Anthony Head – Movies of the Soul

Vampire Owl: This one looks like the Vampire Cat in disguise.

Vampire Bat: How can you talk like that about such a cute ginger cat?

Vampire Owl: Even the Vampire Cat is cute.

Vampire Bat: No, he is not. That makes no sense.

Vampire Owl: You just have to look at the right angles.

Vampire Bat: Dude, the long fangs say that it is not “cute” territory.

Vampire Owl: But how can that one be a cat and not cute?

Vampire Bat: That is a good question. But a cat is normally not cute with all his nine lives left even after death.

Vampire Owl: I am just glad that he is not a Zombie Cat.

Vampire Bat: Well, not part of your zombie minion squad, that is for sure!

[Gets three cups of masala tea with special masala dosa].

What is the movie about? :: James Bowen (Luke Treadaway) is a recovering drug addict who has nothing going in his way. With his father Nigel Bowen (Anthony Head) married again with a woman with two kids, it is his support worker, Val (Joanne Froggatt), who tries so hard, and helps him to get his own flat to live in. He has been trying to earn some money by singing on the streets, but it is not of much use. One day, a ginger cat enters his apartment to find some food. It is a friendly cat, and James tries to find its owner, but it seems that there is none. One day, it gets injured while fighting with some other stray animals. After taking it to the vetenary doctor, and with the advice of his neighbour, he names it Bob. It stays with him in the flat, and so he decides to let it be there.

So, what happens next? :: Everything begins to change as people notice him with the cat which stays on his shoulders as he walks through the streets and sings – at the same time, James also develops a relationship with his neighbor Betty (Ruta Gedmintas). These things make him more responsible, and he manages to become a better person. He finds himself responsible for the life of Bob as well as himself, and manages to stay away from drugs for enough time to get clean. Everyone in the streets admire the team of two, and even James’ father appreciate his efforts to get better. With the question remaining about helped whom more than the other, the James and Bob seems to have managed well enough to be a lot helpful to each other. But their times don’t end here, as it continues to make a bigger impact on them as well as the people around them.

The defence of A Street Cat Named Bob :: The movie has its heart and soul at the right place which makes this one a movie not just for the cat lovers – that specific category is certain to love this movie more for sure though. There is no difficulty in falling in love with a movie as feel-good and cute as this one, with its dark sides nicely controlled and gotten rid of. There is a lot of focus on its message, on what it means to be loved, and what it is about having someone to love – how it changes a person completely. There is also the message against doing drugs, as we see the protagonist go through the different phases of his life. Dealing with a subject like this, and still managing to be realistic as well as inspirational, takes some effort, and thanks to a fantastic performance from Luke Treadaway, and the work from Bob the Cat himself, there is not much that goes apart in this one – the emotional side works really well.

The claws of flaw :: There is a certain slowness that can be felt, and this is certainly no special tale as all things go simple with this one. There was also the potential to make something bigger out of this tale, with the real life tale made into book, and the cat and the owner being pretty much famous. The potential for usual pet stories is nothing less either. You know what cats are capable of – I had one myself named Simona, and she was never lacking in skills. She could always provide the needed entertainment – there were no shortage of admirers for her in the neighbourhood. The movie could have easily added some moments which could look really good on the screen. There are always more interesting incidents that could have happened around here. We could have also had more interesting characters added to support the whole thing.

Soul exploration :: You see the tagline of this movie, “Sometimes it takes nine lives to save one” – it is one perfect thing to have. As the movie is based on real-life incidents, this happens to be a proven thing – I have often believed that my own cat called Simona has affected my life in a positive way too. With her daily activities, she had inspired me to write more and also see some happiness with her activities of fun. I have been depressed on a lot of occasions, and her presence was good enough to lift me up every time. Therefore, I can connect with this movie better than most of the people out there. It was just last year that she died, falling victim to a motor accident while crossing the road, and that came as quite a shock to us. During the times of sadness these days, I continue to miss her, and it was during one of those days that this movie came to me.

How it finishes :: The world needs more movies with cats. And more people also need to watch this movie at a time when the idea of an ideal pet has been more about having a dog. We can also be sure about having more movies in this series, with more books being present among the original collection of works by the same author with the same cat at the centre. The others include The World According to Bob, and more for children including Bob: No Ordinary Cat, Where In The World Is Bob?, My Name Is Bob, For the Love of Bob, Bob to the Rescue and a short story titled A Gift from Bob. A Street Cat Named Bob as the book was nominated for the UK’s National Book Awards and it was listed at No. 7 on a list of the most inspiring teenage books as part of a poll for World Book Day. Let’s see what the movie brings as more people gets to watch it.

Release date: 4th November 2016
Running time: 103 minutes
Directed by: Roger Spottiswoode
Starring: Luke Treadaway, Bob the Cat, Ruta Gedmintas, Joanne Froggatt, Anthony Head, Caroline Goodall, Darren Evans, Tony Jayawardena, Adam Riches, Beth Goddard, Ivana Basic, Jessica Woodland, John Henshaw, Akbar Kurtha, Lorraine Ashbourne, Llewella Gideon

@ Cemetery Watch
✠ The Vampire Bat.

In an overwhelming desire to find myself fair about this movie, I have to confess that I watched The Mortal Instruments: City of Bones right after watching this – it was a back-to-back movie adventure separated only by the desire to have lunch and the need to travel from one mall to the other. If you don’t need to know more about it, and the two movies in relation to each other, you are free to skip the first two paragraphs, an offer of escape from comparisons which includes this paragraph. In a simple comparison of no great intellect, our reviewed movie is more of a follower of the Harry Potter pattern, with a world for the demigods away from the original world, with its major base on magic and the individual and collective inner strength and righteousness which they exhibit while facing big powers; but the second movie has more similarities with Twilight, with a female protagonist who is just a boring ordinary girl who is introduced into another world which is hidden among the known human world and is once again caught in a triangular love between herself and two other guys, both belonging to different species.

So the other fantasy movie of the day has a good amount of Constantine, Underworld and surely, the most of dominant of them all, Twilight. To make it look more of a formidable power, it has added the horror elements, and there was demons, vampires and werewolves, the three creatures whom we never thought would come along in herds in the same movie, an absurd improvement on Underworld and Twilight which has surely backfired, despite of the presence of the lovely leading actress who can act incredibly well, Lily Collins who has done a great job. But with a little visual effects, horror and action, the movie runs out of gas. It is there that Percy Jackson scores. The two movies were released on the same day here, along with We’re the Millers, and the advantage would surely go with Sea of Monsters, as it doesn’t come with an “A” certificate unlike the others, and it is in 3D. The theatres seem to have realized the same too, as they have put more shows for the movie, and it is the only English movie in more than one theatres this week.

Even as it is difficult to set aside the great performance of the beautiful Lily Collins, lets leave the absurdity which was the half-baked bad mixture of all the fantasy works ever produced, which was The Mortal Instruments: City of Bones, and move on to the movie of the week, which is Percy Jackson: Sea of Monsters. Our movie doesn’t deal with forbidden love and has no apples or people with bad tooth unless they are monsters. May be that should be reserved for Twilight copies, and there might be a time when the apples begin to keep the viewers away rather than the doctors. The best thing about Percy Jackson is that it sticks to the basics. It takes the legends from the Greek Mythology, but it maintains a formula which is not at all ambiguous and more true to the core. It doesn’t rely on anything strange or unnecessary to give temporary satisfaction with any teenage fantasy which doesn’t go well with the plot and the flow of the story. It doesn’t try to give pleasure to anyone suffering from the withdrawal symptoms, which is mostly a Twilight withdrawal rather than from the intellectually superior Lord of the Rings or Harry Potter series.

Percy Jackson (Logan Lerman) no longer seems to have the popularity that he might have had with him getting back the lightning bolt, saving both the Olympus and the world, and such great stuff which were to become legends. Clarisse La Rue (Leven Rambin) is his constant rival to glory, as she beats him in almost all the competitions. As Luke Castellan (Jake Abel), announces his plans to destroy Mount Olympus by bringing back Kronos from Tartarus and sends a mechanical bull to attack the demi-god camp after poisoning Thalia Grace (Paloma Kwiatkowski) who is the tree which defends the camp with a magic forcefield. Even as Annabeth Chase (Alexandra Daddario) is the one who finds out that the Golden Fleece could heal and restore the tree, Clarisse is sent to retrieve the artefact much to the dismay of Percy, Annabeth and Grover Underwood (Brandon T. Jackson). But the trio decides to follow the team led by Clarisse, and they are joined by Percy’s half-brother Tyson (Douglas Smith), who is a cyclops. They also have one prophecy and a group of rogue half-bloods supported by a Manticore, and one big cyclops guarding the fleece to deal with.

With no denial of credit to one Lily Collins who had tried in vain to restore order among chaos and absurdity in the other fantasy movie, lets move into our characters. Logan Lerman leads the team as Percy Jackson, a demigod and the son of the God of Ocean, Poseidon. He was there in the 2011 version of The Three Musketeers, and here is he is again, and it surely seems to be a familiar territory for him. It is a honest performance from all angles. Brandon T. Jackson as Grover Underwood makes sure that there is no dull moment in the movie, along with Douglas Smith as Tyson the Cyclops. Most of the funny moments of the movie are from these two, and they are really good, and never inappropriate. Alexandra Daddario plays Annabeth Chase, the demigod daughter of Athena, the Godess of Wisdom, and this is one supporting character that you will remember for a long time, despite of the romantic angle kept away in the movie completely. She does have that look too, of that intensity which is kept in check by the heavenly wisdom. She was that good in Percy Jackson & the Olympians: The Lightning Thief too, and continues the good work.

Leven Rambin is Clarisse La Rue, the arrogant, hot-tempered daughter of the war God, Ares – always looking for combat, and at at the same time finding Percy a threat to her supremacy. After seeing her in The Hunger Games as the District 1 tribute, and the strong contender Glimmer, there was a certainty, that she was going to be great in such roles, and here she is, leading a group of undead who served her father Ares. As the story progresses, her character turns out to be more dynamic, along with adding to the funny as well as the action elements of the movie. There is the suiting depiction of the contrast between the daughter of this God of War and the Goddess of Wisdom. There is no point where the two are similar, and being the daughter of the great War God, she shares nothing in common with all the others out there, with Paloma Kwiatkowski’s Thalia Grace, of the demigod daughter of Zeus still pending. Jake Abel’s Luke Castellan, the demigod son of Hermes is a continuation of what was there in the first part of the movie. Nathan Fillion’s Hermes is a short, but effective presence which stays throughout the movie.

Percy Jackson: Sea of Monsters has taken over at a time when the book-based fantasy novels are on the decline. The Mortal Instruments: City of Bones has proved to follow the path of The Host, and clearly stay with Twilight. The Harry Potter series have finished and Lord of the Rings and Narnia are taking a slow path. There is the need for something similar to fill in, and here is Percy Jackson. With its superior and appropriate 3D effects and the well done action sequences supported by the visual imagery, there is no loss of moments spent for watching this movie. There are also the funny lines, but it denies itself a big chance to take some risks, as it follows the conventional path, never to stray away from it. But, there is a huge amount of honesty in this path which is without any ambiguity, and there is absolutely no attempt to complicate things. The whole thing is kept simple, and as the endoskeleton comes from the Greek Mythology and a little bit of the Harry Potter series, this is a bankable movie which most of the critics need to stop overthinking. It is time to have some fun and at the same time, recollect those days of learning the Greek Mythology.

Release date: 7th August 2013 (United States); 30th August 2013 (India)
Running time: 107 minutes
Directed by: Thor Freudenthal
Starring: Logan Lerman, Alexandra Daddario, Leven Rambin, Brandon T. Jackson, Paloma Kwiatkowski, Jake Abel, Stanley Tucci, Nathan Fillion, Douglas Smith, Anthony Head, Robert Maillet, Derek Mears, Aleks Paunovic, Missi Pyle, Yvette Nicole Brown, Mary Birdsong