reality show – Movies of the Soul

Vampire Owl: I remember singing once as a part of group song competition; that was long time ago.

Vampire Bat: And what happened? Did you get a prize?

Vampire Owl: They told me never to sing again.

Vampire Bat: They have surely saved the whole vampire community by saying so.

Vampire Owl: Music has never been my field of interest. My relationship with it is truly bad.

Vampire Bat: Which is why nobody is asking you to sing anything again.

Vampire Owl: I still sing motivational songs for my minions.

Vampire Bat: You are motivating your brainless zombie minions with terrible music?

Vampire Owl: Yes, and I appreciate their brainless situation.

Vampire Bat: I believe that they appreciate you singing something they don’t understand too.

[Gets some jackfruit chips and three cups of cardamom tea].

What is the movie about? :: A koala bear named Buster Moon (Matthew McConaughey) owns a theatre in the middle of the city, catching everyone’s attention. It was bought by all the money his father had earned by washing cars, because father wanted only what his son wished for the most, a wish which is all about music show. Despite working so hard, none of his shows become success, and Judith (Rhea Perlman), the representative of the bank, is after him to pay back the loan which he had taken, without which they would be forced to take over the theatre. He comes up with one final idea to save his theatre, which is about hosting a singing competition. He intends to provide the winner with a prize money of one thousands dollars, but the iguana who works as his assistant, Miss Crawly (Garth Jennings) ends up adding two more zeroes to the end of the amount in the fliers before they are distributed.

So, what happens next? :: The extra zeroes bring the motivation for the animals in the city, as a long line is set in front of the theatre. Moon feels that this is going to be his first and the greatest success story, and he selects his group of contestants from the audience – There is Johnny (Taron Egerton), a teenage gorilla who wants to be a singer unlike his family which is full of criminals led by his own father (Peter Serafinowicz). Then we have Ash (Scarlett Johansson), a porcupine teenager who performes with her boyfriend Lance (Beck Bennett), but only the girl is selected for the programme. Mike (Seth MacFarlane), an arrogant white mouse who earns everyone’s appreciation and thinks that he will win the tournament easily, is also selected. Another selected contestant is a housewife and mother of twenty five piglets Rosita (Reese Witherspoon) who is paired with Gunter (Nick Kroll) who is more of an entertainer.

And what is to follow with this adventure? :: Then there is Meena (Tori Kelly), an elephant teenager who has a stage fright, but gets in as contestants a giraffe and a group of frogs who were also selected, back out. Even though Buster understands that the flyers show a huge amount, he decides not to back out. He remains optimistic that he can somehow manage the money, and convinces his best friend, a sheep named Eddie (John C. Reilly) that there is a change that his grandmother and former opera singer who performed at same theatre, Nana Noodleman (Jennifer Saunders) could provide them the needed cash. Even though Eddie’s doubt remain, Moon gets word from Nana that she will come and see their performance. Now, it is up to Moon to get the best performances from a rather inexperienced and confused group of contestants who have their personal problems to deal with too. Can he do it? Can they do it?

The defence of Sing :: There are some nice visuals as you would expect, and there is the inspirational side, as the movie has protagonists with self-doubts, which are removed in the end, and everyone gets to show their skill on the big stage – something which rarely happens in our world, but we are happy that it turned happy for everyone at least in the animated version. The funny side is really good – for example, see a koala doing a car wash. The movie actually gets too good in the end, and we appreciate how things go in the final moments more than any other. The final message is indeed to believe in yourself, and to go for one’s dreams without second thoughts – no matter what the others think of you. Well, dreams got long legs and huge wings, which makes it easy for them to fly away, but we keep trying to grab them, and succeed at times. It is something which has been a common thing in the animated movies, but it works for sure, almost every time. We should get to do what we love, but do we?

The claws of flaw :: There are moments when you feel that this movie focuses a little too much on the much smaller audience. It is also not less depressing to see a reality show, as any programme like that only takes commonsense for a ride – we had too many of them in our televisions here, and we have wanted to get rid of each one of them at one moment or the other. There is not that much of a story here to make the big impact either. You will also see that this one doesn’t become a game changer, and falls behind the much appreciated flicks like Moana, Zootopia, Frozen, Big Hero 6, Inside Out, Despicable Me, How to Train Your Dragon and Kung Fu Panda. There was the sure chance to compete with all these movies with a bigger plot and a bigger message – Sing doesn’t really do that, or even try, despite being such an entertaining treat as a whole; maybe it took a few things for granted too easily.

How it finishes :: Sing is part of an year which had some smart movies with talking animals, and also had Zootopia winning the Academy Award for the best animated movie of the year. It seems that animals who talk bring the best out of animation, and gets appreciated by critics and judges better. With a colourful movie which touches the emotional side, and having some nice messages with the wonderful songs, Sing adds to that list, getting in there in style. Well, there is not much of a life without animated movies these days – there are so many of interesting movies of the genre, going through Frozen, Big Hero 6 and Inside Out; Sing actually makes sure that the possibilities always exist, and we can only have more and more. You get to watch them with all the glory on the screen, and you can’t help not getting a copy of such movies to keep for the next generation. An animated world is a beautiful world, and it feels eternal.

Release date: 21st December 2016
Running time: 108 minutes
Directed by: Garth Jennings
Starring: Matthew McConaughey, Scarlett Johansson, Reese Witherspoon, Seth MacFarlane, John C. Reilly, Taron Egerton, Tori Kelly, Jennifer Saunders, Jennifer Hudson, Garth Jennings, Peter Serafinowicz, Asa Jennings, Nick Kroll as Gunter, Beck Bennett, Jay Pharoah, Nick Offerman, Caspar Jennings, Leslie Jones, Rhea Perlman, Leo Jennings, Laraine Newman, Adam Buxton, Brad Morris, Bill Farmer, Oscar Jennings

@ Cemetery Watch
✠ The Vampire Bat.

There are times when one has break the narrative and the flow, and come up with something which he missed in his writing, something which deserved to be there, but faded into the void even before threatening to make an impact. This would need a flashback and some scratching of the memories, and here comes one movie which was left out thinking that it was released in 2012 while remembering the dates from February when this blog was started, but actually the date was 4th January 2013 – but considering how good a movie it is, there is the need for it to be present here, and here I add this one to the middle of the others, almost like inserting the past into the present even as 2013 as a whole could be considered the present. This can be more considered as a guest, or a former tenant who couldn’t stay in the house enough to make it known to the neighbours and the people of the town or village. Well, Table No. 21 is much more than a simple tenant – it is more of an owner of its own genre, something which would be revealed more as we progress. Welcome to the group, forgotten movie – for you are to be remembered in this post with a status as good as the others, as belonging to the present, for you deserve it; this is more of a honorary status.

I am being lenient on this one considering my ignorance which was inflicted upon this so brutally, even as the brutality affects not even Mickey Mouse. The question would be more like how much brutal this movie can be – and how cruel the game master can be. Well, this is about a game, and that much should be certain for everyone who has read something about the movie. The unemployed couple Vivaan (Rajeev Khandelwal) and Siya (Tena Desae) gets a chance to visit Fiji. To add to the glory of visiting the beautiful islands, it is their wedding anniversary. But all the beauty tends to take a wrong turn as they encounter Mr. Khan (Paresh Rawal), the owner of the resort who invites the couple to take part in a live game show named Table No. 21 which offers a breath-taking amount of 10 million Fijian Dollars as the prize money – something which would convert to crores of rupees. The rules are simple – a total of eight questions will be asked regarding their personal life for which they have to answer truthfully with an yes or no, and have to do the task assigned to each question. They are not allowed to quit in the middle of the game, and neither can they skip a question or its related task. Their mobiles are taken away and are surrounded by cameras and henchmen.

The questions first seem very easy to answer and the confidence level reaches new heights for the couple, as if they were made for this game and all their financial needs are soon to be met. Their doubts about this is an idea to make fun of them, slowly vanishes. The first question about their love and the task to kiss in public was of no trouble. The question concerning them knowing each other and the task of Siya eating non-vegetarian is also of not too much difficulty. The question concerning manipulating others and the task of instant manipulation creates no tension even if it leads to slight suspicions which they leave behind thinking about the huge amount of money which awaited them. Then comes the difficult parts, the need for blood which is the first dangerous and life threatening situation of the game, as Vivaan answers he would go to any extent to save his love – the point is that here he has to fight his tendency to faint at seeing blood to save her by filling a bottle full of his blood and use it as a key to unlock a glass cage short of oxygen. Even in an unfamiliar territory, as the need had arisen, the task is completed right in time.

The question of love continues, and the task involves shaving Siya’s head to which they protest, but is brought back into the game by threatening, with the lady ending up with a shaved head. The next question is about domestic violence, and Siya is asked to return a slap she recieved from him with full force, a point when they realize that the master of the game knows more about them than they thought, even the most personal details. The task involving Vivaan vandalizing a random car puts him in trouble as he gets beaten up as well as getting almost caught by police, and what it does worse is when he asks help and thus breaks the rules landing his wife in trouble. He arrives in time to save his wife, but that is not the last of the troubles, as the game goes on, the situation becomes even more strange and horrible, and they realize that their past is being reminded in a horrid manner. But the true realization comes only the end, and it is where the game master is justified and the hidden truth of the past is revealed to the audience. But this revelation never overpowers the thrills and the social message, as the balance is successfully maintained. An another message could be said to be against the greed and never-ending avarice, the desire for easy money and also about the meaninglessness of reality shows.

Parwesh Rawal seems to have the movie working like a flawless machine with his performance as the game master. He is the most hospitable resort owner, the sadistic manipulator and a loving father, three in one. Even as he has the second personality during most of the movie and may be before the horrid twist happens to the game, there is no loss of the power of trio in himself. Rajeev Khandelwal does his character in a rightly truthful manner. There is no exaggeration of the personality and there is nothing unnecessary added to it; the simplicity in complexity attributed to the character is lesser only to that of the game master – he traverses from the inflictor or pain to the vulnerable one at the recieving end. Tena Desae as Siya – has blended in well from the beach, bikinis and love to fear, anxiety and absolute horror. From having a shaved head to being in one of the worst situations for a damsel in distress at a strip club, from the passionate and loyal lover to losing her character and trust, from the photogenic lady in bikini to the oppressor who became the oppressed, it is quite a powerful performance adding to the strength of the film. There is no flat, static character among these, for they have all gone through the much needed changes.

The movie rests on the three, and if we add the next two important characters, the whole suspense would be lost. As the clues, there is the college were these two met and fell in love and there is the case of ragging. There is no loss of intensity in that flashback story too. The bottomline of the movie is its message that ragging is not a joke, but a crime. The title of the movie comes from the article 21, on the protection of life and liberty. The message is as powerful as the movie, and the use of flashbacks has worked perfectly to suit the overall mood of the movie, and the whole game is more or less a recreation of their cruel deeds at the college as the seniors. Even the uneasy silence and the absence of descriptions in the movie makes an impact and the whole setup which leads to one powerful social message is the ultimate triumph of the movie. But, the message is not used as a propaganda. A joke is no joke that causes harm to others and having fun at the expense of others is both a sin and a crime – this is the best way it can be summarized. The injection of reality into unreality in a sincere manner as to create the feeling of truth – it is surely not something many horror movies desire to achieve and not something any popular horror movie has come up with so far.

The greatest advantage of this movie is that it surprises you – right from the beginning to end; almost every moment has a certain amount of unpredictability associated with it, sometimes with the twists of plot and sometimes with the performance of the cast. There are lesser moments when it would seem that this one has lost its gasoline, but then it comes up with an alternative fuel which takes over and makes this one run better. The biggest of the twist comes up with the social message which is the most striking element of the movie and how it is unveiled is a method of slow, step by step ignition leading to the big catastrophe of ultimate success. There was rarely a moment when the movie was not ahead of the audience, creating that element of spooky suspense, and by the end, one comes to know how much ahead it really is, in a world where the suspense horror movies never really got its due – suffering from a typical horror movie rights violation due to some too-natural or never-natural romantic love stories which never really deserved to be called movies; therefore this is your welcome break and not to be missed even for a chance to go to Mars and be imprisoned by the Martians virtually created by the lies of science which people adore and would never cease to believe.

Release date: 4th January 2013
Running time: 108 minutes
Directed by: Aditya Datt
Starring: Paresh Rawal, Tena Desae, Rajeev Khandelwal, Dhruv Ganesh