The Lorax

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What is The Lorax? :: Here is a movie based on Dr. Seuss’ children’s book of the same name. Born as Theodor Seuss Geisel, Dr. Seuss has published fourty six books for children, and this one published in 1971 should be the most popular of them all. The book as well as the movie talks about the poor situation of the environment which humanity has brought on by themselves. There are significant differences between the book and the movie, and some might feel that there might have been a little bit too much deviation to suit the standards of Hollywood. But the fact remains that it has a strong message for the environment, something which has not been lost in the adaptation. So who is this guy known as The Lorax? Does he save the environment by making sure that the trees are not cut and the air and water are not polluted? Is he something like the male fairy of the forest of just another wood elf? Lets venture deep into the same.

What is it about? :: The movie begins with the story of Ted Wiggins, a twelve year old boy who lives in an artificial world. Surrounded by a destroyed environment, he lives in a walled city called Thneedville where everything is made of metals, platic or synthetics, and there is not even one tree which is real. There is a price for natural resources and clean air is difficult to get. Our kid wishes to impress a tree-loving young girl called Audrey by getting a real tree for her, but there is no such thing available. His grandmother tells him about Once-ler who can give him enough information about trees if can get that man fifteen cents, a nail, and a shell of a great-great-great grandfather snail. Even as the mayor of Thneedville, Aloysius O’Hare who sells bottled oxygen tries to keep him inside the walls, the boy sneaks out regularly in order to hear the story of the man who will only give him the tree after he finishes his tale. It turns out that the story is more of a history about the trees rather than anything else. Whatever it is, the boy needs his tree.

The story of Once-ler (You can choose to skip this one if you don’t need more details) :: The man who is hidden from the outside in her mostly destroyed cottage tells the story of a young man who left his family and reached the forest in order to make money. After cutting down the first tree, he meets the guardian of the forest, The Lorax. Even as Once-ler agrees not to cut another tree, but only to take what is needed from a living tree, his Thneed invention becomes a great success, and as his family members join him, there is a horrible attack on the trees with the mass production which needed big deforestation and the final destruction of the forest with not even one single tree left. As the air, water and land remains polluted and nothing left for him to do business with, his people abandons him and he is left with no hope. As all the animals and The Lorax leaves, he becomes a recluse living in an abandoned cottage. Now he needs to make amends for his action, but can he do it, or how will he do the same?

The defence of The Lorax :: I can’t remember a movie which has had this strong an environmental theme for a long time. It has the strong background of a brilliant work, and they have used it well to further strengthen the characters in the movie and make it more suitable for the current age. The looks of the characters are also appealing for the children. Its emphasis on saving the environment and its powerful assertion on the need to save the nature is impressive. As the world is slowly being taken over by the corporates who use the power of science to manipulate nature and create an artificial world out of nowhere, this has a powerful role to play. May be this can keep the newer generation of kids informed about the need to safeguard the world they live in. The preservation as well as the improvement of the natural environment should be taught in the early age itself rather than throwing scientific nonsense doing their brains. The movie can actually do a great job in the same.

The claws of flaw :: The movie surely deviates from the book, and its environmental concern is indeed a bit overdone. There are not many good tunes, and there is not enough fun with this one as compared to the other animated movies. There is a pervading dark tone around it, and the irony about the movie might be too much for an animated movie. It often losses its point as the life in the synthetic world is shown as perfect even in the natural destruction. There is also too much of the life in the artificial world which seems to justify itself without nature. Why does our hero want to grow a tree? Not to save the environment, but to impress a girl. The romantic subplots are getting more and more ridiculous these days, and I would hope that they can do without it whenever not needed. The environment is not part of our need to impress someone, it is the need of our life, not only of ours, but all life forms. It should stay with us forever rather than becoming an instrument to tell others that we did that, and we are awesome!

Nature’s sad loss :: Lets think about all these before we concentrate on sending rockets to Moon, Mars and everything that the scientists claim about. If we can’t save our planet which is moving more and more into chaos, what are we going to do about the future worlds were we live in? How can we even know that such a world exists without seeing them? We hear that they sent the rocket there, but how will we ever know that such things really happened – the plight of the common man who is set to believe everything, and can’t question where all the money disappears. Well, we have an environment to take care of right before our eyes. We can’t care about our habitat and our people; instead we look for a habitat in another world and also for lifeforms in another worlds. I have a lot of respect for the nations who would actually care about their citizens rather than go for space research. The lesser the betterment of other worlds, that much the better.

How it finishes :: With a villain who is almost like all the companies of the present who sells bottled water, and a selfish hero along with a former selfish hero, the movie has its flaws, but with its appealing animation and still powerful environmental message, the movie takes control. The biggest advantage might be that the kids can take a message home, that the trees are good and they should be planted everywhere – with a hope that when they grow-up, the world becomes a better place, even if one has to doubt that seriously seeing how they are exposed to the artificial world in such a young age. The respect for the elders, the parents and the teachers are slowly disappearing, but may be this movie can put a little bit of respect for nature in them. If it does, that should be the success that this movie can boast about. It is quite a short movie lasting less than one and half hours and hope you all give it a try. There is the need for balance between the humanity and the nature, and the the clock is ticking!

Release date: 27th July 2012
Running time: 86 minutes
Directed by: Chris Renaud
Starring (voice): Zac Efron, Danny DeVito, Ed Helms, Taylor Swift, Rob Riggle, Betty White, Jenny Slate

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We’re the Millers

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It was a delayed entrance that this comedy movie made to the theatres here and there was a bigger delay in me watching the same. Percy Jackson: Sea of Monsters and The Mortal Instruments: City of Bones had taken over the last weekend, and it was necessary that I had to wait, and therefore I did and took this pill of comedy which is We’re the Millers. The Hangover Part III was the last full-time comedy of this nature which I had watched in the theatre last. Now, here is this movie which overtakes the final movie of a series of a solid fanbase even with its highly predictable setup which comes up with no surprises or moments of absolute brilliance. It is more of a disadvantage of that movie rather than the capability of this movie. But the difference in rating is negligible and the effect is also not that much of a variation, as you can check right here: https://moviesofthesoul.wordpress.com/2013/06/01/thehangover3/ except for the well-known fact that it was The Hangover, and was to be respected for the first movie of the franchise, which was just another Dude, Where’s My Car? if we look at it with eyes uncovered of the glorified mist.

David Clark (Jason Sudeikis) is a drug dealer of a smaller level, a chronic bachelor and still a happy one until he is robbed of his money and stock, on a night of stupidity. His boss, a rich drug lord and gangster Brad Gurdlinger (Ed Helms) forces David to smuggle marijuana from Mexico to the United States in order to clear his debt to be him as well as gain some good carrier fee. As he is known enough as a drug dealer and one man crossing the border is going to be more suspicious, he hires a stripper named Rose (Jennifer Aniston) who is having heavy financial difficulties and loses her job, an arrogant runaway teenage punk girl named Casey (Emma Roberts), and his eighteen year-old neighbor Kenny who is afraid of kissing a girl (Will Poulter) to pose as a typical American family called the Millers travelling in an RV, with that random family name he came across. They are a strange group, but still manage to get through into Mexico and also get the needed goods from a Mexican drug-hold, despite almost getting shot by the gangsters and being caught by the Mexican police.

Due to the presence of a heavy load of marijuana on the RV, the automobile breaks down. They are helped by a family called Fitzgeralds whom they had encountered at the border, and it consisted of Don (Nick Offerman), Edie (Kathryn Hahn), and Melissa (Molly Quinn). As they take the Millers’ RV to a repair shop, Kenny falls further for Melissa. It is then revealed that Don Fitzgerald is a DEA agent as he comes across his badge and the gun. After Edie seems to be highly interested in Rose, and Melissa finds out Kenny kissing both Casey and Rose (as they were trying to teach him the same), a holy mess breaks out and despite the husband and wife being reluctant to leave them, they finally get to the shop only to be greeted by the real drug lord whose package they had been carrying over. But they try to convince him that they are not a real family, and Rose is a stripper, as she strips down to her underwear and do some pole-dancing and attacks him with a steam vent which sets them on the escape route with an angry drug lord and his men behind them. As they try to settle their differences, they are followed by one of the most dangerous gangs and it is to see if they can survive and finish their mission, earning the much needed money.

Jennifer Aniston who seems to look better and better, steals the show in this movie, as the stripper and still the caring supposed-to-be-mother. I haven’t watched many of her movies, and the only one I can remember right now, is Bruce Almighty, possibly because the genres of the films she acted in rarely was part of my to-be-watched list. May be I could find a few more of the movies with her in them, sooner or later. The absence of big male leading actor is solved by her presence, and even as this is more of an opportunity for her to get into her character and look awesome. But it is to be noted that her acting skills as a comedy actress also gets its due, and she never looks out of place and even her character’s job in the movie seems to help her performance highly. She has her charm working out throughout the movie as she triumphs in what she does. Most of the better moments of the movie has her as part of it. She is the biggest star in the movie, and the next one is Ed Helms, the Stu of The Hangover franchise with quite a small screen presence. He comes, make a short impact and then makes small appearances.

Jason Sudeikis as David Clark makes a good central character, and he has his own good moments in an everlasting screen presence. He remains funny throughout, as his dynamic character evolves from the drug dealer who keeps seeking money to a responsible father-to-be. Will Poulter’s Kenny Rossmore is undoubtedly the funniest of all characters in the movie. He is instantly likable even with all the nonsense that he come with up with, adding to the funny side of the movie. Emma Roberts as Casey Mathis, and she provides the right dose of energy or the lack of it at the right moments, creating the much needed contrast with Kenny on one side, while also with David on another side. She is the bad kid, a strange and never caring girl who ran away from her home due to small differences. Nick Offerman’s Don Fitzgerald and Kathryn Hahn’s Edie Fitzgerald are the next funnier characters. Molly Quinn as Melissa Fitzgerald has a cute, beautiful, innocent presence throughout the time she spends on screen. She might even be the best-looking person around in the movie. Tomer Sisley is a fine Mexican drug lord and Matthew Willig makes a good henchman.

The strength of this movie is its cast, as one might expect even before watching the trailer of this movie. But the question remains if they could have had a better, less predictable plots with not much of the repeated comedy scenes. Some of them are too silly and stupid for the common movie watcher who has had a long season of watching comedy movies. It might be more than just okay for the viewers from this part of the world, as adult-comedy is not something you get to watch in theatres too often here, and even if it does attack the big screen or the television channels, there are more to cut than to show, making the whole thing a lot more shorter than what it really is. Jennifer Aniston surely had some of her stripping and pole-dancing cut from the totality, and there has been a lot of dialogues by both the male and the female lead which has been removed. The movie surely felt quite short compared to its total running time given in the internet, but one can also think that it was more because it was funny and entertaining enough, with subtitles to make sure that none of those terms are missed by the usual audience who don’t get to see movies of this genre every day, every month or even every year.

The Heat and Grown Ups 2 hasn’t come to our theatres, but The Hangover Part III had quite a good time here. We’re the Millers also had quite an okay time here, but Jennifer Aniston can’t create that much of an effect here and there all the collection this movie makes here comes from the trailer which was shown before Indian movies, and that trailer was pretty good rising the bar of expectations. The fact that Percy Jackson: Sea of Monsters is having a better word of mouth, and still staying on to have more shows, and Riddick coming to make an impact with a superstar who is loved in this part of the world, the only hope for this movie is to fill the void which The Conjuring might leave next week after scaring enough people. But that might also be filled by new releases in different languages, as the Onam celebrations are coming up and families shall flock into both the normal theatres as well as the multiplexes, not for adult-comedy, but for the family movies, mostly in Malayalam followed by Tamil and Hindi in that order. So the time of this movie has almost ended here, but it has surely created enough impact outside here. For now, I hope that they don’t steal from this movie to make a road trip flick in the form of a Hindi or Malayalam movie, as a whole or in part, as that won’t be tolerable at all.

Release date: 7th August 2013 (United States); 31st August 2013 (India)
Running time: 110 minutes
Directed by: Rawson Marshall Thurber
Starring: Jennifer Aniston, Jason Sudeikis, Emma Roberts, Will Poulter, Ed Helms, Nick Offerman, Kathryn Hahn, Molly Quinn, Ken Marino, Matthew Willig, Tomer Sisley, Thomas Lennon

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The Hangover III

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There was the age of the wolf-pack, with its own lone wolf with a beard. They have extended that age so much that the first movie had to suffer the consequences of getting the bad name of not inspiring worthy enough sequels. No, the sequels are not that horrible, but they are just faded visions of what the original was, and considering what Dude, Where’s My Car? happened to be, and the memory loss being shown in an even better way before the series, these two sequels struggle to keep up with them. Well, stupidity might save one or two movies, and the same theme which doesn’t have that much chance of repetition can’t be that much of a saviour, but as long as this part is concerned, it has just managed to make it interesting enough. It surely trails in comparison to the other Hollywood movies in the theatres right now, but it has surely made it into the good movies list, and the moments when it was going to go down can be forgiven. It has fought hard, and it has made sure that it won’t lose. As most of the shows are now already nearly booked and full around here, I guess it will have a good run here.

Welcome the wolf-pack again, for this should be their final battle in the big screen together in a Harry Potter and the Deathly Hallows 2, “it ends” style unless they decide to expand the triology many years later or create a spin-off or a reboot; Bradley Cooper as Phil Wenneck (the unproclaimed, but still the seeming leader of the lost wolf gang), Ed Helms as Dr. Stuart Price (the dentist-doctor with a gorgeous Thai connection) a.k.a Stu, Zach Galifianakis as Alan Garner (former member of a lone wolf-pack) and Justin Bartha as Doug Billings (the man lost and found in Las Vegas and to be lost again). Well, they surely must have had a death wish, not only in the movie, but also outside, as they were on a battle against Fast & Furious 6 which had already accumulated enough people to watch the movie with its first trailer itself. There were people who forgot everything else just for that one racing-action-adventure movie, and unfortunately, this movie doesn’t create that high an impression, and it also fails to invoke curiosity, thanks to the second installment of the series which preceded this. But the gang is still up for a fight, and they will surely win territories especially because the Vin Diesel starrer was released one week earlier at this part of the world.

After being arrested in Bangkok, Leslie Chow (Ken Jeong) escapes from prison through a tunnel he made in the The Shawshank Redemption style using a prison riot as cover. Meanwhile, Alan Garner (Zach Galifianakis) has gotten mentally worse and tries buying a giraffe as a friend but it gets beheaded under a bridge causing a Final Destination 2 situation on the highway minus the horrible deaths. His father is shocked and angry at him and dies of a heart attack. After the funeral, Alan’s old friends Phil Wenneck (Bradley Cooper), Doug Billings (Justin Bartha) and Stuart Price (Ed Helms) make a return to find out that he is kind of out of control and decides to get him to rehabilitation centre. But they are captured by Marshall (John Goodman) and asks them to return the gold Chow had stolen from them, along with the robber himself, as Alan was the only one in contact with him through letters to and from the Thai prison. He also keeps Doug as a prisoner so that they won’t stray away from their path. Now they have three days to find the person or their friend dies, an equation which is simple enough.

Alan has an e-mail from Chow talking about them meeting in the city of Tijuana in Mexico. Stu and Phil attempt to drug Chow and capture him, but when he finds it out, they reveal to him about the deal with Marshall and the need to save Doug. Chow agrees to take the gold back to the man, but it is stored in the walls of the basement of a Mexican villa that he used to own before he was captured by the police. Stu, Alan and Phil goes on the robbery mission with Chow and successfully find and take out the gold from inside the walls. But Chow cheats them, as he locks them down in the basement, alerts the security, and escapes with Phil’s own vehicle. They are arrested, but are surprised when they are taken back to the house from where the stole the money. There they meet Marshall again who tells them that Chow had lied to them amd the villa never belonged to him, and the gold which they were stealing belonged to Marshall. But he gives them another chance, as they already found Chow and they might be the only ones who might know where to look for him. So the wolf-pack is out there again, this time with less clues.

One thing that might be clearer than most of the things out there must be the fact that there is no real hangover in this one and therefore the title is of lesser significance and this one belonging to the series is more of a less suitable thing. But still, arguing that this movie is the result of two hangovers that happened earlier, and mostly the first one, this is that part of the series which is an extension. It has both the first and the second parts in it, and it tries to build on those two, and without them, this movie is absolute nothingness. The movie successfully deviates from the original formula, but that has done not much good, except for bringing a little dark shade associated with what was otherwise good fun. This dark side is rather an eclipse and with it should this movie series end, as it is known. But they have given themselves a scope for another movie with that end, and it is not a good sign. It should have ended with the scene before the closing credits, but it chose to bring a hangover element to this movie after it had successfully finished. That was one of the worst things ever, as a happy ending which is really an end, would have done this series a lot of good. Now someone might think about building on it and make it miserable without knowing that all good things must end well.

There is lot of fun, but it should still be considered as a lazy effort, with nothing special to offer, and what it has done is that it has alienated the common viewers who loved it even further more. The essence of losing one person has been kept in there though, as one person is destined to be lost in every movie of the series, and this time, it is again Doug which gets his “I am lost, please find me” score to two out of three, which is very good as he has much less to do even as an important member of the wolf-pack. There is too much of Chow instead, which is surely funny, but at times it does get irritating. The most laughter-deriving character is still that of Alan, and there is nothing changing that this time too. For the Malayalam movie watchers, there is a little bit of Jagadish from In Harihar Nagar in Alan this time, and it can be identified by the way in which he cries with no reason. 2 Harihar Nagar and In Ghost House Inn had made better sequels in Malayalam, but this one doesn’t do that much good to the original. The lack of innovation haunts this movie in its soul and the jokes might not be enough for all.

Behold the negative reviews though, for how much can something go on with a group of alcoholic drug addicts who mess up things because of their own fault only. The repetition always have its limitations, and the lack of repetition leads to a diversion from what made this series a grand success; such is the confusion and thus the complication. There is a limit to what drugs and alcohol can achieve, even in the movies. With the signs, “Alcohol is injurious to Health”, “Smoking is Injurious to Health” and “Drugs Kill”, the movie might have been against the use of the drugs which started all the trouble in the first place, but in many ways, it also glorifies the same, just as the Malayalam movie Spirit glorifies alcohol consumption throughout the first half. The comparison is surely far-fetched, but when you deconstruct them, there is a seventy five percent chance that you come up with the same conclusion once in a while. As this is an R-rated comedy, one has to wonder how much the censor board has cut just to make it adjustable to this world. One has to wait for the DVD to know exactly how much of the movie has gone to the grave, never seen by the people of this part of the world. Still, this time it looks less cut and that is a surprise!

Release date: 31st May 2013 (India), 23rd May 2013 (USA)
Running time: 100 minutes
Directed by: Todd Phillips
Starring: Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, Heather Graham, Jeffrey Tambor, Justin Bartha, John Goodman, Jamie Chung, Lela Loren

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