C/O Saira Banu

What is the movie about? :: Saira Banu (Manju Warrier) is a post woman who lives for her adopted son, Joshua Peter (Shane Nigam). Joshua is the son of a photographer who went missing in the forest and was declared dead long time ago, and this particular award winning photographer, Peter George (Mohanlal – voice only) had adopted Saira a long time ago, after her whole family had committed suicide. Joshua is in love with Arundhati (Niranjana Anoop) who studies in the law college just like him, but it goes on only with interest from his side. His other love is for photography like his father, and he tries hard to make something out of this passion with the support of his young mother. He is finally rewarded one day for his hard work as he wins a contest and is selected to go to Paris. But on the same day, some twist of events happen.

So, what happens next? :: There is a case registered against Joshua, which happens to be not as simple as Saira had thought, as this one is a hit and run case, and the victim had died, with witnesses there to testify. As it threatens to destroy his life and career even though he claims that he is innocent, Saira decides to prove that her adopted son is telling the truth. But fighting the case against Joshua is Annie John Tharavady (Amala Akkineni), one of the most successful lawyers, and is determined to win this case too. Joshua and Saira has no option with all lawyers backing out due to one reason or the other. But she will not surrender – still the question remains if she stands a chance against Annie who is determined to get his side to win every time? Where does Joshua’s future go from this situation from where there seems no chance of redemption?

The defence of C/O Saira Banu :: The movie goes through some interesting incidents in the society, including the case of migrant workers, noodles ban, kiss of love protest, and one other thing which was in the news, but can’t be revealed due to its effect on the suspense factor. There is some comedy that is working in the first half, and there is a second half which has a good amount of thrills to go with that unexpected twist to go with the climax – it succeeds in making people guess and come up with an ending which will be acceptable to most of the viewers along with being a nice surprise for everyone. There is also the message about the reality of this world, on what has been happening with a society which has been divided on the basis of class more than anyone can imagine. Along with the same, C/O Saira Banu is a good-looking movie too.

The claws of flaw :: The first half of the movie will feel a bit longer for one’s liking, as the time taken in establishing the mother-son relationship is a little too much, and some of jokes are not that effective either; same is the case of melodrama too. Better comic stuff in the first half would have helped to keep a momentum in the first half, maybe with some more sequences in the college or the post office – even the neighbourhood was a place which had some good scope. The end credits scene also ends without a warning, when you feel that there was going to be something to be added in the end. You will also feel that there is more than one side to a happy climax and ending; there will be questions if that good feeling is really that good, or is it just an illusion of the same.

Performers of the soul :: This one has Manju Warrier playing the titular character, and the most important role in this movie, and we are glad to see her in another role which provides her the prominence that she deserves and works on really well – Rani Padmini was the last one to get her to that level, even though Karinkunnam 6s and Vettah did show the signs. It is for those emotional moments that we need to look out for the most, and there is that bit of determination in her character against all odds which works so well for her. It is her return that has helped the Malayalam movie industry so much to bring the heroine-oriented roles to the front, something that has been struggling to be there. I don’t see anyone doing such roles like she did for quite some time, something that started so well for her with How Old Are You? and might continue in the same way, as we are seeing now.

Further performers of the soul :: Meanwhile, Amala Akkineni makes her return to Malayalam movies after a very long gap – her last two movies were Ente Sooryaputhrikku and Ulladakkam, with Suresh Gopi and Mohanlal respectively, both releasing in the year 1991 – those were also her only two Malayalam movies before this one. She remains solid in her lawyer character in this one, and the character’s determination has a clear reflection on her. Shane Nigam has his second big role after Kismath despite being there for longer – here he plays a character that has almost no happiness, and there are so many similarities to his role in his previous movie; but he manages the same well. Niranjana Anoop has less to do, which she does fine. It is Biju Sopanam who scores the most outside the main list. There are also those names which are underused, from Joy Mathew to Sujith Shankar.

How it finishes :: Unlike what some people had said, Mohanlal is not making a special cameo appearance in this movie, even though his voice is there. There is enough for everyone with C/O Saira Banu, and the family audience will be the one to benefit the most. Coming from a debutante director, this one is more than one can expect while dealing with a topic like this. It is surely the best movie in Malayalam to have released so far – forget those people who are claiming the same for movies which claim to be realistic when they are not, because C/O Saira Banu is the flick that follows the path of Drishyam, as a family movie as well as a thriller, becoming part of two different genres in two halves. This one is certain to weave its magic among the audience, even if a little bit late – watch it now, and try not to figure out why you didn’t watch this one earlier.

Release date: 17th March 2017
Running time: 156 minutes
Directed by: Antony Sony
Starring: Manju Warrier, Amala Akkineni, Shane Nigam, Niranjana Anoop, P. Balachandran, Joy Mathew, Indrans, John Paul, Ganesh Kumar, Jagadeesh, Sunil Sukhada, Biju Sopanam, Sujith Shankar, Mohanlal (voice only)

@ Cemetery Watch
✠ The Vampire Bat.

Seventh Son

seventhson (1)

Vampire Owl :: Why the seventh son? I mean who has seven sons these days, or even seven children in total?

Vampire Bat :: Nobody of this generation that I know.

Vampire Owl :: So, should we declare this movie invalid?

Vampire Bat :: After looking at the posters, I have the doubt if the effect of this one might be nullified soon enough.

Vampire Owl :: There is dragon, witch, people with swords, a dark feel – a lot should be there though.

Vampire Bat :: Yes, reminds of too many movies which released already.

Vampire Owl :: So, it is a yes or no?

Vampire Bat :: It is a yes. May be it is the seventh son who always saves the world. Almost nobody has seven sons these days, and so the world is not saved yet.

Vampire Owl :: I hope that watching this movie is not against the “We two, our two” campaign.

Vampire Bat :: Most of the people I know have only one child. So lets welcome the seventh son.

[Gets the tickets].

What is it about? :: John Gregory (Jeff Bridges) is one of the last of his kind, as a rare seventh son of a seventh son, and part of an ancient order of knights who battle the evil that exists in this world. His last apprentice dies while trying to capture the most demonic of all witches, the queen of them all, Mother Malkin (Julianne Moore) who returned to cast her shadow of evil all over the known lands. So he comes to Tom Ward (Ben Barnes) who is also the seventh son of a family. Tom is plagued by visions and also falls in love with a witch called Alice Deane (Alicia Vikander) which makes things further complicated. Her mother is also the sister of Malkin, which trouble the plans further. With the Blood Moon night fast approaching and witches getting more powerful, can the new apprentice be ready in such a short notice and having love around the corner?

The defence of Seventh Son :: The movie is loaded with stylish and beautiful visuals and thrives on the power of special effects with some nice moments of 3D mostly including dragons and witches. The visual splendour which was there on the poster comes alive. The environment is also nicely created, and the images as well as the backgrounds that are shown on the screen are sure to catch one’s attention. There are some nice custumes, and among the scenes, the best includes those which uses special effects. The first possession scene was very good otherwise too. All the fighting scenes are worthy of our attention. The final battle is nicely brought to the screen, and the setting for the same makes sure that the artistic beauty is maintained. There are lots of creatures, and magic is in abundance. For those who are missing such things as The Hobbit as well as Harry Potter, this is another chance to go into that world of magic.

The Claws of Flaw :: The movie is that experience which reminds us about so many other movies. There seemed to be nothing new in the story with an unlikely young hero managing to be a great fighter, but even that is not nicely shown. The characters and the supernatural stuff are here and there, with not much work done with them – we can’t have much thoughts about them as they are just everywhere without making us feel much about them. The romance as well as the revenge struggles to go ahead in the intended manner. The first half mostly drags while getting almost nowhere, even as things get better later. The idea of “Seventh son of a seventh son” is not explored enough, with things just made to exist as they are. The dialogues mostly don’t make the desired impact. There is no justice to what it has in the pocket, on what is shown on the screen.

Performers of the soul :: Performances haven’t been a strong point of this movie, as Jeff Bridges, even when making an impression at times, makes less impact than expected. There are many things having our attention in this movie, but the performances are not part of them. Julianne Moore also looks faded except for a few moments. A thought about Charlize Theron in Snow White and the Huntsman might have inspired that further thought; or may be even a little bit of Angelina Jolie being in Maleficent. Ben Barnes remains okay throughout the flick. Alicia Vikander play the lovable witch in a believable manner, and she surely looks suitable for that role which needs both the cuteness and a certain amount of the other darker side. But the creatures do overpower all of them, and that was not something unexpected.

Soul exploration :: Seventh Son has too many similarities with a number of movies, and the first one that comes to mind is Hansel and Gretel: Witch Hunters, which had two witch-hunting protagonists with one good witch as the lover. There is also a little bit of Season of the Witch here with the possession and the skills of the protagonists. The lady villain here is more or less a reminder of Maleficent or Snow White and the Huntsman, and so even as it is based on a book which came up earlier, this one came too late to catch the interest of common movie goer. But for the rest of those viewers who are not used to such stuff can find them to be very interesting. After all, the movie comes after making the fans wait so much with the delays. We have been hearing about this one for such a long time, and it has been a painful wait with Seventh Son.

How it finishes :: The Spook’s Apprentice by Joseph Delaney is the book on which the movie is based on, and the fans of the book may not be happy with the reception for this much awaited movie. The challenges of the week are from bigger movies, but none an entertainer like this, and that explains the large number of shows this one has, and those theatres and multiplexes which has this movie as the only Hollywood flick of the weekend. But still, it seems that the general audience of this part of the world hasn’t been able to connect with this movie, while it should be just okay for the rest. With Foxcatcher not being here, and with the rest finding trouble to have enough shows, this movie should get some good collection from this part of the world – after all, it is the only Hollywood movie available at almost every mall.

Release date: 30th January 2015 (India); 6th February 2015 (USA)
Running time: 103 minutes
Directed by: Sergei Bodrov
Starring: Julianne Moore, Jeff Bridges, Alicia Vikander, Ben Barnes, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou

seventhsonn

@ Cemetery Watch
✠ The Vampire Bat.