Journey 2

Posted on December 5, 2013 by Tennyson

What is Journey 2: The Mysterious Island? :: It is a sequel to Journey to the Center of the Earth which had Brendan Fraser in the lead with the comparatively less known Anita Briem along with Josh Hutcherson. It was based on the nineteenth-century novel of the same name by Jules Verne and had great special effects and CGI which could have been great in 3D or may be 4D. I couldn’t watch that one in 3D, but did manage to watch its sequel in its full power, and managed to watch it so many more times on television, thanks to Star Movies, or was it HBO? This sequel is based on another Jules Verne novel, this time The Mysterious Island. Well, who better than Dwayne “The Rock” Johnson to replace Brendan Fraser? Both are my favourite actors indeed, and that makes this a special series for me, and I have to say that I liked the sequel better than the original, just by a slight margin. Michael Caine and Vanessa Hudgens are two great additions to the franchise.

The Setting :: The movie is loosely based on the novel, which I had read in its abridged form long ago. This version of the original classic has a grown-up Sean Anderson (Josh Hutcherson), years after the incident which involved his journey to the centre of the Earth with his uncle Trevor Anderson (Brendan Fraser). Just like Journey to the Center of the Earth by Jules Verne is the guide in the first movie, Jules Verne’s The Mysterious Island is the guide this time. The journey continues to be personal, and through the new world, they will find new relationships and also strengthens what all were weak and struggling. There is a lot of potential for using the best CGI and all the special effects, and with the movie being released in 3D, there is a lot in store for the viewers here, even as the chance to watch it on the big screen has disappeared. It should still look pretty nice with a good cable connection and an LED television.

What is it about? :: Sean Anderson (Josh Hutcherson) is back in action, as he tries to find his lost grandfather Alexander Anderson (Michael Caine) this time. With the help of his stepfather Hank Parsons (Dwayne Johnson), he deciphers the code which is supposed to have been sent by the grandfather even as he doesn’t get along with Hank much to the dismay of his mother Elizabeth (Kristin Davis). The stepfather and the son travel together to Palau according to the codes. There they assigns a helicopter guide Gabato (Luis Guzman) and his daughter Kailani (Vanessa Hudgens) who agrees to take them to the dangerous island for three thousand United States dollars. The helicopter is caught in a storm and they crash into the island. There they encounter strange animals until coming up against a giant lizard, from which the grandfather saves them. Now the question remains if they can get out of the island which is going to sink in two days. In the process, they will have to get the aid or avoid a good number of creatures.

The defence of Journey 2 :: The movie’s best advantage is its graphics, as it has created an outstanding 3D world which clearly makes a point that it is indeed a mysterious island, and not of this world, nor connected to any logical or scientific factors of modernity. It is indeed funnier, and has more beautiful world compared to the original. It is an adventure which is friendly enough for all ages, and therefore clearly suitable for family viewing. The movie’s theme of family is mostly worked out well too, with the father-son, father-daughter bonding often working quite well in the background. There are a few impressive dialogues which they drop in here and there. There is a very well created chase scene involving giant bees and huge birds, as well as nice sequences involving the sinking of an island and a submarine which all look beautiful in 3D. It can boast of a strong 3D adventure inside it, supported by a literary work which brings in nostalgia to the mind.

The claws of flaw :: The movies similarities to the original novel as well as its connection to its predecessor are limited. There is your typical lack of logic, but it is covered by the background book as well as the brilliant special effects in 3D which takes you to another world. There is no contribution from a horror side, but simple, non-threatening world, and that often adds to the better impression it creates for families. It might also have a little bit of emptiness in it considering such a marvelous world it created and how it has brought up so much less and ended in just one and half hours. We watched it on the same day as Agneepath, which meant that this felt much shorter, especially considering how much of a pathetic and long movie the Hritik Roshan starrer Bollywood movie was – it was the worst movie of 2012 indeed, and thanks to The Rock and his team that the day was saved and I didn’t watch many Hindi movies after that in the year.

Performers of the Soul :: Josh Hutcherson has his moments, especially with Vanessa Hudgens, but The Rock steals the show, just like he does in any wrestling ring. I would be surprised if there is a good number of people who won’t watch the movie just for the man. Yes, you have to love him – he sings “What a Wonderful World” and also teaches his stepson something on how to get the attention of the lady; the man scores with the funny moments really well, even as the muscles come to donate a lot to the score quite often. When Dwayne Johnson is not scoring, it is Michael Caine who takes the lead only to lose it to the magnificent screen presence of the former WWE champion, one of the most popular Wrestling superstars ever. Vanessa Hudgens is there for the looks, and her cute and charming presence catches your attention if not the beauty and the clothing. She never looked better – no not even in Springbreakers; that was too much of a gorgeous side. Kristin Davis has very little to do, that too in the real world, while Luis Guzman is quite funny throughout.

How it finishes :: The movie works mainly due to Dwayne Johnson and Michael Caine, and no surprises there. The movie is a fine mix of everything good and nothing unworthy of the family audience. It is not a classic movie which can justify the book on which it is based, but an entity which is of visual splendor, unlimited fun and awesome actors. There is absolutely no human character in the movie that you won’t like, and there is no real villain even in the form a creature of the mysterious island. It has taken out everything bad or evil from its core, and has filled it with more and more good and sweet things. Jules Verne won’t complaint about this though, neither will the authors of Treasure Island and Gulliver’s Travels – this indeed saves the world from the less interesting adaptation of the latter which was released in 2010. You can catch this one very often in the English movie channels; its quite a frequent visitor to the television, and if you have missed this one, you haven’t really been checking the channels enough.

Release date: 10th February 2012
Running time: 94 minutes
Directed by: Brad Peyton
Starring: Dwayne Johnson, Josh Hutcherson, Vanessa Hudgens, Michael Caine, Luis Guzman, Kristin Davis

@ Cemetery Watch
✠The Vampire Bat.

Gravity

Posted on October 13, 2013 by Tennyson

I have to agree that the wait for gravity has been much long, as the trailer came to the theatres quite early, with not much information available about it. No, it was not one of those movies which I was waiting for, but it became a movie worth waiting for, after having its own transformation from nothing to everything with those highly positive reviews and good word of mouth, and remained in the support of nearly 97% positive reviews in Rotten Tomatoes and 8.9 in IMDb, something which had to result in a rise in the number of viewers in the theatres, and because of that, we had to book our tickets online, not really something we had to do this year in spite of the fact that Iron Man 3 made us do the same, even as Man of Steel had threatened to do the same again and The Wolverine had succeeded in it. Yes, Gravity was to be watched at any cost, and we decided to waste no time, as we approached it the very next day after it was released here to positive reviews.

It has to be noted that the story for this movie is quite simple and lasts no more than one and half hours. We are introduced to Dr. Ryan Stone (Sandra Bullock) on her first space mission, and the veteran space traveller Matt Kowalski (George Clooney) who have almost finished their job when the space waste from a destroyed Russian satellite hits them and everyone except the two are dead. Matt saves Ryan from being lost in the space forever with low level of oxygen, but cuts himself off from her when he feels that it will endanger them both. After getting into the semi-destroyed International space station from their damaged shuttle, she has to use one of the damaged modules to somehow get to a chinese space station, from where she can go back home in their modules. As someone new to the whole thing, and with no communcations to advice her, she has to use more than what she knows to survive and make it back to Earth. It is not the most interesting plots around, but you have to love it for what is shown on the screen.

In the world of extreme science fiction, all these would seem too simple, but not for the realistic environment that the director has attempted to create right here. In an extended world of reality, there would be questions about reality, and one might wonder if this is also real enough. None of us did go to space already, and so this is no lesser unreality than most of the other things which are exaggerated, but the helplessness of the man and the lack of the scientific “supernatural” keeps this close enough to be defined real, even as I consider this to be that much of a work of imagination as any fantasy movie around there, and the chance of all these happening is as much as that of a Hobbit helping a group of Dwarves and a wizard against a dragon, or a young wizard with a scar going to a school hidden from reality. The one thing that denies sorcery here is that there are no superhumans here, and there is no deus ex machina. There is certain amount of role that fate has to play, but more of the job is done by the humans themselves.

There are only two actors in the movie, who are alive and shows their living faces. There are other astronauts for sure along with the voices, and there are dead bodies, and we see one of them floating around in space with almost a transparent face and a few others inside the space-shuttle, providing some moments of small shocks which work quite fine. Sandra Bullock is there or almost the whole time, and she comes up with what might be her best performances so far. She makes this survival movie her own, right from the beginning to the end. The fact that her character is too simple and ordinary, and none of her decisions come from the text books, make this one a dynamic character of infinite proportions in the infinite space of nothingness. George Clooney’s presence is small compared to our protagonist, but when he is there, one can think about, and can feel the awesomeness. The one memorable thing about this character is that there is the knowledge about when to let go and how to make not only his fellow characters in the screen, but also those outside the screen comfortable enough.

The life in infinite space has immense possibilities, and the survival in such a world with nothing to hold onto and and no hope to call or inform anyone for help is more than just another usual distress situation. Open Water and Open Water 2: Adrift made such worlds possible with their protagonists left hopeless in the middle of the ocean, but Gravity takes further steps into such helplessness when there is not even water, earth or any living creature nearby, and there is not even that distant hope of someone coming to help or trying to swim in order to reach somewhere. So, here comes the use of 3D. The Hindi movie Warning which was inspired from Open Water 2: Adrift tried some luck with it, but as we have seen before, it is rarely used effectively. But Gravity scores there with its spectacular use of 3D and all the resources which are available. It creates that connection with the audience with its 3D and visual effects, and it is that beauty on the screen and the technology that makes this one close enough to a beautiful thriller.

It is an experience worthy of being watched on the big screen. It is indeed one of the best visually stunning 3D experiences ever. The first person shots and the detail of the world requires special mention, as it takes the viewers closer to that experience of space, its beauty and its terrors. The magic of cinema in the theatre begins here, again with this “cine-magic”, or rather it started with the trailer of The Hobbit: Desolation of the Smaug. In spite o all these, Gravity will struggle to impress most of the viewers if watched on television or DVD, and that is a sure thing. If I had waited and watched this on another smaller medium, I might have just given this something around sixty five to sixty nine out of one hundred. There is that need to watch this with all its powers, and a smaller screen and the lack of 3D can only create that situation of being handicapped, and I would wonder why anyone would wish to watch a movie that is restricted to being half the flick that it is, when all its power lies in something and is stripped of the same.

There are still more that the viewers can ask for. On the local level, it is the presence of more shows, as it was there in just two multiplexes here; not something expected for such a movie; may be they scrapped it for movies which had stars who were more famous in this part of the world. On a more global needed, there was the need for more of George Clooney, a little bigger plot and thus a longer movie. But those are more of desires rather than needs. Gravity is pretty much exceptional in what it has achieved, even if it has done so not in a way that most of the viewers might have wanted it to. The movie itself works on the lack of gravity than gravity itself, just like it denies itself the opportunity to be just another exaggerated science fiction or a violent thriller. It defies all conventions and keeps faith on technology and the magic that is cinema, and thus honours all its viewers as well as its predecessors. There is the need for movies like Gravity, as without it, we might fail to understand the power of a medium such as cinema.

Release date: 11th October 2013 (India); 4th October 2013 (US)
Running time: 90 minutes
Directed by: Alfonso Cuarón
Starring: Sandra Bullock, George Clooney (+emptiness, darkness, void and corpses)

@ Cemetery Watch
✠The Vampire Bat.

Despicable Me 2

Posted on July 7, 2013 by Tennyson

In spite of knowing the critical annihilation and the box-office devastation which has created that horrible shadow of death over this movie’s major nemesis, and one of the only two Hollywood movies which released here for the last two weeks, I took that huge step to watch The Lone Ranger ahead of Despicable Me 2 which had to be the obvious choice with a better critic’s love at rottentomatoes and a better audience love at IMDB. It mainly because they said the same about two other Johny Depp movies, Pirates of the Caribbean: On Stranger Tides and Alice in Wonderland, and I watched both of the movies, and understood how much subjective their ratings were, and how much they differed from me according to the likes and dislikes; and as my opinions are considered, I would stay away from those not so interesting ideas and leave myself to the mercy of the movie directly. I had this feeling; may be The Lone Ranger is too good for the critics to take? I always knew they had their own preference except for the few. So what if the movie hit an area which made them give such low ratings?

There are many side to it though, as at that moment, I hadn’t remembered how well they had negatively rated Ghost Rider 2, as that was a memory which I successfully erased by planting better images of awesome movies. It was a much needed intellectual operation, I assure you, for without the same, I wouldn’t have given away so much to the multiplexes with such an animated ease. Well, I was half-wrong as The Lone Ranger was not that good and still not too bad, and then I had to follow it with Despicable Me 2. How can one say no to Gru, the super-villain who adopts three girls and turns good, just like the good old Megamind who turned good after adopting the lady and the city. We had both of them saving the day against a villain each, who had the advantage on that side. There are so many thing about bad turning good, and one of them is that it brings the message of hope, and with Despicable Me 2, it continues. Well, being despicable has never been an option, and it has ornated the villains for quite a long time. Both Gru and Megamind are just the lighter shades of the same evil which failed miserably in its attempt to maintain its legacy, and instead had to turn to where the really belonged, to goodness.

A giant magnet steals a secret laboratory which had a chemical compound wihich could turn any creature into mindless, indestructible killing machines. The Anti-Villain League (AVL), a secret organization working to keep the super-villains under control, is worried about the machines going into the wrong hands. The former super-villain Gru is asked to help on the matter. Even as he rejects the offer, there is a later reconsideration as his business is going a strange way and his scientist friend who misses being evil also leaves him. Gru takes over as an undercover agent in a bakery selling cupcakes along with the established secret agent Lucy Wild who becomes his love interest later. He doubts one of the owners of a restaurant in the same mall as one of those fiery villains of the past who is supposed to be dead. But the suspicion eventually falls on the wig-maker Floyd Eagle-san who is found to have some of the chemical compound inside the walls of his shop. Gru has to come up with his own theories, get back his love and also find a number of his minions who have gone missing for sometime. It is up-to him to save the world from whatever plan an evil mastermind has already made and is working for.

Gru rules the show yet again, and is second only to our own Megamind, and the minions come next to the elves of Rise of the Guardians. The latter almost ties with the saber-toothed squirrel of the Ice Age series and the penguins of the Madagascar series. Gru’s relationship with the kids and his response to his own feeling of love are the highlights of the movie, and other than that, there is nothing innovative nor extraordinary – but the way in which the legacy of the first movie is maintained, is applaudable. The minions keep bringing the laughter and the smile to each and every person in the theatre, and the age difference doesn’t really matter. They get more and more adorable as the stupid little things, a replica of the Vodafone Zoo-zoos, as they keep on talking in a strange language, and doing the deeds of stupidity with success and still remain an integral part of all the evil and good plans. From the first moment of the title sequence itself, they would seem to make us believe that it is their movie, and they are there till the end, and considering the fact that they are many and they look the same, this is the “minion” movie. The name itself takes me back to that game Overlord, one of my all-time top ten games, and thus it is a gamer alert & game reminder movie for me too.

Just as Gru would always be the same except for the alignment, the same is the case of the kids and the minions. But, there is no doubt about the fact that Gru has turned a little more of the big loving, caring, possessive father figure, but that signs were always there in him, even as villain, and now with the absence of evil, that is one thing he can focus on with full concentration – along with being not that good a businessman as he claims or wishes to be. Being a spy could replace the same, but here it came as the second preference. Unlike Megamind, Gru is not a villain who directly makes one think about all the possible themes and motifs, as Despicable Me has always remained intellectually inferior to Megamind, but as a family movie, it had scored a bit more, and the kids are expected to prefer this one for its too simple a story and the little ones who they can easily identify with; for the parents, they can give the kids some of the best moments through this movie, and that too in good 3D and lovable characters.

“When the world needed a hero, they called a villain” – it is that tagline which can work with so many movies starting with Megamind. It has not been too long since Anne Rice’s Interview with the Vampire came up with those lines of heavy significance: “Evil is always possible. And goodness is eternally difficult.” Despicable Me 2 presents us with a Gru is more fun when he acts kind of evil or when he acts like a kid. Considering the belief that humans are inherently evil, this works perfectly well. But then the question remains if he should have been good or evil, except for the fact that he is very much capable of goodness. It is a question that might never have an answer, as both the goodness and the evil is necessary for a possible sequel later. But with a new member added to the family and their world being made complete, the possibility is less. One more sequel can still do this series good, as there is a lot more life left in this as long as the audience’s love for the characters are concerned. They would love to have another, and that might be an assurance.

Does this successfully become preachy and work out a legacy which can match this movie with Megamind? The answer is no, and if there was any of the same about good and evil, it gets washed away by the heavy dose of fun. The spin-off movie titled Minions, featuring the Minions as the major characters is scheduled for a release on December 19th, 2014 – I wouldn’t expect that to come up with anything other than fun though. Just like this movie, it won’t leave you with a question “to watch or not to watch”, as nobody will have to tell you to go for that one, considering how much of a success this is turning out to be at this part of the world. But that would be another movie of pure entertainment fueled by extreme silliness, presented in a lovable manner. There exists a group of people who can be made to laugh only by the minions, and such a species would always need them. For the people who want a different minion, there is always the movie, Megamind – undoubtedly the best animated movie in many ways, and all the reasons for it to be called so, is to be explored individually by troubling the intellect, and supported by the fun.

Release date: 3rd July 2013
Running time: 98 minutes
Directed by: Pierre Coffin and Chris Renaud
Starring (voice): Steve Carell, Kristen Wiig, Benjamin Bratt, Miranda Cosgrove, Russell Brand, Steve Coogan, Ken Jeong