Oxygen

Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Last Knight

Vampire Owl: This particular alien species seems to have too many movies about them.

Vampire Bat: Yes, these days, they have a lot more than vampire movies.

Vampire Owl: They even have so much of box-office collections.

Vampire Bat: It is strange, isn’t it? We, vampires have existed on Earth long before these people, and nowadays, we rarely have movies.

Vampire Owl: Some time ago, we were the trend. Even my zombie minions were trending.

Vampire Bat: That age seems to be gone. Even local superheroes trend more these days.

Vampire Owl: Even people from myth, like Thor are converted into huge box-office success.

Vampire Bat: Captain America, Iron Man, Spider-Man, Batman, Superman, Wonder Woman – they are all success; even as the teams of Avengers and Justice League.

Vampire Owl: Even X-Men with their Wolverine, Deadpool and more.

Vampire Bat: We should be back soon, and take whatever is ours.

[Gets three cups of cardamom tea with Nice biscuits].

What is the movie about? :: The last Transformers movie, Transformers: Age of Extinction had ended with Optimus Prime (Peter Cullen) ending with sending a message to his creators that he was coming for them. Lockdown (Mark Ryan) as well as Galvatron (Frank Welker) were defeated, but things haven’t really changed much. Transformers continued to be declared outlaws by human government, and a new military wing known as the Transformer Reaction Force (TRF) is now in action against all those new transforming robots, both autobots and decepticons which keep falling on our planet. There is the possibility of an alien invasion being asserted by all governments, and there is nothing more than a threat as far as the alien transformers are concerned. With Optimus Prime having left to meet the makers of transformers, things are the worst situation for his kind that are left on Earth, being hunted and destroyed by humans and their drones at will.

So, what happens next in the movie? :: An orphan Izabella (Isabela Moner) tries to save a few transformers in between, with Sqweeks (Reno Wilson) as the last one left on her side. They are about to be captured by the human troops, but are saved by Bumblebee (Erik Aadahl), Hound (John Goodman) and Cade Yeager (Mark Wahlberg) who are leading the resistance of autobots, hiding themselves far away from trouble, with Crosshairs (John DiMaggio), Drift (Ken Watanabe), Wheelie (Tom Kenny) and the randomly visiting scavenger Daytrader (Steve Buscemi). A talisman is attached to Cade by a transformer knight before dying, while they were trying to save Izabella in the area which was more like a transformer graveyard. The team of decepticons are aware of the same from Barricade (Jess Harnell), and comes looking for them at their hiding place, a junkyard, as Megatron (Frank Welker) with his team, launches an attack which pushes the autobots out of hiding.

And what is to follow next in this adventure? :: At the same time, there is the history of humans coming together with that of transformers on Earth. Sir Edmund Burton (Anthony Hopkins), the twelfth Earl of Folgan, who is an astronomer and historian, is one of the experts in the same. There is the unknown tale of King Arthur (Liam Garrigan) and his knights struggling in a terrible battle against the Saxons who got them almost defeated. Edmund’s version of history says that it is the Knights of Iacon, a team of twelve Transformers who were hiding on Earth that helped Arthur and his knights to triumph over the Saxons as they transformed together into a dragon. But what remains from those days is an ancient staff which holds unlimited power. Meanwhile, Optimus Prime meets their maker, Quintessa (Gemma Chan), a Cybertronian Sorceress who brainwashes him into destroying Earth to rebuild their home planet of Cyberton. So, with enemies all around, can autobots and Earth make it to a safer situation?

The defence of Transformers: The Last Knight :: You are going to praise the visuals of this one too, as that quality is maintained with ease here – all that you see on the screen will have your attention. The universe of this movie is nothing less than breath-taking, as we have all those things which could light up the screen with ease. There comes the question about what you really need with this movie, and if it is this escapism into a world of chaos and destruction which looks great on the screen, with big action sequences, there is not reason why you shouldn’t choose this movie. These movies will not be banned here either, as nothing from Indian history is made to be related to the Transformers – lets hope that the other movie makers also take a lesson from the Padmavati episode, and deviate, combine or transcreate through history, myth and fiction. You will notice that Mark Wahlberg is very good in this avatar, and Laura Haddock is lovely, and she might be the best leading actress in this franchise so far as far as acting is concerned. Isabela Moner is good young talent while Anthony Hopkins is once again joy to watch.

The claws of flaw :: Transformers: The Last Knight needed more ideas, and a better tale to go with this kind of a thing which has existed for so long. But here, they have added so many things without taking much of care about dealing with them in the better ways. It is as if they are attributing everything to Transformers, and the victory of King Arthur or Saxons is just one of them – there are the wars, discoveries, inventions, assassinations, mysteries, and all that have important places in history being credited to the Transformers and their actions. The movie is long, rather too long, and there are so many moments which could have been cut off from this one. We are also tired of having this Optimus Prime saying the same thing again and again, and Bumblebee being a special Transformer for no reason – at the same time, Megatron goes through varying degree of powers; there is no consistency at all, with this one. They used to have a weapon specialist called Ironhide giving him the best moments of the first movie, and then they successfully kill him in a dumb sequel.

How it finishes :: Transformers: The Last Knight never really makes the franchise any better. It is not better than Transformers: Age of Extinction, and is only better than Transformers: Dark of the Moon, which is undoubtedly the worst movie of the whole franchise which seems to continue to try for more of similar kind of movies without focusing on anything new. The first movie had everything going in the right direction, but for some reason, the franchise refuses to go any higher or even keep the same level. You will find this movie in the Transformers franchise to be an entertaining one too, but there is that certain question about how far the series can go, as there seems to be the problem of running out of ideas. If we think about it, that would be kind of depressing, and so, lets go on watching these movies, and hope that there would be change with one of those movies, and Transformers would get bigger with the story rather than anything else. You can actually watch this one as a stand-alone flick without having watched any other flick from the series.

Release date: 21st June 2017
Running time: 154 minutes
Directed by: Michael Bay
Starring: Mark Wahlberg, Laura Haddock, Isabela Moner, Josh Duhamel, Stanley Tucci, Anthony Hopkins, Jerrod Carmichael, Santiago Cabrera, John Turturro, Glenn Morshower, Liam Garrigan, Mitch Pileggi, Tony Hale, Gil Birmingham, Peter Cullen, Jim Carter, Erik Aadahl, Ken Watanabe, Omar Sy, John Goodman, John DiMaggio, Reno Wilson, Tom Kenny, Steven Barr, Steve Buscemi, Mark Ryan, Frank Welker, Jess Harnell

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.