fire-breather – Movies of the Soul

Vampire Owl: So, we are going to have a damsel without distress.

Vampire Bat: Distress is for all, and there is no escape.

Vampire Owl: I would believe the vampire world to be free from them.

Vampire Bat: Distress in vampire world would still return in case of a war.

Vampire Owl: The werewolves, zombies and witches are not good enough for another war.

Vampire Bat: The werewolves are preparing for an attack. The others would follow.

Vampire Owl: So, you say that even brainless zombies are coming for war.

Vampire Bat: Yes, there has been the rise of the Lich Queen.

Vampire Owl: Dr Frankenstein had warned me about it.

Vampire Bat: This will surely be a lot different than what Mr Frankenstein had said. This is going to be a bloodbath one day.

[Gets a chicken dosa and three cups of Vagamon tea].

What is the movie about? :: The Dragon (Shohreh Aghdashloo), the last of its kind, had faced a human king of the Kingdom of Aurea with his army of knights, and had managed to defeat them. There is not much known about the dragon after the incident, but the riches of the kingdom have been well-known throughout the realm. Many centuries later, Elodie (Millie Bobby Brown), the daughter of Lord Bayford (Ray Winstone), receives a proposal from Queen Isabelle of Aurea (Robin Wright) asking her to marry her son, Prince Henry (Nick Robinson). Despite confusing in the beginning, Elodie agrees to the marriage due to the situation of her lands, which is undergoing lack of resources and people are dying in need of food. Her younger sister Floria (Brooke Carter) is particularly interested in this situation with a Prince Charming and a Fairy-tale kind of kingdom associated with the wedding. Lady Bayford (Angela Bassett), Elodie’s stepmother, also feels that this is for the best interest of their dying lands.

So, what happens with the events here as we just keep looking? :: After arriving in Aurea, the family is very much impressed by what they witness in the rich kingdom with greenery and abundance. Elodie and Henry, even though uninterested in each other in the beginning, becomes attached to each other due to their interest in horse-riding and travel. Lady Bayford, becomes suspicious of the motives of Queen Isabelle, and warns Elodie, but Bayford remains reluctant to act. The family decides to go on with the wedding ceremony anyway, as there are not many options left for them. The wedding is a grand ceremony which was to be remembered for long. After the function, they go to take part in an ancient ritual far above on the mountains to further celebrate this with a ritual. Following this ritual in which their palms are cut and held together, the most unexpected happens, and Elodie would not have expected something like this. But she has to survive this battle with more than what she would have done in a usual situation.

The defence of Damsel :: Damsel has done a good job in building the fairy-tale kind of world and providing that medieval age effect of kings, queens, nights and castles set with a classic dragon wandering around. The movie does look good, even though the caverns should have looked better with more detail, the whole thing is powered up by visuals nicely. The main character goes through this well, especially during those survival moments involving climbing and the glowing worms, even though not that much with a fight brought to the dragon – the tension is definitely maintained even though the sequence feels stretched. The message against the rich and the royal would stand beyond all times, and as it is implied again, one can only be successful by birth or by treachery; there would always be a dark side if one gets to triumph with that much ease life – this is also shown in a Malayalam movie starring Vineeth Sreenivasan, but I see that people cannot accept that because they are used to celebrating the winners and detesting those who try so hard, but would not be successful enough.

The claws of flaw :: The movie, even though not that long, still feels stretched, and it is because of those moments within the dragon’s cavern which do not provide that needed effect. There seems to be a confusion on what the movie is trying to prove, and the flashback is not that really well executed, even in the later stages. The movie remains predictable throughout its run, and with the beginning that it had, the same was surely expected to come – we know most of the things that are to come, and none of the seemingly twisty moments seem to bring any surprise at all. There is also the case of people of the kingdom and the dragon being dumber than anyone would expect, despite the later even having human qualities. The quick rush to remove the damsel in distress also feels rather foolish, as it is not really thought enough about, and made to be believed rather than constructed with smartness; just like the emotional shifts and wasted characters.

The performers of the soul :: The movie rests on the shoulders of Millie Bobby Brown, as expected, with focus clearly on her. She has to carry this one a long way, as the moments with focus on her are rather too much, and we do not even remember the others, except for the dragon. We are glad to see that she does her job so well, that she becomes the titular character with such ease. Even when it is often lost in those forced messages and dull sides of caves, she elevates the movie, and raises expectations as the adventurer as much as the princess in waiting. Angela Bassett plays the stepmother, and a good one, but with some expressions, one feels that she is more evil than the evil queen herself, very well portrayed by Robin Wright. Nick Robinson is clearly wasted in her role and Ray Winstone could have also done more to do in this movie which is too much fixed on the main character than it forgets that this is no one character flick. Brooke Carter does well as the younger sister at the same time.

How it finishes :: Damsel just serves its purpose, not trying to elevate itself to that huge divergence and not trying to stay strong in its own territory either. It is not that big an action thriller or adventure that we will remember for long, and it never stays in the fairy-tale or even reverse fairy-tale categories, and the dark fantasy idea seems to be non-existent in the proceedings. With the queen and step-mother around seemingly looking strange, this could have easily been another Maleficent with more power. With the plot holes and lack of focus except for the love for the main character, the movie remains entertaining and can be worth watching for most of the time, and when it tries to be over smart, just avoid those moments. After all, a fantasy level movie with dragons cannot be that bad, whatever absurd things a film tries to put in there. Even without that grand an execution, this one works, and entertains, keeping us in the fire-breath of that dragon looking out for vengeance.

Release date: 8th March 2024 (Netflix)
Running time: 109 minutes
Directed by: Juan Carlos Fresnadillo
Starring: Millie Bobby Brown, Ray Winstone, Nick Robinson, Shohreh Aghdashloo, Angela Bassett, Robin Wright

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@ Cemetery Watch
✠ The Vampire Bat.

On The Hobbit :: In the first installment of a three-part film prequel series based on the 1937 novel The Hobbit by J. R. R. Tolkien called An Unexpected Journey, we saw thirteen dwarves accompanied by one wizard and a hobbit, going on a mission to reclaim the dwarf lands which was earlier claimed by a fire-breathing dragon, Smaug. It was then that our hobbit had attained possession of a ring from Gollum which will make a difference in many ways later. The film had ended with a vision of the Lonely mountain with the dragon, and the creature opening its eyes. This movie has released almost exactly an year after the first movie released, and the third movie There and Back Again will be there on December 17th, 2014. It would have been even better if Guillermo del Toro was more involved with the movie, and it was his vision that was there, but even now, this movie is incredibly strong, and one would wonder if how different this would have been if he was in charge – may be something which was so different that one has to wonder so much? Who knows?

What is it about? :: After taking refuge from the orcs at the home of a skin-changer, the team of fifteen splits up as Gandalf the Grey (Ian McKellen) who separates from them with a promise to meet them before they reach their destination. After fighting giant spiders, they are caught by the wood-elves from where the escape hidden in empty wine barrels. Bilbo Baggins’ (Martin Freeman) invisibility ring helps in both cases. Meanwhile, Gandalf fights a legion of orcs as well as an entity known as the Necromancer. They are later helped by a human bowman Bard (Luke Evans) and later receives a great send-off when the talk about the riches come into play. But the orcs are after them, and so are two elves, Legolas and Tauriel who have more obvious reasons. With Gandalf missing, the fourteen are on their own in their battle against the dragon, and the questions remain about how they would get inside the mountain, how will they get the Arkenstone which is needed to rule, and how they will slay, defeat or at least survive from the dragon if they could. Another interesting question might be about who all will survive, with a dragon, an evil necromancer and lots of orcs involved.

The defence of The Hobbit II :: Talking about The Hobbit: The Desolation of Smaug, this is exactly what I had expected from this movie, and the movie has provided me with exactly what I was expecting. The fans of the book might disagree, but I haven’t read it and the whole movie remains a spectacle for me. The movie is an improvement from the previous one of the series, and it is a huge improvement as the action sequences and special effects are considered – may be I am a little prejudiced with this point as I watched the first movie on television in Sony Pix and this one in a multiplex in 3D, first day third show. But you can’t deny the strength of action sequences here, especially with the team’s barrel run chased by the orcs who are chased by the elves, and then when Legolas is involved. The dragon is also well-designed and it is an interesting character with its fire breath adding to the special effects more burning beauty. The spiders, the web and the forest remains another area which makes the whole thing interesting. One can actually take time to talk about almost every character out there, but I would rather not do the same.

Positives and Negatives :: We know the dragon is an impressive creature here, and so are all the creatures of different races, but there is one thing that doesn’t stand that good, it is the female elf Tauriel who seems to do nothing interesting other than create a bad love triangle. But we can still think that she never existed as the dwarf whom she healed was treated by other dwarves or humans. But the character is awesome in the action sequences, so may be she can be of interest in the next movie as long as the significance of that unnecessary love triangle will become less. As a character who is not in the book, I would think that she won’t be liked by the book fans. The movie is very long, but there is no dull moment in it, so just take that length negativity out of the equation. May be some people don’t like journeys like this, but obviously this was what one was supposed to expect, and the ending is quick, but better executed than The Hunger Games: Catching Fire, and gives people more interest in going for the third movie which is surely going to be heavily packed with action. The 3D is fine and even excellent at times, nothing spectacular considering the overall quality of the movie, but I wasn’t looking for that in this movie.

Performers of the soul :: As the movie gets into action very early unlike The Hunger Games: Catching Fire which takes an eternity, our people are also prepared. Martin Freeman steals the show, and Ian McKellen comes as the big tree which holds things together. Richard Armitage’s dwarf king gets better, and Luke Evans’ presence is something which will be strong only by fulfilling his character’s destiny in the next movie if it is indeed the fate. Orlando Bloom is the ultimate action hero of the movie, and the number of claps he received in the theatre can’t be counted. The movie needed the character from Lord of the Rings, even as I hear people say that he is not The Hobbit character. He is more an archer magician right there making most of his screen presence. Despite Evangeline Lilly’s nice portrayal of her character, it is an avoidable she-elf – otherwise she is good and excellent in the action sequences. Well, elves are crowd favourites! Aidan Turner is equally detestable for that love triangle even as one has to like the way he has performed. Lee Pace makes a fine elf king, while the other dwarves work as good as they did in the first movie. Above all, love Benedict Cumberbatch’s fire-breathing red dragon, for that one rules.

Soul exploration :: The movie deals with the courage of a hobbit yet again, as despite his weaknesses and the lack of abilities, he joins the dwarf warriors, and continues his journey here. He is more heroic than he was in the first movie and even saves the dwarves from being eaten by giant spiders as well as being eternally imprisoned in the elf prisons – he even talks to the dragon face to face, and there is the courage that he has found, along with the ring. Meanwhile, Bard has to accomplish his destiny or rather fail in it, leaving a question mark for the final movie of the series. Elves, hobbits, dwarves, goblins, orcs, trolls and humans – they have all been in the series, and except for goblins and trolls, the rest make an impact in this movie too. The human neutrality is evident, and so is the orc alignment towards pure evil. The dwarves and hobbits remain more on the good side a little more than neutral, and the elves are good in their own way. But when we look at the ideals of the three – dwarves, elves and hobbits, they are different with variable views on each other, and if given a choice, I would think that most would chose the elves, and so would I. This racial difference is an incredible thing, and I have loved this variety in creatures since playing Age of Wonders.

How it finishes :: I would sincerly hope that all who are praising the special effects and CGI of some of the worst movies of the year, to watch this one (Krrish 3 fans can look at Dhoom 3 when it releases if waiting for an opponent of equal platform). The Hobbit: The Desolation of Smaug is one of the best movies of the year and also a visual treat which entertains with its witty dialogues, incredible action sequences and a flurry of special effects. It indeed makes The Hobbit: An Unexpected Journey feel that it could have been a better movie. Peter Jackson has indeed created the right hobbit movie which will surely make me choose Halflings as the race the next time I play Age of Wonders: Shadow Magic – something which I had given up in favour of the Draconians and the Undead. Meanwhile, I hope you all had a great Friday the 13th. It is the favourite day (and night) of the Vampire Bat, and on this occasion, he has decided to go lenient on his ratings, but The Hobbit II actually deserves it. Still, the one year wait for the third movie is going to be so depressing!

Release date: 13th December 2013
Running time: 161 minutes
Directed by: Peter Jackson
Starring: Martin Freeman, Orlando Bloom, Evangeline Lilly, Ian McKellen, Richard Armitage, Benedict Cumberbatch, Lee Pace, Luke Evans, Ken Stott, James Nesbitt