Antonio Buil – Movies of the Soul

Vampire Owl: We have always loved nowhere.

Vampire Bat: No place is nowhere for vampires.

Vampire Owl: The witches live in the middle of nowhere.

Vampire Bat: Nowhere is a myth. They live in the very next territory.

Vampire Owl: It is not the same with the Witches of the North.

Vampire Bat: They live in the north. It is why they are called so.

Vampire Owl: The north has always been the true nowhere.

Vampire Bat: An addiction to nowhere can be dangerous.

Vampire Owl: Do you expect demons of nowhere to come through the portal?

Vampire Bat: The portal leads to nowhere as there is no such a place.

[Gets a choco-vanilla cake and three cups of mint tea].

What is the movie about? :: A dystopian situation has emerged in Spain after a global crisis causing shortage of basic necessities, and the new government in the country turning completely totalitarian in nature. Mia (Anna Castillo) and Nico (Tamar Novas) decides to make an escape from the country due to fear for their unborn child, as children, elderly and pregnant women were targeted by the military who tries to eliminate whoever becomes a burden during a time of resource shortage. The decision is to escape to Ireland in container taken on a cargo ship, and for the same, they use every resource that they have with them including money and gold. But they are separated on the way and are left inside two containers with Mia’s container attacked, leaving her as the only survivor. Nico’s container is left outside the city with nowhere to go. Her container gets on the ship after some difficulty, but it falls into the sea as a storm strikes. The container slowly fills up with water, but she manages to keep the process slow with what she can get.

So, what happens with the events here as we just keep looking? :: The container has some materials, but nothing to keep her and the unborn child alive until help arrives. After some difficulty she has contact with Nico who promises to come and help her even though he does not know how. All the other containers have already perished under the sea, taking many people with them. The government continues to take measures to make sure that nobody escapes from the lands or turn against the government with regular checking, which halts the progress of Nico considerably. There would be no revolution coming up to change things around, and there are only a few democracies left in the world. She soon gives birth to a daughter on a stormy night. Injured and weakened like never before, she feels the desperate need to find help from anywhere. At the same time, she realizes that Nico is severely injured and there is no hope for him to come to her, as time runs out for all three of them, and there might also be another storm coming soon.

The defence of Nowhere :: We have the feeling that there is something extraordinary about this movie at times with the work done behind it as much as in front of the camera. The realistic take makes the feeling of danger have more effect, and we keep hoping for the protagonist to do whatever it takes and make it to the end. The visuals within a small world with the support of graphics work so well, and the fear feels so much real with one fine performance in the lead. The movie leaves us with the message of never giving up, and always having hope for a better future. As the husband tells her wife, he would always love her more on the next day and the dialogue is a reminder that those are the better coming days that we need to look out for, in a world of chaos and destruction as humans descend into hatred and ultimate evil. After all, an end of the world scenario after a totalitarian government has not been that distant a probability. We all know that we are quickly moving towards that end.

The claws of flaw :: Nowhere had infinite scope to be the classic that we have all been waiting for. This could have been something of epic proportions. It does not go that long, as we look at it. There is a certain amount of drag here, and it could have been a better movie with the length reduced. The opportunity to create a spectacle is also avoided in the process. When we are dealing with hope trying to inspire further, there should always be something bigger in scope. These are the time when people expect more from survival thrillers, as there have been many of them, from The Shallows to Meander, as different situations have come to us in the last few years testing human willpower to survive. In this particular movie, the protagonist would seem to have the least chance for survival, which makes us wonder if this would be more of a fantasy rather than anything else. The ending also seems to have just meant to finish the job with the required survival.

The performers of the soul :: With Anna Castillo and Tamar Novas as two names that we see everywhere among the cast, and with the former left to deal with the whole thing, there is no doubt about the fact that performances need to come from one side. With her around, the danger and the struggle seem real. Living in a floating and slowly sinking container while at the middle of the sea seems like an idea easy to talk about, but would not be that easy to work with. Tamar Novas also seems to be playing a main character in the beginning, but only have the voice to work with in the later stages. His character seems to be as expendable as the others around there after the first few minutes. It can be seen that Tony Corvillo has a fine evil presence there. During these times, one would wonder if sea is also a character, always listening to the probable victims and taking whoever it can. The container is also more like a living thing that provides life to what lies inside.

How it finishes :: If we keep looking, it is evident that Nowhere basically comes out of nowhere to make an impression. It is the title which most of us have not heard about, but all of a sudden, we feel that we should have heard about it earlier itself. If we read the synopsis of the story in this movie, the same is evident as we develop that sudden interest. This is not something new for the Spanish movies which never ceases to amaze us especially when least expected – there have been many examples for the same from The Platform to Adios, and from Cross the Line to Two and The Wasteland. But it could have still been more of a classic that would stay forever with its content. We can consider this partially as an opportunity missed, and still creating enough impact to become a movie that would be much talked about. The effort here is to be appreciated the most. This is not an idea which is easy to execute, and the result of the effort can be seen here. If you are going to start with good Spanish movies, this will be a fine start.

Release date: 29thSeptember 2023 (Netflix)
Running time: 109 minutes
Directed by: Albert Pinto
Starring: Anna Castillo, Tamar Novas, Tony Corvillo, Irina Bravo, Lucia Soria, Edu Bulnes, Mariam Torres, Victoria, Teijeiro, Mary Ruiz, Antonio Buil, Paula Roy, Jose Lucena, Saorla Wright, Kaabil Sekali, Andrew McGurk, Tonu Sureda Luther, Victor Boira

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: Do you remember how long we waited to watch a Romanian movie?

Vampire Bat: I am not sure. Maybe, we waited for an eternity.

Vampire Owl: Vampires deserve to watch Romanian movies, don’t they?

Vampire Bat: This movie was selected as the Romanian entry for the Academy Award for Best International Feature Film at the 92nd Oscars.

Vampire Owl: So, we might be beginning our Romanian movie watching with one of the best.

Vampire Bat: Yes, I don’t see why we shouldn’t go for the best.

Vampire Owl: Should we call Uncle Dracula and the minions to watch this one too?

Vampire Bat: After we watch the movie and declare it safe, they can watch it too.

Vampire Owl: Okay, then. We are going for our first Romanian film.

Vampire Bat: Do watch it carefully, and come up with an opinion.

[Gets an chocolate cake and three cups of white tea].

What is the movie about? :: Cristi (Vlad Ivanov) is a Romanian police officer who acts as a whistle blower for mafia, and it is made clear that he is not someone who stays on one side at all times, as the switch does happen very often. Even though he is under police surveillance for suspected corruption, Gilda (Catrinel Marlon) who has been part of organized crime, manages to bring up a plan to free a controversial businessman arrested in Bucharest and asks for his help in the job. She poses as a high level prostitute with Cristi as her most valued customer to make the cameras set in his house believe that she is up to nothing related to such crimes and gangs, and is just there to provide him her service which she proves to the eyes behind the camera. Cristi is forced by her to go to La Gomera Island, one of Spain’s Canary Islands to learn an ancestral whistling language which he can use to connect to mobsters without being detected by the police or anybody else who possessed some threat to them.

So, what happens with the events here? :: This ancestral whistling language has been the kind of thing used to communicate across the deep ravines and narrow valleys of the island. It enables messages to be exchanged over long distance, and he hopes to study it soon enough, because he needs to get the man out of prison, as he is someone who needs to be outside to give information about millions of cash. As this a case with so much of money involved, there is the certainty of twists occurring. Everyone is after a missing thirty million in cash, and as both the criminals and the police tries to find where the man hid the money. But Cristi has some other plans along with finding the money for any of these sides. For the same, he would come up with a more twisted idea. But it is to be seen whether he would be successful in the same, because he is playing with fire on more than one side. Can he get out of there, maybe with Gilda on his side without being hurt, or will he be hit by the terror that is going to be unleashed when the thirty million is lost?

The defence of The Whistlers :: It can be seen that The Whistlers is that kind of a movie which slowly gets the thrills to us, and from the beginning itself, the same starts getting on to us. You know that all the characters here are up to something, and we are able to feel the same quite early. It also brings a certain amount of humour in there and we also have the surprises thrown in here and there. The settings used here are all beautiful, and when looking at the scenes in Romanian towns as well as the Spanish island far away from its coasts, we are all glad to see such things of beauty. The performances of Vlad Ivanov and Catrinel Marlon are nothing less than deadly either. If you haven’t watched any Romanian movies yet, this might be the film to begin watching these from that particular industry, as it seems to be a lot ahead to catch our attention with almost everything shown on the screen. With the same, there is also simplicity in its complexity.

Positives and negatives :: The Whistlers is the kind of movie which moves too slow for some kind of audience who might be looking for better pace considering the fact that this is a crime thriller. The beginning with the main characters playing certain roles for the cameras seemed to suggest that this was going to be quicker in pace, but it was not so. But it is good to see that unlike the other crime thrillers, this is the kind of movie which cares about its humans too, and they are not really the kind of people who are there to keep shooting and get shot. You can see that power and weakness, loneliness and companionship, pretension and sincerity, trust and the lack of it – all are shown as part of life, while we see everyman elements in these characters around here. The world of crime is not about keeping on shooting people and creating chaos, as there is something more about it, as this movie tries to prove. The Whistlers is more than what meets the eye, as you compare it to the other movies of the genre.

Performers of the soul :: Vlad Ivanov as Cristi comes up with a solid performance, as he plays a character whose intentions are never really that clear, and it is one unpredictable character which he plays to perfection. This particular character is never really the person we think that he is, and he shows signs of the person who brings the twists quite early. Catrinel Marlon as Gilda is nothing less than fantastic, as she plays a femme fatale character with certain class, but it is also a character with more than one side, which she proves quite early into the movie. In the beginning, we even have the doubt if she is the main character, as she is in action just ten minutes into the movie, dictating terms and flourishing on the screen. She is a different kind of Anna, as you look at her closely, and she never hesitates to bring all that she can, at any moment. The same can be seen again in more and more moments, as we see her getting her righteous place in there on different occasions. Rodica Lazar comes up with a fine believable role as the police officer who is in charge.

How it finishes :: The Whistlers is a special movie, not just because it is a crime thriller which keeps itself solid, but also due to how well it handles the content smoothly. This is surely a movie that you would want to watch, and then continue to watch more of Romanian movies – I had said the same about another movie, a Vietnamese one which could introduce you to that film industry really well. Both The Whistlers and Furie as unknown movies in this part of the world, and as people rush to look for more and more Korean movies, these two movies in two different languages from different parts of the world deserves your attention. I have always loved Romania as a place which had the historical region of Transylvania, as my best interest is in Gothic works – it is a place which I would love to visit one day to see those castles which are often related with Count Dracula, but until then, maybe I can watch some more of wonderful Romanian movies. This one is just beginning, as rest will surely come.

Release date: 13th September 2019
Running time: 97 minutes
Directed by: Corneliu Porumboiu
Starring: Catrinel Marlon, Vlad Ivanov, Agusti Villaronga, Cristobal Pinto, Sergiu Costache, Antonio Buil