Passengers

What is the movie about? :: It is a long time into the future with space technology being very much capable of almost anything that has been dreamt about right now. It has reached a state of near perfection that science is now something that cannot fail to deliver the promises which are calculated and made, no matter what the circumstances are. There is the highly advanced spaceship named Avalon which is transporting around five thousand colonists and a crew of two hundred and fifty eight suspended in hibernation pods to the new colony far away in space, the planet Homestead II through a journey that is expected to take one hundred and twenty years. Just thirty years into its journey, the ship comes across an asteroid belt, and despite keeping the shield strength at its highest, hits one of the huge projectiles, and faces multiple errors, all of it the ship repairs by itself while on autopilot, but there is the connection to pod number 1498 which gets struck hard, and the system is unable to repair the same.

So, what happens next? :: This problem awakens the passenger in hibernation inside the pod, a mechanical engineer named Jim Preston (Chris Pratt), ninety years earlier than he was supposed to wake up. After the early briefing and classes, he realises that he is the only one awake, and it is too early considering the fact that he was supposed to wake up only four months before the ship made landfall – at this rate, he was only going to age and die before the ship reached its destination. He tries sending a message to Earth, but not only does it prove expensive, the same is going to take nineteen years to arrive at the home planet, and the earliest reply is estimated to take fifty five years. He tries getting inside the pod again, and even repairing the pod using the instructions and his own technical skills, but there is no hope there. He tries to contact the people responsible, but the only people whom he gets to speak with are the machines and all he receives are automated answers.

And where does things go from there? :: After having tried everything including breaking in to places, Jim gets ready to accept his fate, talking and spending time with Arthur (Michael Sheen), an android bartender on the ship, as well as forcing himself into the areas of higher class passengers and enjoying special privileges. One year goes by, and Jim gets more and more disappointed about his situation, and even thinks about committing suicide, despite finally deciding against it. There is almost nothing new happening out there, and the spaceship just goes on through its path. But one day, while going through the pods, he come across Aurora Lane (Jennifer Lawrence) sleeping in her pod. He watches her profile and video and immediately falls for her, a writer. After thinking deep about it, he makes her pod malfunction, and she also awakens. He tells Arthur not to reveal the truth behind her pod to her.

And where are things heading now? :: Aurora, hopeless at first about the fact that she is going to age and die before reaching her dream destination, goes through the same things that Jim tried, and finally decides to write about her experiences during the journey. Soon, the two become very close to each other. Aurora trusts Jim as the only other person there, and the one last human being she is going to see in her life before she dies. But things don’t go that smooth as expected, and there is no perfect love story coming up here. The secret will be revealed, as Aurora will find out the truth behind her pod failure, and she won’t be the same person after that. At the same time, another pod will malfunction, and the same will awaken Gus (Laurence Fishburne), a Chief Deck Officer. He will reveal a few things about the current situation of the ship, which will threaten the lives of everyone on board. Can the ship be saved from a terrible fate that awaits, and can Jim and Aurora work together for the same?

The defence of Passengers :: Chris Pratt and Jennifer Lawrence are undoubtedly great together – there is a great chemistry going on there. The visuals are nothing less than stunning, and the spaceship is something that will stay in your minds for its splendour not just outside, but also inside. The swimming pool without gravity is among the best. Yes, the space remains amazing, and so do our ship and the leading characters. This is about the two people, their emotions and the space ship – along with all the saving that is needed in the end. Unlike what the reviewers are constantly saying without thinking deeper about there is one act of sacrifice and selflessness that we get to see in the end. Above all, this is also more like the tale of Adam and Eve, with the two protagonists getting to live with themselves, as the spaceship which faces devastation like our planet does, many years later – it can only be told later if the world in space survives, as the rest of the four thousand nine hundred and ninety eight people will get to be born again into a new world.

The claws of flaw :: There could have been better pacing for a two hour long movie, even though it never really brings the boredom to us. It is also not so good that Laurence Fishburne gets to come too late – there is a little too much going on before that, to be exact. We could have gotten this movie to be shorter by at least fifteen minutes, or rather could have had more action rather than extending the lonely life of the protagonist, and the relationship between the two main characters so much. There is even that happy climax which seems to be forced, but as I read some reviews by a few self-proclaimed intellectual reviewers, I feel that that climax and ending is the best, for it should have irritated their stubborn side a lot more. Maybe, you can search for the reviews with a lot of use of the word “selfish”, and then you can find out the flaws which have discovered, or rather created in this movie – most of them don’t really exist if you look at the flick; for I was very much immersed in this movie.

How it finishes :: The reviews on this movie have remained prejudiced, and that is not surprising considering how these people have been degrading the good movies in favour of those particular kind of movies, and try to make these movies score better at the box-office; it has been going on as a trend. The good thing is that a lot of reviewers from India have succeeded in going beyond that prejudice to like this flick. What surprises us the most is that almost all these reviewers who would do the exact same thing when caught up with a situation like this, have chosen to blame the protagonist, as well as the makers of the movie for so many factors related to the same – some people are just too idiotic to take only selected things into heart, when all these have finally come together to save so many lives in the end. We don’t have one selfish person here, but two, as it is evident from the second character, and it is selflessness and sacrifice that wins in the end – lets hope that people who have no idea of love and sacrifice will one day understand that. Well, who needs a more human story in space when there is Interstellar full of science and no humanity? For action, there are the Star Trek movies, Jupiter Ascending, Guardians of the Galaxy and many more. But this one is also worth it! If you liked this, do watch Pandorum.

Release date: 21st December 2016 (USA); 6th January 2017 (India)
Running time: 116 minutes
Directed by: Morten Tyldum
Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Nazanin Boniadi, Andy García, Aurora Perrineau, Vince Foster, Kara Flowers, Julee Cerda, Conor Brophy, Lauren Farmer, Aurora Perrineau, Emerald Mayne, Kristin Brock

@ Cemetery Watch
✠ The Vampire Bat.

2013 in Review

Happy New Year everyone. I was waiting for WordPress to give me my year in review, but no such summary and statistics came up for this blog, and so I thought I should come up with a movie summary instead. I had posted this without detail on Facebook, and I guess I would share this in detail here for the new year.

2013 copy

Best Malayalam movie: Celluloid
Its awesomeness approved by Kerala State Film Awards and the National Film Award committee of India. Prithviraj starts the year well. Check for review: https://moviesofthesoul.wordpress.com/2013/02/16/celluloid/

Best Hindi movie: Madras Cafe
There is absolutely no doubt about this one, as even with actors not known for their acting, this movie nails it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/28/madras-cafe/

Best English movie: The Conjuring
I had thought long and hard about this one, but a horror movie always deserves an extra push and this one deserved it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/04/the-conjuring/

Best Animated movie: Frozen
Unlike Brave, this year has a respectable animated movie at the top. People of no age group can afford to miss this one. Check for review: https://moviesofthesoul.wordpress.com/2013/12/01/frozen/

Best Action movie: Pacific Rim
Guillermo del Toro doesn’t miss out as he makes the right robot movie in our world plagued by Transformers. Check for review: https://moviesofthesoul.wordpress.com/2013/07/12/pacific-rim/

Best Visual experience: Gravity
This visually superior movie is all set to make it big on the Academy Awards next year, that is for sure. Check for review: https://moviesofthesoul.wordpress.com/2013/10/13/gravity/

Best Thrills: Drishyam
The director Jeethu Joseph maintains his cent percent record with another thriller, his second super hit of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/

Big Surprise: Philips and the Monkey Pen
Not that inspiring from the name, and not at all hyped, this movie is a beautifully crafted allegory with children as main characters. Check for review: https://moviesofthesoul.wordpress.com/2013/11/12/monkey-pen/

Righteous One: North 24 Kaatham
This movie is so simple and yet scores with the simple thoughts about goodness, righteous and happiness, and it has the power to change lives. Check for review: https://moviesofthesoul.wordpress.com/2013/09/18/north-24-kaatham/

Magical Movie: Amen
This movie is magical with or without its clear share of magic realism, and it is one of its kind, to be remade in other Indian languages. Check for review: https://moviesofthesoul.wordpress.com/2013/03/27/amen/

Powerful Experience: Rush
For a movie which can bring even non-Formula One fans to feel the emotions, there is no evil to be said about this one. Check for review: https://moviesofthesoul.wordpress.com/2013/10/25/rush/

Game Changer: Go Goa Gone
This movie might be the best thing that has happened to Bollywood in 2013, and I hope that this zom-com brings good changes instead of mindlessness. Check for review: https://moviesofthesoul.wordpress.com/2013/05/11/go-goa-gone/

Personal Favourite: Memories
One of the two brilliant movies from the director of the year, this movie establishes Prithviraj as the Malayalam actor of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/08/12/memories/

Unnoticed One: 10:30 am Local Call
This movie had lots of good things about it despite a small cast except for Lal. This is a thriller as well as a love story with strength at both levels. Sadly, it didn’t get the attention or the appreciation it actually deserved.

Worst Malayalam movie: Kammath and Kammath
The movie provides us a world of nonsense and one can’t even understand what they say or intend to say. It wastes two actors and two actresses in a few hours of crime which they call a film. The side-effects of this movie include an eternal hatred for dosa which I could overcome only by hating idli.

Worst Hindi movie: Besharam
The shameless movie of the year has one of the so called young actors of the future in one of the worst roles anyone can do. This movie is a disgrace to Gandhiji as it released on the day of Gandhi Jayanthi. Taking in a whole family of actors and adding bad jokes which are older than our leading actor doesn’t help either.

Worst English movie: Mortal Instruments
This movie wonders who is the lover of whose brother and demons, vampires, hunters and werewolves have never been this retarded. There is this nonsense which makes Twilight look better. One comes to know that Lily Collins is incredibly cute, but the story or the characters makes no sense even when they are not on screen.

Most Undeserving Hit: Chennai Express
This is a painful watch as its take on the South – the actress has a Hindi accent which is not from the South of India, but from outside the nation, and the movie isn’t even funny enought to be taken lightly, and its romantic side is terrible. This is a clear case of stereotyping, and with all due disrespect to Krrish 3 and Dhoom 3, this will remain the undeserving one.

Of a Mental Asylum: Olipporu
From the moment it begins, to the end, the movie has tried to do something intellectual, that is for sure – but at most times, it makes no sense and with this movie, I have stopped watching Malayalam movies on the first day, alone. In the movie Nadan, Jayaram tells a few words which are applicable for this movie.

Worst Drag: Annayum Rasoolum
This had three hours of nothing but drag – the hero looks at the heroine, and keeps looking at her till the end of first half, and in a relationship of few words, they kiss, he goes to jail and she dies in a world of pathetic pseudo-romance. To add to an already slow movie, there is slow motion – what is wrong with these people?

Worst Drift: Bicycle Thieves
This movie drifts again and again with no idea where to go and what to do with its characters. There are twists of no sense and characters of no use. After stealing the title from Vittorio De Sica, this one comes up with a heroine who looks many times younger than the hero, and lead by her being weird. almost everyone acts strange, wonder why.

Worst Emptiness: Kili Poyi
This one has nothing, but smoke inside it, with clear glorification of drugs and a loose lifestyle, and its characters are so plain that one can hope to have just smoke inside it and feel the emptiness throughout the world. The movie itself is a black hole which has unfortunately made an impact of nonsense.

Worst Lie: Neelakasam Pachakadal Chuvanna Bhoomi
This movie is a lie from the beginning to the end, and has characters who use the mask of travel for being stupid and aimless. The leading character is a man who pretends so much that he obviously has no identity of his own, and the journey is useless. This is rather an Indian Born Confused Desi (IBCD).

Worst Stupidity: ABCD
This one uses that kind of jokes which can’t appeal to even the worst of brains, and it is surprising that it became a big hit. The story of two shameless people who live a shameless life to end shameless doesn’t bring up any interest, except for the fine debutant performance of Jacob Gregory.

Unbearable One: Sringaravelan
This year’s most shameful comic movie comes up with a hero who falls in love with the heroine in another strange and meaningless way and their adventure is indeed a mentally retarded one, with the only hope being the beautiful heroine. Why would someone subtitle a movie “The Romantic Fighter” is beyond all hope.

Clueless One: The Host
There are no Twilight movies this year, and this movie is the worthy successor to that legacy, coming from a work of the same author. From the beginning to the end, this is a clueless alien invasion with no sense. At the end of the movie, we are aliens and would wish to escape from that world.

Worst Hype: Django Unchained
A story of violence and racial hatred has the shoot-at-random-people theory going throughout it. If the colour is different, shoot more people, and dead people are so much fun in this movie. Show a grin after you shoot people, because murder and destruction is so much fun. I have written a review, but you needn’t read it 😀

Malayalam Only:
Best Actor: Prithviraj Sukumaran (Celluloid, Memories, Mumbai Police)
Second Best: Fahadh Faasil (North 24 Kaatham, Amen)

Best Actress: Remya Nambeesan (Philips and the Monkey Pen, Left Right Left, Nadan)
Second Best: Swati Reddy (Amen, North 24 Kaatham)

Best Pair: Fahadh Faasil and Swati Reddy (Amen, North 24 Kaatham)
Second Best: Nivin Pauly and Nazriya Nazim (Neram)

Best Performance: Prithviraj Sukumaran in Celluloid
Second Best: Prithviraj Sukumaran in Memories

Best Negative Shades: Indrajith Sukumaran in Left Right Left
Second Best: Indrajith Sukumaran in Ezhamathe Varavu

Best Villain: Joy Mathew in Amen
Second Best: Sreekumar in Memories

Best Supporting Role: Indrajith Sukumaran in Amen
Second Best: Fahadh Faasil in Immanuel

Best Comic Lead: Asif Ali in Honey Bee
Second Best: Kunchacko Boban in Pullipulikalum Aattinkuttiyum

Best Debut: Reenu Mathews in Immmanuel
Second Best: Keerthi Suresh in Geethanjali

Surprising Performers: Vijay Babu in Philips and the Monkey Pen
Second Best: Lena Abhilash in Left Right Left

Best Impact: Shobana in Thira
Second Best: Indrajith Sukumaran in Amen

Best Character: Georgekutty in Drishyam (Mohanlal)
Second Best: Sam Alex in Memories (Prithviraj Sukumaran)

Best Director: Jeethu Joseph (Memories, Drishyam)
Second Best: Lijo Jose Pellissery (Amen)

Best Child Artist: Esther Anil (Drishyam)
Second Best: Sanoop Santhosh (Philips and the Monkey Pen)

Best Song: Memories Never Die (Memories)
Second Best: Etho Sayahna Swapnangalil (10:30 am Local Call)

PS: Most read movie reviews:
Drishyam (https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/)
Oru Indian Pranaya Katha (https://moviesofthesoul.wordpress.com/2013/12/22/oru-indian-pranaya-katha/)
Phata Poster Nikla Hero (https://moviesofthesoul.wordpress.com/2013/09/24/phata-poster-nikhla-hero/)

*103 movies watched on the big screen this year, with 71 of them reviewed. There were 44 English movies, 43 Malayalam movies, 12 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones = 109.