7th Day

7thdayy

The 7th Day significance :: A name which signifies a special day and the tagline which supports the same “The seventh day on which God rested after creating the world in six days”, this was always going to be a different experience. God didn’t need to rest, but he rested on the seventh day which became the Shabbat of Jews, and it is up-to this movie’s release to see how all that would relate to a thriller movie such as this (but it turns out that I thought too much about it). Prithviraj Sukumaran himself says that there has not been any other movie which he has been involved this much, and that only reason that there is no trailer for this movie (there is only the teaser) is because he doesn’t want anyone to have a prior idea or design about this movie which is going to be innovative in many ways. Read more about the same from his official page on Facebook. For anyone who have watched and liked either Mumbai Police or Memories starring the same actor, this was going to be a must watch, and that includes me who considers the latter to be the better movie and among the best of the year. These two movie publicize this movie more than any page or advertisement that can be created – why need anything more?

What is it about? :: David Abraham I.P.S. (Prithviraj Sukumaran) accidently meets Shaan (Vinay Forrt) and Vinu (Anu Mohan) as his jeep hits their motorbike. As he comes across Shaan again and the news spread that Vinu has committed suicide, David feels that there was something strange about the whole thing, and it was evident from their talks and action last night. He goes to meet Shaan who tells him that they have been in trouble for a very long time, and were hunted by the henchmen of a strange and mostly unknown enemy known to many as Christopher Moriarty. They have been trying to run and hide from them in vain, and he was actually separated from his friends before the accident happened. His other friends, Jessy (Janani Iyer), Aby (Tovino Thomas) and Cyril (Praveen Prem) are nowhere to be found and he suspects that they are in deep trouble or possibly dead. David decides to help him and goes out on an investigation by himself, only to uncover strange truths about them, and come to the realization that Shaan might be the only one among the gang who is telling the actual truth. But David is not ready to lose this battle and certainly not the war. His icons are people from the history who lost, but he always plays to win; he doesn’t mind if he tries and losses.

The defence of 7th Day :: The centre of all defence of this movie stands Prithviraj Sukumaran, more powerful than ever. He has the screen presence which makes most of the other things in the movie not that significant. Whenever he is there, everything is under control, as he remains the captain throughout the journey of this ship. Other than that, movie has a nice suspense maintained throughout, and is not without thrills. There is a lot of mystery feeling that the environment of the movie gives. The feeling goes on throughout the movie, especially when our protagonist is on the investigation. The style and lighting in the movie is special, and the darkness that runs throughout the movie helps its mood a lot. There is always something about the inception and development of a dark world in a thriller movie, and this is no exception. We are given the feeling that there is always more than what meets the eye for each character, and even David Abraham himself is no exception, as we see how he changes and reacts according to the situations. There are some stylish dialogues too, some of them which can stay on our minds for at least some time.

The claws of flaw :: 7th Day is a lot like Memories and Mumbai Police, the two other police stories featuring Prithviraj. But the problem is when this one doesn’t give its protagonist to be more of a vulnerable man like in those two, and from the latter, it inherits not just the dark shades, but also the drag which turns out to be rather unfortunate. This also has an investigation going like Memories, but comes nowhere close to that movie in the script or the climax. The occasional drag is a let down, and there are times when the movie becomes less of an investigative thriller and more of a crime drama – something to be expected when the whole thing is related to policeman on suspension and a group of youngsters on the run from a web of crime lead by a ruthless guy whose last name comes from Sir Arthur Conan Doyle’s greatest known creation, as Professor Moriarty gives it to this one, Christopher Moriarty – I would like to think not much about it, and imagine not about them being related. The chain of events begin on Christmas, so may be they chose to have Christopher as the first name. That should have been avoided, and just another usual name could have done; for villains are not known for their names, but for their actions. Any more talk about that name shall shatter the suspense, and lets not venture more into the same.

Performers of the Soul :: Prithviraj’s real beginning with a police role picks up with Vargam, and that spark returned with Mumbai Police, which was incredibly powered with Memories – the two investigative thrillers of last year which had him in stunning performances, the second being something which was to be appreciated by everyone. He slowly moved away from that kind of police role which Suresh Gopi used to do and gain success, and he himself did with not that much appreciation. Instead, he has come up with so much variety in the same, accepted roles in which he could prove his wonderful acting skills again and again. 7th Day is no exception. From Solomon Joseph to Anthony Moses, and Sam Alex to David Abraham, the fourth memorable police role comes to light here, even as you can surely ask the question if he will come last among the four. Well, Prithviraj steals the show, and this movie is so much about his character – the best thing about the movie. The youngsters are okay with their performances, but as expected, Vinay Forrt stands out as the best of them all, followed by Tovino Thomas. Janani Iyer has the least to do among them, and Joy Mathew has a small, but good role.

Soul exploration :: Welcome to the world of another dark investigative thriller. Unlike Memories, this one leaves much less for the soul. Somehow, I was able to guess the villain as well as the main culprit in the movie, and there were two, and I guessed them both correct – that should have just an incident by accident, and you should give it a try guessing. I was also able to bring up the final twist correctly, something which was rather impossible with Memories and slightly possible with Mumbai Police. The first half’s inherent slowness might have been the main thing which hurt its possibilities of being special, and the second half never really manages to make things faster. The flashback scenes were to be without Prithviraj and they also hurt the soul. It need a lot more of life, something which Mumbai Police partially provided with the negative traits of the character and Memories with the powerful presence of a psycho killer and the memories of the protagonist himself. This one doesn’t have such a boost. We expect much more, but we do not get it. But we are indeed satisfied by what we get, and coming from a debutant director, this is very good.

How it finishes :: This is a week of too many movies – the Vishu holiday which gets extended due to Dr. Amedkar Jayanthi and Sunday with just a day separating them from the Maundy Thursday. With the rush of the summer vacations from school kids and college students, there might not be any movie which can’t be a hit unless it does something really stupid. Gangster‘s inability to impress any kind of audience except for the fans and other concerned groups who say it is good for the obvious reasons, will surely help the other movies which release on the very next day a lot – 7th Day, Ring Master and Polytechnic. Captain America 2: The Winter Soldier gets an extended long run, and with Divergent and Rio 2 ready, and as some other movies refuse to go way including lesser Bollywood releases, this will be a nice weekend for the three Malayalam movies which released today. The families with kids might be looking forward to Bhoothnath Returns too. The Easter week is also coming up, and with 2 States and Transcendence waiting to pounce, it is the best to make most money this week, and with some good opinions, an extended run is a certainty. Now this one has less shows, but that is expected to increase in the upcoming days. 7th Day has the upper-hand as far the opinions are concerned.

Release date: 12th April 2014
Running time: 134 minutes
Directed by: Syam Dhar
Starring: Prithviraj Sukumaran, Janani Iyer, Vinay Forrt, Anu Mohan, Tovino Thomas, Praveen Prem, Joy Mathew, T. G. Ravi, Yog Japee

7thday copy

@ Cemetery Watch
✠ The Vampire Bat.

2013 in Review

Happy New Year everyone. I was waiting for WordPress to give me my year in review, but no such summary and statistics came up for this blog, and so I thought I should come up with a movie summary instead. I had posted this without detail on Facebook, and I guess I would share this in detail here for the new year.

2013 copy

Best Malayalam movie: Celluloid
Its awesomeness approved by Kerala State Film Awards and the National Film Award committee of India. Prithviraj starts the year well. Check for review: https://moviesofthesoul.wordpress.com/2013/02/16/celluloid/

Best Hindi movie: Madras Cafe
There is absolutely no doubt about this one, as even with actors not known for their acting, this movie nails it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/28/madras-cafe/

Best English movie: The Conjuring
I had thought long and hard about this one, but a horror movie always deserves an extra push and this one deserved it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/04/the-conjuring/

Best Animated movie: Frozen
Unlike Brave, this year has a respectable animated movie at the top. People of no age group can afford to miss this one. Check for review: https://moviesofthesoul.wordpress.com/2013/12/01/frozen/

Best Action movie: Pacific Rim
Guillermo del Toro doesn’t miss out as he makes the right robot movie in our world plagued by Transformers. Check for review: https://moviesofthesoul.wordpress.com/2013/07/12/pacific-rim/

Best Visual experience: Gravity
This visually superior movie is all set to make it big on the Academy Awards next year, that is for sure. Check for review: https://moviesofthesoul.wordpress.com/2013/10/13/gravity/

Best Thrills: Drishyam
The director Jeethu Joseph maintains his cent percent record with another thriller, his second super hit of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/

Big Surprise: Philips and the Monkey Pen
Not that inspiring from the name, and not at all hyped, this movie is a beautifully crafted allegory with children as main characters. Check for review: https://moviesofthesoul.wordpress.com/2013/11/12/monkey-pen/

Righteous One: North 24 Kaatham
This movie is so simple and yet scores with the simple thoughts about goodness, righteous and happiness, and it has the power to change lives. Check for review: https://moviesofthesoul.wordpress.com/2013/09/18/north-24-kaatham/

Magical Movie: Amen
This movie is magical with or without its clear share of magic realism, and it is one of its kind, to be remade in other Indian languages. Check for review: https://moviesofthesoul.wordpress.com/2013/03/27/amen/

Powerful Experience: Rush
For a movie which can bring even non-Formula One fans to feel the emotions, there is no evil to be said about this one. Check for review: https://moviesofthesoul.wordpress.com/2013/10/25/rush/

Game Changer: Go Goa Gone
This movie might be the best thing that has happened to Bollywood in 2013, and I hope that this zom-com brings good changes instead of mindlessness. Check for review: https://moviesofthesoul.wordpress.com/2013/05/11/go-goa-gone/

Personal Favourite: Memories
One of the two brilliant movies from the director of the year, this movie establishes Prithviraj as the Malayalam actor of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/08/12/memories/

Unnoticed One: 10:30 am Local Call
This movie had lots of good things about it despite a small cast except for Lal. This is a thriller as well as a love story with strength at both levels. Sadly, it didn’t get the attention or the appreciation it actually deserved.

Worst Malayalam movie: Kammath and Kammath
The movie provides us a world of nonsense and one can’t even understand what they say or intend to say. It wastes two actors and two actresses in a few hours of crime which they call a film. The side-effects of this movie include an eternal hatred for dosa which I could overcome only by hating idli.

Worst Hindi movie: Besharam
The shameless movie of the year has one of the so called young actors of the future in one of the worst roles anyone can do. This movie is a disgrace to Gandhiji as it released on the day of Gandhi Jayanthi. Taking in a whole family of actors and adding bad jokes which are older than our leading actor doesn’t help either.

Worst English movie: Mortal Instruments
This movie wonders who is the lover of whose brother and demons, vampires, hunters and werewolves have never been this retarded. There is this nonsense which makes Twilight look better. One comes to know that Lily Collins is incredibly cute, but the story or the characters makes no sense even when they are not on screen.

Most Undeserving Hit: Chennai Express
This is a painful watch as its take on the South – the actress has a Hindi accent which is not from the South of India, but from outside the nation, and the movie isn’t even funny enought to be taken lightly, and its romantic side is terrible. This is a clear case of stereotyping, and with all due disrespect to Krrish 3 and Dhoom 3, this will remain the undeserving one.

Of a Mental Asylum: Olipporu
From the moment it begins, to the end, the movie has tried to do something intellectual, that is for sure – but at most times, it makes no sense and with this movie, I have stopped watching Malayalam movies on the first day, alone. In the movie Nadan, Jayaram tells a few words which are applicable for this movie.

Worst Drag: Annayum Rasoolum
This had three hours of nothing but drag – the hero looks at the heroine, and keeps looking at her till the end of first half, and in a relationship of few words, they kiss, he goes to jail and she dies in a world of pathetic pseudo-romance. To add to an already slow movie, there is slow motion – what is wrong with these people?

Worst Drift: Bicycle Thieves
This movie drifts again and again with no idea where to go and what to do with its characters. There are twists of no sense and characters of no use. After stealing the title from Vittorio De Sica, this one comes up with a heroine who looks many times younger than the hero, and lead by her being weird. almost everyone acts strange, wonder why.

Worst Emptiness: Kili Poyi
This one has nothing, but smoke inside it, with clear glorification of drugs and a loose lifestyle, and its characters are so plain that one can hope to have just smoke inside it and feel the emptiness throughout the world. The movie itself is a black hole which has unfortunately made an impact of nonsense.

Worst Lie: Neelakasam Pachakadal Chuvanna Bhoomi
This movie is a lie from the beginning to the end, and has characters who use the mask of travel for being stupid and aimless. The leading character is a man who pretends so much that he obviously has no identity of his own, and the journey is useless. This is rather an Indian Born Confused Desi (IBCD).

Worst Stupidity: ABCD
This one uses that kind of jokes which can’t appeal to even the worst of brains, and it is surprising that it became a big hit. The story of two shameless people who live a shameless life to end shameless doesn’t bring up any interest, except for the fine debutant performance of Jacob Gregory.

Unbearable One: Sringaravelan
This year’s most shameful comic movie comes up with a hero who falls in love with the heroine in another strange and meaningless way and their adventure is indeed a mentally retarded one, with the only hope being the beautiful heroine. Why would someone subtitle a movie “The Romantic Fighter” is beyond all hope.

Clueless One: The Host
There are no Twilight movies this year, and this movie is the worthy successor to that legacy, coming from a work of the same author. From the beginning to the end, this is a clueless alien invasion with no sense. At the end of the movie, we are aliens and would wish to escape from that world.

Worst Hype: Django Unchained
A story of violence and racial hatred has the shoot-at-random-people theory going throughout it. If the colour is different, shoot more people, and dead people are so much fun in this movie. Show a grin after you shoot people, because murder and destruction is so much fun. I have written a review, but you needn’t read it 😀

Malayalam Only:
Best Actor: Prithviraj Sukumaran (Celluloid, Memories, Mumbai Police)
Second Best: Fahadh Faasil (North 24 Kaatham, Amen)

Best Actress: Remya Nambeesan (Philips and the Monkey Pen, Left Right Left, Nadan)
Second Best: Swati Reddy (Amen, North 24 Kaatham)

Best Pair: Fahadh Faasil and Swati Reddy (Amen, North 24 Kaatham)
Second Best: Nivin Pauly and Nazriya Nazim (Neram)

Best Performance: Prithviraj Sukumaran in Celluloid
Second Best: Prithviraj Sukumaran in Memories

Best Negative Shades: Indrajith Sukumaran in Left Right Left
Second Best: Indrajith Sukumaran in Ezhamathe Varavu

Best Villain: Joy Mathew in Amen
Second Best: Sreekumar in Memories

Best Supporting Role: Indrajith Sukumaran in Amen
Second Best: Fahadh Faasil in Immanuel

Best Comic Lead: Asif Ali in Honey Bee
Second Best: Kunchacko Boban in Pullipulikalum Aattinkuttiyum

Best Debut: Reenu Mathews in Immmanuel
Second Best: Keerthi Suresh in Geethanjali

Surprising Performers: Vijay Babu in Philips and the Monkey Pen
Second Best: Lena Abhilash in Left Right Left

Best Impact: Shobana in Thira
Second Best: Indrajith Sukumaran in Amen

Best Character: Georgekutty in Drishyam (Mohanlal)
Second Best: Sam Alex in Memories (Prithviraj Sukumaran)

Best Director: Jeethu Joseph (Memories, Drishyam)
Second Best: Lijo Jose Pellissery (Amen)

Best Child Artist: Esther Anil (Drishyam)
Second Best: Sanoop Santhosh (Philips and the Monkey Pen)

Best Song: Memories Never Die (Memories)
Second Best: Etho Sayahna Swapnangalil (10:30 am Local Call)

PS: Most read movie reviews:
Drishyam (https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/)
Oru Indian Pranaya Katha (https://moviesofthesoul.wordpress.com/2013/12/22/oru-indian-pranaya-katha/)
Phata Poster Nikla Hero (https://moviesofthesoul.wordpress.com/2013/09/24/phata-poster-nikhla-hero/)

*103 movies watched on the big screen this year, with 71 of them reviewed. There were 44 English movies, 43 Malayalam movies, 12 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones = 109.

Extracted

extracted (6)

What is Extracted? :: “The mind is its own place, and in itself can make a heaven of hell, a hell of heaven” — John Milton, Paradise Lost. Well, the mind creates not just heaven and hell, but a lot of other things. As long as the minds are concerned, the physical existence of hell and heaven can take a heavy toll. If the mind keeps you burning, you shall feel the inferno, and if the mind is going through peace, hell is not coming down. Yes, going to paradise, inferno or purgatory in the physical manner is to be left for life after death, but for what happens on Earth, it is all about the mind. This is the same reason why two people might experience the exact same thing in different manner. Each person is unique and so is the mind in every man. Extracted takes us into the mind of one man, where there are memories which keep playing, and there is this another man who is trapped right in there with no chance for an escape. So what are his memories and how does it work? Does the man escape from that world?

What is it about? :: It follows Tom (Sasha Roiz), who invents a machine which can help a person to enter the mind of another man and read his memories, or rather walk around in it (rather like walking around the dreams of a particular person in Inception, but this being more of a scientific device which reacts to instructions and keeps the person who just entered the memory walk through them as he wants to, unaffected by that world and not influencing anything in the mind). Our scientist is a good man, and wishes to use this in treating trauma and for other medical purposes. But once again, government becomes the temporary villain as they make him enter the mind of a suspected killer of a woman, Anthony (Dominic Bogart) with promises of money which he needs as well as a little threatening. But then the system refuses to log him off the mind of that man and his body is left motionless with his mind trapped in the memories of the murderer with nobody having any idea how to get him out. He keeps wandering in the memories until he starts trying to communicate with the owner of the memories.

The defence of Extracted :: Even without the use of that much of a budget, they have made this one interesting. There is absolutely no need for special effects of the highest quality to make a science fiction movie (listen Krrish 3, you never needed those horrible special effects which is not even fit to be called special, if you ever had a good story supported by fine acting). The graphics are kept at a simple level and the story is given the importance it deserves. There is not even a real villain, even as they do get into the mind of someone who is the bad guy. The scene when the infiltrator and the owner of the memory meet each other inside the mind in a fine point. The atmosphere they have created is not really that of a special effects aided fantasy with strange happenings, as the mind itself becomes just another reality with only two of them and of course the computer. There is no external or internal factor affecting the same, and that adds to the simplicity of the movie and way in which it progresses. These people are smart indeed.

Claws of flaw :: The memories doesn’t have anything special, as this is the mind of a man who is into drugs and a lot of illegal activities. His world is simple and often lacks details as the computer is forced to fill those areas with certain kind of fillers which dominates a good part of his memory. That would make the special effect lovers sad, as there is nothing to feel awesome out of this world. There are ambiguities, that is for sure, but of a very small kind. There are moments which could have been made better, and there was more scope for this movie in the way the narrative progresses, and the manner in which the whole situation is being built up. The simplicity is often the movie’s enemy, as the impression it creates stay within certain limits. If you are expecting a special effects marvel like The Matrix, an incredibly awesome looking creation like Inception or something as serene and yet powerful like The Cell, you are going to be disappointed. This one is a movie of this world and not anything else. There is almost nothing to take you to the highest levels of fantasy with visual awesomeness.

Performers of the soul :: The performances are surprisingly good, and it is one of the highlights of a movie which has been rather unknown. Sasha Roiz has done a great work in the movie, and if anything matches or betters that, it should be the performance of Dominic Bogart. While the former is more of a flat character, the latter is as dynamic as he can get, and moves on to the realization about himself not before thinking and coming into his own conclusions. The two female leads are also very good with the limited screen presence that they have, but they do have quite the emotional stuff to go through. If there was more character development in the case of the characters other than the owner of the mind, this could have been a great field for performances. There is nothing extraordinary out there, as everything remains so simple and believable. There is nothing of exaggeration even in a science fiction movie of complicated ideas, as there is a high chance for the same as we have seen in many such movies. These characters are done in a simple manner and the acting works in the right manner, even as most of us might not know any of these actors or actresses.

Soul exploration :: I wish to leave you with a few lines from a song in the Malayalam movie Memories: “Time flows like a river running wild, my mind’s swimming, swimming like a child, I watch the yesterdays go by, like moving patterns in the sky, memories never die”. The movie has a protagonist who is a drunkard living in the memories of his wife and daughter who were killed by a criminal, and he is as much caught in those memories as our hero here. Yes, that was an investigative thriller in which he gets out of them to solve a mystery, but here, we have a device and science fiction. We are all slaves to the past, and memories are all that he have, but when the memories are not ours, there comes the surprise, and just like Inception and The Cell, Extracted also sends someone into the mind of another person. I would recommend that song by the way, as its lines “I take a train into the past” and “Trapped in the desert of my mind” with the way in which it is sung and the scenes are shown in brilliant – it is that which comes to my mind when I watch this movie.

How it finishes :: Extracted is worth a watch if you liked Inception and The Cell, or may be even The Matrix. If there needs to be the reminder of another title, that would be Source Code. Be careful about expecting something spectacular, but expect something simple instead. I would compare this one more to The Cell rather than any other movie, and this is a lower budget version of such movies, taken in the right manner so that it can make an impression without too much quality. Its final plot twist is rather not that impressive, and the ending is adjusted than rather created with full power. It could have tried a little bit harder, and then it could have come up better. Whether you like it or not, we have to appreciate the efforts they have done to create so much out of a low budget movie without losing out. The movie proves that memory can be simple, and yet valuable, and there is no need for blue aliens or space station or inter-planetary travel to make a good science fiction movie. The ideas of The Matrix, Inception and The Cell can be further used, and none of them are finished. Even as budget matters, it is the attitude that matters more. In the end, there is that fine work which might not stay in our memories forever!

Release date: 10th March 2012
Running time: 85 minutes
Directed by: Nir Paniry
Starring: Sasha Roiz, Dominic Bogart, Jenny Mollen, Frank Ashmore, Nick Jameson, Richard Riehle, Sara Tomko, Brad Culver, Richard Riehle, Rodney Eastman, Augie Duke

exxtracted copy

@ Cemetery Watch
✠The Vampire Bat.