Konda Polam

Vampire Owl: So, we continue to go through films of different languages.

Vampire Bat: The second Telugu film to be at this website.

Vampire Owl: Yes, but Drushyam 2 was basically something we knew so well already.

Vampire Bat: The reflection of Drishyam 2, as we see them.

Vampire Owl: This is a fine thing brought about by the Corona virus.

Vampire Bat: Yes, the release of films in Amazon Prime Video is more certain now.

Vampire Owl: The rise of OTT was only a matter of time.

Vampire Bat: The world has changed with entertainment too.

Vampire Owl: Yet, humans remains the same, as evil as they can.

Vampire Bat: They were able to find more evil from the OTT platforms, as they were not ready for it.

[Gets a vegetable cutlet and three glasses of chocolate shake].

What is the movie about? :: Kataru Ravindranath (Panja Vaisshnav Tej) is someone from a remote village who has passed the civil service exams with top marks, and the same comes as a surprise to those who conducted the interview. He is also able to answer their questions with a lot of clarity, which leads to the interviewers to ask about him and why he had chosen Indian Forest Service when he could have taken the higher options of Indian Administrative Service or Indian Police Service. He is ready to tell his story, and it is about him and his father who are from a family of shepherds. Everyone around him are much bothered as he hasn’t got any job even after studying so much, unlike everyone else in the village. But after staying in the city for such a long time, he remains jobless. The village has been facing a drought for a long time, and he is forced to take the sheep far away in search of green pastures to feed the sheep and find drinking water. He feels that saving the sheep can prove as a blessing and remove the troubles which he has been facing in his life.

So, what happens with the events here as we just keep looking? :: Obulamma (Rakul Preet Singh) who is an expert shepherd is another person to join the team, also provides some guidance to him, as they go through the journey, but remains afraid of tigers, especially one which is supposed to have hunted the sheep all the time. They might also have to come up against possible thieves and wolves on the way. He remains afraid of the situation, but hesitates to go back despite his father asking him to return, as he should continue to search for job, while others mock him. They come across the sheep thieves quick enough, and they also find that there are bigger thieves who are there to cut the valuable trees illegally. At the same time, they also face the problems of having only limited food and other other supplies. It wouldn’t take them much time to come across a tiger, and their abilities for survival are to be questioned soon enough. He feels that he was afraid of interviews as much as he was afraid of the tiger and the wilderness. But during the journey, he would have to start facing his fears, but it wouldn’t be that easy.

The defence of Konda Polam :: We do feel that there is something about this particular film, from the beginning itself, as the starting moments have some certain focus. The visuals are really good, with focus in the village and the forests, and also has a good number of actors and actresses playing the villagers doing a fine job. With an inspirational theme at the core, one can be glad that Amazon Prime Video did buy the film and brought it to us, as there is no other way for us to watch Telugu films around here. After watching Drushyam 2, I definitely wanted to add more to the list, and this one makes the time worth it. The movie inspires to face one’s fears, and there are many genuine people who fail to get a job in comparison with others who fake themselves during an interview. The rest gets their job due to reservation. So, what would the common righteous man in general category do? Well, one has to fight and fight harder every time. For the same, the film serves as an inspiration, and it also has a message in support of nature, as well as some action and thrills to go with it in this particular adventure.

The claws of flaw :: The usual kind of songs do come in between to bring the unnecessary break which is often considered natural, but they are not, during this time period. There are some moments which take the film a little bit forward than needed, and some of the repeated romance do have some negative effect around here. The romantic side surely could have been there all the time, but in the background instead of showing up all the time. The movie is also a little bit too long with this particular content. The movie would have served better if the intent was more visible earlier. There was not the need to go to the top, as an inspired person getting some other job which the common people go for, was fine enough, as we always need the dreams that we can pursue, like Mili did – not all of us can dream that big. The top scorer at the top of the world idea seems to be more or less of an idea to give those who are looking for mass moments something to cheer for but, this could have gone for a more realistic idea with that. Well, too much inspiration can be often disappointing, and it also means an unreal thought process.

Performers of the soul :: Panja Vaisshnav Tej plays someone who goes through the struggle that most of the youngsters face in the city, and also another struggle in the forest. The movie is more or less the bildungsroman, the coming of age story of his character, which he manages well. The problem is only with this being too steep a climb, making a few things rather unrealistic, and forcing people to dream too big at a time when the world is not kind to people who take the risks. The world is actually worse than a few people in a village asking a young man why he is not having any job yet. Rakul Preet Singh is lovely in this role, and she goes through the movie as a natural, happy girl who is close to the sheep. The only other person in the movie whom I know about is Nassar, who interviews the protagonist for the civil service. But it is to be noted that most of the actors and actresses who play the villagers do some fine job, especially the one who plays the protagonist’s father. The comic side still serves as the weakness for the characters, but as a whole, it can be left aside.

How it finishes :: We have seen the tiger fight with Pulimurugan, and that episode of this tale is not something we are not familiar with. There is the difference here though, as the focus goes divergent, but there are some effective elements related to that, reminding one also of the eco-friendly Malayalam movie, Lord Livingstone 7000 Kandi. Even though this movie also has a similar message about nature and conservation of environment, it is also about facing one’s fears and takes it to the next level, a little too much, maybe. We can note that with the resources, they have surely managed this one well enough. With moments of glory also in store, the film gains advantage quick enough, even though not all motivation is realistic. In one way or the other, it is an inspirational movie which races towards that one goal, which completely focuses on facing one’s fears by the end. You can see that by avoiding a few elements which deviate, with some elements being the common ones, and here is a movie which doesn’t hold back in the end.

Release date: 7th December 2021 (Amazon); 8th October 2021 (Theatre)
Running time: 142 minutes
Directed by: Krish Jagarlamudi
Starring: Panja Vaisshnav Tej, Rakul Preet Singh, Sai Chand, Kota Srinivasa Rao, Nassar, Annapurna, Hema, Anthony. Ravi Prakash, Syamala, Pranitha, Mahesh Vitta, Racha Ravi, Ashok Vardhan, Anand Vihari

<— Click here to go to the previous film review.

<— Click here to go to the previous Indian film review.

@ Cemetery Watch
✠ The Vampire Bat.

Silence

silence (1)

Questions of the day :: The first question of the day is less relevant, and it is about the day of release. Why would this movie be released on a Saturday? That gives the impression that the movie is less confident about fighting face to face with movies that release on the Friday as usual, and this was more of a “weak week” except for The Hunger Games: Catching Fire striking the multiplexes; that won’t help – it gives more of a feeling that by releasing on a Saturday or a Sunday, more family audiences can be lured to the theatres without reading a review. That is rather pure lack of confidence, something which we audience have more on all those who are behind this movie than they might have had on us. The next question is about the lack of publicity – this might be the least publicized movie of Mammootty as well as V.K. Prakash in a long time. Nobody really knew that this movie was going to release last Saturday. It was updated on multiplex lists much later, and there was no talks about it. Seriously, why release a superstar movie in secret? There are some posters, but in a week such as this, the movie could have done incredibly well with better marketing.

What is Silence? :: From the director who gave us Beautiful (my favourite movie from him), comes this flick which is more of a thriller. No it is not just Silence if you look closer into the poster, as it is The Power of Silence, with Silence written in big letters. I didn’t like his last few movies, but I was sure that there will be something good coming up from him soon. Only if they had marketed this well as they did for the inferior movies like Natholi Oru Cheriya Meenalla and Poppins. This has to be the least popularized Mammootty movie too, breaking the record of Kunjananthante Kada which also came sneaking into the theatres. But Silence is still moving silently, and there needs to be voices if it has to take it to the next level. Just because the name of a movie is The Power of Silence, would that mean its better to sneak into the theatres and run for a week with not many people knowing that it has released? Except for jobless people like me, of course. The fans will know, but for a neutral, this one had to be told about. What is the motive behind making this movie if nobody knows it has released? Who knows? Well, lets move on to what might point to our movie concerning corpus delicti!

What is it about? :: Aravind Chandrasekhar (Mammootty) is the newly appointed Chief Judge of the Karnataka High Court after a great run as a lawyer with absolutely no blemish. He is praised as the youngest person to achieve that honour and everything goes smoothly as he goes to his ancestral home with his wife Sangeetha (Pallavi Purohit) and two children. He is harassed by a phone call from an unknown person who seems to know almost everything about him, and tells him that he is not fit to be a judge. There are cars chasing him, people around his house, his daughter is given gifts by strangers and his son is found missing only to be found later. With the help of Neil George (Anoop Menon), an IPS officer and a good friend, he attempts to solve the mystery behind the people who are shadowing him. He finds that there is something about his past there, and goes back to look at the cases which he dealt with, and with the advice of his former rival Markose (Joy Matthew) and his juniors, he would find out the same just after the first half and gets to make things right.

The defence of Silence :: The movie does have the power of silence as it moves on silently, but with some hidden fire throughout the first half. It is a good attempt by the crew to make a thriller after the same director and scriptwriter did join earlier to make comedy movies. The movie is serious and is successful in making people think that there is something big coming up and there are surprises in store. The questions have been brought to light and the train of answers have been set up in such a way as to make sure that there will be no derailing except for some shaking in the second half. There is that feeling which has been missing in the thriller movies in Malayalam, which audience might have been waiting for. There is that point where the interval is set and it is where the movie is at its peak, and at the top it sends people to buy popcorn, kappa varuthathu, kadala and tea, waiting to pounce on them again after the interval, and people are left with high hopes.

Claws of flaw :: The second half takes an unnecessary leap and takes away the hopes. The beginning of the second half is okay, but as it progresses and reaches the second part of the second half, the curse takes over and by the climax, it is almost completely gone with the ship barely holding on at the top of the sea level with only the mast remaining on the top. The way they end this movie is rather despicable, and there is an underwater fight scene as they attack each other as if they were born to live underwater, but that place looks rather like an aquarium. Why all the stupidity and dialogues of nonsense in the end is a question which can spring up. The loopholes catches on, and the background music which comes out of nowhere and becomes disturbing for the ears with noise pollution is another despicable thing. The movie becomes rather amateurish as a thriller as it reaches the finishing line. The points that the movie scores is for the first half, and the for the second, it gets some points just because it doesn’t fall into the bottom of the abyss.

Performers of the soul :: Mammootty is the one who saves the movie again and again as the flick keeps losing steam on regular occasions. He makes sure that he does all that he can to keep this ship from sinking from the holes created by itself during a moonwalk with a glacier, and there is a lot of them which can make a regular Titanic sink. Anoop Menon has given him great support right from the beginning and his performance is as good as it can get, while Pallavi’s debut in Malayalam is just decent with nothing special added to the menu, and one often wonders if that character is there just because our protagonist needed a family and someone was to be kidnapped and left for dead by the villain. Aparna Nair has nothing but a presence, like the dead twin sister in Geethanjali. Joy Mathew has a very small role, but when he is there, he makes that impact that he always makes, and his character could have been further explored rather than left behind with a few dialogues. He would have been a better villain than anyone else in the movie. The child artists are also good.

How it finishes :: Silence is a silent scene for most of the viewers as the movie which doesn’t have even a wikipedia page (even small budget movies without superstars often manage one). Its power as a thriller might be disputed and its strength as a superstar movie might be questioned. V.K. Prakash and Y.V. Rajesh surely make a great combination (yes, I liked Gulumal: The Escape and Three Kings, no matter what). Not among the more interesting thrillers in any manner, and don’t compare this to Memories though, as it remains the best Malayalam thriller movie not only of this year, but also of a long time. Silence doesn’t rise even as a mediocre contender to that. But this one does have its moments of thrills which doesn’t go beyond a certain point. The thrillers with psychological as well as the investigative sides always make it interesting to watch, as proved by Memories, Nadia Kollappetta Rathri and Sahasram. Silence has a certain doubt if it should go with these three or last year’s Grandmaster, and there it confuses itself as well as the viewers, and gets drained of energy, yet holds its ground. There is information that it is inspired from multiple Hollywood flicks, but none I have watched. We need more thrillers in Malayalam, and so I suggest we should make this one a success!

Release date: 7th December 2013
Running time: 120 minutes (estimate)
Directed by: V.K. Prakash
Starring: Mammootty, Anoop Menon, Joy Mathew, Pallavi Purohit, Aparna Nair, Kavitha Nair, Ravi Vallathole, Basil, Prakash Bare

silence copy

@ Cemetery Watch
✠The Vampire Bat.