remember him playing just the opposite in the movie Style – with Tovino as his villain; here he has to face the same thing, even though stylish as he is, with less space on the screen, and not getting the best of dialogues when there was scope for a lot of the same. He should have been given the opportunity to be a more menacing villain rather than showing the muscles. The Luciferesque qualities are seen better with Siddique’s character as Satan against Michael, the leader of heavenly angels – the one who chooses to reign in hell & go against all norms, establishing his own pandemonium. He is the Satan that Milton would keep in his Paradise Lost.

Further performers of the soul :: At the same, Siddique becomes that villain who anyone could have wanted to be – evil and sadistic, going on to reach a state which is nothing less than mentally sick. His ways of tormenting or even finishing off his opponents, and even his dialogues are with that kind of terror that an antagonist can always dream about, and a protagonist can have nightmares about. The girl who played the main character’s sister, a name which hasn’t been known through the early cast list on internet or posters, Navani Devanand also needs some applause as she gets everything right in this movie – she could be a talent to look out for, in the future. She nails all emotions perfectly, whether its anger, sadness or joy. Shantikrishna, Babu Antony, Kalabhavan Shajohn, Ashokan, Baiju and KPAC Lalitha are left with not much to do here. Manjima Mohan as the heroine doesn’t really have anything to do either, and even Reba Monica John who is there for a few minutes leave better impact. JD Chakravarthi, Sudev Nair and Suraj Venjaramoodu get their nice moments though.

How it finishes :: The whole story of Mikhael here has an allusion to the archangel Michael, the leader of the archangels who lead the battle against Satan, a.k.a. Lucifer and his forces who rebeled against God. As a protector and a fighter against evil, this image is reiterated here by giving the same name to the protagonist, and the images of the angel being shown on multiple spaces – the opposite can be seen through the images displayed in the room of the antagonist. The whole movie is about how the brother becomes the guardian angel for his sister, vanquishing the evil forces – with the same, we have the style, all the action, thrills and twists which keep coming at regular intervals; surprisingly, there is also the presence of some funny side. This one might not be the favourite for the family audience, but is surely one nice entertainer which successfully defends its territory within the genre.

Release date: 18th January 2019
Running time: 150 minutes
Directed by: Haneef Adeni
Starring: Nivin Pauly, Unni Mukundan, Navani Devanand, Manjima Mohan, JD Chakravarthi, Sudev Nair, Babu Antony, Suraj Venjaramoodu, Siddique, Renji Panicker, Shantikrishna, Kalabhavan Shajohn, KPAC Lalitha, Amal Shah, V Jayaprakash, Kishore, Reba Monica John, Baiju

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@ Cemetery Watch
✠ The Vampire Bat.

What is it about? :: Sam Thottumkal (Master Adarsh) is a kid with many problems in his life. When we are introduced to him in detail after a song, we understand that he is taken by the police into the juvenile home for murdering his own father Thomas Thottumkal (Joy Mathew). The parish priest Father Vadakkan (Sreenivasan) desperately tries to get him out of trouble, but his own family members don’t want him as they feel that he stabbed his own father. Meanwhile, Aarathy (Honey Rose), a social worker who spends time with children decides to take the boy’s case seriously. When her husband, a successful businessman from the United States, Aadhi (Suresh Gopi) arrives in Kerala after a long time, it turns out that he knows the boy very well. The husband and wife team decides to influence the boy’s life in a good way.

What is it actually about? :: The flashback is about Sam’s troubled childhood. He is a late arrival as the third child of his parents who wanted to have no more than two children, and he grows up listening to the stories that his own mother (Rekha) wanted to murder him before he was born. His father has absolutely no opinion about him as he scores less in examinations and does well in the other activities like painting, elocution, writing and some more creative work. His mother doesn’t really care about him as he is the unwanted child. His brother and sister are engineers working in reputed IT companies outside Kerala and are earning high salary; the former thinks that he is a good for nothing idiot who deserves no love and the latter is only sympathetic to him because he is of no good. His only hope is an aunty Alphonsa (Lena Abhilash) and Father Vadakkan.

The defence of My God :: Here is another movie to make you think, and you can keep the thoughts and the received messages for long. The emotional side of the movie is strong and it will undoubtedly touch your heart. There are dialogues which you can take home from here, and even if you leave them behind, at some point of life they will surely return to you. The movie is going to be effective for all kinds of audience too, not just the family, and not just the children, youth or parents – it has a much wider scope. It is a story of people and their dreams right from their childhood – no, not ambition, but dreams as something with wings and not that random thing which students answer when teachers ask about it. The movie inspires you to be better, for some people to be better humans with respect for the dreams of others and the rest to be better dreamers.

Claws of flaw :: The beginning of the movie seems to be a struggle, as a start like Philips and the Monkey Pen is not achieved here. In comparison, this one might be mostly behind, but with the emotional strength, My God is powerful. Too many brands shown in the movie rather than incorporating it to it, will make the audience feel strange. There are also some weak moments here and there, and the songs also don’t provide the desired effect; the film does overreach and often forgets its limitations and the area of strength – but what you gain in the end is a lot bigger, and the ending with Suresh Gopi and Sreenivasan is something that elevates this movie to a higher level. In the end, the movie’s strength is not its story and it is not the totality of things, but in the idea and how emotionally powerful the core happens to be, and how it is brought to the viewers. It also depends upon how you are able to take the inspirational movies and the flicks with messages because it is what this movie is about.

Performers of the soul :: Master Adarsh who plays the central character, the kid in trouble, does a good job, and the other children also support very well – it is a very nice thing to witness. The movie’s strength undoubtedly improves with the entry of Suresh Gopi, especially after the interval. The first half has only a smaller screen presence for him, but in the second half, he becomes the big man who brings the change. There are some striking dialogues from him which will stay in our minds for a very long time. There is no doubt that he raises the level of this movie after he arrives and makes sure that the second half outshines the first, and also finishes well. I can recommend nobody better for this type of a role, as Suresh Gopi has our attention and captures our emotions with this performance.

Further performers of the soul :: Sreenivasan in the priest role adds some extra feel-good factor to this movie, as he reflects a guardian angel here. We don’t usually see Sreenivasan in this kind of a role, but this one has suited him very well. He isn’t a person who comes to our mind when we think about the priest roles, but from now on, he might be. Joy Mathew is really good as the father character who doesn’t like his son’s choices; he leaves a very tough impression. Honey Rose does her job well. Lena Abhilash plays the one symbol of hope in this movie really well. The roles of the rest of the actors are limited, and only a few leaves any impact on the audience, as the focus is so much on three, Suresh Gopi, Sreenivasan and Master Adarsh, who manages their side really well.

Soul exploration :: There has been a good number of inspirational movies this year with Mili and Rani Padmini gaining positive reviews with the female-centric stories while the story of a man who rises above his disability, Su Su Sudhi Vathmeekam is still running successfully in the theatres. We have always accepted movies with messages and Philips and the Monkey Pen with a child as the central character had gone on to become a big success in the year 2013. My God follows the path of these movies and tries to bring a message and a lesson along with being inspirational in nature. The best thing about this type of movies is that they will make an impact one way or the other, and will bring some change in the minds of some people now or later when the viewers watch it again. So, are you going to watch this movie on the weekend? Do you accept the dreams of your child, and allow them to follow the same?

Release date: 4th December 2015
Running time: 129 minutes
Directed by: M Mohanan
Starring: Suresh Gopi, Honey Rose, Joy Mathew, Sreenivasan, Master Adarsh, Lena Abhilash, Rekha, Sreejith Ravi, Indrans, Devan, Praveen Prem