Nikita Dyuvbanov – Movies of the Soul

Vampire Owl: I thought that Meander had gone quite deep with its crawlspaces.

Vampire Bat: We cannot be sure that it was about going deep into the ground.

Vampire Owl: From the final moments, it did give me that feeling.

Vampire Bat: The feeling should most probably be wrong.

Vampire Owl: I am more confident about Russian science fiction than others.

Vampire Bat: Yes, I do remember Sputnik and The Blackout.

Vampire Owl: Russian high budget films seem to have some quality which Hollywood lacks.

Vampire Bat: Hollywood seems to be running out of ideas like Bollywood.

Vampire Owl: Bollywood is not what we usually associate with new ideas.

Vampire Bat: Still, they are so much available everywhere.

[Gets a blueberry cake and three cups of Ceylon tea].

What is the movie about? :: The action is set in 1984, during the final years of Soviet Union, before its final dissolution into Russia and the other nations. Anna Fedorova (Milena Radulovic) works as an epidemiologist is working for a vaccine for the government, but wishes to resign her post as the head of research, as her research associate is now dead due to trying the vaccine on himself without precautions and no preliminary animal testing. As there is a quick need for the vaccine, the military continues to force her to do what she has been doing, and she is also authorized to continue the human trials, and come up with a result. She still considers herself to be fully responsible for the failure of Vaccine MX23, and the death of her colleague. Her original idea was also to shut down the project immediately, but that wouldn’t be an option in Soviet Union. With the military having an eye over everything, things now have to proceed faster than ever.

So, what happens with the events here as we just keep looking? :: The Soviet soldiers in Africa are going to require this vaccine soon, and there is a deadline coming up – the government has never been fans of those who fail to meet the deadline, even if it is by a few days. Soon, Anna is seen as being congratulated on her success in developing the vaccine in a short period of time, much ahead of the deadline. She also receives a call from the military, and she is informed about an incident in a secret underground research facility at Kola Superdeep where sounds of unknown origin were discovered below the surface after twenty people had hone missing. The facility is going to be shut down soon, and there is the need to collect the samples very soon, for which she cab lead a team. For this, some fine rewards are offered to her. She finds the offer to be appointed as the head of the Military Biological Defense Institute to be something which she cannot turn down, and that leads her to the secret facility set in snow.

And things can get only stranger in this world of chaos :: With a group of highly armed soldiers, she reaches there, only to be approached by a strange man who refuses to obey instructions, and is shot. The stranger detonates a hand grenade to kill himself, and there is some damage caused to the helicopter, and the cew is also slightly hurt. This comes as a shock to Anna who feels that there is more to what has happened now. Anna notices the corpse, and finds out that there is something strange about the body, as she continues to collect samples from the remains. The dead man was supposed to be a scientist who came up and lost control of his mind, but according to the crew, he had become so strong that nobody could hold him down. Anna also checks the miners from the mining shaft attached to the secret facility, but she is able to find nothing specific. One of the miners do give her a clue, that this is not about a disease, and it is basically hell down there. Now, it is up to her to find something out of that particular idea.

The defence of The Superdeep :: Milena Radulovic whom we know from The Balkan Line leads the way well in this film which has her as the advantage. The film does have some fine visuals of this particular world which goes a long way underneath the surface of the planet. The fine detail around here does provide us with the feeling of 1980s and the Soviet world. It is different from what we see in the usual Hollywood movies, and that difference works as an advantage to take us to a different universe. It also reminds us of some of those computer games with some fine graphics. This is more or less like a whole world down there to explore, and we can surely make a video game out of this. There are moments when it also reminds one of Prometheus and Alien Covenant, as there is something out of this world at work. There is also a certain amount of alien-like horror working out here. The detailing here is also very good, and unveiling this mystery only makes things scarier. The fear here feels real, and the thrills go on.

Positives and negatives :: The Superdeep doesn’t have good beginning, as we do have our doubts about what is to happen, after the start. Other than the main character, the others don’t contribute that much around here. Once the film gets its setting to the snow-filled world and underneath it, we are quick to know that we are up for something that will keep us glued to the seats. The sound effects nicely contribute to the same as much as the atmosphere created. All these contribute well to the fear generation. The idea of the creature at work here brings more to totality too. There is so much about the creature that is scary, and it is not just the view itself. The limitations and the lack of soul in science can also be seen here, as we see the sinister motives here too. The ending leaves a few things to ponder about, not just about humanity and its survival as well as weakness, but also about what is to happen next, leaving the possibility of having a sequel at some point.

How it finishes :: Russian film industry has been very good in making some special science fiction movies, and this one is the latest addition to the same. It is also like a computer game in which we enters a dangerous new world, and we enjoy this setting a lot. It does reminds one of Doom, but does manage to create its own identity, thanks to the Soviet style which is reinvented really well with a certain amount of quality. The scary elements also work really well here, and the horror that is provided here can stay. If you are into science fiction horror, you have to give a chance to this film too. Among the recent flicks, you might have watched Russian demons, ghosts and witches through Guests, Queen of Spades, Baba Yaga and others, but it seems that the best of horror lies in science fiction. You can take a look back to The Blackout and Sputnik along with this one, and this is a film that I consider at a higher level, somewhat above many Hollywood films dealing with similar elements.

Release date: 4th November 2020
Running time: 115 minutes
Directed by: Arseny Syuhin
Starring: Milena Radulovic, Maksim Radugin, Nikita Dyuvbanov, Vadim Demchog, Kirill Kovbas, Viktor Nizovoy, Sergey Ivanyuk, Albina Chaykina, Artyom Tsukanov, Nikolay Kovbas

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@ Cemetery Watch
✠ The Vampire Bat.

***This Russian movie is officially the 600th movie review on this website, and it is not the post number, which is much higher. This count does not include the posts with television series reviews, yearly round-ups, introductions, movie previews and genre or language based ranking lists. Thanks to everyone who supported me with likes, shares, comments, follows or just randomly spreading the word.

Vampire Owl: I am going to choose this as the name for the next vampire child.

Vampire Bat: You have started naming vampire children?

Vampire Owl: Yes, it is a new business which I have started.

Vampire Bat: You mean that you have started a new business, hoping for more of new vampire children.

Vampire Owl: I had to start a new business. Everything else was dull due to the Corona Virus which the humans are spreading.

Vampire Bat: You can watch this fantasy adventure movie with magic to have more names.

Vampire Owl: Yes, I could have named even that virus. Corona is such a weak name. COVID is even weaker.

Vampire Bat: I would suggest not to use the names which will come first in the school register. The children will curse the one who named them.

Vampire Owl: I would name them with an Z in the beginning.

Vampire Bat: The names are to be liked by the parents too. Do remember that.

[Gets a green apple cake and three cups of special tea].

What is the movie about? :: Abigail Foster (Tinatin Dalakishvili) lives in a town which is supposed to have had an epidemic spreading, and was sealed by the government. Her father Jonathan Foster (Eddie Marsan) was one of the people who were supposed to have fallen ill, and had a chance to infect many others, leading to him being taken away at a time when Abigail was only six years old. As Abigail grows up, and has some time with the local children, she is forced to face one of the officers who were dealing with the disease control programmes, landing her in trouble. The nation calls for complete obedience during the time of the pandemic, and so any action which can possibly lead to the spread of diseases wouldn’t be tolerated. This perfect subordination is supposed to be the one thing that can stop the epidemic from becoming something which would cause the deaths of many thousands of people.

So, what happens with the events here? :: Abigail understands that one of the masked officers is Roy (Petar Zekavitsa), her uncle who had disappeared on the same night when her father was taken by the authorities. Going against the authorities to find her father, Abigail learns that her city is actually place full of magic, and the authorities are trying to stop the people with magical abilities to share it with others or to display it in public. There was no epidemic other than magic which they wanted to cure. She also discovers that there are some special magical abilities in herself, and along with the search, she also has to keep herself safe from the officials who will hunt her down too. But there might be more secrets to be unveiled than she could handle. Can Abigail come out strong from this adventure in which she faces more and more hurdles? Will someone be ready to help her, going against the authorities who wish to suppress all magic?

The defence of Abigail :: The special effects score the highest in this movie, successfully recreating a world of magic, even better than most of the much acclaimed movies – the movie is a visual stunner, and let nobody tell you otherwise as it would be a lie. The action sequences are mostly supported by magic, which gives a fantastic feeling on the screen. The music also nice to hear, and they seems to have used special care in the use of background music according to the circumstances. It also adds to providing strength to that steampunk feeling which was already attempted through the visuals – yes, you have to love the world in display here, whether it is real or magic. After all, such a world provides the needed escapism, as everything comes together in the end, as it leads to one grand battle which you can remember and recollect. The escapist fantasy might be what prevents you from thinking too much, and getting immersed into its created universe.

The claws of flaw :: Abigail doesn’t know how to progress through the story, as it keeps falling down from the heights which it climbs. Even with a grand beginning, there is no real effort to keep it rising. Some of the dialogues feel strange, and not suiting the movie and its mood in any way. Some of them are exactly opposite of what a situation would demand. A certain problem with the dubbing might be the case here leading to the mess. They could have surely made this better with all the resources which they had, and such a fine start which was there. The confusion in the story can be seen at different places, and the focus does shift too often. By the time everything comes together in the end, some people might have lost interest, unless they were immersed in this escapism. Maybe many years later, there can be a reboot which solves the problems of this movie, or even a sequel or a prequel which explores this particular world really well.

Performers of the soul :: Abigail doesn’t thrive on its performances much, and it uses the visuals to hide any flaw out there, not just with this, but also the other elements which are all inferior to the visuals and special effects of the flick. The protagonist is played by Tinatin Dalakishvili who is okay for most of the time, and she does have her moments, but also gets some terrible lines in the movie, which is rather disappointing, whichever way we look at it, because we do see talent in her, and she never gets to use it here. At the same time, Eddie Marsan is perfect as the father figure, whenever he is there. Gleb Bochkov as Bale doesn’t impress much, while Ravshana Kurkova manages to do well enough as Stella, but she is side-lined, which is rather disappointing. Overall, the cast struggles to stay around the average level, and even though there is a rise on occasions, there is also the fall, which can be felt more in this movie.

How it finishes :: Abigail is a movie which is rather unknown around here, and as a Russian movie, I don’t think it managed to get a dubbed or subtitled release at this part of the world – even I am heard about this film for the first time rather too late. It is a movie which had a grand idea behind it, and with the support of the fantastic visuals and lovely music, could have brought an epic on the screen, but as of now, it has managed to be a pretty good work – not the best which you will find, but one of the interesting fantasy movies with a steampunk setting, and magic all around. This is also the second Russian movie which I have watched after the 1925 Soviet silent film Battleship Potemkin directed by Sergei Eisenstein, the great pioneer in the theory as well as practice of montage. Watch Abigail, and wander through another world of magic, which you have known in the other grand worlds of fantasy – forget the negative reviews, and see how much this world can take you in, and have you interested.

Release date: 23rd August 2019
Running time: 110 minutes
Directed by: Aleksandr Boguslavsky
Starring: Tinatin Dalakishvili, Gleb Bochkov, Rinal Mukhametov, Artyom Tkachenko, Ravshana Kurkova, Ksenia Kutepova, Olivier Siou, Cecile Plage, Nikita Tarasov, Petar Zekavitsa, Nikita Dyuvbanov